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Philosophy, Theory, and Literature
STANFORD UNIVERSITY PRESS PHILOSOPHY, THEORY, AND LITERATURE 20% DISCOUNT NEW & FORTHCOMING ON ALL TITLES 2019 TABLE OF CONTENTS Redwood Press .............................2 Square One: First-Order Questions in the Humanities ................... 2-3 Currencies: New Thinking for Financial Times ...............3-4 Post*45 ..........................................5-7 Philosophy and Social Theory ..........................7-10 Meridian: Crossing Aesthetics ............10-12 Cultural Memory in the Present ......................... 12-14 Literature and Literary Studies .................... 14-18 This Atom Bomb in Me Ordinary Unhappiness Shakesplish The Long Public Life of a History in Financial Times Asian and Asian Lindsey A. Freeman The Therapeutic Fiction of How We Read Short Private Poem Amin Samman American Literature .................19 David Foster Wallace Shakespeare’s Language Reading and Remembering This Atom Bomb in Me traces what Critical theorists of economy tend Thomas Wyatt Digital Publishing Initiative ....19 it felt like to grow up suffused with Jon Baskin Paula Blank to understand the history of market American nuclear culture in and In recent years, the American fiction Shakespeare may have written in Peter Murphy society as a succession of distinct around the atomic city of Oak Ridge, writer David Foster Wallace has Elizabethan English, but when Thomas Wyatt didn’t publish “They stages. This vision of history rests on ORDERING Tennessee. As a secret city during been treated as a symbol, an icon, we read him, we can’t help but Flee from Me.” It was written in a a chronological conception of time Use code S19PHIL to receive a the Manhattan Project, Oak Ridge and even a film character. Ordinary understand his words, metaphors, notebook, maybe abroad, maybe whereby each present slips into the 20% discount on all books listed enriched the uranium that powered Unhappiness returns us to the reason and syntax in relation to our own. -
A Literature Review and Analysis of Mode Deactivation Therapy
IJBCT Volume 6, No. 4 A Literature Review and Analysis of Mode Deactivation Therapy Jack A. Apsche Abstract This article is a review of articles, chapters and current research examining Mode Deactivation Therapy. Current applications of MDT suggest that mindfulness is a core component of MDT, as well as acceptance, defusion and validation, clarification and redirection of the functional alternative beliefs. These components are the core of MDT and a recent study has evaluated each of them as to how it affects the target or outcome goals. The evolution of MDT is reviewed from case studies to a mediation and meta-analysis. The purpose of this article is to review the foundation of MDT and current articles that elucidate the efficaciousness of MDT as an evidenced – based methodology. Keywords: Acceptance and Commitment Therapy (ACT), Cognitive Behavior Therapy (CBT), Mode Deactivation Therapy (MDT),Post traumatic Stress Disorder ( PTSD), Mediation analysis, Mindfulness, Meta analysis, Physical aggression, Sexual aggression. Introduction In the process of treatment research trials and development of MDT, this methodology (MDT) has been compared to the alternative methodologies such as: Cognitive Behavior Therapy (CBT), Dialectical Behavior Therapy (DBT) and Social Skills Training. This review examines the literature of MDT in treating adolescent clients with reactive emotional dysregulation, who presented with behaviors including parasuicidal acts, verbal and physical aggression and sexually aberrant behavior. Case studies in this article involved clients with complicated histories of sexual, physical, or emotional abuse, as well as neglect and multi-axial diagnoses. Data indicates that MDT is effective in reducing the rate of physical and sexual aggression in addition to symptoms of Post Traumatic Stress Disorder. -
Out of Style: Reanimating Stylistic Study in Composition and Rhetoric
