DOCSLIB.ORG

APPENDIX I the 13Th ASIAN FILM AWARDS NOMINATIONS LIST 第十

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
APPENDIX I the 13Th ASIAN FILM AWARDS NOMINATIONS LIST 第十 APPENDIX I The 13th ASIAN FILM AWARDS NOMINATIONS LIST 第十三屆亞洲電影大獎入圍名單 BEST FILM 最佳電影 Film Title Country / Region 電影名稱 國家 / 地區 Burning South Korea 1 燒失樂園 南韓 Dying to Survive Mainland China 2 我不是藥神 中國大陸 Jinpa Mainland China 3 撞死了一隻羊 中國大陸 Sanju India 4 一代巨星 Sanju 印度 Shoplifters Japan 5 小偷家族 日本 BEST DIRECTOR 最佳導演 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 LEE Chang-dong Burning South Korea 1 李滄東 燒失樂園 南韓 Pema Tseden Jinpa Mainland China 2 萬瑪才旦 撞死了一隻羊 中國大陸 Rajkumar HIRANI Sanju India 3 拉庫馬·希拉尼 一代巨星 Sanju 印度 KORE-EDA Hirokazu Shoplifters Japan 4 是枝裕和 小偷家族 日本 Fruit CHAN Three Husbands Hong Kong 5 陳果 三夫 香港 BEST NEW DIRECTOR 最佳新導演 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 Singapore 新加坡 YEO Siew Hua A Land Imagined 1 France 法國 楊修華 幻土 Netherlands 荷蘭 Rima DAS India 2 Bulbul Can Sing 麗馬·達斯 印度 Thailand 泰國 3 Phuttiphong AROONPHENG Manta Ray France 法國 Mainland China 中國大陸 UEDA Shinichiro One Cut of the Dead Japan 4 上田慎一郎 屍殺片場 日本 Oliver CHAN Siu Kuen Still Human Hong Kong 5 陳小娟 淪落人 香港 BAI Xue The Crossing Mainland China 6 白雪 過春天 中國大陸 1 APPENDIX I BEST ACTOR 最佳男主角 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 YOO Ah-in Burning South Korea 1 劉亞仁 燒失樂園 南韓 XU Zheng Dying to Survive Mainland China 2 徐崢 我不是藥神 中國大陸 Aaron KWOK Project Gutenberg Hong Kong 香港 3 郭富城 無雙 Mainland China 中國大陸 Ranbir KAPOOR Sanju India 4 蘭比爾·卡浦爾 一代巨星 Sanju 印度 YAKUSHO Koji The Blood of Wolves Japan 5 役所廣司 孤狼之血 日本 BEST ACTRESS 最佳女主角 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 ZHAO Tao Ash is Purest White Mainland China 1 趙濤 江湖兒女 中國大陸 Russia 俄羅斯 Germany 德國 Ayka 2 Samal YESLYAMOVA Poland 波蘭 小傢伙 Kazakhstan 哈薩克斯坦 Mainland China 中國大陸 HAN Ji-min Miss Baek South Korea 3 韓志旼 白小姐 南韓 ANDO Sakura Shoplifters Japan 4 安藤櫻 小偷家族 日本 Chloe MAAYAN Three Husbands Hong Kong 5 曾美慧孜 三夫 香港 BEST SUPPORTING ACTOR 最佳男配角 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 ZHANG Yu Dying to Survive Mainland China 1 章宇 我不是藥神 中國大陸 KWON Hae-hyo South Korea 2 Hotel by the River 權海驍 南韓 TSUKAMOTO Shinya Killing Japan 3 塚本晋也 斬 日本 Sanju India 4 Vicky KAUSHAL 一代巨星 Sanju 印度 River HUANG Tracey Hong Kong 5 黃河 翠絲 香港 2 APPENDIX I BEST SUPPORTING ACTRESS 最佳女配角 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 JIN Seo-yeon Believer South Korea 1 陳世娫 毒戰寒流 南韓 DING Ning Cities of Last Things Taiwan 2 丁寧 幸福城市 台灣 XU Qing Hidden Man Mainland China 中國大陸 3 許晴 邪不壓正 Hong Kong 香港 MATSUOKA Mayu Shoplifters Japan 4 松岡茉優 小偷家族 日本 Kara WAI Tracey Hong Kong 5 惠英紅 翠絲 香港 BEST NEWCOMER 最佳新演員 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 KARATA Erika Asako I & II Japan 1 唐田英里佳 睡著吻別醒來抱擁 日本 JUN Jong-seo Burning South Korea 2 全鐘瑞 燒失樂園 南韓 XIE Zhang Ying Cities of Last Things Taiwan 3 謝章穎 幸福城市 台灣 Johnny HUANG Operation Red Sea Mainland China 中國大陸, 4 黃景瑜 紅海行動 Hong Kong 香港 HUANG Yao The Crossing Mainland China 5 黃堯 過春天 中國大陸 CHAN Charm Man Three Husbands Hong Kong 6 陳湛文 三夫 香港 