Notre Dame Scholastic, Vol. 122, No. 02
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UW System Requests $30 Surcharge
Inside Block that sun P.3 Yoko is surprise P.4 Women's buckets win opener * .. P.5 Unique gift guide special insert Vol. 25, NO. 30, December 2,1980 UW System requests $30 surcharge by James E. Piekarski not seek a general tax increase when the The letter also cited the "uncertain ofThePoststaff legislature reconvenes in January. ties" caused by litigation challenging the 4.4 percent budget cutback to muni The UW Board of Regents is expected Committee referral cipalities and school districts. The State to approve a $30 surcharge for the second If the Regents approve the $30 sur Supreme Court has ordered the return semester at its meeting this week, ac charge, it must then be approved by Of almost $18 million to municipali cording to UW System Vice President the legislature's Joint Committee on ties, and the school district case, which Reuben Lorenz. Finance. At a November meeting, the seeks the return of $29 million, is still The surcharge, which would raise tui Regents approved a resolution, with only pending. - tion for a semester to $516 for a full- one objection, that authorized UW Sys Chancellor Frank Horton, who will time resident undergraduate student, is tem President Robert O'Neil to file a attend the Board of Regents meeting in based on the anticipation of no further request with the Joint Committee on Madison on Thursday and Friday, said budget cutbacks, despite the state's wor Finance for the surcharge by its Nov. that based on the experience of the first sened financial forecast for the biennium 10 deadline. -
My Back Pages #1
My Back Pages #1 L’iMMaginario coLLettivo deL rock neLLe fotografie di Ed CaraEff, HEnry diltz, HErb GrEEnE, Guido Harari, art KanE, astrid KirCHHErr, Jim marsHall, norman sEEff e bob sEidEmann 04.02 | 11.03.2012 Wall of sound gallery La capsula del tempo decolla… La musica non è solo suono, ma anche immagine. Senza le visioni di questi fotografi, non avremmo occhi per guardare la musica. Si può ascoltare e “ca- pire” Jimi Hendrix senza vedere la sua Stratocaster in fiamme sul palco di Monterey, fissata per sempre da Ed Caraeff? O intuire fino in fondo la deriva amara di Janis Joplin senza il crudo bianco e nero di Jim Marshall che ce la mostra affranta con l’inseparabile bottiglia di Southern Comfort in mano? Nasce così l’immaginario collettivo del rock, legato anche a centinaia di co- pertine di dischi. In questa mostra sfilano almeno una dozzina di classici: dagli album d’esordio di Crosby Stills & Nash e di Stephen Stills in solitario a Morrison Hotel dei Doors, The Kids Are Alright degli Who, al primo disco americano dei Beatles per l’etichetta VeeJay, Hejira di Joni Mitchell, Surre- alistic Pillow dei Jefferson Airplane, Grateful Dead di Jerry Garcia e compa- gni, Genius Loves Company di Ray Charles, Stage Fright della Band di Robbie Robertson, Desperado degli Eagles e Hotter Than Hell dei Kiss. Il tempismo è tutto. Soprattutto trovarsi come per miracolo all’inizio di qualcosa, ad una magica intersezione col destino che può cambiare la vita di entrambi, fotografo e fotografato. Questo è successo ad astrid Kirchherr con i Beatles ancora giovanissimi ad Amburgo, o a Herb Greene immerso nella ribollente “scena” musicale di San Francisco. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
CHILLED CAVIAR to EAT... a Little More Naked... VEGETABLES and MORE... FLOUR and WATER
