Boston College Collection of David Jones 1922-1989 MS.1986.001

Total Page:16

File Type:pdf, Size:1020Kb

Boston College Collection of David Jones 1922-1989 MS.1986.001 Boston College Collection of David Jones 1922-1989 MS.1986.001 https://hdl.handle.net/2345.2/MS1986-001 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 4 Biographical note ........................................................................................................................................... 5 Scope and Contents ........................................................................................................................................ 6 Arrangement ................................................................................................................................................... 6 Collection Inventory ....................................................................................................................................... 7 I: Correspondence ........................................................................................................................................ 7 II: Literary works ........................................................................................................................................ 7 III: Art .......................................................................................................................................................... 9 IV: Ephemera ............................................................................................................................................. 11 Boston College Collection of David Jones MS.1986.001 - Page 2 - Summary Information Creator: Jones, David, 1895-1974 Title: Boston College collection of David Jones ID: MS.1986.001 Date [inclusive]: 1922-1989 Physical Description 11 Linear Feet (9 containers) Language of the English Material: Abstract: This collection documents nineteenth-century British author and artist David Jones through his correspondence, ephemera, drawings, engravings, paintings, manuscripts, typescripts, and proofs of his poetry and short prose. Preferred Citation Identification of item, Box number, Folder number, Boston College collection of David Jones, MS.1986.001, John J. Burns Library, Boston College. Boston College Collection of David Jones MS.1986.001 - Page 3 - Administrative Information Publication Information Processed by Michelle Russell and Mark Roskoski in 1994. This finding aid was produced using ArchivesSpace. Restrictions on access Collection is open for research. Provenance Purchased from Serendipity Books in 1986, and gift of Michelle Russell in 2000. Restrictions on use These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Related Materials Related Materials Boston College collection of Eric Gill, MS.1986.139, John J. Burns Library, Boston College. Boston College Collection of David Jones MS.1986.001 - Page 4 - Biographical note Born in Brockley, Kent on November 1, 1895, Walter David Jones, known as David, was the third child of James Jones, a Welshman by birth, and Alice Ann Bradshaw, an Englishwoman and an amateur watercolor artist. Jones's Welsh heritage was a large influence throughout his life and work. He enrolled in the Camberwell School of Art at the age of fourteen. When World War II began, he enlisted in the Royal Welch Fusiliers and remained in the trenches until wounded in the Battle of the Somme in July 1916. In 1921 he became a Roman Catholic. In 1922 he joined Eric Gill's Guild of Saint Joseph and Saint Dominic at Ditchling, Sussex, where he learned wood and copper engraving. Jones developed a close friendship with Gill and his family, and relocated to Capel-y-Ffin, Wales in 1924 following their move there. Jones continued engraving, and also worked at the Benedictine community on Caldey Island. He was engaged to the Gills' daughter, Petra; but their engagement was broken off in 1927. Jones's friend Rene Hague married Petra's sister Joan, and the three were to remain close friends. After the Gills left Wales for Buckinghamshire in 1927, Jones divided his time between their new home, his parents' home in Kent, and the residence of his friend and patron Helen Sutherland in Northumberland. The period from 1926-1933 was a prolific one for Jones's art, during which he produced engravings, illustrations, watercolor paintings, and drawings His work was included in several exhibitions at galleries in London and abroad. In 1927, Jones began writing and started what would become In parenthesis; seinnyessit e gledyf ym penn mameu (1937), a combination of prose and poetry about World War I. Although it was not a commercial success, in 1938 it won the Hawthornden Prize. In 1952, Jones published the long poem The Anathemata, which was awarded the Russell Loines Memorial Award for poetry by the American National Institute of Arts and Letters in 1954. He was made Commander of the Most Excellent Order of the British Empire (CBE) in 1955. In 1962, Jones moved to Harrow, where he lived a retired life but continued to correspond extensively with friends. In 1970, he suffered a stroke and a