February 2010 Volume 95 • Issue 2

Total Page:16

File Type:pdf, Size:1020Kb

February 2010 Volume 95 • Issue 2 February 2010 Volume 95 • Issue 2 Six Trips and Counting DHT’s popular Broadway Bound tours hit all the right notes Diamond Head Theatre hosted yet Inside This Issue another exciting Broadway Bound adventure A Look Back in Time 2 this past November. It was our sixth “adult” Executive Director’s Message 2 trip to the worlds of theatre, shopping and The Year in Review 4 dining in New York City (we also took the Shooting Stars in 2007). The 2010 trip will The Joy Luck Club 6 be lucky number seven! In the Spotlight 7 When we created the Broadway Bound Broadway Bound, Spring 2008 Holiday Memories 8 program back in 2005, we decided that late autumn, around Veterans Day, was Our Mahalo 8 the perfect time of year to visit the Big Rockefeller Center tree is up and New York’s Apple. For one thing, it gives our group the many incredible stores are primed for early possibility of experiencing the amazing fall Christmas shopping (as are we!). colors that we miss out on living in Hawaii. For that first trip, we weren’t sure if It’s also the beginning of the holiday season, anyone would sign up. They did—31 people so the Rockettes’ Radio City Christmas in all. We hosted a summer orientation Spectacular has just opened. Plus the at the theatre and a bon voyage party Coming Soon CONTINUED ON PAGE 3 SHOUT: THE MOD MUSICAL Theatre ABC’s Director Deena Dray and Education March 19 - April 4 Director Kelly Moulson immediately put When school doors closed, DHT’s their heads together, and Theatre ABC’s GUYS AND DOLLS stage doors opened was born. The response was terrific, and the May 14 - 30 program sold out immediately. It was an auspicious first day: The THE SOUND OF MUSIC morning’s tentative “hellos” became happy July 9 - 25 cries of “I can’t wait for next Friday!” echoing through the rehearsal hall by 3 pm. The silver lining for us was that the majority of the students had never participated in DHT’s performing arts program before, so we had brand new kids to introduce to our For Tickets theatre. Call 808.733.0274 or visit Theatre ABC’s was built using condensed www.diamondheadtheatre.com When word hit that public schools curriculum modules from our popular would close on Fridays to offset Hawaii’s Musical Theatre Experience (MTE) summer budget crisis, we at Diamond Head Theatre program. The program features Department wondered how we could help. Executive CONTINUED ON PAGE 6 performed in the original rehearsal next week, Broadway production. but could keep the His name was Jim part open if you could Alex, and as with work on it there. Alvina DHT’s present-day Kaulili doing the singing 1959 guest artists, Mayer [she was actually the ran headlong into music director] and she transportation and thinks she could get you by. housing challenges. Let’s hear, boy. It all worked out, A Look Back in Time however—a cheap After that resounding vote Guys and Dolls flight was found, of confidence (!) Mr. Ganley as was “a room did take the role, but was soon With in our Guys and Dolls in a house near again on the hot seat, this time repertoire this season, it was a good the theatre from a girl who also for his costuming. One W.J. time to look back at another production works on the show.” Forrestel wrote the director on of the show staged here at Diamond Casting the lead was the next July 26: “James Ganley’s portrayal of Sky Head Theatre (then known as Honolulu challenge. Director Mayer wrote to Masterston is excellent but I thought the Community Theatre). The year was James Ganley, a local boy away at college character delineation suffered just a bit 1959, nine years after the show opened in Oregon: because his costume—a dark business on Broadway and won five Tony suit—was a bit too drab . a checked Awards®, including an award for Best or brighter hued sport coat would more Musical. May 28, 1959 enhance the illusion of the character.” Jerome Mayer, then HCT’s managing Dear Jim, Diamond Head Theatre will present director, was also to be the director How about reading the part of for the fourth time of . Mayer decided to Guys and Dolls Guys and Dolls Sky Masterson, fast, and answering, (previously mounted in 1973 and 1990) bring in a choreographer from the fast, if you’re coming back for the this spring. Keep an eye out for Sky Mainland—someone who had actually summer and when. We go into Masterson’s attire! 