CHILLED VEGETABLES AND MORE... TO EAT... (V) Garden Vegetable Crudités 18 (V) Coleman Farm's Garden Green Salad 22 • (VG) Austrian White Asparagus 32 Santa Monica Farmers' Market Seasonal Harvest Heirloom Lettuces, Spring Citrus, Meyer Lemon Vinaigrette Sun-Dried Tomato Chimichurri, Marinated Quinoa and Spring Vegetables, Sunflower Seeds Cilantro Green Goddess Dressing Toasted Black Olive Crostini with Local Goat Cheese Alaskin Halibut 49* Baja Gulf Prawns 36 (V) Imported Italian Burrata 18 Pan-Roasted, Braised Baby Artichokes, Confit Fennel, Lemon Purée, Herb Gremolata Spicy Horseradish, Citrus Tomato Sauce 18-Year Aged Balsamic Vinegar, Grilled Country White Bread Toasted Pepitas, Foraged Herbs • Organic Jidori Half Chicken 54 Whole Santa Barbara Uni 24* Porcini Mushrooms, Romano Beans, Natural Jus Tomato, Red Onion, Micro Shiso (V) Caramelized Corn Salad 24 First of the Season White Corn, Frijoles, Cherry Tomatoes • 8oz USDA Prime 'Butcher's Butter' 76* Kusshi Oysters 24/48* Wild Arugula, Cilantro Crema, Black Lime Vinaigrette Pommes Aligot, Sauce Armagnac British Columbia, Clean, Mildly Sweet, Slightly Meaty Green Apple Fennel-Mignonette (V) Green Asparagus Soup 22 (WP) Marcho Farms Veal 'Wiener Schnitzel' 49* White Asparagus, Meyer Lemon Oil Marinated Fingerling Potatoes, Marinated Cherry Tomatoes, Styrian Pumpkin Seed Oil Omega Blue Kanpachi Tataki Crudo 32* Carrot Aguachile, Pickled Green Almonds, Charred Scallion • CAB 'Never Ever' Beef Burger 28* Japanese Cucumber, Avocado, Coriander FLOUR AND WATER Vermont White Cheddar, Garlic -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
Album Cover Art Price Pages.Key
ART OF THE ALBUM COVER SAN FRANCISCO ART EXCHANGE LLC Aretha Franklin, Let Me In Your Life Front Cover, 1974 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Black Sabbath, Never Say Die Album Cover, 1978 NFS by HIPGNOSIS 1968-1983 Blind Faith Album Cover, London, 1969 $17,500 by BOB SEIDEMANN (1941-2017) Not including frame Bob Dylan & Johnny Cash Performance, The Dylan Cash Session Album Cover, 1969 $1,875 by JIM MARSHALL (b.1936 - d.2010) Not including frame Bob Dylan, Blonde on Blonde Album Cover, NYC, 1966 $25,000 by JERRY SCHATZBERG (b.1927) Not including frame Bob Dylan, Greatest Hits Album Cover, Washington DC, 1965 $5,000 by ROWLAND SCHERMAN (b.1937) Not including frame Bob Dylan, Nashville Skyline Album Cover, 1969 $1,700 by ELLIOT LANDY (b.1942) Not including frame Booker T & the MGs, McLemore Ave Front Cover Outtake, 1970 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Bruce Springsteen, As Requested Around the World Album Cover, 1979 $2,500 by JOEL BERNSTEIN (b.1952) Not including frame Bruce Springsteen, Hungry Heart 7in Single Sleeve, 1980 $1,500 by JOEL BERNSTEIN (b.1952) Not including frame Carly Simon, Playing Possum Album Cover, Los Angeles, 1974 $3,500 by NORMAN SEEFF (b.1939) Not including frame Country Joe & The Fish, Fixin’ to Die Back Cover Outtake, 1967 $7,500 by JOEL BRODSKY (1939-2007) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 $6,000 by JIM MARSHALL (b.1936 - d.2010) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 Price on Request by JIM MARSHALL (b.1936 -
Doobie Bros. Incident
These labels are designed to print on the NEATO 180955 pre-perforated cd labels & card stock! They include appoximately 1/4 inch extra “bleed” around the perforations, in order to account for small differences in printers and software issues. If you print these labels on PLAIN PAPER, you will need to trim the extra bleed area away or they will not fit. Additionally, you should print these with Adobe Acrobat 7 (older versions may not produce the correct results), and you MUST make sure that the PAGE SCALING option is set to “NONE”. If you have PAGE SCALING set to “Fit To Printer Margins” or “Reduce to Printer Margins”, the graphics will not print at the correct size for the standard jewel case. This is the most common problem people have when they complain about the artwork not fitting the jewel case! You can order Neato Labels from www.neato.com! |<<<<<<<<<<TRIM LINE TRIM LINE>>>>>>>>>>| 09.11. 15 ARRINGTON, VA DISC ONE SET ONE - Doobie Brothers Incident* 01 ROCKIN’ DOWN THE HIGHWAY 3:31 02 TAKIN’ IT TO THE STREETS 5:51 THE STRING CHEESE INCIDENT 03 SOMETIMES A RIVER 7:56 Jason Hann 04 BLACK WATER 7:20 percussion, vocals 05 LONG TRAIN RUNNIN’> 3:35 Kyle Hollingsworth 06 TEXAS> 5:51 keyboards, vocals Michael Kang 07 LONG TRAIN RUNNIN’ 2:43 mandolin, violin, vocals 08 DRUMS> 2:20 Keith Moseley 09 JESUS IS JUST ALRIGHT 5:40 bass, vocals 10 CHINA GROVE 6:36 Billy Nershi 1 1 LISTEN TO THE MUSIC** 5:18 guitar, vocals Michael Travis DISC TWO drums, percussion, vocals SET TWO - SCI Set 01 INTRO JAM> 4:35 02 COME AS YOU ARE 10:32 03 LITTLE HANDS> 9:22 04 OAK RIDGE JAM> 6:30 SCI ROAD CREW Perry Abbott, JC Barber, Chelsea 05 SWEET SPOT> 10:06 Boisen, Dan Butcher, Andrew Cass, 06 ROSIE 9:47 Chris Chierello, Kevin Gregory, 07 CLOSE YOUR EYES> 14:47 Michael Leikvold, Andrew ‘Dros’ Liposcak, Dave Miles, Cassady 08 COLORADO BLUEBIRD SKY 9:48 Miller-Halloran, Brook ‘Boogie’ Parlow, Cassie Siegel, Chuck Totlis, *Set one is the "Doobie Bros. -
The Doobie Brothers Best of the Doobies - Volume II Mp3, Flac, Wma
The Doobie Brothers Best Of The Doobies - Volume II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Best Of The Doobies - Volume II Country: US Released: 1981 Style: Pop Rock, Classic Rock MP3 version RAR size: 1693 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1529 mb Rating: 4.4 Votes: 953 Other Formats: AHX MP1 AAC MIDI VOX MP2 MP3 Tracklist Hide Credits Little Darling (I Need You) A1 Written-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.* Echoes Of Love A2 Written-By – Earl Randle, Patrick Simmons, Willie Mitchell You Belong To Me A3 Written-By – Carly Simon, Michael McDonald One Step Closer A4 Written-By – Carlene Carter, John McFee, Keith Knudsen What A Fool Believes A5 Written-By – Kenny Loggins, Michael McDonald Dependin' On You B1 Written-By – Michael McDonald, Patrick Simmons Here To Love You B2 Written-By – Michael McDonald One By One B3 Written-By – Bobby Lakind, Michael McDonald Real Love B4 Written-By – Michael McDonald, Patrick Henderson Minute By Minute B5 Written-By – Lester Abrams, Michael McDonald Companies, etc. Copyright (c) – Warner Bros. Records Phonographic Copyright (p) – Warner Bros. Records Licensed To – Columbia House Manufactured By – Columbia House Credits Bass, Vocals – Willie Weeks Congas, Vocals – Bobby Lakind Drums, Vibraphone, Marimba – Chet McCracken Drums, Vocals – Keith Knudsen Engineer – Donn Landee (tracks: A1 to A3, A5 to B2, B5), Jim Isaacson (tracks: A4, B3, B4) Guitar, Vocals – John McFee, Patrick Simmons Keyboards, Synthesizer, Vocals – Michael McDonald Mastered By – Bobby Hata Producer – Ted Templeman Saxophone, Organ, Vocals – Cornelius Bumpus Notes Timings: Program 1: 17:30 Program 2: 19:17 Other versions Category Artist Title (Format) Label Category Country Year The Doobie Best Of The Doobies Warner Bros. -
Patti Smith & Robert Mapplethorpe Both Became Art-World Legends and ’70S Icons of Radical Downtown Bohemia
They WERE NEW YORK BEFORE NEW YORK KNEW what to do WITH THEM. They WERE LOVERS, BEST FRIENDS, FELLOW SURVIVORS. PATTI SMITH & ROBERT MAppLETHORPE BOTH BECAME ART-WORLD LEGENDS and ’70S ICONS OF RADICAL DOWNTOWN BOHEMIA. Now SMITH FINALLY OPENS UP about THEIR DAYS together, LIVING at the CHELSEA HOTEL, BUYING ART SUppLIES BEFORE FOOD, MIXING with WARHOL SUPERSTARS and FUTURE ROCK GODS, and DOING WHATEVER they HAD to DO JUST to STAY TOGETHER By CHRISTOPHER BOLLEN THIS SPREAD: PATTI SMITH AND ROBERT MAppLETHOrpE IN NEW YORK, 1970. PHOTOS: NORMAN SEEFF. In 1967, Patti Smith moved to New York City from and a pot of water and I keep diluting it, because it’s certainly hasn’t changed. When I was a kid, I South Jersey, and the rest is epic history. There are not even the coffee, it’s the habit. wore dungarees and little boatneck shirts and the photographs, the iconic made-for-record-cover BOLLEN: That’s my problem. I really don’t braids. I dressed like that throughout the ’50s, to black-and-whites shot by Smith’s lover, soul mate, and smoke cigarettes that much except when I write. the horror of my parents and teachers. co-conspirator in survival, Robert Mapplethorpe. But when I write, I smoke. It’s bad, but I’m scared BOLLEN: Most people take a long time to find Then there are the photographs taken of them that if I break the habit, I won’t be able to write. themselves—if they ever do. How did you catch together, both with wild hair and cloaked in home- SMITH: It’s part of your process. -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: . -