broken leg. He moved to the Calvary Nursing Home, where he died on October 28, 1974. Sources: Blamires, David. David Jones: Artist and Writer. Manchester: Manchester University Press, 1971. Grisewood, Harman, ed. Epoch and Artist: Selected Writings by David Jones. New York: Chilmark Press, 1959. Hague, Rene, ed. Dai Greatcoat: A self-portrait of David Jones in his letters. London: Faber and Faber, 1980. Rees, Samuel. David Jones. London: Twayne Publishers, 1978. Boston College Collection of David Jones MS.1986.001 - Page 5 - Scope and Contents This collection documents nineteenth-century British author and artist David Jones through his correspondence, ephemera, drawings, paintings, prints, manuscripts, typescripts, and proofs of his poetry and prose. Jones's correspondence is largely with friends and publishers. Of note are letters to Louis Bussell, which focus on the events on the continent prior to World War II as well as artistic matters. Correspondence to Edward Little discusses the publication of "The Dying Gaul" broadcast in America. And letters to the poet Vernon Watkins, the largest single group in the collection, relates to the publication of "The Wall" and "The Tutelar of the Place" in the American journal Poetry. Also included are a number of letters to the Society of Authors. Jones's writings are mostly short works originally written for periodicals or delivered as radio addresses. Prose writings include essays and addresses, most of which were later published in the collections Epoch and Artist (1959) and The Dying Gaul (the posthumous collection, 1978). Poems include multiple versions of "The Fatigue" and "The Wall." Jones's art works comprise drawings, engravings, and watercolor paintings. The wood engravings includes proofs for his illustrations of The Book of Jonah and The Rime of the Ancient Mariner, with both rejected and final plates. The collection also includes some later reproductions of Jones's art as calendars, cards, and posters. Lastly, the collection contains some materials about Jones and his works, as well as his collected ephemera. Arrangement Organized into four series: I. Correspondence, II. Literary works, III. Art, and IV. Ephemera. Series II. Literary works is further divided into two subseries: A. Prose and B. Poetry. Series III. Art is also further divided into two subseries: A. Original, and B. Reproductions. Boston College Collection of David Jones MS.1986.001 - Page 6 - Collection Inventory Series I: Correspondence, 1924-1973, undated Arrangement Alphabetical by last name. To Bernard Bergonzi, 1965 November-December box 1 folder 1-2 To Louis Bussell, includes a drawing, 1928-1946 box 1 folder 3-9 To Father Caraman, 1952-1953 box 1 folder 10-11 To Will and Sebastian Carter (photocopy), 1965 September- box 1 folder 12 October Jones's typed response to invitation of Catholic Painter's Guild, box 1 folder 13 undated From Michael de la Bedoyere, 1960 November 2 box 1 folder 14 To Father Desmond, 1924 August 13 box 1 folder 15 From Sir Emrys Evans, 1955 February 1 box 1 folder 16 Signed card to Eric Gill, 1928 September 13 box 1 folder 17 Signed card to Petra Gill, 1927 August 1 box 1 folder 18 To Father Sylvester Houedard, O.S.B., 1973 April 4 box 1 folder 19 To Edward Little, 1960-1962 box 1 folder 20-23 To Andrew Mylett, 1965 October 9 box 1 folder 24 From Alan Oldfield, 1954 June 11 box 1 folder 25 To Mick Richey, 1953, 1965, 1968, 1971 box 1 folder 26 To Kilham Roberts, 1938 November 9 box 1 folder 27 To Alan Ross, 1965 March box 1 folder 28-29 To Clifford Simmons, 1972 December 18 box 1 folder 30 To Hilary Smith, undated box 1 folder 31 To Society of Authors, 1963-1973 box
Recommended publications
  • London Calling: BBC External Services, Whitehall and the Cold War 1944- 57
    London calling: BBC external services, Whitehall and the cold war 1944- 57. Webb, Alban The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1577 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LONDON CALLING: SSC EXTERNAL SERVICES, WHITEHALL AND THE COLD WAR, 1944-57 ALBAN WEBB Queen Mary College, University of London A thesis submitted in partial fulfilment of the requirements of the University of London for the degree of Doctor of Philosophy (Ph.D) 1 Declaration: The work presented in this thesis is my own. Signed: '~"\ ~~Ue6b Alban Webb Declaration: The work presented in this thesis is my own. Signed: Alban Webb ABSTRACT The Second World War had radically changed the focus of the BBC's overseas operation from providing an imperial service in English only, to that of a global broadcaster speaking to the world in over forty different languages. The end of that conflict saw the BBC's External Services, as they became known, re-engineered for a world at peace, but it was not long before splits in the international community caused the postwar geopolitical landscape to shift, plunging the world into a cold war. At the British government's insistence a re-calibration of the External Services' broadcasting remit was undertaken, particularly in its broadcasts to Central and Eastern Europe, to adapt its output to this new and emerging world order.
