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EN3131 Gothic: from Otranto to Wuthering Heights | Readinglists@Leicester 09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester EN3131 Gothic: From Otranto to View Online Wuthering Heights Anon. n.d. ‘Female Gothic Writing.’ Women’s Writing. Anon. n.d. ‘The Gothic Literature Page.’ Retrieved (http://www.zittaw.com/gothicliterature.htm). Anon. n.d. ‘The Literary Gothic.’ Retrieved (http://www.litgothic.com/indexfl.html). August Burger, Gottfried. n.d. Lenore. Austen, Jane, and Marilyn Butler. 2003. Northanger Abbey. Vol. Penguin classics. New ed. London: Penguin. Baldick, Chris. 1993. The Oxford Book of Gothic Tales. Oxford: Oxford University Press. Bloom, Clive. 1998. Gothic Horror: A Reader’s Guide from Poe to King and beyond. Basingstoke: Macmillan. Bonaparte, Marie. 1949. The Life and Works of Edgar Allan Poe: A Psycho-Analytic Interpretation. [1st English ed.]. London: Imago Pub. Co. Botting, Fred. 1996. Gothic. Vol. The new critical idiom. London: Routledge. Botting, Fred, and English Association. n.d. Gothic, The. Essays and Studies 2001. Boydell & Brewer Ltd. Branagh, Kenneth, Robert De Niro, Helena Bonham Carter, and Mary Wollstonecraft Shelley. 2004. ‘Mary Shelley’s Frankenstein.’ Brinsely Peake, Richard. n.d. Presumption: Or the Fate of Frankenstein. Bruhm, Steven. 1994. Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. Butler, Marilyn. 1987. Jane Austen and the War of Ideas. New ed. Oxford: Clarendon Press. Byron, Glennis, and David Punter. 1999. Spectral Readings: Towards a Gothic Geography. Basingstoke: Macmillan. Castle, Terry. 1995. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Vol. Ideologies of desire. New York: Oxford University Press. 1/5 09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester Cleary, EJ. 1992. ‘The Politics of the Gothic Heroine in the 1790s.’ in Reviewing Romanticism. Basingstoke: Macmillan. Clery, E. J. 1995. The Rise of Supernatural Fiction, 1762-1800. Vol. Cambridge studies in Romanticism. Cambridge: Cambridge University Press. Clery, E. J., and British Council. 2004. Women’s Gothic: From Clara Reeve to Mary Shelley. Vol. Writers and their work. 2nd ed. Tavistock: Northcote House. Clery, E. J., and Robert Miles. 2000. Gothic Documents: A Sourcebook, 1700-1820. Manchester: Manchester University Press. Coleridge, Samuel Taylor. 2012. ‘Christabel.’ in Romanticism: an anthology. Vol. Blackwell anthologies. Chichester: John Wiley & Sons. Cottom, Daniel. 1985. The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press. DANIEL P. WATKINS. 1986. ‘SOCIAL HIERARCHY IN MATTHEW LEWIS’S “THE MONK”.’ Studies in the Novel 18(2):115–24. Day, William Patrick. 1985. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: University of Chicago. DeLamotte, Eugenia C. 1990. Perils of the Night: A Feminist Study of Nineteenth-Century Gothic. New York: Oxford University Press. Duncan, Ian. 1992. Modern Romance and Transformations of the Novel: The Gothic, Scott, and Dickens. Cambridge: Cambridge University Press. Ellis, Kate Ferguson. 1989. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: University of Illinois Press. Ellis, Markman. 2000. The History of Gothic Fiction. Edinburgh: Edinburgh University Press. Emily Brontë, and Pauline Nestor. n.d. Wuthering Heights (Penguin Classics). Penguin Classics. Eve Kosofsky Sedgwick. 1981. ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel.’ PMLA 96(2):255–70. Fleenor, Juliann E. 1983. The Female Gothic. Montréal: Eden Press. Freud, Sigmund, James Strachey, Anna Freud, Alix Strachey, and Alan Tyson. 2001. ‘The Uncanny.’ in The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works. London: Vintage. Garside, Peter. 1998. ‘Romantic Gothic.’ in Literature of the romantic period: a bibliographical guide. Oxford: Clarendon Press. Graham, Kenneth W. 1989a. Gothic Fictions: Prohibition/transgression. Vol. AMS ARS 2/5 09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester Poetica. New York: AMS press. Graham, Kenneth W. 1989b. Gothic Fictions: Prohibition/transgression. Vol. AMS ARS Poetica. New York: AMS press. Gregory Lewis, Matthew. n.d. Alonzo the Brave and Fair Imogine. Hoeveler, Diane Long. 1998. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press. Hogle, Jerrold E. 2002. Cambridge Companion to Gothic Fiction. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press. Howard, Jacqueline. 1994. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon Press. Howells, Coral Ann. 1978. Love, Mystery, and Misery: Feeling in Gothic Fiction. London: Athlone Press. Ingham, Patricia. 2006. The Brontës. Vol. Oxford world’s classics. Authors in context. Oxford: Oxford University Press. Kahane, Claire. 1985. ‘The Gothic Mirror.’ in The (m)other tongue: essays in feminist psychoanalytic interpretation. Ithaca, N.Y.: Cornell University Press. Karloff, Boris, Colin Clive, James Whale, and Valerie Hobson. 2004. ‘Bride of Frankenstein.’ Karloff, Boris, Colin Clive, James Whale, and Mary Wollstonecraft Shelley. 2004. ‘Frankenstein.’ Kavanagh, James H. 1985. Emily Brontë. Vol. Rereading literature. Oxford: Blackwell. Keats, John. 2012. ‘The Eve of St. Agnes.’ in Romanticism: an anthology. Vol. Blackwell anthologies. Chichester: John Wiley & Sons. Kelly, Gary. 1989. English Fiction of the Romantic Period, 1789-1830. Vol. Longman literature in English series. London: Longman. Kennedy, J. Gerald. 2001. A Historical Guide to Edgar Allan Poe. Vol. Historical guides to American authors. Oxford: Oxford University Press. Kilgour, Maggie. 1995. The Rise of the Gothic Novel. London: Routledge. Levine, George Lewis, and U. C. Knoepflmacher. 1979. The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. Berkeley, Calif: University of California Press. Lewis, M. G., and C. J. M. MacLachlan. 1998. The Monk: A Romance. Vol. Penguin classics. London: Penguin Books. MacDonald, D. L. 1992. ‘The Erotic Sublime: The Marvellous in The Monk.’ English Studies in Canada 18:273–85. 3/5 09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester MARY POOVEY. 1979. ‘Ideology and “The Mysteries of Udolpho”.’ Criticism 21(4):307–30. Mellor, Anne K. 2012. Mary Shelley: Her Life, Her Fiction, Her Monsters. Florence: Taylor and Francis. Miles, Robert. 1995. Ann Radcliffe: The Great Enchantress. Manchester: Manchester University Press. Miles, Robert. 2002. Gothic Writing, 1750-1820: A Genealogy. 2nd ed. Manchester: Manchester University Press. Moers, Ellen. 1977. ‘Female Gothic’.’ in Literary women. London: W.H. Allen. Mowl, Tim. 1996. Horace Walpole: The Great Outsider. London: Murray. Mulvey Roberts, Marie. 1998. The Handbook to Gothic Literature. Basingstoke: Macmillan. Norton, Rictor. 1999. Mistress of Adolpho: The Life of Ann Radcliffe. London: Leicester University Press. Norton, Rictor. 2000. Gothic Readings: The First Wave, 1764-1840. New York: Leicester University Press. Parreaux, Andre. 1960. The Publication of The Monk : A Literary Event, 1796-1798. Vol. Études de littérature étrangère et comparée. no. 41. Andre Parreaux, Paris: Librairie Marcel Didier 1960 (1960). Paulson, Ronald. 1983. Representations of Revolution, (1789-1820). New Haven, Conn: Yale University Press. Peschier, Diana, Dr. 2005. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Bronte ̈ . Basingstoke: Palgrave Macmillan. Peter Brooks. 1973. ‘Virtue and Terror: The Monk.’ ELH 40(2):249–63. Poe, Edgar Allan, and David Van Leer. 2008. Selected Tales. Vol. Oxford world’s classics. Oxford: Oxford University Press. Punter, David. 1996a. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.1: The Gothic Tradition. 2nd ed. London: Longman. Punter, David. 1996b. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic. 2nd ed. London: Longman. Punter, David. 2000. A Companion to the Gothic. Vol. Blackwell companions to literature and culture. Oxford: Blackwell Publishers. Pykett, Lyn. 1989. Emily Brontë. Vol. Women writers. Basingstoke: Macmillan. 4/5 09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester Radcliffe, Ann Ward, Bonamy Dobrée, and Frederick Garber. 1980. The Mysteries of Udolpho. Vol. The World’s classics. Oxford: Oxford University Press. Radcliffe, Ann Ward, and Robert Miles. 2000. The Italian, Or, The Confessional of the Black Penitents: A Romance. Vol. Penguin classics. London: Penguin Books. Ranger, Paul, and Society for Theatre Research. 1991. ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820. London: Society for Theatre Reasearch. Ringe, Donald A. 1982. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington, Ky: University Press of Kentucky. Roberts, Bette B. 1980. The Gothic Romance, Its Appeal to Women Writers and Readers in Late Eighteenth-Century England. Vol. Gothic studies and dissertations. New York: Arno Press. Ronald Paulson. 1981. ‘Gothic Fiction and the French Revolution.’ ELH 48(3):532–54. Schama, Simon. 1989. Citizens: A Chronicle of the French Revolution. London: Viking. Sedgwick, Eve Kosofsky. 1986a. The Coherence of Gothic Conventions. Vol. University paperback. New
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