Photos from the Community Art Project a Yarn Bomb Took Place on Saturday April 14 at the Riverfront Arts Center in Stevens Point

Total Page:16

File Type:pdf, Size:1020Kb

Photos from the Community Art Project a Yarn Bomb Took Place on Saturday April 14 at the Riverfront Arts Center in Stevens Point Photos from the Community Art Project A Yarn Bomb took place on Saturday April 14 at the Riverfront Arts Center in Stevens Point. Many people knitted and crocheted yarn pieces and brought them to the RAC in the past several weeks. Through word of mouth and facebook and some great community groups we had lots of pieces to work with by Saturday. People showed up and began piecing the project together and it took on a life of its own. There was no stopping – the tree, the sign, the bike rack, more trees, and on…it was great fun. This was done to create awareness of our upcoming fiber art exhibit “Common Threads” that opens on April 20 and runs through May 27 and to involve the community in a public art project. The result was excitement and color outside the Riverfront Arts Center. Yippee!!!!! A HUGE Thank you to all who helped! YARN BOMBING—GUERILLA KNITTING—KNIT GRAFFITI Community Art Project In connection with “Common Threads” Fiber Art Exhibition, April 20 - May 27, at the Guerilla knitting is a type of street art that employs colorful displays of knitted or crocheted cloth rather than paint or chalk. This knitting phenomenon was initially about reclaiming and personalizing sterile or cold public places. It has since developed within knitting groups worldwide, each with their own agendas. Our agenda is to put some color into the landscape near the RAC and draw attention to the exhibition and to involve the community, in having fun and making a public art piece. .
Recommended publications
  • Tension Attention! Dancing Embroidery
    Tension Attention! Dancing Embroidery Lilý Erla Adamsdóttir 2 Degree work number: 2017.6.1 Degree Project: Master in Fine Arts in Fashion and Textile Design with Specialization in Textile Design Title: Tension Attention! Dancing Embroidery Author: Lilý Erla Adamsdóttir Tutor: Karin Landahl Opponent: Gabi Schillig Examiner: Delia Dumitrescu The Swedish School of Textiles University of Borås Sweden 3 Table of contents 1.2 Abstract 16 1.3 Keywords 16 2.1 Introduction to the field 17 2.1.1 Playscapes 18 2.2 The Magic of The Unexpected 20 2.3 Motive and Idea discussion 24 2.5 Aim 25 3.1 Design method & Design of experiments 26 3.1.1 Conceptual work 26 3.1.2 Experimental work 27 3.1.3 Analyzing 27 3.2 Development and Analyzing of experiments 28 3.2.1 Functional and technical development and analyzing of experiments. 28 3.2.2 Development of the final examples 34 3.2.3 The thread 37 3.2.4 Aesthetics 39 3.2.4.1 Tufting as a painting method 41 3.2.4.2 Composition 43 4.1 Result 45 Family 45 Vulnerable World 46 Dance with us! 47 Pull me up 48 Cliff 49 4.2 Presentation 50 4.3 Discussion & Reflection 51 5 .1 References 52 Photos and Illustrations 54 4 Figure 1 5 Figure 2 6 Figure 3 7 Figure 4 8 Figure 5 9 Figure 6 10 Figure 7 11 Figure 8 12 Figure 9 13 Figure 10 14 Figure 11 15 1.2 Abstract This Master’s degree project explores the design possibilities of thread tension, to create a transformation in an interactive, 3D embroidered, wooden surface.