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Out of Style: Reanimating Stylistic Study in Composition and Rhetoric Paul Butler Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Butler, Paul, "Out of Style: Reanimating Stylistic Study in Composition and Rhetoric" (2008). All USU Press Publications. 162. https://digitalcommons.usu.edu/usupress_pubs/162 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 6679-0_OutOfStyle.ai79-0_OutOfStyle.ai 5/19/085/19/08 2:38:162:38:16 PMPM C M Y CM MY CY CMY K OUT OF STYLE OUT OF STYLE Reanimating Stylistic Study in Composition and Rhetoric PAUL BUTLER UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved. ISBN: 978-0-87421-679-0 (paper) ISBN: 978-0-87421-680-6 (e-book) “Style in the Diaspora of Composition Studies” copyright 2007 from Rhetoric Review by Paul Butler. Reproduced by permission of Taylor & Francis Group, LLC., http:// www. informaworld.com. Manufactured in the United States of America. Cover design by Barbara Yale-Read. Library of Congress Cataloging-in-Publication Data Library of Congress Cataloging-in- Publication Data Butler, Paul, Out of style : reanimating stylistic study in composition and rhetoric / Paul Butler. p. cm. Includes bibliographical references and index. -
A Stylistic Approach to the God of Small Things Written by Arundhati Roy
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy. -
PROCESS· ANALYSIS Takes, Only Beautiful Happy Accidents
Process Analysis ..- 293 CHAPTER EIGHT that it was really supposed to be a bike. Who knows? Maybe I'll end up being a police hamster who's been put on "hamster wheel" duty because I'm "too much of a loose cannon" in the field. In improv there are no mis PROCESS· ANALYSIS takes, only beautiful happy accidents. And many of the world's greatest discoveries have been by accident. I mean, look at the Reese's Peanut 9 9 9 Butter Cup, or Botox. -TIN A FEY, Bossypants In a directive process analysis, you typically use the second-person pro noun (you) because you're giving instructions directly to the reader. Some HE essays in this chapter are examples of PROCESS ANALYSIS* or "how times the you is understood, as in a recipe: [you] combine the milk with Allegra Goodman, T to" writing. Basically, there are two kinds of process analysis: directive the eggs, then add .a pinch of salt and the juice of one lemon. In an P· 322, uses the and explanatory. A directive process analysis explains how to make or do second-person to explanatory process analysis, you typically use the third-person tell you how to be something-for instance, how to throw a boomerang. ("Bring the boomerang pronoun (he, she, it) because you're giving information about some- a good writer. back behind you and snap it forward as if you were throwing a baseball." thing to the reader: howstuffworks.com) An explanatory process analysis explains how something works; it tells you what makes the boomerang come back. -
CHARACTERIZATION in FICTION HONORS THESIS Presented to The
CHARACTERIZATION IN FICTION HONORS THESIS Presented to the Honors Committee of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Jack Reams San Marcos, Texas May 2015 CHARACTERIZATION IN FICTION Thesis Supervisor: ________________________________ John M. Blair, Ph.D. Department of English Second Reader: __________________________________ Twister Marquiss, M.F.A Department of English Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Table of Contents Abstract ................................................................................................................................1 Introduction ..........................................................................................................................2 P.A.R.T.S of Characterization .............................................................................................4 Direct Characterization ......................................................................................................15 Indirect Characterization ....................................................................................................30 Conclusion .........................................................................................................................43 Abstract The purpose of my thesis is to examine the importance of characterization in fiction, as well as the methods of characterization itself. The scope of the paper will be primarily limited to three works of -
The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene
Loyola University Chicago Loyola eCommons Psychology: Faculty Publications and Other Works Faculty Publications 6-2017 The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene Elizabeth M. Wakefield Loyola University Chicago, [email protected] Siu-Lan Tan Kalamazoo College Matthew P. Spackman Brigham Young University Follow this and additional works at: https://ecommons.luc.edu/psychology_facpubs Part of the Musicology Commons, and the Psychology Commons Recommended Citation Wakefield, Elizabeth M.; an,T Siu-Lan; and Spackman, Matthew P.. The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene. Music Perception: An Interdisciplinary Journal, 34, 5: 605-623, 2017. Retrieved from Loyola eCommons, Psychology: Faculty Publications and Other Works, http://dx.doi.org/10.1525/mp.2017.34.5.605 This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in Psychology: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © The Regents of the University of California 2017 Effects of Diegetic and Nondiegetic Music 605 THE EFFECTS OF DIEGETIC AND NONDIEGETIC MUSIC ON VIEWERS’ INTERPRETATIONS OF A FILM SCENE SIU-LAN TAN supposed or proposed by the film’s fiction’’ (Souriau, Kalamazoo College as cited by Gorbman, 1987, p. 21). Film music is often described with respect to its relation to this fictional MATTHEW P. S PACKMAN universe. Diegetic music is ‘‘produced within the implied Brigham Young University world of the film’’ (Kassabian, 2001, p. -
Teaching Writing Correctional Classroom
ORALITY AND AUDIENCE ANALYSIS: TEACHING WRITING IN THE CORRECTIONAL CLASSROOM Thesis Submitted to The College of Arts and Sciences of THE UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree Master of Arts in English by Timothy Douglas Catalano University of Dayton Dayton, Ohio April 1995 UNIVERSITY OF DAYTON ROESCH LIBRARY 96 02212 APPROVED BY: Dr. Betty lagers Your^kin (Faculty Advisor) Dr. Lawrence Ruff (Faculty Reader) ii © Copyright by Timothy Douglas Catalano All Rights Reserved 1995 ABSTRACT ORALITY AND AUDIENCE ANALYSIS: TEACHING WRITING IN THE CORRECTIONAL CLASSROOM Catalano, Timothy Douglas The University of Dayton, 1995 Advisor: Dr. Betty Rogers Youngkin Walter Ong’s theory of orality and literacy provides a framework for teaching the concept of audience to basic writers in a prison education program. This thesis uses empirical research from a class at Warren Correctional Institute in Lebanon, Ohio, and selected observations of current composition theorists to confirm Ong’s assertion that audience is essential to the student writer’s ability to move from a reliance on speaking to a mastery of writing. iii ACKNOWLEDGMENTS I certainly want to thank Dr. Betty Youngkin for her kindness, insight, and inspiration which she provided not only for my thesis, but for much of my graduate work as well. I would also like to thank Dr. Lawrence Ruff for his contributions to my thesis and to Dr. Stephen Wilhoit, who provided much needed guidance through my graduate career. I would also like to thank my family for early guidance and support, and Father Walter Ong, who provided the groundwork for future exploration into orality. -
Introduction to the Paratext Author(S): Gérard Genette and Marie Maclean Source: New Literary History, Vol
Introduction to the Paratext Author(s): Gérard Genette and Marie Maclean Source: New Literary History, Vol. 22, No. 2, Probings: Art, Criticism, Genre (Spring, 1991), pp. 261-272 Published by: The Johns Hopkins University Press Stable URL: https://www.jstor.org/stable/469037 Accessed: 11-01-2019 17:12 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to New Literary History This content downloaded from 128.227.202.135 on Fri, 11 Jan 2019 17:12:58 UTC All use subject to https://about.jstor.org/terms Introduction to the Paratext* Gerard Genette HE LITERARY WORK consists, exhaustively or essentially, of a text, that is to say (a very minimal definition) in a more or less lengthy sequence of verbal utterances more or less con- taining meaning. But this text rarely appears in its naked state, without the reinforcement and accompaniment of a certain number of productions, themselves verbal or not, like an author's name, a title, a preface, illustrations. One does not always know if one should consider that they belong to the text or not, but in any case they surround it and prolong it, precisely in order to present it, in the usual sense of this verb, but also in its strongest meaning: to make it present, to assure its presence in the world, its "reception" and its consumption, in the form, nowadays at least, of a book. -
Rethinking Mimesis
