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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Living Colour Live August 19, 2005 – the Bowery Collection MVD Audio
Sleazegrinder http://sleazegrinder.blogspot.com/2008/12/living-colour-live-august-19-... SEARCH BLOG FLAG BLOG Next Blog» Create Blog | Sign In SUNDAY, DECEMBER 21, 2008 Living Colour Live August 19, 2005 – The Bowery Collection MVD Audio Part of a series of the CBGB OMFUG Masters series, featuring shows recorded at the now-defunct Bowery club , Live August 19, 2005 documents the reunited Living Colour revisiting and paying tribute to the then-endangered (and since closed) stage it often invaded in the 80s. Proceeds go the Hilly Kristal Foundation for Musicians and Artists (whatever that is). That in itself might be enough to make this worth spending your moolah on, but to say it helps to be a fan of the band is an understatement. The group is in fine form, having not lost a step during the breakup years – singer Corey Glover in particular sounds as powerful as he did in 1988. But if you’re not already into LC’s politically-charged riff metal, this performance is unlikely to appeal, especially given speed demon guitarist Vernon Reid’s tendency to s-t-r- e-t-c-h w-a-y o-u-t, whether the tune warrants it or not. (Sacred Ground didn’t really need to be 13 minutes long, did it?) But for those who do dig it, all the hits are here ( Open Letter to a Landlord , Love Rears Its Ugly Head , Middle Man , Funny Vibe , Cult of Personality ), plus songs that are either deep album cuts or filler, depending on your perspective. Everything is given fiery readings, with sound that’s equal to a good bootleg. -
SPARTAN DAILY Vol.96, No
Nothing like the sun 'Colour' deafens What's On Deck Environmental studies instructor Frank The thunderous music of 'Living Colour' The special baseball section 'On Deck' Schiavo's home masters solar power previews Big West conference play sent shock waves through the Event Center Page 6 See pullout inside Page 7 SPARTAN DAILY Vol.96, No. 35 Published Since 1934 Tuesday, March 19, 1991 Moulder fire probe to query SJSU staffers By John Besse Stein said the Boccardo law firm has Daily staff writer filed claims with the State Board of Con- 'He ( San Francisco fire chief) has some pretty bad things An attorney representing several SJSU MOULDER HALL trol for all seven of the injured students to say about students injured in the Moulder Hall fire whom it represents. One claim has been fire preparations at the university.' said he will be calling upon SJSU staff /i_dWr tdP(.4thu rejected by the board, and the other six are Jack Stein, members to participate in discovery pro- "pending," he said. attorney ceedings in April. of security people, sprinklers The claim that has already been heard and fire firm are Abdul Moquim. Cuong Pham, Jack Stein, an attorney from the James escapes in the hall. by the board was one of $10 million filed and the other three were from Santa Clara Boccardo Law Firm who represents six of on behalf of Brian Young, a student from Valerie Audoit, Sylvain Mehaute, Eric County. the injured Moulder residents, said the "I have retained a former San Francisco Honolulu who suffered bums on more Prost-Bouche and Marie Thoniel. -
Print Complete Desire Full Song List
R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘50s/ ‘60s MUSIC ARETHA FRANKLIN: ISLEY BROTHERS: SAM COOK: RESPECT SHOUT TWISTIN THE NIGHT AWAY NATURAL WOMAN JAMES BROWN: YOU SEND ME ARTHUR CONLEY: I FEEL GOOD SMOKEY ROBINSON & THE MIRACLES: SWEET SOUL MUSIC I'T'S A MAN'S MAN'S WORLD OOH BABY BABY DIANA ROSS & THE SUPREMES: PLEASE,PLEASE,PLEASE TAMS: BABY LOVE LLOYD PRICE: BE YOUNG BE FOOLISH BE HAPPY STOP! IN THE NAME OF LOVE STAGGER LEE WHAT KIND OF FOOL YOU CAN’T HURRY LOVE MARY WELLS: TEMPTATIONS: YOU KEEP ME HANGIN ON MY GUY AIN’T TOO PROUD TO BEG DION: MARTHA & THE VANDELLAS: I WISH IT WOULD RAIN RUN AROUND SUE DANCING IN THE STREET MY GIRL DRIFTERS & BEN E. KING: HEATWAVE THE WAY YOU DO THE THINGS YOU DO DANCE WITH ME MARVIN GAYE: THE DOMINOES: I’VE GOT SAND IN MY SHOES AIN’T NOTHING LIKE THE REAL THING SIXTY MINUTE MAN RUBY RUBY HOW SWEET IT IS TO BE LOVED BY YOU TINA TURNER: SATURDAY NIGHT AT THE MOVIES I HEARD IT THROUGH THE GRAPEVINE PROUD MARY STAND BY ME OTIS REDDING: WILSON PICKET: THERE GOES MY BABY DOCK OF THE BAY 634-5789 UNDER THE BOARDWALK THAT’S HOW STRONG MY LOVE IS DON’T LET THE GREEN GRASS FOOL YOU UP ON TH ROOF PLATTERS: IN THE MIDNIGHT HOUR EDDIE FLOYD: WITH THIS RING MUSTANG SALLY KNOCK ON WOOD RAY CHARLES ETTA JAMES: GEORGIA ON MY MIND AT LAST SAM AND DAVE: FOUR TOPS: HOLD ON I'M COMING BABY I NEED YOUR LOVING SOUL MAN CAN'T HELP MYSELF REACH OUT I'LL BE THER R & B /POP /FUNK /BEACH /SOUL /OLDIES /MOTOWN /TOP-40 /RAP /DANCE MUSIC ‘70s MUSIC AL GREEN: I WANT YOU BACK ROD STEWART: LOVE AND HAPPINESS JAMES BROWN: DA YA THINK I’M SEXY? ANITA WARD: GET UP ROLLS ROYCE: RING MY BELL THE PAYBACK CAR WASH BILL WITHERS: JIMMY BUFFETT: SISTER SLEDGE: AIN’T NO SUNSHINE MARGARITAVILLE WE ARE FAMILY BRICK: K.C. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