    [Show full text]
  • Eric Gill Special Collection
    an introduction to the Eric Gill Special Collection Portrait of Eric Gill (1882-1940) was an English engraver, sculptor, typographer, and writer Eric Gill who lived and worked in and near London. The University of Notre Dame collection includes over 2,000 items of Eric Gill’s work: books, pamphlets, broadsides, prints, greeting cards, calendars, sketches, wood blocks, photographs, and other formats. The Gill Collection also includes many examples of the work by men who worked with or apprenticed with Gill (Hilary Pepler, Philip Hagreen, Joseph Cribb, David Jones, and Desmund Chute), most of the imprints of the Golden Cockerel Press (which produced The Four Gospels engraved by Gill), and an extensive selection of the output from Gill’s own St. Dominic’s Press. There are hundreds of fine art prints and over 100 photographs of Gill’s sculptures. The collection was acquired in 1965 from John Bennett Shaw (Notre Dame alumnus ’37), who purchased it from Evan Gill, Eric’s brother. Since 1965, the collection has been added to selectively. The collection has a large and interdisciplinary audience. The Gill Trial Proofs of Collection encompasses the genres of drawing, sculpture, Eric Gill’s lettering, engraving, and printing, as well as the intellectual Hand & Eye, with a pencil sketch at pursuits of art theory, religion, and social philosophy. It is thus of left, 1908. interest to students and researchers in art history, graphic design, This was used by the book arts, fine printing and the history of printing, and the Gill as a personal symbol. social thinking of the late 19th and early 20th centuries.
    [Show full text]
  • Fine Printing & Small Presses A
    Fine Printing & Small Presses A - K Catalogue 354 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • A Choice of Illusions: Belief, Relativism, and Modern Literature
    A Choice of Illusions: Belief, Relativism, and Modern Literature Alastair Morrison Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2015 © 2015 Alastair Morrison All rights reserved ABSTRACT A Choice of Illusions: Belief, Relativism, and Modern Literature Alastair Morrison This dissertation considers how defenses of traditional faith in Britain have adapted to new frontiers of cultural relativism and religious difference. Its contention is that poetry has become central to such defenses. Relativistic thinking would seem to dispose against metaphysical belief; poetry, as a parallel claimant for cultural and expressive particularity, and as a sensuously non-empirical rhetorical medium, offers a way of muffling the dissonance that might otherwise arise from positioning difference and particularity as pretext for claims of universal truth. This study traces formal and rhetorical innovations from the Victorian crisis of faith forward to literary modernism, with a brief conclusion contemplating related developments in more contemporary poetry and religious thought in Britain. Table of Contents Acknowledgements ii 1. Introduction: Belief, Relativism, and Modern Literature 1 i. works cited 11 2. Unction on the Tightrope: Religion as Culture in Victorian Britain 12 ii. works cited 60 3. T.E. Hulme: What Choice in Illusion? 63 iii. works cited 94 4. To Do the Right Thing for the Wrong Reason: The Justification of T.S. Eliot 96 iv. works cited 131 5. David Jones: Cultures in Parenthesis 134 v. works cited 164 6. Conclusion: Poetry and Postsecularism 166 vi. works cited 173 i Acknowledgements It is chastening to think how different this study might be were it not for the generous contributions others have made to it.
    [Show full text]
  • Eric Gill Archive, 1887-2003 (Bulk 1905-1940)
    http://oac.cdlib.org/findaid/ark:/13030/kt9m3nc2gh No online items Finding Aid for the Eric Gill Archive, 1887-2003 (bulk 1905-1940) Processed by Jennifer Alcoset. William Andrews Clark Memorial Library 2520 Cimarron Street UCLA Los Angeles, CA 90018 Phone: (323) 731-8529 Fax: (323) 731-8617 Email: [email protected] URL: http://www.humnet.ucla.edu/humnet/clarklib/ ©2004 The Regents of the University of California. All rights reserved. Finding Aid for the Eric Gill MS Gill 1 Archive, 1887-2003 (bulk 1905-1940) Descriptive Summary Title: Eric Gill Archive Date (inclusive): 1887-2003 (bulk 1905-1940) Collection number: MS Gill Creator: William Andrews Clark Memorial Library, UCLA Extent: 76.2 linear feet, 14 flat files, 9 tubes, 8 items Repository: University of California, Los Angeles. Library. William Andrews Clark Memorial Library Los Angeles, California 90095-1490 Abstract: This collection of materials accumulated by the William Andrews Clark Memorial Library documents the personal and artistic development and activities of Eric Gill, a twentieth-century English stone-cutter, sculptor, artist, author, typographer/type designer, printer, book illustrator; and champion of social reforms. The collection includes manuscripts, diaries, correspondence, legal and financial documents, scrapbooks, clippings, periodicals, photographs, Gill's books and library, as well as several printing items and a substantial amount of art. Physical location: William Andrews Clark Memorial Library. Language: English. Access Collection is open for research. Publication Rights Copyright has not been assigned to the William Andrews Clark Memorial Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Librarian.
    [Show full text]
  • The Extraordinary Form and Western Culture
    Fœderatio Internationalis Una Voce Positio N. 11 EVANGELIZATION AND WESTERN CULTURE SEPTEMBER 2012 From the General Introduction These papers, commissioned by the International Federation Una Voce , are offered to stimulate and inform debate about the 1962 Missal among Catholics ‘attached to the ancient Latin liturgical tradition’, and others interested in the liturgical renewal of the Church. They are not to be taken to imply personal or moral criticism of those today or in the past who have adopted practices or advocated reforms which are subjected to criticism. In composing these papers we adopt the working assumption that our fellow Catholics act in good will, but that nevertheless a vigorous and well-informed debate is absolutely necessary if those who act in good will are to do so in light of a proper understanding of the issues. The authors of the papers are not named, as the papers are not the product of any one person, and also because we prefer them to be judged on the basis of their content, not their authorship. The International Federation Una Voce humbly submits the opinions contained in these papers to the judgement of the Church. Evangelization and Western Culture: Abstract The Latin Liturgical Tradition grew up in the context of, and greatly influenced, the culture of the Latin West, but modern Western culture has turned against the values of the Gospel and presents a particularly difficult field for evangelization. Many aspects of the ancient liturgy are particularly unattractive to this culture, because the values underlying the liturgy have been rejected. These values, including hierarchy and the combination of reason, emotion, art, and ritual, are in fact the very ones most needed in the re-evangelization of the West, and their presentation by the Extraordinary Form is valuable.
    [Show full text]
  • 215 ART, SACRAMENT, ANAMNESIS Thomas Dilworth. David Jones: Engraver, Soldier, Painter, Poet. Counter- Point, 2017. Mark Scroggi
    MARK SCROGGINS ART, SACRAMENT, ANAMNESIS Thomas Dilworth. David Jones: Engraver, Soldier, Painter, Poet. Counter- point, 2017. Mark Scroggins David Jones (1895-1974), Londoner by birth and Welshman by ances- try and conscious adoption, is by no means a “lost modernist,” but he has certainly received far less critical, scholarly, and popular attention than such household names as T. S. Eliot, Ezra Pound, and William Carlos Williams. Within the niche market of twentieth-century poetry, his work has occu- pied a small and very particular sub-niche: prized by students of Great War writing, Anglo-Welsh poetry, and Roman Catholic culture, pored over by scholars of British modernism; but rarely discussed outside of those circles, and even more rarely assigned on classroom syllabi. Thomas Dilworth’s im- pressive David Jones, the first full-length critical biography of the poet and painter, presents itself in part as a recovery project, aimed at making Jones’s work visible and available to a wider public. One can only hope it’s success- ful; at the very least, Dilworth’s book is a splendid example of biography- making, unlikely to be superceded for many decades to come. Many of the “high” modernists born in the last two decades of the nineteenth century have been well-served by biographers, from Richard Ell- mann’s massive 1959 life of Joyce, to lives of Eliot by Peter Ackroyd (sturdy) and Lyndall Gordon (illuminating), to A. David Moody’s recently com- pleted, monumental three-volume life of Pound. There have been several good biographies of Stein, and several quite excellent ones of Woolf.
    [Show full text]
  • Case 11: Mind Over Matter? on April 29, 2017, the Ditchling Museum of ART + CRAFT Opened a New Exhibit: Eric Gill: the Body
    Case 11: Mind over Matter? On April 29, 2017, the Ditchling Museum of ART + CRAFT opened a new exhibit: Eric Gill: The Body. Gill was one of the finest British artists of the 20th century; his sculptures stand in buildings across the world, including Westminster Cathedral (London) and the United Nations Building (NYC). His sculptures, engravings, and drawings permanently reside in prestigious museums. According to Ditchling’s web page, “[w]ithin Gill’s work, the human body is of central importance; this major exhibition asks whether knowledge of Gill’s disturbing biography affects our enjoyment and appreciation of his depiction of the human figure.”109 The “disturbing biography” referred to is Gill’s sexual abuse of his two oldest daughters during their teens. Prior to mounting the exhibition, Ditchling’s director, Nathaniel Hepburn, convened a workshop that included academics, museum professionals and curators, critics, and journalists to consider not whether, but how, the exhibition might usefully examine this sexual abuse. Journalist Rachel Cooke, a workshop participant, queries: “For me, though, the biggest question remains unanswered: why do this show at all? The darknesses in Gill’s life have been public knowledge... [since] 1989. It is not as though 110 this information is secret. Why force it on visitors?” Certainly some viewers will be distressed—perhaps mightily distressed—to see sculptures and engravings of the abused daughters, executed during the periods of their abuse. For example, abuse survivors may experience flashbacks of their abuse. Members of the more general public are likely to experience feelings of disgust and repugnance in learning how Gill came to acquire such intimate knowledge of his subjects’ bodies.
    [Show full text]
  • The Carroll Quarterly, Vol. 12, No. 2
    John Carroll University Carroll Collected The aC rroll Quarterly Student Winter 1958 The aC rroll Quarterly, vol. 12, no. 2 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollquarterly Recommended Citation John Carroll University, "The aC rroll Quarterly, vol. 12, no. 2" (1958). The Carroll Quarterly. 32. http://collected.jcu.edu/carrollquarterly/32 This Book is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll Quarterly by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. carroll quarterly Volum e 12 W in ter, 1958-59 Number 2 ~ditor David Lowe Literary ~ditor John McBride Associate ~ditors Charles West Richard Long Copy ~ditors Samuel Perry Gary Furin Thomas Vince Robert Showiak James O'Sullivan James Roth John Schimpf Christopher Bunsey John Duffy Frank Yartz Carl Coppola Moderator Rev. ~erman S. ~ughes, S.J. Cover design by the editor T he Can·oll Qzun·terly is publi:;hed by an undergraduate staff at J ohn Carroll niversity to encourage literary expression among students, alumni, and faculty. Editorial and publication offices: John an·oll University, University Heights 1 , Ohio. CONT~NTS Eric Gill : A Sketch - Ralph A. Keifer 5 Desd em ona - Thomas Corr 18 1 Was Th e re, Hold e n - Chris Bunsey 19 Genesis Ill - R. J. Schork, Jr. 22 lost - Thomas L. Vin ce 23 Night Train - Th eodore Volvoda 24 Random Thoughts on the Beat Ge ne ration - David Lowe 25 Novembe r Rain - Th eodore Volvoda 32 The Innkeeper - Theodore Valvoda 32 Tal es from a Night Watchman - Thomas Scribb 33 To an Ariel Companion at Sunset - Thomas A.
    [Show full text]
  • The Eric Gill Exhibition the Art Ofselection
    THE NEWSLETTER OF THE FRIENDS OF THE THOMAS FISHER RARE BOOK LIBRARY ISSUE No.8, Novembe r 1991 ISSN 0840-5565 on art, religion, and social issues, o ften Toronto in 1933, had throughout the 1930s po l emlcs against some pet hate and been an enthusiastic purchaser of Gill's sometimes w riuen in impenetrable prose, work borh directly from the art ist and from number more than flfty-Iour Items, w hile his gallery agents. ·111e present o wners The Eric Gill Exhibition an additional 200 or so contributions to allowed us to se lect what we wanted to hooks and articles are listed in the second d isplay from a huge col lection f prints. all and edition of the bibliography by Evan Gill, the major books, and many ephemeral The Art ofSelection revised by Steven Corey and Julia Macken­ items. '111is was followed by :1 suggestion zie (Winchester: t, Paul's Bibli ographies, from SUS3 n Bellingham, Special COllectio ns Eric GlII was an extrnord inarily prolifi c 199 1). Libra rian at the University of Walerloo, to artist, II has been estimated th:u he made As one wou ld expect, there are major sec the Gill collection there ( which had over 1,000 engravings; he created a collections o f GiII's work In England and been ~ rmed by earll r librarians who numbe r of Impo rtant type faces, including the United States, but it was an exciting were Gill enthusiasts). \VIc we re allowed (0 Joanna, Perpe tua and Gill Sans , which expe rience to discover the rich holdings bo rrow several unique items of o rig inal have rnairuained their popularity as good, which exist in and around Toronto.
    [Show full text]
  • Gill Project Finding Aid Item Number: CEG683
    Gill Project Finding Aid Item Number: CEG683 Artwork name: Untitled (The Keymer & District Land Club Sussex) Date: Undated Size: 3 x 7” Description: Piece of rag or cardboard painted navy blue with white text and white and red patterned accents. Media: watercolor or gouache on rag board Item Number: CEG684 Artwork name: Sketch for Land Club banner or poster Date: June, 1909 Size: 6 x 8” Description: Watercolor painting of a landscape with house for Land Club League poster Media: Watercolor on paper, mounted on board Item Number: CEG685 Artwork name: Untitled (The Land Club League) Date: Undated Size: 5½ x 5 ¾” Description: Watercolor painting of a house with fruit tree and wheat with text below. Media: Watercolor on paperboard Item Number: CEG686 Artwork name: Untitled (The Land Club League) Date: Undated Size: 6 x 6¼” Description: Painting of a house with fruit tree and wheat with text below. Media: Watercolor on paper Item Number: CEG687 Artwork name: Sketch for Land Club banner Date: June 1909 Size: 14 ¼ x 10 ¼” Description: Painting of house between two trees with text below. Media: Watercolor on medium-weight paper Item Number: CEG1511 Artwork name: 25 Nudes Date: Undated: Size: 7 x 9” Description: Proof engraving of Cover of 25 Nudes Book Media: 2 color proof engraving Item Number: CEG1512 and 13-G Artwork name: 25 Nudes Size: 7 ¾ x 10 ¾” Description: Paste-up (collaged) design for layout of d.w. design Media: Engraving on paper Item Number: CEG1513 Artwork name: 25 Nudes Size: 14 x 10” Description: Photostat or original drawing for d.w.
    [Show full text]
  • Page One of Mark Twain's the Adventures of Tom Sawyer
    Page one of Mark Twain’s The Adventures of Tom Sawyer manuscript, gift of Mrs. Nicholas F. Brady. 92 Literature & Linguistics a Anglo-American Catholic Authors .................................................................................... 93 English Literature ............................................................................................................ 105 American Literature ......................................................................................................... 110 Continental Literature...................................................................................................... 117 Journalism ........................................................................................................................ 118 Linguistics ........................................................................................................................ 119 Anglo-American Catholic Authors John Henry Newman Collection A virtually complete run of first editions of the works of Cardinal Newman (gift of Martin S. Quigley) includes such rarities as the first edition of the Apologia pro vita sua in the original parts. Two important groups of Newman’s letters round out the collection: more than 350 written over many years to the author’s lifelong friend, Henry William Wilberforce, touching on a great variety of topics (gift of the Most Rev. Jeremiah F. Minihan), and a series of 33, written between 1855 and 1865, to Dr. Thomas Hayden, largely relating to the affairs of the Catholic University of Ireland.
    [Show full text]