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Strategic Policy Statement 2014 Melinda Katz
THE OFFICE OF THE QUEENS BOROUGH PRESIDENT Strategic Policy Statement 2014 Melinda Katz Queens Borough President The Borough of Queens is home to more than 2.3 million residents, representing more than 120 countries and speaking more than 135 languages1. The seamless knit that ties these distinct cultures and transforms them into shared communities is what defines the character of Queens. The Borough’s diverse population continues to steadily grow. Foreign-born residents now represent 48% of the Borough’s population2. Traditional immigrant gateways like Sunnyside, Woodside, Jackson Heights, Elmhurst, Corona, and Flushing are now communities with the highest foreign-born population in the entire city3. Immigrant and Intercultural Services The immigrant population remains largely underserved. This is primarily due to linguistic and cultural barriers. Residents with limited English proficiency now represent 28% of the Borough4, indicating a need for a wide range of social service support and language access to City services. All services should be available in multiple languages, and outreach should be improved so that culturally sensitive programming can be made available. The Borough President is actively working with the Queens General Assembly, a working group organized by the Office of the Queens Borough President, to address many of these issues. Cultural Queens is amidst a cultural transformation. The Borough is home to some of the most iconic buildings and structures in the world, including the globally recognized Unisphere and New York State Pavilion. Areas like Astoria and Long Island City are establishing themselves as major cultural hubs. In early 2014, the New York City Council designated the area surrounding Kaufman Astoria Studios as the city’s first arts district through a City Council Proclamation The areas unique mix of adaptively reused residential, commercial, and manufacturing buildings serve as a catalyst for growth in culture and the arts. -
Engine Failure
S EPTEMBER 2003 www.nycfuture.org ENGINE Inside FAILURE Falling Behind p.8 Through boom times and bust, NYC’s jobless rate outpaces the nation’s. Is “FIRE” Burning Out? p.9 New York’s economic foundation starts to sag—with no reinforcements With Economic Woes in sight. That Go Well Beyond 9/11, Outbound Traffic p.15 Demographic analysis shows that out-migration from NYC has spiked New York Needs a Bold New Vision since 9/11. To Renew the City’s Economy Does Bloomberg Mean Business? p.18 An early look at the billionaire mayor’s economic development vision. Beyond the Boroughs p.22 Houston and L.A. defeated their FOR MUCH OF ITS HISTORY NEW YORK HAS MANAGED TO CONFOUND economic demons: can New York? both those who predicted its demise and those whose aspirations for the city possessed no limits. This is anoth- On the surface, New York er one of those times. As the city begins to emerge from the depths of its fiscal appears to be in good Fcrisis, New York remains among the world’s pre-eminent shape to weather the cities, with a storehouse of financial, human and cultural capital without equal anywhere on the planet. It possess- current economic crisis. es arguably unmatched concentrations of skilled labor and “Yet the bitter reality is that a growing population of energetic and entrepreneurially in the longer term, oriented immigrants. It remains the world’s undisputed financial center and enjoys one of the lowest crime rates New York continues to lose of any major American city. -
The Ethics of the International Display of Fashion in the Museum, 49 Case W
Case Western Reserve Journal of International Law Volume 49 | Issue 1 2017 The thicE s of the International Display of Fashion in the Museum Felicia Caponigri Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Felicia Caponigri, The Ethics of the International Display of Fashion in the Museum, 49 Case W. Res. J. Int'l L. 135 (2017) Available at: https://scholarlycommons.law.case.edu/jil/vol49/iss1/10 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law 49(2017) THE ETHICS OF THE INTERNATIONAL DISPLAY OF FASHION IN THE MUSEUM Felicia Caponigri* CONTENTS I. Introduction................................................................................135 II. Fashion as Cultural Heritage...................................................138 III. The International Council of Museums and its Code of Ethics .....................................................................................144 A. The International Council of Museums’ Code of Ethics provides general principles of international law...........................................146 B. The standard that when there is a conflict of interest between the museum and an individual, the interests of the museum should prevail seems likely to become a rule of customary international law .................................................................................................149 IV. China: Through the Looking Glass at The Metropolitan Museum of Art.......................................................................162 A. Anna Wintour and Condé Nast: A broad museum interest for trustees and a semi-broad museum interest for sponsors .................164 B. -