2 story as it’s unfolding. So, we’ve built a Aloha from DHT’s Facebook page. Now we can post pictures Executive Director of rehearsals and our new Furlough Last year I signed up for Facebook. Fridays classes, plus feature links to I never thought I would. Like many of articles, videos of performances . you you, I thought it was a “young person’s name it, we’ve posted it! We try to post thing” and way too time consuming, but new items at least once a week, and our I started hearing that middle-aged folks page already has more than 500 fans. like myself were signing up in droves. Interested? You don’t have to be on I so hate to be left behind! Plus, my Facebook to see our page. Just go to our mainland friend had posted pictures of website, www.diamondheadtheatre.com, her son’s wedding and I was eager to see and click on the Facebook icon. You’ll the photos. land on the page and be able to see all Once I signed up (it was easy!), I our news. And you may find yourself as became intrigued. It’s not the invasion of intrigued as I was by Facebook and end privacy I expected. I limit my “friends” up creating your own page. If you do, be to close friends and family, and it’s not sure to become a fan of DHT. You’ll get all that time consuming. Anyway, I’m all the theatre news as soon as we post it. hooked. Facebook has become an easy So, is Twitter next? I don’t think so, way for me to check in with people, see but we’ll see. After all, that’s what I said about Facebook! what they’re up to and best of all, view Photo from DHT’s Broadway Bound tour last their pictures. November. We had a great time, as usual! In setting up my personal page, I quickly recognized what Facebook could do for Diamond Head Theatre: tell our BROADWAY BOUND - CONT. FROM PAGE 1 and we had our first bus tour with guide get into shows in preview, such as this at a private club one week before Zoura. She’s knowledgeable, fun and year, when we attended Bye Bye Birdie departure—a tradition we’ve continued. very entertaining. We made a special trip before it had officially opened. We learned a lot on that first foray. to The Cloisters in Fort Tryon Park, a One thing we have never changed is For example, don’t plan too many group great opportunity to see the fall foliage. the Actor Talk Back. One of the actors activities, since patrons enjoy creating It was so late in the season that we from a show we have seen during our some of their own plans. So the next found it more barren than expected, but stay joins our group for an hour-long year, we cut back on group activities and still fun! discussion of his or her life, the role, the left more free time. It worked beautifully. We had always had our Four show—whatever we want to talk about. Each following year we found Seasons dinner on a theatre night, and It’s a wonderful backstage peek at life in something to tweak. After the first year, one year, trying to get cabs to Lincoln the theatre business. One of the most we moved from the Algonquin Hotel to Center to make our show on time was memorable sessions was with Loretta the Warwick New York Hotel and have on the November 2008 tour (as you stayed there ever since. The Warwick 2007 probably know, South Pacific did not end has an intimate feel as well as a very nice up closing—in fact, it’s still running!). restaurant, plus a cozy lounge ideal for a Loretta told the story of her climb from quick sandwich or glass of wine. It’s also Honolulu lounge singer to DHT actress perfectly located, on the corner of 6th to Broadway Tony nominee—and Avenue and West 54th. Fifth Avenue is believe me, there was not a dry eye in a block away, Central Park is right up the house. The ups and downs of her the street and the theatre district is only journey were truly five or six blocks away. To top it off, the poignant to hear. hotel staff is simply With each superb. tour, we’ve had the In year number inevitable snafus. three of Broadway In 2007, a stage Bound, we developed manager strike shut the first-night down all but a very tradition of a no- few Broadway shows; 3 host dinner at Remi, another year, a patron a charming Italian ended up in the restaurant only a 2008 hospital overnight; block from the hotel. then there was the It’s an indulgent way 2008 very stressful.