Rethinking Mimesis Rethinking Mimesis: Concepts and Practices of Literary Representation Edited by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi Rethinking Mimesis: Concepts and Practices of Literary Representation, Edited by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi Layout: Jari Käkelä This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3901-9, ISBN (13): 978-1-4438-3901-3 Table of ConTenTs Introduction: Rethinking Mimesis The Editors...........................................................................................vii I Concepts of Mimesis Aristotelian Mimesis between Theory and Practice Stephen Halliwell....................................................................................3 Rethinking Aristotle’s poiêtikê technê Humberto Brito.....................................................................................25 Paul Ricœur and -
Academic Writing, Genres and Philosophy, and Also to Questions of Style, Genre, Form and Their Historicity and Materiality
Educational Philosophy and Theory, Vol. 40, No. 7, 2008 doi: 10.1111/j.1469-5812.2008.00511.x AcademicBlackwellOxford,EPATEducational0013-18571469-5812©Journal51110.1111/j.1469-5812.2008.00511.xSeptember00819???831???OriginalMichael 2008 UKThecompilationA.Article Publishing Writing, Peters2008 PhilosophyAuthors Genres © Ltd 2008 and and PhilosophyTheory Philosophy of Education Society of Australasia Writing, Genres and Philosophy Michael A. Peters Educational Policy Studies, University of Illinois at Urbana-Champaign Abstract This paper examines the underlying genres of philosophy focusing especially on their pedagogical forms to emphasize the materiality and historicity of genres, texts and writing. It focuses briefly on the history of the essay and its relation to the journal within the wider history of scientific communication, and comments on the standardized forms of academic writing and the issue of ‘bad writing’. Keywords: academic writing, genre, philosophy Plato had to distinguish what he was doing from all other discursive practices that laid claim to wisdom. It is for this reason that, in dialogue after dialogue, Plato deliberately set out to define and defend a new and quite peculiar mode of living and thinking. This alone, he claimed deserved the title of ‘philosophy’. –Andrea Wilson Nightingale, Genres in Dialogue: Plato and the Construct of Philosophy Philosophy is expressed—and for this reason is fully made real—within a definite literary genre; and it must be emphasized that prior to this expression it did not exist except in a precarious way or, rather, only as intention and attempt. Philosophy is thus intrinsically bound to the literary genre, not into which it is poured, but, we would do better to say, in which it is incarnated. -
The Writing Process Analysis Essay
09 Assignment 05 - The Writing Process Analysis Essay Overview The Writing Process Analysis Essay is an assignment designed to help you reflect on and analyze your own writing process, as you have developed it over the semester. Your task will be to write an analytical essay examining and explaining the steps that you took while writing your three primary writing assignments in English 101: The Narrative, the Compare-Contrast, and the Argument. In this essay, you will trace your application of each of the steps of the Writing Process—generating ideas, organizing a writing plan, drafting, editing and revising, and proofreading—through each of your three essays. Basic Assignment Requirements The Writing Process Analysis essay must meet the following formatting guidelines: • Be in MLA Manuscript Format o Have 1 inch top, bottom, right and left margins; o Times New Roman 12 font; o Running header with last name and page number; o MLA compliant title block on first page; o All content double spaced. The Writing Process Analysis essay must meet the following content and mechanical guidelines: • Must be at least 1,000 words long; • Must offer a clear and consistent discussion of the writer’s use of the Writing Process in the composition of each of the previous three Major Writing Assignments during the semester; • Must be organized logically with clear topic sentences that clearly introduce each assignment; • Must provide adequate levels of detail and description to support and clearly describe each step of the writing process as it applies to the writer’s work; • Must contain a clear introduction and conclusion that provides overall background for the contents of the portfolio, and sums up the student’s overall English 101 experience; • Must contain none of the following major mechanical errors: o Run-on sentences o Fragments o Tense shifts o Possession errors o Capitalization errors o Subject-verb agreement errors • Must conform to Standard English Grammar requirements for proofreading, usage, and spelling.