I LLC Moves to New Location on Campus
By JENNIFER T. KOLLAR where YSU fraternities and sororities are located. News Editor "The Youngstown police officer will get to know the students who live in those houses and he will As crime steadily creeps up to the outskirts of get to know their problems." the campus, Student Government continues to be The police officer assigned to that beat will be preoccupied with YSU students' safety both on on call 24 hours and will be stationed in the and off campus. neighborhood,"added Stratos TsambarKs, co- Although Student Government continues to chair of the Student Government security focus on safety and awareness on campus, this committee. year the Student Government safety committee "Having a police officer in the neighborhood is will be targeting a small residential section just a big step. Not only will it increase the response North of the University where many YSU students time for help, it will allow students to get to know live and where a lot of criminal activity has been the officer," Smith said. occuring. In addition to having a Youngstown police of• With the help of Youngstown Mayor Patrick ficer in the area, the security committee will be Ungaro, Youngstown Police Chief Randall Well• creating another committee that will inspect ington, YSU campus police and Thejambar, the houses and apartments that appear in a directory Student Government security committee wants to of housing that is available to YSU students on the emphasize crime awareness that will help YSU North Side. Smith said that the committee will in• students protect themselves on and off campus. -
Sometimes Going Home for the Weekend to Visit the Folks Is a Little
arts&entertainraent THREAD Sometimes going home for the weekend to visit the folks is a little tense, but you can bet that it’s not as intense as Clyde Owens’ trip home to rural North Carolina in Jonathan Bolt's Threads. Threads, the‘first of two plays this quarter presented by the Dramatic Arts Department, is a family drama about the homecoming of a less-than- successful Hollywood actor to the mill town he grew up in. As with most contemporary dramas, the famlily reunion develops into a series of con frontations and introspection. Director William Glover calls it an old-fashioned, simple play that is as warm and humorous as it is dramatic. Glover, a guest lecturer in the department of Dramatic Art, comes to UCSB as a professional, having directed at the Mark Taper Forum and played the voice of Winston in Disney’s Oliver and Company. His best summation of Threads was, "it’s en tertaining.” "When you go to the theater you go to be en tertained,” said Glover. “Its the opposite of television. TV says ‘don’t get involved’ ... theater says 'please come, please think.’ When you leave, the experience has made you richer.” Threads may not be a great piece of art, but it’s not TV. The play rises from the depths of mere en tertainment by tapping into a raw nerve of human experience: family. The Owens family draws the personal life of playwright Bolt, who knew fir sthand the hardship of working in a textile mill and interacting in a rural family. -
Guitar Magazine Master Spreadsheet
Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros. -
Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan. -
Blackgrooves.Org » the Paris Concert
blackgrooves.org » The Paris Concert http://blackgrooves.org/?p=983 Go! Home About Contact Subscribe AAAMC Home The Paris Concert April 9th, 2009 Title: The Paris Concert (DVD) Artist: Living Colour Label: Inakustik Catalog No.: INAK 6474 DVD Release date: 26 September 2008 Title: The Paris Concert (CD) Artist: Living Colour Label: Inakustik Catalog No.: INAK 9093 CD Release date: 1 January 2009 Since their formation in 1983, Living Colour has been reclaiming the right to rock for black artists everywhere. Even before the release of their 1988 debut album, Vivid , the band members were actively involved in the Black Rock Coalition, a non-profit organization founded by journalist Greg Tate, producer Konda Mason, and Living Colour guitarist Vernon Reid as a means of supporting and sponsoring black rock artists. Consisting of Reid, Will Calhoun (drums), Corey Glover (vocals), and Doug Wimbish (bass)-the latter of whom replaced Muzz Skillings in 1992-Living Color has successfully overcome a number of obstacles faced by black rock artists seeking to break into the commercial music industry. The very release of Vivid by Epic Records was one such success. The album quickly hit number 6 on the Billboard 200 . Soon after, MTV picked up “Cult of Personality,” which was awarded both MTV’s Best New Artist Award and a Grammy Award for Best Hard Rock Performance in 1989. More than twenty years later, “Cult of Personality” remains immensely popular and has recently featured in the game Guitar Hero III: Legends of Rock , so now you too can enjoy Living Colour’s experience of having to play a really great song over, and over, and over again. -
Encyclopedia of African American Music Advisory Board
Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk.