09/25/21 EN3131 Gothic: From Otranto to Wuthering Heights | readinglists@leicester

EN3131 Gothic: From Otranto to View Online Wuthering Heights

Anon. n.d. ‘Female Gothic Writing.’ Women’s Writing.

Anon. n.d. ‘The Gothic Literature Page.’ Retrieved (http://www.zittaw.com/gothicliterature.htm).

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August Burger, Gottfried. n.d. Lenore.

Austen, Jane, and Marilyn Butler. 2003. Northanger Abbey. Vol. Penguin classics. New ed. London: Penguin.

Baldick, Chris. 1993. The Oxford Book of Gothic Tales. Oxford: Oxford University Press.

Bloom, Clive. 1998. Gothic Horror: A Reader’s Guide from Poe to King and beyond. Basingstoke: Macmillan.

Bonaparte, Marie. 1949. The Life and Works of Edgar Allan Poe: A Psycho-Analytic Interpretation. [1st English ed.]. London: Imago Pub. Co.

Botting, Fred. 1996. Gothic. Vol. The new critical idiom. London: Routledge.

Botting, Fred, and English Association. n.d. Gothic, The. Essays and Studies 2001. Boydell & Brewer Ltd.

Branagh, Kenneth, Robert De Niro, Helena Bonham Carter, and Mary Wollstonecraft Shelley. 2004. ‘Mary Shelley’s .’

Brinsely Peake, Richard. n.d. Presumption: Or the Fate of Frankenstein.

Bruhm, Steven. 1994. Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press.

Butler, Marilyn. 1987. Jane Austen and the War of Ideas. New ed. Oxford: Clarendon Press.

Byron, Glennis, and David Punter. 1999. Spectral Readings: Towards a Gothic Geography. Basingstoke: Macmillan.

Castle, Terry. 1995. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Vol. Ideologies of desire. New York: Oxford University Press.

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Cleary, EJ. 1992. ‘The Politics of the Gothic Heroine in the 1790s.’ in Reviewing Romanticism. Basingstoke: Macmillan.

Clery, E. J. 1995. The Rise of Supernatural Fiction, 1762-1800. Vol. Cambridge studies in Romanticism. Cambridge: Cambridge University Press.

Clery, E. J., and British Council. 2004. Women’s Gothic: From Clara Reeve to Mary Shelley. Vol. Writers and their work. 2nd ed. Tavistock: Northcote House.

Clery, E. J., and Robert Miles. 2000. Gothic Documents: A Sourcebook, 1700-1820. Manchester: Manchester University Press.

Coleridge, Samuel Taylor. 2012. ‘Christabel.’ in Romanticism: an anthology. Vol. Blackwell anthologies. Chichester: John Wiley & Sons.

Cottom, Daniel. 1985. The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press.

DANIEL P. WATKINS. 1986. ‘SOCIAL HIERARCHY IN MATTHEW LEWIS’S “THE MONK”.’ Studies in the Novel 18(2):115–24.

Day, William Patrick. 1985. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: University of Chicago.

DeLamotte, Eugenia C. 1990. Perils of the Night: A Feminist Study of Nineteenth-Century Gothic. New York: Oxford University Press.

Duncan, Ian. 1992. Modern Romance and Transformations of the Novel: The Gothic, Scott, and Dickens. Cambridge: Cambridge University Press.

Ellis, Kate Ferguson. 1989. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. Urbana: University of Illinois Press.

Ellis, Markman. 2000. The History of Gothic Fiction. Edinburgh: Edinburgh University Press.

Emily Brontë, and Pauline Nestor. n.d. Wuthering Heights (Penguin Classics). Penguin Classics.

Eve Kosofsky Sedgwick. 1981. ‘The Character in the Veil: Imagery of the Surface in the Gothic Novel.’ PMLA 96(2):255–70.

Fleenor, Juliann E. 1983. The Female Gothic. Montréal: Eden Press.

Freud, Sigmund, James Strachey, Anna Freud, Alix Strachey, and Alan Tyson. 2001. ‘The Uncanny.’ in The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works. London: Vintage.

Garside, Peter. 1998. ‘Romantic Gothic.’ in Literature of the romantic period: a bibliographical guide. Oxford: Clarendon Press.

Graham, Kenneth W. 1989a. Gothic Fictions: Prohibition/transgression. Vol. AMS ARS

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Poetica. New York: AMS press.

Graham, Kenneth W. 1989b. Gothic Fictions: Prohibition/transgression. Vol. AMS ARS Poetica. New York: AMS press.

Gregory Lewis, Matthew. n.d. Alonzo the Brave and Fair Imogine.

Hoeveler, Diane Long. 1998. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press.

Hogle, Jerrold E. 2002. Cambridge Companion to Gothic Fiction. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press.

Howard, Jacqueline. 1994. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon Press.

Howells, Coral Ann. 1978. Love, Mystery, and Misery: Feeling in Gothic Fiction. London: Athlone Press.

Ingham, Patricia. 2006. The Brontës. Vol. Oxford world’s classics. Authors in context. Oxford: Oxford University Press.

Kahane, Claire. 1985. ‘The Gothic Mirror.’ in The (m)other tongue: essays in feminist psychoanalytic interpretation. Ithaca, N.Y.: Cornell University Press.

Karloff, Boris, Colin Clive, , and . 2004. ‘.’

Karloff, Boris, Colin Clive, James Whale, and Mary Wollstonecraft Shelley. 2004. ‘Frankenstein.’