    [Show full text]
  • Yarn-Storming Machine
    INSTRUCTION MANUAL Franckh-Kosmos Verlags-GmbH & Co. KG, Pfizerstr. 5-7, 70184 Stuttgart, Germany | +49 (0) 711 2191-0 | www.kosmos.de Thames & Kosmos, 301 Friendship St., Providence, RI, 02903, USA | 1-800-587-2872 | www.thamesandkosmos.com Thames & Kosmos UK Ltd, Goudhurst, Kent, TN17 2QZ , United Kingdom | 01580 212000 | www.thamesandkosmos.co.uk SAFETY INFORMATION WARNING. Not suitable for children under 3 years of age. There is a risk of choking due to small parts that may be swallowed or inhaled. There is a risk of strangulation if long cords (yarn, embroidery thread) become wrapped around the neck. Save the packaging and instructions. They contain important information. Dear Parents, This knitting loom and the braiding In addition, the manual offers star will make it possible to perform suggestions for using or recycling all sorts of fun hobby projects at other materials from around the different levels of difficulty — from house. This way, your child will get simple friendship bracelets all the a feel for how to create new things way to a loop scarf. out of used ones, and learn that not everything has to be purchased from Please save this manual, since it a store. contains important information about specific techniques and Please offer your help when your suggestions for all kinds of knitting child is ready to cast off the knitted and braiding projects. What you item. Be sure that the woolen string won’t find here, however, are detailed is tied securely at the end and take instructions describing exactly how a look at the home-made accessories a finished item will look.
    [Show full text]
  • 13, 53, 56-57 Imogene Shawl. Knits: 13, 53, 57-58 Corsage Scarf
    Knits Index Through Knits Summer 2017 Issue abbreviations: F = Fall W = Winter Sp = Spring Su = Summer This index covers Knits magazine, and special issues of Crochet, Knit.Wear, Knit.Purl and Knitscene magazine before they became independent journals. To find an article, translate the issue/year/page abbreviations (for example, “Knitting lace. Knits: Su06, 11” as Knits, Summer 2006, page 11.) This index also includes references to articles and patterns on the website, some of which are for subscribers only. Some of these are reprinted from the magazine; others appear only on the website. The first issue of Crochet magazine appeared in Fall, 2007. This index includes all of the special issues of Knits magazine devoted to crochet before Crochet became its own publication. After Spring, 2007, Crochet issues do not appear in this index, but can be found in the Crochet index. For articles indexed before that time, translate “City Stripes. Knits (Crochet): special issue F06, 90” as the special issue of Knits, labeled “Interweave Crochet,” Fall 2006, p. 90. The first issue of Knitscene magazine as an independent journal appeared in Spring, 2011. This index includes all of the special issues of Knitscene magazine before Knitscene became its own publication. After Spring, 2011, Knitscene issues do not appear in this index, but can be found in the Knitscene index. For articles indexed before that time, translate “City Stripes. Knits (Knitscene): special issue F06, 90” as the special issue of Knitscene, labeled “Interweave Knitscene,” Fall 2006, p. 90. The first issue of Knit.wear as an independent journal appeared in Spring, 1017.
    [Show full text]
  • Knitting Activism, Knitting Gender, Knitting Race
    International Journal of Communication 12(2018), 867–889 1932–8036/20180005 Knitting Activism, Knitting Gender, Knitting Race SAMANTHA CLOSE1 DePaul University, USA Graffiti knitting, the practice of knitting objects and installing them without permission in public, is part of a larger craftivist turn in contemporary activism. It builds on a feminist history of activist knitting and resonates today because of its synthesis of the material and the affective, and through these means crafting a more participatory politics. This approach has facilitated, however, blindness to the racial politics of a largely White feminist appropriation of graffiti. This works against craftivism’s political potential and mirrors larger concerns about participatory politics. As a scholar-activist, I critique graffiti knitting to point toward ways for it to evolve and become a more intersectional activist practice. Keywords: visual communication, feminism, race, activism, affect, graffiti On February 21, 2011, a herd of miniature sheep balanced on the railing of London Bridge. With names like “Hungry Hairy Harriet,” “Sparkly Sheila,” and “Wilhem, the Wool-Hungry Wolf in Sheep’s Clothing,” the women of Knit the City (KTC) designed and hand made each creature. Along with The Guardian arts journalist and documentarian Alt Artist, KTC secured the sheep to the bridge with loops of fishing line. The KTC women—aka Deadly Knitshade, The Fastener, and Shorn-a the Dead—knit the sheep and installed them on London Bridge in an artistic appropriation of the ancient English privilege “Freedom of the City.” That circa 1237 law gave “freemen” the right to drive their sheep across London Bridge. KTC knitter The Fastener proclaimed to Alt Artist’s camera, “Even though we aren’t freemen, we’re free knitters!” The women photographed their handmade herd and then left, abandoning their tiny creations to the mercy of the wind and interest of the passersby (see Figure 1).
