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Exploring Structural Sections in EDM DJ-Created Radio Mixes with the Help of Automatic Music Descriptors
Exploring structural sections in EDM DJ-created radio mixes with the help of automatic music descriptors Vincent Zurita Turk Supervised by Perfecto Herrera and Giuseppe Bandiera Sound & Music Computing Music Technology Group - Universitat Pompeu Fabra Abstract Disc Jockeys are the most likely the ultimate experts at mixing music to “move the crowd”. In this work, structural sections based on “levels of emotional experience” in electronic dance music (EDM) are investigated by analyzing DJ-created radio mixes using automatic music descriptors in order to get audio content information. Mixes are first manually annotated to categorise structural sections and then, their characteristics and patterns between them are investigated. Finally, various evaluations are performed to explore the accuracy with which a system could automatically detect, with the given information, the different sections within randomly chosen independent ten seconds excerpts. Results prove the reliability of the chosen descriptors to achieve a successful classification with moderate number of errors. Moreover, a solution for improving the prediction’s accuracy by taking in account patterns between structural sections is proposed. Table of contents 1. INTRODUCTION ......................................................................................................................................... 1 BACKGROUND ................................................................................................................................................. 1 1.1 Basic -
Announcement
PRESS RELEASE - ANNOUNCEMENT Always more possibilities with Hercules Mix and scratch your favorite music from popular streaming services, thanks to the new compatibility of Algoriddim’s djay app with select Hercules controllers. Rennes, March 26th, 2020 DJs can now mix their favorite tracks from streaming services on their iPhone or iPad with the latest range of Hercules controllers. The result of close collaboration with Algoriddim, Hercules announces the integrated compatibility of its latest DJControl Inpulse 300, DJControl Inpulse 200 and DJControl Starlight controllers with the award-winning djay app for iOS. Hercules, manufacturer of DJ solutions for almost 20 years, has partnered with Algoriddim to provide users with endless versatility in their choice of music. By mixing via the djay app for iOS, users of the DJControl Inpulse 200, DJControl Inpulse 300 and DJControl Starlight now have instant access to millions of songs from their premium account on the world’s most popular music streaming platforms. Once the djay application is installed on a user’s iOS smartphone or tablet, they can connect it to the controller via the USB cable and a Lightning to USB 3 Camera Adapter (not included) to keep the controller powered and connected to unlimited music selection! Once installed, the DJ can use the controls of the DJControl Inpulse 300, DJControl Inpulse 200 and DJControl Starlight to mix, loop, add effects, scratch and even use the Assistant button, specific to the Hercules DJControl Inpulse range to trigger the automix feature in the djay application. Adding the ability to mix via the djay app allows a whole new community of young DJs who choose to get their music via streaming services to explore the art of mixing tracks with their own unique style. -
Acid Pro a Guide for the Beginner, by Alex C for Boot Camp Clique