BEST SCREENPLAY 最佳編劇 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 JIA Zhangke Ash is Purest White Mainland China 1 賈樟柯 江湖兒女 中國大陸 LEE Chang-dong 李滄東 Burning South Korea 2 OH Jung-mi 吳正美 燒失樂園 南韓 WEN Muye 文牧野 Dying to Survive Mainland China 3 ZHONG Wei 鍾偉 我不是藥神 中國大陸 HAN Jianu 韓家女 Felix CHONG Project Gutenberg Hong Kong 香港 4 莊文強 無雙 Mainland China 中國大陸 Rajkumar HIRANI Sanju India 5 Abhijat JOSHI 一代巨星 Sanju 印度 3 APPENDIX I BEST EDITING 最佳剪接 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 TSUKAMOTO Shinya Killing Japan 1 塚本晋也 斬 日本 CHOI Chi Hung 蔡志雄 Operation Red Sea Mainland China 中國大陸 2 LAM Chi Hang 林志恆 紅海行動 Hong Kong 香港 Curran PANG Project Gutenberg Hong Kong 香港 3 彭正熙 無雙 Mainland China 中國大陸 ZHOU Xiaolin Shadow Mainland China 4 周肖林 影 中國大陸 KIM Jae-bum The Spy Gone North South Korea 5 KIM Sang-bum 金尙範 北寒諜戰 南韓 BEST CINEMATOGRAPHY 最佳攝影 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 HONG Kyung-pyo Burning South Korea 1 洪慶彪 燒失樂園 南韓 LU Songye Jinpa Mainland China 2 呂松野 撞死了一隻羊 中國大陸 Thailand 泰國 Nawarophaat 3 Manta Ray France 法國 RUNGPHIBOONSOPHIT Mainland China 中國大陸 ZHAO Xiaoding Shadow 4 Mainland China 中國大陸 趙小丁 影 Tumbbad India 5 Pankaj KUMAR 村魔 印度 BEST ORIGINAL MUSIC 最佳原創音樂 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 Believer South Korea 1 Dalparan 毒戰寒流 南韓 LIM Giong 林強 Jinpa Mainland China 2 Point HSU 撞死了一隻羊 中國大陸 A.R. RAHMAN, Atul RANINGA Sanju India 3 Sanjay WANDREKAR 一代巨星 Sanju 印度 Lao Zai Shadow Mainland China 4 撈仔 影 中國大陸 HOSONO Haruomi Shoplifters Japan 5 細野晴臣 小偷家族 日本 4 APPENDIX I BEST COSTUME DESIGN 最佳造型設計 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 DONG Zhongmin 董仲民 Hidden Man Mainland China 中國大陸 1 Uma WANG 王汁 邪不壓正 Hong Kong 香港 MAN Lim Chung Project Gutenberg Hong Kong 香港 2 文念中 無雙 Mainland China 中國大陸 SAWATAISHI Kazuhiro Punk Samurai Slash Down Japan 3 澤田石和寬 龐克武士 日本 CHEN Minzheng Shadow Mainland China 4 陳敏正 影 中國大陸 The Spy Gone North South Korea 5 CHAE Kyung-hwa 北寒諜戰 南韓 BEST PRODUCTION DESIGN 最佳美術指導 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 Burning South Korea 1 SHIN Jeom-hui 燒失樂園 南韓 LIU Qing Hidden Man Mainland China 2 柳青 邪不壓正 中國大陸 Horace MA Shadow Mainland China 3 馬光榮 影 中國大陸 MITSUMATSU Keiko Shoplifters Japan 4 三松惠子 小偷家族 日本 Rakesh YADAV Tumbbad India 5 Nitin Zihani CHOUDHARY 村魔 印度 BEST VISUAL EFFECTS 最佳視覺效果 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 India 1 Srinivas MOHAN 2.0 印度 WANG Shaoshuai 王紹帥 Hidden Man Mainland China 中國大陸 2 YANG Yuejuan 楊月娟 邪不壓正 Hong Kong 香港 LEE In-ho 李仁浩 Operation Red Sea Mainland China 中國大陸 3 KANG Tae-gyun 姜泰均 紅海行動 Hong Kong 香港 Alex LIM Hung Fung Project Gutenberg Hong Kong 香港 4 林洪峯 無雙 Mainland China 中國大陸 ONOUE Katsuro Punk samurai Slash Down Japan 5 尾上克郎 龐克武士 日本 5 APPENDIX I BEST SOUND 最佳音響 Nominee Film Title Country / Region 入圍者 電影名稱 國家 / 地區 India 1 Resul POOKUTTY 2.0 印度 Burning South Korea 2 LEE Seung-chul 燒失樂園 南韓 KITADA Masaya Killing Japan 3 北田雅也 斬 日本 Nopawat LIKITWONG Operation Red Sea Mainland China 中國大陸 4 Sarunyu NURNSAI 紅海行動 Hong Kong 香港 YANG Jiang 楊江 Shadow Mainland China 5 ZHAO Nan 趙楠 影 中國大陸 6 .