    [Show full text]
  • Bruce Dues Are Due Time to Renew
    www.seattleweaversguild.com March 2013 PRESIDENT’S MESSAGE What a great feeling that spring is in the air. The cold damp weather has left us and now it’s a little warmer and damp. We all know that nicer weather is coming soon. Spring is a great time to go through your stash of yarn and find a new project to work on. It’s not too late to weave mug rugs for the ANWG Conference coming up. Rae Deane Leatham has collected mug rugs for the ANWG conference all year and would love getting more. It’s time to renew your SWG membership. Cyndi will be collecting the dues at the meetings or you may mail them to her. It’s also a good time to begin projects for the Annual Sale in October. We didn’t quite make our goal of 100 members submitting woven items to the sale last year so now is a good time to begin planning and weaving for the sale. With nicer weather on the horizon it’s a good time to spend more time outside. Go for a walk and take in the beautiful colors and textures of nature. You may see just the color you’ve been thinking about for the kitchen towels you want to weave for the sale this year. Enjoy spring and remember our next meeting is Thursday March 28, 2013 Bruce MARCH PROGRAM Speaker: Lana Schneider AM Program : Yarn Make Overs: Design- Dues are Due ing Treasures from your Stash The focus of this program is to bring new life Time to Renew into those treasured yarns that have been sitting on your shelves for too long.
    [Show full text]
  • LFL Yarn Bomb.Docx
    Little Free Library Sweater | Tips and Tricks Why? Why does your library need a sweater? Because you can! Wrapping public objects in knit, crochet, or other yarn craft is a form of street art called yarn bombing. If you are a yarn crafter who is lucky enough to own a little free library, you have an opportunity for an art installation! Yarn ● Use bulky or doubled up worsted weight for a quick knit. ● The perfect use for cheap acrylic yarn! ● Source it creatively: ○ Get it from the thrift shop. ○ Shop your own yarn stash for leftovers. ○ Ask your local knitting groups. ○ Put the call out to your little free library patrons. Needles Gauge If you do use bulky yarn or doubled worsted, go Usually, yarn bombs work best when they are for the big size 15 needles. This will make stretchy and they hug tight to the object they’re your knitting go super fast, and help create a wrapping. No matter which weight yarn you use, nice, stretchy fabric (see Guage). knit a little more loosely than the recommended gauge so your knitted fabric has lots of stretch. Design Installation This is the fun part! Yarn bombs work well with Wrap your library in its cozy sweater (you may need bold designs and bright colors. Keep in an assistant). Stretch the sweater tight and mind that this is a temporary object, so keep sew it together around the library. Your sweater things simple and save your intricate, time- will “wear in” and stretch out over time, so keep it intensive knitting for keepsakes.
    [Show full text]
  • The Rhetoricity of Yarn Bombing
    145 Joie de Fabriquer: The Rhetoricity of Yarn Bombing Maureen Daly Goggin Materiality in its many forms, and an intense devotion to the making of things, has renovated and reenergized the world of handcraft . While this change has given prominence to craft materials and techniques, the transformation has been most dramatic in the area of fiber, and quite possibility the most diverse in its manifestation. David McFadden Since the end of the twentieth century and the turn into the new millen- nium, hand crafting has experienced a steep resurgence globally among both women and men, both young and old, both urban and rural. For many craft- ers, hand work is a dynamic response against the separation of labor and do- mestic skills, the split between public and private, the disconnection between mass made and handmade, the division between producers and consumers, and the other binaries rendered by modernity and the industrial age. As the Museum of Arts and Design mission statement for the exhibition Pricked: Extreme Embroidery points out in the epigraph:, of all the art crafts revamped, fiber art crafts, what Jack Bratich and Heidi Brush call “fabriculture,” are among the most prominent. Why? No doubt part of the answer lies in the fact that “fiber is the oldest material manipulated by human beings for practical and aesthetic purposes and at the same time, the most ordinary and ubiquitous in daily life” (McFadden 1). In this piece, I examine the rhetoricity—the material practices and rhe- torical functions—of a specific kind of contemporary knitting and crocheting, namely, yarn bombing.