Aug-Sept 1980
MODERN DRUMMER VOL. 4 NO. 4 FEATURES: KEITH KNUDSEN and CHET MCCRACKEN Keith Knudsen and Chet McCracken, drummers for the pop- ular Doobie Brothers, relate how the advantages outweigh the difficulties working in a two drummer situation. The pair also evaluate their own performance styles and preferences within the musical context of the band. 12 JOE COCUZZO Having worked professionally since the age of 19, Joe Co- cuzzo has an abundance of musical knowledge. His respect for and understanding of the drummer's position within the music has prepared him for affiliations with Buddy DeFranco, Gary McFarland, Don Ellis, Woody Herman and Tony Bennett. 20 ED GREENE Ed Greene has the distinction of being one of Los Angeles' hottest studio drummers. Greene explains what it's like to work in the studios while trying to keep your personal musical goals alive, and what the responsibilities of a studio musician entail. He also speaks on the methods used in a recording studio and how the drums are appropriately adjusted for each session. 29 THE GREAT JAZZ DRUMMERS, INSIDE STAR INSTRUMENTS 26 PART II 16 MORRIS LANG: N.Y. PHILHARMONIC VETERAN 24 COLUMNS: EDITOR'S OVERVIEW 2 SHOW AND STUDIO READERS' PLATFORM 4 Music Cue by Danny Pucillo 46 ASK A PRO 7 UP AND COMING IT'S QUESTIONABLE 8 Rob the Drummer: A New Kid on the Street ROCK PERSPECTIVES by Karen Larcombe 48 A Practical Application of the Five Stroke Roll by David Garibaldi 32 DRUM MARKET 56 STRICTLY TECHNIQUE CLUB SCENE Wrist Versus Fingers Space Saving and the Custom Set by Forrest Clark 34 by Rick Van Horn 60 JAZZ DRUMMERS' WORKSHOP Coordinating Accents Independently PRINTED PAGE 70 by Ed Soph 38 RUDIMENTAL SYMPOSIUM DRIVER'S SEAT Rudimental Set Drumming Avoiding Common Pitfalls by Ken Mazur 74 by Mel Lewis 42 TEACHER'S FORUM INDUSTRY HAPPENINGS 78 An Overview by Charley Perry 44 JUST DRUMS 79 Two years ago, MD mailed questionaires to 1,000 randomly selected subscribers in an effort to obtain a profile of a typical MD reader. -
Steely Dan & the Doobie Brothers Announce Co
STEELY DAN & THE DOOBIE BROTHERS ANNOUNCE CO-HEADLINE NORTH AMERICAN SUMMER TOUR Citi Presale Begins January 10; General On Sale Starts January 12 at LiveNation.com Los Angeles, CA (January 8, 2018) –Steely Dan and The Doobie Brothers announced today their co-headline North American 2018 summer tour kicking off May 10 in Charlotte, NC and wrapping July 14 in Bethel, NY. Promoted by Live Nation, the legendary bands will travel to 30+ cities across the U.S. and Canada including Los Angeles, Chicago, Houston, Nashville, and Toronto. Tickets for the tour go on sale to the general public beginning Friday, January 12 at 8am local time in most cities on Live Nation.com. Please see below for full tour itinerary and details. Citi® is the official presale credit card for the Steely Dan and The Doobie Brothers tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, January 10 at 10am local time until Thursday, January 11 at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Founded in 1972, Steely Dan has sold more than 40 million albums worldwide and helped define the soundtrack of the ‘70s with hits such as “Reelin’ in the Years,” “Rikki Don’t Lose That Number,” “F.M.,” “Peg,” “Hey Nineteen,” “Deacon Blues,” and “Babylon Sisters,” from their seven platinum albums issued between 1972 and 1980 – including 1977’s sold-out tours (that continue through today). In 2000 they released the multi-Grammy winning (including “Album of the Year”) Two Against Nature, and released the acclaimed follow- up Everything Must Go in 2003.