Rosco-Filterfacts-Handbook.Pdf
TABLE OF CONTENTS Page Rosco Filters for Filmmaking and Television 3 Statement of Standards and Manufacturing Methods Light and Imaging 4 Finding the Filter You Need 5 Colour Temperature 6 Light Sources and Their Properties 7 Colour Temperature Calculator 8 Quick Reference Guide to Cinegel Correction Filters 9 Filters for Natural Daylight 10 Filters for Artificial Daylight 11 Filters for Tungsten-Halogen and Incandescent Lamps 12 Filters for Standard Fluorescents (Cool White) 13 Filters for Other Fluorescents and Industrial Discharge Lamps 14-16 Using a Colour Monitor To Determine Appropriate Light Source 17 Cinegel Correction Filters In Use 18 Diffusion Materials 19 Diffusion In Use 20 Diffusion Materials 21 CalColor 22-23 Cinelux, Storaro Selection 24 Reflection Materials 25 E-Colour+ 26-28 Special Purpose Filters 29 Other Rosco Products 30-31 Photography credit for photos shown on pg. 18 and pg. 20: Photography by: Joanne A. Calitri, International, Faculty, Brooks Institute of Photography, Santa Barbara, CA First Assistant and Digital Technician: Dawn M. Gaietto, Master Student, Brooks Institute of Photography First Assistants: Sarah “Wolfie” Pfrommer, Undergraduate Student, Brooks Institute of Photography Joe Briscoe, Undergraduate Student, Brooks Institute of Photography Second Assistant, Model: Lisa Bailey, Undergraduate Student, Brooks Institute of Photography Model, Third Assistant, Stylist: Rebecca Sevy, Undergraduate Student, Brooks Institute of Photography Third Assistants: Eric Hayne, Undergraduate Student, Brooks Institute of Photography 2 ROSCO FILTERS FOR FILMMAKING, STILL PHOTOGRAPHY AND TELEVISION PRODUCTION Rosco’s Academy Award ® winning system of Cinegel light-control materials consists of nearly 100 materials for colour correction, light reduction, diffusion or reflection. Cinegel was first introduced over 40 years ago when most production was done on sound stages or in studios and the need for filters was limited.
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