Acid Pro A Guide for the beginner, by Alex C for Boot Camp Clique 1 Where can I get Acid or Acid Pro? That’s an excellent question, and if you’ve not got Acid yet – one you should most definitely be asking! A quick Google search for “acid pro” will give you a few sites, and most importantly www.sonicfoundry.com which is the company who used to make Acid. Since they were taken over by Sony however, you’re not going to get far with that link. Where you should really go is to http://www.sonymediasoftware.com where you can click on ‘software’ and then ‘ACID’ - taking you to precisely the right place. Sony are now the company which manufacture and develop Acid, and at the time of writing this article they are on version 6. Acid Pro 6. Now, Sony will let you download a free trial, to get your fix, but you should really take the plunge and purchase this masterpiece. If you’re serious about music production – and in particular bootlegs and mash-ups, then it’s worth forking out the $374.96 that they’re charging on the site. Following that, you can relax in the knowledge that you own a monster package for making your tunes. 2 OK, it’s installed. What now? After all the downloading, purchasing and installing gubbins – which you should be able to work out yourself (after all this isn’t a lesson on downloading software or installing such stuff) we can move on to the intro. Acid is primarily a piece of ‘sequencing’ software. -
Final Copy 2019 01 31 Charl
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D. -
Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers. -
Pioneer DDJ-ERGO-V to Support Djay 4 for Mac by Algoriddim Submitted By: Rood Media Ltd Thursday, 19 January 2012
Pioneer DDJ-ERGO-V to support djay 4 for Mac by Algoriddim Submitted by: Rood Media Ltd Thursday, 19 January 2012 Professional quality controller available to djay 4 users - Pioneer DDJ-ERGO-V to support djay 4 for Mac by Algoriddim http://www.youtube.com/watch?v=GYml12HpVX8 The Pioneer DDJ-ERGO-V controller now benefits from native plug & play support built into Algoriddim’s djay software. This collaboration provides instant pairing of Pioneer’s high quality sound and intuitive operability to the popular and ever sophisticated djay 4 for Mac OSX Lion. “We were blown away by the new version of djay and felt it was a perfect fit for the DDJ-ERGO-V” said Jason Pook, Product Development Manager for Pioneer Europe. “djay packs powerful and innovative features such as Harmonic Match™, enhanced audio FX, and a visual key match wheel.” Since its introduction in September 2011, the DDJ-ERGO-V controller has been lauded for its sharp design and portable dimensions. Like djay 4 for Mac, the DDJ-ERGO-V places the same emphasis on the DJing experience - bringing simplicity to both set-up and performance without compromising on features or sound quality. The native integration of the DDJ-ERGO-V with djay enables direct access to all key features via dedicated controls, mirroring djay’s graphical user interface. Ensuring a seamless and easy user experience, the unique DDJ-ERGO-V Pulse Control gives a visual representation of pitch, beat and decks in use. “We are thrilled to pair djay with a controller as sophisticated and fun to use as Pioneer’s DDJ-ERGO-V,” said Karim Morsy, CEO of Algoriddim. -
User Manual (Mac)
2 PRO 2 User Manual (Mac) PRO 2 User Manual (Mac) Table of contents 1 Introduction 7 1.1 Minimum requirements 7 1.2 Interface tour 8 2 Glossary of terms 13 3 Quick start 16 3.1 Installing djay Pro 2 16 3.1.1 Download from the App Store 16 3.1.2 Download from Algoriddim 16 3.1.3 Launching djay Pro 2 17 3.2 Navigating the library browser 17 3.2.1 My Library 17 3.2.2 Music playlists 18 3.2.3 TIDAL and SoundCloud 18 3.2.4 Finder 18 3.2.5 Searching 18 3.3 Loading a track 19 3.4 Mixing your tracks 20 3.5 Recording your mix 21 3.6 Adding hardware 21 4 Core features 23 4.1 Layout 24 4.2 Volume controls 25 4.2.1 Master out 25 4.2.2 Headphone pre-cueing 26 4.2.3 Mic input 26 4.3 Media library browser 27 4.4 Decks 28 4.5 Deck views 28 4.5.1 2-deck view 28 4.5.2 Vertical waveforms 29 4.5.3 Horizontal waveforms 29 4.6 Mixer 29 4.6.1 Crossfader section 29 4.7 Shortcuts and multi-touch control 31 4.8 Preferences 34 PRO 2 User Manual (Mac) 4.8.1 General preferences 34 4.8.2 Devices 36 4.8.3 Mixer 37 4.8.4 Automix 38 4.8.5 Media library 39 4.8.6 Appearance 40 4.8.7 Shortcuts 43 4.8.8 Advanced 44 4.9 Mix recorder 45 4.9.1 Audio 45 4.9.2 Video 46 4.10 Uninstalling djay Pro 2 47 4.10.1 Algoriddim stored data 47 5 Advanced tools 50 5.1 djay Pro 2 menus 50 5.2 Advanced deck layouts 52 5.2.1 Four decks 52 5.2.2 Video decks 54 5.2.3 Waveforms 61 5.3 Beatgrids 63 5.3.1 What are beatgrids? 63 5.3.2 Setting a beatgrid 63 5.3.3 Adjusting incorrect beatgrids 64 5.4 BPM and tempo 65 5.4.1 Adjusting BPM 65 5.4.2 Tempo sensitivity 66 5.5 Key lock and changing key 67 -