From the Baffler No. 23, 2013]
Facebook Feminism, Like It or Not SUSAN FALUDI [from The Baffler No. 23, 2013] The congregation swooned as she bounded on stage, the prophet sealskin sleek in her black skinny ankle pants and black ballet flats, a lavalier microphone clipped to the V-neck of her black button-down sweater. ―All right!! Let‘s go!!‖ she exclaimed, throwing out her arms and pacing the platform before inspirational graphics of glossy young businesswomen in managerial action poses. ―Super excited to have all of you here!!‖ ―Whoo!!‖ the young women in the audience replied. The camera, which was livestreaming the event in the Menlo Park, California, auditorium to college campuses worldwide, panned the rows of well-heeled Stanford University econ majors and MBA candidates. Some clutched copies of the day‘s hymnal: the speaker‘s new book, which promised to dismantle ―internal obstacles‖ preventing them from ―acquiring power.‖ The atmosphere was TED-Talk-cum-tent-revival-cum- Mary-Kay-cosmetics-convention. The salvation these adherents sought on this April day in 2013 was admittance to the pearly gates of the corporate corner office. ―Stand up,‖ the prophet instructed, ―if you‘ve ever said out loud, to another human being—and you have to have said it out loud—‗I am going to be the number one person in my field. I will be the CEO of a major company. I will be governor. I will be the number one person in my field.‘‖ A small, although not inconsiderable, percentage of the young women rose to their feet. The speaker consoled those still seated; she, too, had once been one of them. -
ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018
ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018 An Affiliated Society of: College Art Association Society of Architectural Historians International Congress on Medieval Studies Renaissance Society of America Sixteenth Century Society & Conference American Association of Italian Studies President’s Message from Sean Roberts Rosen and I, quite a few of our officers and committee members were able to attend and our gathering in Rome September 15, 2018 served too as an opportunity for the Membership, Outreach, and Development committee to meet and talk strategy. Dear Members of the Italian Art Society: We are, as always, deeply grateful to the Samuel H. Kress Foundation for their support this past decade of these With a new semester (and a new academic year) important events. This year’s lecture was the last under our upon us once again, I write to provide a few highlights of current grant agreement and much of my time at the moment IAS activities in the past months. As ever, I am deeply is dedicated to finalizing our application to continue the grateful to all of our members and especially to those lecture series forward into next year and beyond. As I work who continue to serve on committees, our board, and to present the case for the value of these trans-continental executive council. It takes the hard work of a great exchanges, I appeal to any of you who have had the chance number of you to make everything we do possible. As I to attend this year’s lecture or one of our previous lectures to approach the end of my term as President this winter, I write to me about that experience. -
Borough-Based Jails Program, Design Principles and Guidelines
DRAFT JUNE 2021 Design Principles & Guidelines Queens Facility QN NYC BOROUGH-BASED JAILS PROGRAM A DESIGN-BUILD PROGRAM PIN: 8502020CR0058P-60P 2 NYC BBJ PROGRAM [INTENTIONALLY BLANK PAGE] DESIGN PRINCIPLES AND GUIDELINES DRAFT NYC BBJ PROGRAM TABLE OF CONTENTS 3 Table of Contents 1. Executive Summary ...................................................................................... 6 1.1 Borough-Based Jails Program Background ..................................................... 6 1.2 Project Overview and Goals ......................................................................... 7 2. Design Principles and Guidelines ............................................................... 12 2.1 Introduction............................................................................................. 12 2.2 Design Principles ...................................................................................... 13 2.3 Design Guidelines ..................................................................................... 17 DRAFT DESIGN PRINCIPLES AND GUIDELINES 4 NYC BBJ PROGRAM [INTENTIONALLY BLANK PAGE] DESIGN PRINCIPLES AND GUIDELINES DRAFT NYC BBJ PROGRAM 2. DESIGN PRINCIPLES AND GUIDELINES 5 1. Executive Summary 1 DRAFT DESIGN PRINCIPLES AND GUIDELINES 6 2. DESIGN PRINCIPLES AND GUIDELINES NYC BBJ PROGRAM 1. Executive Summary 1.1 Borough-Based Jails Program Background The people of New York City (the City) and the world have experienced enormous, ongoing upheaval since 2019. The City is facing both an unprecedented health crisis and -