Recommended publications
  • "Hello, Dolly!" at Auditorium Theatre, Jan. 27
    AUDITORIUM THEATRE ROCHESTER JANUARY 27 BROAD'lMAY TO FEBRUARY 1 THEATRE LEAGUE 1969 YVONNE DECARLO m HELLO, gOLL~I llng1na1ly D1rected and ChoreogrJphPd by GOWER CHDIPIOII Th1s Pr oductiOn D1rected by LUCIA VICTOR ~tenens FEATURING OUR SATURDAY NITE SPECIAL Prime Rib of Beef Au Jus Baked Potato with Sour Cream & Chives Vegetable - Salad - Coffee $3.95 . ALSO MANY OTHER DELICIOUS ITEMS Stop in for dinner before the show or after the show for a late evening anack SERVING 7 DAYS & NITES FROM 11 A.M. till 2 A.M. 1501 UNIVERSITY AVE . EXTENSION PLENTY OF FlEE PAIICING For Reservations Call: 271-9635 or 271-9494 PARTY AND BANQUET ACCOMMODATIONS Consult Us For Your Banquets And Part i es . • • we w i ll be glad to hove you . Wm. Fisher, Budd Filippo & Ken Gaston proudly present YVONNE DE CARLO in The New York Critics Circle & Tony Award Winn1ng Mus1cal "HELLO, DOLLVI 11 Book IJy Music & Lyrics by MICHAEL STEW ART JERRY HERMAN Based on the originc~l play by Thornton Wilder also starring DON DE LEO with Kathleen Devine George Cavey Rick Grimaldi Suzanne Simon David Gary Althea Rose Edie Pool Norman Fredericks Settings Designed by Lighting Consultant Costumes by Oliver Smith Gerald Richland freddy Wittop Dance & Incidental Music Orchestration by Arrangements by Musical Dirt!cliun by Phillip J. Lang Peter Howard Gil Bowers [)ances Staged for this Production hy Jack Craig Original Choreography & Direction by GOWER CHAMPION This Production Staged by Lucia Victor PHIL'S PANTRYS J A Y ' S "REAL DELICATESSENS" Fresh Sliced Cold Meats D I N E R Home Made Salads & Baked Beans lWO LOCAnONS 2612 W.
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • Gigi Starring Jean-Pierre Aumont Little Theatre on the Square
    Eastern Illinois University The Keep 1974 Programs 1974 8-27-1974 Gigi starring Jean-Pierre Aumont Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1974_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Gigi starring Jean-Pierre Aumont" (1974). 1974 Programs. 8. http://thekeep.eiu.edu/little_theatre_1974_programs/8 This is brought to you for free and open access by the 1974 at The Keep. It has been accepted for inclusion in 1974 Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. Guy S. Little, Jr - * . - '- - 9 !k I+#+: Yre~ents.~. .- . Ir L2rner and Loewe's - -- \ Book and Lyrics by Music by Alan Jay Lerner Frederick Lc Based on a novel by Colette As produced by Edwin Lester for the Los and San Francisco Civic Light Opera And fby Saint Subber for Broadway Also Starring. DAVID WATSON with PAMELA DANSER MARY BEST 'I Bernard Erhard John Kelso Dennis GridL * and Lorraine Denham as Gigi ! l~irectedby CHARLES ABBOTT[ Choreographed by DENNIS GRAMALDI Ptnduction Derkned by -ROBERT SOULE .. - '~ortumerDer&ned by MATHRN JOHN HOFFMAN Ill Lighting Desbned by KIM HANSON Mbsicol Director BRUCE KlRLE Production Stage Manager Tech nlcal Director C. G. CARLSON JEROME ROBENBERGER - As~istantto the Musical Director . Assistant to the Costumer Barbara Bossert Jones CARL QSHEA , "GIGI' 4 The Little al&ttre's 18th Seamfi Our 44th Yew P. N. ~IIESCHCO. Vidt our nm location 113 Esst Joffwum Sullivan Phone 728-71 13 Family I Routes 121 and 32 Sullivan Shoe Center Hush Puppk U~arrnStop Jarrnan Rmd Wing Air Conditioned Chlldnn's Stmp Master Tokvkion West Side of Square, Sullivan Conviently located near Phone: (217)728-7750 Lake Shelbyville.
    [Show full text]
  • My Fair Lady
    TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.
    [Show full text]
  • JOE BARROS (650) 219-0097 Director/Choreographer SDC
    3443 Crescent St., #2B | Astoria, NY 11106 [email protected] JOE BARROS (650) 219-0097 Director/Choreographer SDC www.joebarros.com Broadway GIGI starring Vanessa Hudgens Associate Director Neil Simon Theatre; Eric Schaeffer, dir. National Tours CHARLOTTE’S WEB Director Theatreworks USA New York Theatre CAGNEY Associate Director Westside Theatre; Bill Castellino, dir. / Josh Bergasse, chor. HARD TIMES IT Award Nominee/NY Times Critics’ Pick Choreographer The Cell; by Larry Kirwan & Stephen Foster I MARRIED WYATT EARP with Heather Mac Rae Choreographer/Producer 59E59 Theaters/NY Theatre Barn, Prospect Theater Co. SHOES & BAGGAGE (Cheryl Stern/Tom Kochan) Director The Cell FOR TONIGHT Director New York Musical Theatre Festival @ Signature Theatre MARIE CHRISTINE Choreographer Columbia Stages @ 3LD; Ray Zilberberg, dir. THE LEGEND OF JULIE TAYMOR with Jennifer Barnhart Director/Choreographer Fringe NYC LITTLE SHOP OF HORRORS Director/Choreographer The Gallery Players REEFER MADNESS Choreographer The Gallery Players; Dev Bondarin, dir. Regional + International Theatre A TASTE OF THINGS TO COME (Debra Barsha /Hollye Levin) Associate Director Bucks County Playhouse; Lorin Latarro, dir. BEACHES (Pre-Broadway Tryout) Associate Director Drury Lane Theatre; Oakbrook, IL; Eric Schaeffer, dir. FOR TONIGHT Director Goodspeed Musicals THE HAUNTED HOTEL (American Musical Voices Project) Director Tony Award®-winning Signature Theatre; Arlington, VA BROTHER RUSSIA (World Premiere, John Dempsey/Dana Rowe) Associate Dir./Chor. Signature Theatre; Eric Schaeffer, dir. / Jodi Moccia, chor. CARRIE: THE MUSICAL Director/Choreographer MSU; SDCF Guest Artist Initiative Recipient MASTER HAROLD…AND THE BOYS Choreographer Luna Stage; Orange, NJ INTO THE WOODS Director/Choreographer Cardinal Stage; Bloomington, IN FALL IN LOVE (World Premiere, score by Gihieh Lee) Choreographer CineLine II; Seoul, Korea HELLO, DOLLY! Choreographer Fire Island Pines Arts Project FALSETTOS Director Fire Island Pines Arts Project EVITA Choreographer New London Barn Playhouse; Hans Friedrichs, dir.
    [Show full text]
  • Spotlight on Learning Oliver
    Spotlight on Learning a Pioneer Theatre Company Classroom Companion Pioneer Theatre Company’s Student Matinee Program is made possible through the support of Salt Lake Oliver County’s Zoo, Arts and Music, Lyrics and Book by Lionel Bart Parks Program, Salt Dec. 2 - 17, 2016 Lake City Arts Council/ Directed by Karen Azenberg Arts Learning Program, The Simmons “Bleak, dark, and piercing cold, it was a night for the well-housed and Family Foundation, The fed to draw round the bright fire, and thank God they were at home; Meldrum Foundation and for the homeless starving wretch to lay him down and die. Many Endowment Fund and hunger-worn outcasts close their eyes in our bare streets at such times, R. Harold Burton who, let their crimes have been what they may, can hardly open them in Foundation. a more bitter world.” “Please sir, I want some more.” – Charles Dickens, Oliver Twist (1837) All these years after Charles Dickens wrote these words, there are still Spotlight on Learning is provided families without homes and children who are hungry. to students through a grant As this holiday season approaches, I am grateful for health, home, and family provided by the — but am also reminded by Oliver! to take a moment to remember those less George Q. Morris Foundation fortunate. I thank you for your support of Pioneer Theatre Company and wish you the merriest of holidays, and a happy and healthy New Year. Karen Azenberg Approx. running time: Artistic Director 2 hours and 15 minutes, including one fifteen-minute intermission. Note for Teachers: “Food, Glorious Food!” Student Talk-Back: Help win the fight against hunger by encouraging your students to bring There will be a Student Talk-Back a food donation (canned or boxed only) to your performance of Oliver! directly after the performance.
    [Show full text]
  • “It's Not What You Know, It's Who You Know.”