Djing for Dummies‰
TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page i DJing FOR DUMmIES‰ TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page ii TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page iii DJing FOR DUMmIES‰ by John Steventon TEAM LinG 01_032758 ffirs.qxp 11/9/06 1:51 PM Page iv DJing For Dummies® Published by John Wiley & Sons, Ltd The Atrium Southern Gate Chichester West Sussex PO19 8SQ England E-mail (for orders and customer service enquires): [email protected] Visit our Home Page on www.wileyeurope.com Copyright © 2006 by John Wiley & Sons, Ltd, Chichester, West Sussex, England. Published by John Wiley & Sons, Ltd, Chichester, West Sussex. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or trans- mitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or other- wise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, England, or emailed to [email protected], or faxed to (44) 1243 770620. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc and/or its affiliates, in the United States and other countries, and may not be used without written permission. -
Beat Detection and Correction for Djing Applications
Budapest University of Technology and Economics Faculty of Electrical Engineering and Informatics Department of Measurement and Information Systems János Balázs BEAT DETECTION AND CORRECTION FOR DJING APPLICATIONS M.S C. THESIS SUPERVISOR Dr. Balázs Bank BUDAPEST, 2013 Table of Contents Összefoglaló ..................................................................................................................... 5 Abstract............................................................................................................................ 6 1 Introduction.................................................................................................................. 7 2 Tempo detection......................................................................................................... 10 2.1 The Beat This algorithm ....................................................................................... 10 2.2 Tempo detection module of my project................................................................ 13 2.3 Performance of the tempo detection module ........................................................ 19 2.3.1 Comparing with Beat This............................................................................. 19 2.3.2 Quantitative verification of the tempo detection module .............................. 20 3 Beat detection ............................................................................................................. 22 3.1 Beat detection of Beat This.................................................................................. -
"Navigate Your Set" : Zur Virtuosität Von
»NAVIGATE YOUR SET«. ZUR VIRTUOSITÄT VON DJS Lorenz Gilli »We all hit play« — mit diesen Worten beginnt Joel T. Zimmerman einen Blog- Eintrag im Jahr 2012. Zimmerman, besser bekannt als Deadmau5 (sprich: deadmaus), tritt mit diesem eine Diskussion um Live-Praktiken in der Elec- tronic Dance Music (EDM)1 und die Relevanz des Beatmatching2 als tech- nische Fertigkeit von DJs3 los (Deadmau5 2012, vgl. Attias 2013). Für den hier vorliegenden Beitrag habe ich dieses Statement als Startpunkt meiner Überlegungen genommen: Wenn DJs wirklich nur den Start-Knopf drücken, was sind dann die Fertigkeiten, die ein DJ haben muss und die dann so kunstfertig wie möglich — oder eben: virtuos — auszuführen sind? Damit meine ich nicht Fähigkeiten, die feiernden Massen verbal oder gestikulie- rend zu animieren, oder die Geschicklichkeit beim Selbstmanagement und bei der Selbstvermarktung oder die Kunstfertigkeiten als Studio-Produzent von EDM. Ich beziehe mich nur auf jene Aspekte, welche die musikalisch- klangliche Darbietung des DJing betreffen. Unter DJing verstehe ich das Ab- 1 »Electronic Dance Music« (EDM) verwende ich, wie in der wissenschaftlichen Li- teratur üblich, als Überbegriff für eine Vielzahl von Genres wie House, Techno, Trance, Drum'n'Bass, Dubstep u.v.m. Im medialen Diskurs damit — oftmals ab- wertend — ein kommerziell ausgerichtetes Sub-Genre gemeint ist (vgl. Rietveld 2013a: 2), das ich (mit Holt 2017) als »EDM Pop« bezeichne. 2 Zum Begriff »Beatmatching« siehe Abschnitt 2. Fachbegriffe aus der Praxis und Kultur DJs (wie Beatmatching, Routine, Turntablism, Mixing, Programming etc.) verwende ich in der englischen Form, des Schriftbildes wegen aber werden sie bei Verwendung als Subjektiv groß geschrieben. -