Kavanagh, James H. 1985. Emily Brontë. Vol. Rereading literature. Oxford: Blackwell.

Keats, John. 2012. ‘The Eve of St. Agnes.’ in Romanticism: an anthology. Vol. Blackwell anthologies. Chichester: John Wiley & Sons.

Kelly, Gary. 1989. English Fiction of the Romantic Period, 1789-1830. Vol. Longman literature in English series. London: Longman.

Kennedy, J. Gerald. 2001. A Historical Guide to Edgar Allan Poe. Vol. Historical guides to American authors. Oxford: Oxford University Press.

Kilgour, Maggie. 1995. The Rise of the Gothic Novel. London: Routledge.

Levine, George Lewis, and U. C. Knoepflmacher. 1979. The Endurance of Frankenstein: Essays on Mary Shelley’s Novel. Berkeley, Calif: University of Press.

Lewis, M. G., and C. J. M. MacLachlan. 1998. The Monk: A Romance. Vol. Penguin classics. London: Penguin Books.

MacDonald, D. L. 1992. ‘The Erotic Sublime: The Marvellous in The Monk.’ English Studies in Canada 18:273–85.

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MARY POOVEY. 1979. ‘Ideology and “The Mysteries of Udolpho”.’ Criticism 21(4):307–30. Mellor, Anne K. 2012. Mary Shelley: Her Life, Her Fiction, Her Monsters. Florence: Taylor and Francis.

Miles, Robert. 1995. Ann Radcliffe: The Great Enchantress. Manchester: Manchester University Press.

Miles, Robert. 2002. Gothic Writing, 1750-1820: A Genealogy. 2nd ed. Manchester: Manchester University Press.

Moers, Ellen. 1977. ‘Female Gothic’.’ in Literary women. London: W.H. Allen.

Mowl, Tim. 1996. Horace Walpole: The Great Outsider. London: Murray.

Mulvey Roberts, Marie. 1998. The Handbook to Gothic Literature. Basingstoke: Macmillan.

Norton, Rictor. 1999. Mistress of Adolpho: The Life of Ann Radcliffe. London: Leicester University Press.

Norton, Rictor. 2000. Gothic Readings: The First Wave, 1764-1840. New York: Leicester University Press.

Parreaux, Andre. 1960. The Publication of The Monk : A Literary Event, 1796-1798. Vol. Études de littérature étrangère et comparée. no. 41. Andre Parreaux, Paris: Librairie Marcel Didier 1960 (1960).

Paulson, Ronald. 1983. Representations of Revolution, (1789-1820). New Haven, Conn: Yale University Press.

Peschier, Diana, Dr. 2005. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Bronte ̈ . Basingstoke: Palgrave Macmillan.

Peter Brooks. 1973. ‘Virtue and Terror: The Monk.’ ELH 40(2):249–63.

Poe, Edgar Allan, and David Van Leer. 2008. Selected Tales. Vol. Oxford world’s classics. Oxford: Oxford University Press.

Punter, David. 1996a. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.1: The Gothic Tradition. 2nd ed. London: Longman.

Punter, David. 1996b. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic. 2nd ed. London: Longman.

Punter, David. 2000. A Companion to the Gothic. Vol. Blackwell companions to literature and culture. Oxford: Blackwell Publishers.

Pykett, Lyn. 1989. Emily Brontë. Vol. Women writers. Basingstoke: Macmillan.

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Radcliffe, Ann Ward, Bonamy Dobrée, and Frederick Garber. 1980. The Mysteries of Udolpho. Vol. The World’s classics. Oxford: Oxford University Press.

Radcliffe, Ann Ward, and Robert Miles. 2000. The Italian, Or, The Confessional of the Black Penitents: A Romance. Vol. Penguin classics. London: Penguin Books.

Ranger, Paul, and Society for Theatre Research. 1991. ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820. London: Society for Theatre Reasearch.

Ringe, Donald A. 1982. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington, Ky: University Press of Kentucky.

Roberts, Bette B. 1980. The Gothic Romance, Its Appeal to Women Writers and Readers in Late Eighteenth-Century England. Vol. Gothic studies and dissertations. New York: Arno Press.

Ronald Paulson. 1981. ‘Gothic Fiction and the French Revolution.’ ELH 48(3):532–54.

Schama, Simon. 1989. Citizens: A Chronicle of the French Revolution. London: Viking.

Sedgwick, Eve Kosofsky. 1986a. The Coherence of Gothic Conventions. Vol. University paperback. New York: Methuen.

Sedgwick, Eve Kosofsky. 1986b. The Coherence of Gothic Conventions. Vol. University paperback. New York: Methuen.

Shelley, Mary Wollstonecraft, and J. Paul Hunter. 1996. Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. Vol. A Norton critical edition. New York: W.W. Norton.

Stevens, David. 2000. The Gothic Tradition. Vol. Cambridge contexts in literature. Cambridge: Cambridge University Press.

Stoker, Bram. 2001. Dracula. London: Electric Book Co.

Todorov, Tzvetan. 1975. The Fantastic: A Structural Approach to a Literary Genre ; Translated from the French by Richard Howard ; with a Foreword by Robert Scholes. Vol. Cornell paperbacks. Ithaca, N.Y: Cornell University Press.

Walpole, Horace. 2010. The Castle of Otranto. Vol. Victorian bestsellers. London: Penguin.

Wendy Jones. 1990. ‘Stories of Desire in the Monk.’ ELH 57(1):129–50.

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