    ADVERTISING SUPPLEMENT TO CRAIN’S NEW YORK BUSINESS Restaurants, Conference Centers Venues and Catering New York Area Hotels Florists Results Address: 583 Park Ave, New York, NY 10065 “It’s not what Past success is often a good indicator of future success, but Phone: (212) 583-7200 keep in mind, success comes in many forms such as rave Email: [email protected] reviews, savings on budget, flawless execution, or a myriad Website: www.583parkave.com you know, it’s of other key performance indicators. Pick the ones that are most important to you and asses their success ratio. AMA New York Executive Conference Center Affordable meeting packages. Meeting rooms can who you know.” Remember, for long-term resources it’s always a good accommodate over 200 attendees. Executive chairs. High- idea to refresh and reassess every two years! speed Internet access. Complimentary Wi-Fi in lounges. Complimentary continuous beverage service. Optional catering. owhere is the phrase truer than in corporate No service charges and no guest room commitment required. event planning. The success of your event is Free projector and PC use. Noften the direct result of a carefully orchestrated CONFERENCE CENTERS Address: 1601 Broadway at 48th Street, dance among a handful of select providers. However, New York, NY 10019 assembling a team of reliable event vendors does not 92nd Street Y Contact: Valerie Mazzilli-Brown happen overnight. Your dream team should be curated Give your special event the extraordinary and versatile venue Phone: (212) 903-8277 over many years. A good rule of thumb to use when it deserves at 92nd Street Y.
    [Show full text]
  • Frederick Loewe Collection [Finding Aid]. Library of Congress. [PDF
    Frederick Loewe Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2004 Revised 2017 June Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012019 LC Online Catalog record: http://lccn.loc.gov/2012563808 Processed by the Music Division of the Library of Congress Collection Summary Title: Frederick Loewe Collection Span Dates: 1923-1988 Bulk Dates: (bulk 1945-1975) Call No.: ML31.L58 Creator: Frederick Loewe, 1901-1988 Extent: 1,000 items ; 13 containers ; 5 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Frederick Loewe was a German-born composer who wrote, with lyricist Alan Jay Lerner, the scores for such musicals as My Fair Lady, Camelot, Gigi, and Brigadoon. The collection contains music manuscripts from Loewe's stage and screen musicals, as well as individual songs not associated with a particular show. In addition, the collection contains photographs, a small amount of correspondence, clippings, business papers, writings, and programs. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Lerner, Alan Jay, 1918-1986. Lerner, Alan Jay, 1918-1986. Loewe, Frederick, 1901-1988--Correspondence. Loewe, Frederick, 1901-1988--Manuscripts. Loewe, Frederick, 1901-1988--Photographs. Loewe, Frederick, 1901-1988. Loewe, Frederick, 1901-1988.
    [Show full text]
  • December 2019 Welcome Mike Hausberg
    DECEMBER 2019 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Ebenezer Scrooge’s BIG San Diego Christmas Show. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations.
    [Show full text]
  • Camelot Musical Notes.Pdf
    GOODSPEED MUSICALS Teachers’ Instructional Guide A Guide to the Goodspeed Musicals production of Musical Notes is made possible through the generosity of: The Max Showalter Center for Education in the Musical Theater presents Book and Lyrics by ALAN JAY LErNEr Music by FrEdErICK LOEWE with BrANdON ANdrUS rONN CArrOLL CHArLES EvErETT CrOCCO ErIN dAvIE MAXIME de TOLEdO BrAdLEY dEAN MICHAEL dELEGET MATT FAUCHEr STEvE FrENCH ANdrEW HUBACHEr MArISSA McGOWAN rACHEL ALEXA NOrMAN SHAWN PENNINGTON HErMAN PETrAS rEBECCA PITCHEr rACHEL rINCIONE AMANdA SALvATOrE AdAM SHONKWILEr ALLAN SNYdEr BEN SWIMMEr MATTHEW C. THOMPSON MOLLIE vOGT-WELCH Scenery Design by Costume Design by Lighting Design by MICHAEL SCHWEIKArdT ALEJO vIETTI JOHN LASITEr Sound by Hair & Wig Design by JAY HILTON CHArLES LaPOINTE Orchestrations by Assistant Music Director dAN deLANGE F. WAdE rUSSO Production Manager Production Stage Manager Casting by r. GLEN GrUSMArK BrAdLEY G. SPACHMAN STUArT HOWArd, AMY SCHECTEr, & PAUL HArdT, CSA Associate Producer Line Producer BOB ALWINE dONNA LYNN COOPEr HILTON Music Director MICHAEL O’FLAHErTY Choreographed by rALPH PErKINS Directed by rOB rUGGIErO Produced for Goodspeed Musicals by MICHAEL P. PrICE First Performance: July 10, 2009 Goodspeed Musicals is dedicated to the heritage of the musical and the development of new works to add to the repertoire. Marquee Sponsors: LUCILLE ANd dAvE vIOLA, Sr. Sponsored by: 4 GOODSPEED MUSICALS | 2009 SEASON GOODSPEED MUSICALS | 2009 SEASON 5 Cast of Characters Musical Numbers (In order of appearance) Synopsis