A Cultural Cornucopia! Costumes, Cuisine Delight Crowd at Annual Caribbean Parade
INSIDE: A SPECIAL SECTION CELEBRATING LABOR IN THE BIG APPLE Yo u r World — Yo u r News BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2018 Serving Brownstone Brooklyn, Sunset Park, Williamsburg & Greenpoint 20 pages • Vol. 41, No. 36 • September 7–13, 2018 • FREE TROLLEY DODGERS Feds to mayor: Don’t count on our money for your big transit plan By Julianne Cuba Brooklyn Paper HELLO, TROLLEY! Mayor DeBlasio shouldn’t count on getting the federal cash he needs THE STREETCAR PLAN to roll out his beloved Brooklyn– Queens waterfront trolley line — cerns in transportation deserts, but which he said on Aug. 30 will now as with everything, the devil is in cost more money, include fewer the details,” she said. “I would need stops, and take years longer to more information about the traffic, build — the city’s lone Repub- neighborhood and environmental lican congressman said. impacts of the plan.” “We have many more viable And even if the city does man- projects that need federal funding age to score funds from the Feds, a — if I was the mayor, I wouldn’t File photo by Georgine Benvenuto File photo by Stefano Giovannini Photo courtesy Nydia Velazquez slew of other projects — including be holding my breath,” said Bay Representatives Dan Donovan, Carolyn Maloney, and Nydia Velazquez all agree: Congress improving bus service and ensur- Ridge Rep. Dan Donovan, a pal of won’t be financing the mayor’s ambitious trolley plan any time soon. ing enough alternative-transpor- DeBlasio critic President Trump , tation options are in place before who would need to sign off on ised an infrastructure package, but only change to the light-rail plan car — whose new route to Queens the L train’s Brooklyn–Manhat- any future federal budget. -
The First Monday in May
A Magnolia Pictures, Relativity Studios & Planned Projects In Association with Condé Nast Entertainment, Mediaweaver Entertainment & Sarah Arison Productions Present A Fabiola Beracasa Beckman Production THE FIRST MONDAY IN MAY A film by Andrew Rossi 91 minutes Official Selection 2016 Tribeca Film Festival – Opening Night World Premiere Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 An unprecedented look behind the scenes of two of New York’s premier cultural events, The First Monday in May follows the creation of “China: Through The Looking Glass,” the most attended fashion exhibition in the history of The Costume Institute at The Metropolitan Museum of Art, and the 2015 Met Gala, the star-studded fundraiser that celebrates the opening of the exhibition. Acclaimed filmmaker Andrew Rossi (Page One: Inside the New York Times) follows Anna Wintour, Artistic Director of Condé Nast and editor-in-chief of Vogue magazine and longtime chair of the Met Gala, and Andrew Bolton, the iconoclastic curator who conceived the groundbreaking show, for eight months as they prepare for an evening they hope will take the worlds of art and fashion by storm. Documenting one of the most exclusive parties in the world side-by-side with an exhibition that drew more than three-quarters of a million visitors during its four-month run, The First Monday in May is a captivating portrait of the private side of a pair of high-profile public events. -
The Ethics of the International Display of Fashion in the Museum, 49 Case W
CORE Metadata, citation and similar papers at core.ac.uk Provided by Case Western Reserve University School of Law Case Western Reserve Journal of International Law Volume 49 | Issue 1 2017 The thicE s of the International Display of Fashion in the Museum Felicia Caponigri Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Felicia Caponigri, The Ethics of the International Display of Fashion in the Museum, 49 Case W. Res. J. Int'l L. 135 (2017) Available at: https://scholarlycommons.law.case.edu/jil/vol49/iss1/10 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law 49(2017) THE ETHICS OF THE INTERNATIONAL DISPLAY OF FASHION IN THE MUSEUM Felicia Caponigri* CONTENTS I. Introduction................................................................................135 II. Fashion as Cultural Heritage...................................................138 III. The International Council of Museums and its Code of Ethics .....................................................................................144 A. The International Council of Museums’ Code of Ethics provides general principles of international law...........................................146 B. The standard that when there is a conflict of interest between the museum and an individual, the interests of the museum should prevail seems likely to become a rule of customary international law .................................................................................................149 IV. China: Through the Looking Glass at The Metropolitan Museum of Art.......................................................................162 A. -