    [Show full text]
  • Crochet Through Sp20
    Crochet Index Through Spring 2020 Issue abbreviations: F = Fall W = Winter Sp = Spring Su = Summer For example, the issue/year/page abbreviation for “Autumn romance pullover. Crochet: F07, 70-73” is translated as Crochet, Fall 2007, pages 70.73. This index also includes references to articles and patterns on the website, some of which are for subscribers only. Some of these are reprinted from the magazine; others appear only on the website. The first issue of Crochet magazine appeared in Fall, 2007. This index also includes all of the special issues of Knits magazine devoted to crochet before Crochet became its own publication. For example, “City Stripes. Knits (Crochet): special issue F06, 90” is translated as the special issue of Knits, labeled “Interweave Crochet,” Fall 2006, p. 90. Holiday, Accessories, and Home issues and issues dated with simply the year were published early on, and are indexed as such. The first issue of Crochetscene magazine appeared in 2014. Website = www.interweave.com/ Sub-only website = the subscriber-only area of our website. To view these patterns, enter the password from the current issue. Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections to patterns often appear in later issues of Crochet and Knits magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 1920s-influenced designs Zelda cloche. Crochet: Sp14, 38, 46-48 Francie's hat. Crochet Accessories special issue: 2012, 76, 78, 81-82 1930s-influenced designs Betty sweater.
    [Show full text]
  • Yarn Bombing : the Art of Crochet and Knit Graffiti: Tenth Anniversary Edition Pdf, Epub, Ebook
    YARN BOMBING : THE ART OF CROCHET AND KNIT GRAFFITI: TENTH ANNIVERSARY EDITION PDF, EPUB, EBOOK Mandy Moore | 294 pages | 28 May 2020 | ARSENAL PULP PRESS | 9781551527918 | English | Vancouver, Canada Yarn Bombing : The Art of Crochet and Knit Graffiti: Tenth Anniversary Edition PDF Book A fun read - lots of ideas, opinions, and even some patterns. JOMO Knits. At the Spinnery. Hooked on Amigurumi. Yarn bombing is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Save on Nonfiction Trending price is based on prices over last 90 days. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination, or fashion them into personal political statements. We will resume shipping on Tuesday, January 19th. Not bad for a book. Crochet Dogs. Unmasked by Andy Ngo , Hardcover No ratings or reviews yet. Mandy Moore. Your e-mail: Subscribe. Signed up for the Goodreads Reading Challenge and looking for tips on how to discover and read more books? The book makes a great deal of the subversive nature of yarn bombing, making a statement about adding a personal touch to our soulless urban environment, and using socially devalued female handicrafts to make a statement, but I don't care about any of that. Yes, Shane the term itself has an irritating quality, but I am an unapologetic fan,none the less. Be the first to write a review. Crochet for Girls. It has pretty pictures, some nice patterns, and good interviews.
    [Show full text]
  • FY2013 Annual Report Web.Pdf
    As you can see from the myriad of exhibitions, educational programs, collection In FY2013, the Boise Art Museum continued with the year-long celebration activities and events outlined in this report, the power of the visual arts to bring (2012) of its 75th anniversary as the community’s premiere visual arts people and communities together is alive and well! organization. To support BAM’s goal of building relationships with donors, the Museum engaged in a special fundraising initiative designed At the beginning of the fiscal year, the exhibition Nick Cave: Meet Me at the to leverage the significant community involvement in BAM’s exhibitions, Center of the Earth served as a foundation to commemorate the Museum’s programs and events, and provide current and potential donors with the 75th anniversary and created a wealth of opportunities for BAM to connect opportunity to invest in BAM’s future. As part of this initiative, spearheaded in ways that are not typical of every art exhibition. One of the project’s by the BAM Board of Trustees, the Museum received donations from more greatest strengths was the widespread collaboration with a number of than 77 donors, increased its overall member base by 100 memberships, community partners, including arts and cultural organizations, educational added more than 170 works of art to the Permanent Collection, and institutions, area artists, and businesses. The partnerships helped ensure that engaged 34 corporate sponsors in exhibitions, programs and events. the educational programs associated with the exhibition reached a wide and Furthermore, the Museum officially launched a planned giving recognition diverse audience, and generated tremendous publicity for the exhibition.