    [Show full text]
  • The Bloom Is on the Roses
    20100426-NEWS--0001-NAT-CCI-CN_-- 4/23/2010 7:53 PM Page 1 INSIDE IT’S HAMMERED TOP STORIES TIME Journal v. Times: Story NY’s last great Page 3 Editorial newspaper war ® Page 10 PAGE 2 With prices down and confidence up, VOL. XXVI, NO. 17 WWW.CRAINSNEWYORK.COM APRIL 26-MAY 2, 2010 PRICE: $3.00 condo buyers pull out their wallets PAGE 2 The bloom is on the Roses Not bad for an 82-year-old, Adam Rose painted a picture of a Fabled real estate family getting tapped third-generation-led firm that is company that has come a surpris- for toughest property-management jobs known primarily as a residential de- ingly long way from its roots as a veloper. builder and owner of upscale apart- 1,230-unit project.That move came In a brutal real estate market, ment houses. BY AMANDA FUNG just weeks after Rose was brought in some of New York’s fabled real es- Today, Rose Associates derives as a consultant—and likely future tate families are surviving and some the bulk of its revenues from a broad just a month after Harlem’s River- manager—for another distressed are floundering, but few are blos- menu of offerings. It provides con- A tale of 2 eateries: ton Houses apartment complex was residential property, the vast soming like the Roses.In one of the sulting for other developers—in- taken over, owners officially tapped Stuyvesant Town/Peter Cooper Vil- few interviews they’ve granted,first cluding overseeing distressed prop- similar starts, very Rose Associates to manage the lage complex in lower Manhattan.
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® ® HOLLYWOODTHEATRE PANTAGES NAME THEATRE LOS ANGELES, CALIFORNIA 03-277.16-8.11 Charlie Miss Cover.indd Saigon Pantages.indd 1 1 7/2/193/6/19 10:05 3:15 PMAM HOLLYWOOD PANTAGES THEATRE CAMERON MACKINTOSH PRESENTS BOUBLIL & SCHÖNBERG’S Starring RED CONCEPCIÓN EMILY BAUTISTA ANTHONY FESTA and STACIE BONO J.DAUGHTRY JINWOO JUNG at certain performances EYMARD CABLING plays the role The Engineer and MYRA MOLLOY plays the role of Kim. Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by RICHARD MALTBY, JR. & ALAIN BOUBLIL Adapted from the Original French text by ALAIN BOUBLIL Additional lyrics by MICHAEL MAHLER Orchestrations by WILLIAM DAVID BROHN Musical Supervision by STEPHEN BROOKER Lighting Designed by BRUNO POET Projections by LUKE HALLS Sound Designed by MICK POTTER Costumes Designed by ANDREANE NEOFITOU Design Concept by ADRIAN VAUX Production Designed by TOTIE DRIVER & MATT KINLEY Additional Choreography by GEOFFREY GARRATT Musical Staging and Choreography by BOB AVIAN Directed by LAURENCE CONNOR For MISS SAIGON National Tour Casting by General Management TARA RUBIN CASTING GREGORY VANDER PLOEG MERRI SUGARMAN, CSA & CLAIRE BURKE, CSA for Gentry & Associates Executive Producers Executive Producer NICHOLAS ALLOTT & SETH SKLAR-HEYN SETH WENIG for Cameron Mackintosh Inc. for NETworks Presentations Associate Sound Designer Associate Costume Designer Associate Lighting Designers Associate Set Designer ADAM FISHER DARYL A. STONE WARREN LETTON & JOHN VIESTA CHRISTINE PETERS Resident Director Music Director Musical Supervisor Associate Choreographer Associate Director RYAN EMMONS WILL CURRY JAMES MOORE JESSE ROBB SETH SKLAR-HEYN A CAMERON MACKINTOSH and NETWORKS Presentation 4 PLAYBILL 7.16-8.11 Miss Saigon Pantages.indd 2 7/2/19 10:05 AM CAST (in order of appearance) ACT I SAIGON—1975 The Engineer ...................................................................................................RED CONCEPCIÓN Kim ..................................................................................................................
    [Show full text]