Met Gala: La Historia Detrás De La Alfombra Roja
HDIT cat (ex)Marino 05/05/2020 MET GALA: LA HISTORIA DETRÁS DE LA ALFOMBRA ROJA Ayer hubiese sido, como todo primer lunes de mayo, el día en que tiene lugar la gala anual del Costume Institute en el Metropolitan Museum of Art de New York. Aprovechamos la fecha para revisar un poco la evolución de este evento y su relación con el estudio de la historia del traje. La Gala del Met es un evento benéfico cuyo objetivo es Lady Gaga en la Met Gala de 2019 cuyo tema fue “Camp: Notes on Fashion” parafraseando recaudar fondos destinados al Costume Institute (instituto del el ensayo de Susan Sontag “Notes on Camp.” vestido). Este evento de fama mundial, por la presencia de las Alexander McQueen: The Horn of Plenty, (el máximas celebridades en su alfombra roja, inaugura la cuerno de la abundancia) otoño/inv 2009–10 exposición de moda anual del instituto para la cual los invitados a la velada se visten de acuerdo al tema del año. El evento se realiza desde 1948 pero su notoriedad pública -y su recaudación- se incrementó fuertemente en los años setenta bajo la dirección de Diana Vreeland, y vuelve a hacerlo desde fines de los noventa con Anna Wintour, tal vez las dos figuras más trascendentes en el ámbito editorial de la moda. Algunas de las temáticas más destacadas en la historia de la exhibición anual fueron: • retrospectivas sobre los más importantes diseñadores: Balenciaga, Yves Saint Laurent, Alexander McQueen, entre muchos otros 1 HDIT cat (ex)Marino 05/05/2020 • relación entre la moda y el arte: “Cubismo y Moda”; moda y danza: “Diaghilev - Vestidos -
List of Agencies and Organizations to Which Chapter 26: Copies of This Document Are Sent
List of Agencies and Organizations to Which Chapter 26: Copies of this Document are Sent The following list identifies the agencies and organizations to which a Notice of Availability of the MIS/DEIS is being sent. Distribution of the document will be made to those from the list who express an interest in receiving it. FEDERAL AGENCIES Advisory Council on Historic Preservation Federal Emergency Management Agency Federal Energy Regulation Commission Federal Highway Administration U.S. Army Corps of Engineers U.S. Department of Energy U.S. Department of Housing and Urban Development U.S. Department of Interior (including National Park Service and Office of Environmental Affairs) U.S. Environmental Protection Agency U.S. Fish and Wildlife Service NEW YORK STATE AGENCIES MTA Bridges and Tunnels MTA Lower Manhattan Access Study MTA Metro-North Railroad MTA Metro-North Railroad: Penn Station Access Study MTA Long Island Rail Road MTA Long Island Rail Road: East Side Access Project New York State Department of Environmental Conservation New York State Department of Health New York State Department of Law New York State Department of Transportation New York State Division of the Budget New York State Empire State Development Corporation New York State Office of Parks, Recreation and Historic Preservation New York State Office of Parks, Recreation and Historic Preservation, State Historic Preservation Office NEW YORK CITY AGENCIES Mayor's Office of Construction Mayor's Office of Environmental Coordination Mayor's Office of Transportation 26-1 -
Openthebooks Oversight Report – National
PUBLISHED: JULY 2017 By: Adam Andrzejewski – Founder and CEO of OpenTheBooks.com Thomas W. Smith – Chairman of OpenTheBooks.com “Open the Books is doing the work I envisioned when the Coburn-Obama bill became law. Their innovative app and other tools are putting sunlight through a magnifying glass.” March 11, 2014 Dr. Tom Coburn, Honorary Chairman of OpenTheBooks.com OUR REPORT MADE POSSIBLE BY: The “Federal Funding Accountability and Transparency Act of 2006” Sponsors: Sen. Tom Coburn (R-OK) & Sen. Barack Obama (D-IL) (Public Law 109-282, 109th Congress) “Is the spending in the public interest or the special interest?” – U.S. Sen. Tom Coburn “I know that restoring transparency is not only the surest way to achieve results, but also to earn back the trust in government…” – U.S. Sen. Barack Obama NATIONAL FOUNDATION ON THE ARTS AND HUMANITIES OVERSIGHT REPORT BY OPENTHEBOOKS.COM prologue Every year, celebrities such as Katy Perry, Pharrell Williams, Madonna, Alex Rodriguez and Jennifer Lopez grace the red carpet at the “Met Gala,” a benefit for New York City’s Metropolitan Museum of Art. The star power helps the organization raise up to $300 million annually. Since 2009, however, the Met has received federal grants totaling $1.2 million from the National Foundation on the Arts and Humanities (NFA-H). The Met can’t argue that it needed the money – it has more than $3.7 billion in financial assets. Our OpenTheBooks Oversight Report – The National Foundation on the Arts and Humanities found that well-heeled, public charities such as the Met take hundreds of millions of dollars in public funding annu- ally.