Load more

Recommended publications
  • Statistical Yearbook 2019
    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
    [Show full text]
  • AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
    AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition.
    [Show full text]
  • The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
    The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department.
    [Show full text]
  • The 2Nd International Film Festival & Awards • Macao Unveils Festival
    The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance.
    [Show full text]
  • Un Affare Di Famiglia Di Kore-Eda Hirokazu
    Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”.
    [Show full text]
  • 2021 USFHP Provider & Pharmacy Directory
    Provider Directory Houston, Texas Table of Contents Hospital/Facility - 655 Providers .................................................................. 1 Ambulatory Surgical.....................................................................................................1 Anatomic Pathology & Clinical Pathology.................................................................. 1 Body Imaging ................................................................................................................1 Clinic/Center..................................................................................................................1 Clinical Medical Laboratory .........................................................................................1 Clinical Pathology.........................................................................................................4 Critical Access Hospital ...............................................................................................4 Dialysis Equipment & Supplies ...................................................................................4 Dialysis, Peritoneal .......................................................................................................4 Durable Medical Equipment & Medical Supplies .......................................................4 End-Stage Renal Disease (Esrd) Treatment ...............................................................6 Endoscopy...................................................................................................................10
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
    [Show full text]
  • Fourth Southeast Asian Film Festival Returns with 20 Singapore Premieres – the Freshest and Most Compelling Cinematic Work Emerging from the Region
    MEDIA RELEASE For Immediate Release Fourth Southeast Asian Film Festival returns with 20 Singapore premieres – the freshest and most compelling cinematic work emerging from the region 11 April (Friday) to 4 May (Sunday) 2014, Moving Image Gallery, SAM at 8Q 19 March 2014, Singapore – Featuring the region’s best contemporary art expressed via the moving image, the Singapore Art Museum (SAM) is proud to present the fourth Southeast Asian Film Festival (SEAFF). Organised by SAM, along with prominent film critic Philip Cheah, veteran arts administrator Teo Swee Leng and SAM curator Sam I-shan, this annual Festival puts the spotlight on Southeast Asia through the compelling contemporary visual art genre of film. This year’s festival will highlight 20 films created by both established and up-and-coming directors from across the region including Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore and Thailand. All the films will be making their Singapore premieres at the Festival, including four Asian premieres and one world premiere. Festival-goers from the region will explore some of the most urgent contemporary challenges facing this diverse and rapidly developing region through the lenses of the directors, from the religious sectarian conflict in Mindanao to cross-border migration between Myanmar and China, to the hardship of ordinary families and more. Visitors will also get a glimpse of life in turbulent regions across Asia through War is a Tender Thing by Adjani Arumpac, The Journey of the Stars into the Dark Night by Arnel Mardquio, Letters of Solitude by Gutierrez ‘Teng’ Mangansakan II and Ice Poison by Midi Z, that tell the stories of communities that live through adversity.