    [Show full text]
  • Slipknot 166 Hampshire Fleet Knitng Club Branch Report - See P.32 Central London Branch Report- See P.32
    Issue 166 March 2020 Masham Sheep Fair Carole and Colin Wareing describe this fully woolly show British wool Sue Blacker explains its qualities Double filet crochet Dianne Chan enthuses The power of wool Amalia Liguori on the transformative effect of knitting and crochet The Journal of the Established in 1978 for Education, Innovation Knitting & Crochet Guild and Preservation p. 1 SlipKnot 166 Hampshire Fleet Knitng Club Branch Report - see p.32 Central London Branch Report- see p.32 Emma Vining’s sample at the Central London Branch - see p.32 Dianne Chan’s double flet crochet - see p.23 Dianne Chan’s double flet crochet - see p.23 p. 2 SlipKnot 166 ... From the CONTENTS Editor Features Members’ contributons to Slipknot arrive Book reviews 10 at diferent tmes and, as editor, you Britsh wool for knitng, never quite know what to expect. So it is crochet and crafs 28 a happy coincidence when several artcles Did you know? 15 & 39 on a similar theme come along and, in Inspired minds 8 this issue, that theme is wool. Whether Kniters in 1625 Salisbury 36 we handknit, machine knit or crochet, we Learning to knit on a c1912 fat-bed all love wool. Sue Blacker tells us which knitng machine 26 Britsh yarns to use for which projects, we Managing art silk 13 have a report on the Masham Sheep Fair, a Rebellious knitng 18 review of This Golden Fleece and an artcle Sample the Sampler: an update 16 on the power of wool. Stressed out: part 2 24 Spring is a tme for fresh starts and ideas The joy of double flet crochet 23 and Emma Vining takes inspiraton from The power of wool 14 ‘The Sampler’ and describes how to work Visit to Masham Sheep Fair 6 just one of its paterns.
    [Show full text]
  • Welcome Wagon 2019 Final
    Welcome Wagon 2019 th August 22nd – 25 What, Where & When – Quick Class/Event Guide WHERE STREAM ONE STREAM TWO STREAM THREE STREAM FOUR STREAM FIVE Friday 9am – 12pm Friday 1.30pm – 4.30pm Sat 9am – 12pm Sat 1.30pm – 4.30pm Sunday 9am East Pier 1 Tough Socks Naturally DYO Socks Gauge & Substitutions Sweary Lace Tunisian Crochet Clare Devine (15) Clare Devine (15) Clare Devine (15) Lara Nettle (15) Cheryll Lyall (15) East Pier 2 Classic Cables Masterclass Techniques Scandinavian Colour work Stitching ON your Knitting Flower Power Crochet Nikki Jones (15) Nanette Cormack (15) Helene Dehmer (15) Susan Hagedorn (12) Alia Bland (5) Crown Hotel Tackling Underarms Top Down & in the Round Tackling Underarms Ultimate Mending Guide Georgie Nicolson (15) Georgie Nicolson (17) Georgie Nicolson (15) Georgie Nicolson (15) Crown Hotel Mix Your Six Know Your Colours Know your Colours Mix Your Six StevenBe (16) StevenBe (22) StevenBe (22) StevenBe (22) Port View Steeking Brioche Knit to Fit Masterclass Techniques Morag McKenzie (15) Lara Nettle (15) Libby Jonson (15) Nanette Cormack (15) The Hub Double Knitting Persian Poppies The Globe Theatrette James Herbison (15) James Herbison (15) Superior Shaping The Hub Continental Knitting Intro to Lace Beyond the B-Cup Frances Stachl (15) Sue Schreduer (15) Morag McKenzie (28) The Box Photography for SM Make your Mandela Two Handed Stranded Irish Crochet Deb Moore (15) Alia Bland (12) Frances Stachl (15) Cheryll Lyall (15) Skeinz Sat Session One Intro to Crochet Sat Session Two 10am – 10.45am (12) Sofia Moers-Kennedy (10) 11am – 11.45am Spriggs Park & Marine Parade Playgrounds: - Spriggs park is the beachfront playground, just a few minutes’ walk along the pathway (towards the Port) from the KAN Venue at East Pier.
    [Show full text]