Use Djay with Spotify Offline
Use Djay With Spotify Offline Use Djay With Spotify Offline 1 / 4 2 / 4 Djay Pro for Windows combines the best of both worlds, desktop and touch Specifically leveraging the unique capabilities of the Microsoft Surface lineup and modern Windows computers, djay Pro seamlessly leverages all available input methods such as keyboard, mouse, touch, pen, MIDI controllers, and the new Surface Dial to give the best. 1. djay with spotify offline 2. does djay pro work with spotify offline 3. does djay work with spotify Djay, winner of multiple Apple Design Awards, is the #1 DJ app for iOS Available as a free download on the App Store, this DJ app provides everything you need to get started with DJing.. Find out more for Mac djay Pro for Mac is a professional DJ software for Mac with full iTunes integration. djay with spotify offline djay with spotify offline, use djay with spotify offline, does djay pro work with spotify offline, how to use djay 2 with spotify offline, does djay work with spotify, how to use djay with spotify, does djay 2 work with spotify, djay spotify offline mode, djay pro spotify offline 2019, djay pro spotify offline 2018, djay pro spotify offline mode, djay ipad spotify offline, djay pro spotify offline playlist Prestashop Mac Download Alamat Blue Film Terbaik Tiki Navigator Serial Keygen Crack does djay pro work with spotify offline Office For Mac Download Free Top Games For Mac Pc 3 / 4 does djay work with spotify Nokia Lumia 920 Games Downloads cea114251b Boss Rabbit Mac Song Download Mp3 cea114251b Wondershare Data Recovery Key For Mac 4 / 4 Use Djay With Spotify Offline. -
Investigating the Value of DJ Performance For
Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities Feature Article Douglas MacCutcheon Alinka E. Greasley Mark T. Elliott University of Leeds (UK) University of Leeds (UK) University of Warwick (UK) Abstract Two studies were conducted to establish a more complete picture of the skills that might be accessed through learning to DJ and the potential value of those skills for music education. The first employed open-ended methods to explore perspectives on the value of DJing for music education. The second employed experimental methods to compare the ability of DJs to synchronise movement to auditory metronomes. Twenty-one participants (seven professionally trained musicians, seven informally trained DJs, seven non-musicians) took part in both studies. Qualitative data suggested that all participant groups felt DJs learn valuable musical skills such as rhythm perception, instrumental skills, knowledge of musical structure, performance skills, and a majority agreed that DJing had equal relevance with other musical forms e.g. classical music. Quantitative data showed that informally trained DJs produced more regular timing intervals under baseline and distracting conditions than the other experimental groups. The implications of the findings for the inclusion of DJing into formal music curricula are discussed. Keywords: DJ performance; turntablism; music education; sensorimotor synchronization; distraction Douglas MacCutcheon is a Marie Curie Early Stage Researcher (ESR) and PhD candidate in Environmental Psychology at the Department of Building, Energy and Environmental Engineering, University of Gävle (HiG). He has a background is in musicology and music psychology. Current research investigates how the classroom environment (acoustics, signal-to-noise ratios) affects language and memory in bilingual children and children with mild to moderate hearing loss and forms part of the ongoing Marie Curie project, iCARE (Improving Children’s Auditory Rehabilitation, <https://www.icareitn.eu>).