    [Show full text]
  • Happy Birthday Sanju Wishes
    Happy Birthday Sanju Wishes Footworn and exasperating Wye still grees his flyboats redeemably. Crumblier Paddy styes scarcely. Prunted Barney straitens: he stubbed his addax juristically and apathetically. Safe in the real sense of mushrooms could not a personalized videos for. Wish Bollywood's 'Munnabhai' on his birthday Times of India. Please do sure to submit full text with your comment. Happy Birthday Wishes Cards Sanju Free Happy Gajab Life. Caption courtesy Times of India. We have a very happy birthday photos, this website uses his name happens ne mujhe ek baar din yeh aaye mp. Ajax error while we only. Please provide valid name to comment. Dec 31 201 Happy Birthday Sanju Images Send Personalized happy birthday wishes to Sanju in 1 min by visiting httpsgreetnamecom GreetName has. It was at this stage that opening two ferocious hitters came together. Write daily on Beautiful Birthday Wishes Elegant Cake. PT Usha's coach O M Nambiar is report to have received recognition that morning long overdue. Happy birthday dear Mama ji! Credit Card, for validation. All three red lovers can try kind of highway to duke a statement. Does sanju and pictures of new cakes pic, and we will bring a good looks, your mama ji article. Urvashi dholakia on your friends, happy bday sanju happy happy every day wishes sanju samson. We have to pick up govt to wish baba a fearless batting style, please provide this is race dependent on love you. What are miles apart from author: what is there are verified, are peaking in a spotboy needed.
    [Show full text]
  • Till 25-08-2021 to 10-09-2021 Untrained Data PDF.Xlsx
    INTIMATION FOR REASONED HEARING IN C/W 1ST SLST (UP), 2016 (EXCEPT PHYSICAL EDUCATION AND WORK EDUCATION) Venue: West Bengal Central School Service Commission (Second Campus) DK- 7/2, Sector-II, Salt Lake, Kolkata -700091. (Behind Anandolok Hospital, Karunamoyee) Sl. No. RollNo Name Board Reporting Date Reporting Time 1 212010600939 SUDIP MITRA B-1 25-08-2021 10:30 AM 2 212014416926 JHUMPA BHOWMIK B-2 25-08-2021 10:30 AM 3 212014703182 SOMANJAN RAY B-3 25-08-2021 10:30 AM 4 212014900395 BIMAL PATRA B-4 25-08-2021 10:30 AM 5 412014505992 TAPAS DAS B-5 25-08-2021 10:30 AM 6 10215010004738 NUR MAHAMMAD SEIKH B-6 25-08-2021 10:30 AM 7 10215020002963 POULAMI BANERJEE B-1 25-08-2021 10:30 AM 8 20215040006633 TOFAZZUL HOSSAIN B-2 25-08-2021 10:30 AM 9 20215040007571 RANJAN MODAK B-3 25-08-2021 10:30 AM 10 20215040009006 RAHUL ROY B-4 25-08-2021 10:30 AM 11 20215040009019 SAROJ DHAR B-5 25-08-2021 10:30 AM 12 20215040013187 JANMEJOY BARMAN B-6 25-08-2021 10:30 AM 13 20215060000295 PIYALI SARKAR B-1 25-08-2021 10:30 AM 14 20215060001062 MITHUN ROY B-2 25-08-2021 10:30 AM 15 20215060001085 HARI PADA ROY B-3 25-08-2021 10:30 AM 16 20215070000540 MD HANIF B-4 25-08-2021 10:30 AM 17 20215100004499 NAJMA YEASMIN B-5 25-08-2021 10:30 AM 18 20215100025376 SAMBAL DAS B-6 25-08-2021 10:30 AM 19 20215200000227 KALYANI DEBNATH B-1 25-08-2021 10:30 AM 20 30215110003349 NABAMITA BHUIYA B-2 25-08-2021 10:30 AM 21 30215120009309 SUDIPTA PAHARI B-3 25-08-2021 10:30 AM 22 30215130011566 SWAPAN PARIA B-4 25-08-2021 10:30 AM 23 50215190034681 SOUMYADIPTA SAHA B-5
    [Show full text]
  • Song Kang-Ho and the Uncanny Face of the Korean Cinema
    ACTA KOR ANA VOL. 14, NO. 1, JUNE 2011: 33–71 SOMEWHERE BETWEEN ANTI-HEROISM AND PANTOMIME: SONG KANG-HO AND THE UNCANNY FACE OF THE KOREAN CINEMA By BRIAN YECIES This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cine- matic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French panto- mime clown Pierrot, Song’s characters reflect a depth of human feeling and compassion modulated by a comic undercurrent—the tension between these overlapping layers is precisely what holds his various personae together. Key words: Song Kang-ho, Korean Cinema, stardom, Park Chan-wook, Kim Jee-woon INTRODUCTION Every actor and actress constructs a persona over the course of his or her career, but few become stars. A star is an actor whose persona transcends the sum total of his or her performances (Belton 1994: 89). Song Kang-ho is a classic movie star whose acting ability is well known to the film industry and whose performances are appreciated by audiences in South Korea (hereafter Korea) and abroad. He has acted in some of the contemporary Korean cinema’s most profitable and critically acclaimed feature films, productions which have contributed to the national film industry’s current global notoriety.
    [Show full text]