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Redazionale: “CHE FARE?” Testimonianze: GILLO DORFLES GILBERTO ZORIO Convegni: ART & REALITY A SAN PIETROBURGO Docenti: CARLO MARIA ACCAME ROSARIO GENOVESE ALBANO MORANDI Ex Studenti: ALEX PINNA ALLA FONDAZIONE MIMMO ROTELLA Confronti: AURELIO SARTORIO E GRAZIA VARISCO Una Mostra: VALENTINO VAGO Fondazione Maimeri: PARTECIPANTI AL PRIMO PREMIO MAIMERI Recensioni TRIMESTRALE DELLE ACCADEMIE DI BELLE ARTI, IDEE, TESTIMONIANZE, PROGETTI, DIDATTICA, RECENSIONI, MOSTRE, NOVITÀ. ANNO 2011 - N° 11 - EURO 6,00 - N° 11 ANNO 2011 RECENSIONI, MOSTRE, NOVITÀ. ARTI, IDEE, TESTIMONIANZE, PROGETTI, DIDATTICA, ACCADEMIE DI BELLE TRIMESTRALE DELLE 11 copertina academy - Copia.indd 1 08/01/12 08:59 GRILLO dialoghi nella città dei fiori PALAZZO BOREA D’OLMO - MUSEO CIVICO SANREMO FEBBRAIO - MARZO 2012 Sostieni Academy! con pubblicità e abbonamenti rinnova il tuo abbonamento per il 2012 contattaci scrivendo a: [email protected], [email protected] versamento tramite bonifico bancario intestato a: L’IMMAGINE S.R.L. - UNICREDIT SPA - Molfetta IBAN: IT 79 N 02008 4 1561 000010242187 11 copertina academy - Copia.indd 2 08/01/12 08:59 Sommario ragionato di Elisabetta Longari Questo numero della rivista è particolarmente ricco di affrontare un approfondimento del lavoro di due artisti: interviste, forma che ci pare possa restituire al meglio Rachele Ferrario “legge” Albano Morandi e Rocco di un affaccio sul mondo di chi ne è protagonista: abbiamo Giudice scrive di Rosario Genovese; mentre Raffaella parlato con Gillo Dorfles, uomo colto e poliedrico, teorico Pulejo ci racconta il Padiglione delle Accademie e artista, che ha attraversato un secolo intero con la alla scorsa edizione della Biennale di Venezia. Non sua lucida intuitività; abbiamo incontrato Gilberto Zorio, mancano segnalazioni e recensioni di mostre e libri, il più giovane protagonista dell’Arte povera al momento come usualmente. globalmente celebrata; e Mario Dondero, “occhio Un evento particolarmente triste, la morte di Giovanni indiscreto” ed efficacissimo, mentre gli veniva conferito il Maria Accame, ne ha reso necessario e impellente un diploma honoris causa dall’Accademia di Brera; ci siamo ricordo a firma di Claudio Cerritelli. confrontati con Grazia Varisco, che svolge da decenni Il redazionale, dal titolo Che fare? riflette la necessità una delle più interessanti ricerche percettive, cogliendo di essere sempre più vigili e presenti al nostro destino l’occasione di una mostra che la vede esporre accanto di professori a ruolo a esaurimento all’interno di un a un suo ex allievo di Brera, Aurelio Sartorio, oggi tra i quadro generale in cui, non solo la formazione artistica, pittori “aniconici” più originali, nel cui studio ci siamo ma la pubblica istruzione tutta, sta naufragando nel recati; abbiamo parlato anche con Alex Pinna, ironico disinteresse politico. protagonista della recente arte italiana. Proseguendo Al di là dello sforzo di questa rivista per coagulare le nella lettura troverete inoltre una “zoommata” sull’opera di forze attive nelle accademie, qualcosa in più davvero Valentino Vago, prolifico pittore specializzatosi soprattutto dobbiamo provare a fare. Capiremo insieme cosa e nella decorazione di chilometri e chilometri di pareti come: questo è il mio desiderio e il mio augurio per interne ai luoghi di culto; ce ne ha fornito l’occasione l’anno nuovo. l’uscita del primo volume del suo catalogo generale. Uno sguardo è rivolto anche alla realtà internazionale attraverso il contributo di Nina Getashvili, professore all’Accademia di Mosca, che fa un resoconto di un convegno tenutosi nella splendida città russa di S. Pietroburgo. Due mostre personali sono di spunto per DEMY A AOF FINE ARTS ACADEMY OF FINE ARTS SOMMARIO Iscritta al Tribunale di Trani 1 n.3/09 Rivista fondata da Gaetano Grillo 04 Redazionale di Gaetano Grillo NUMERO 11 / Inverno 2011 06 Nel salotto di Gillo Dorfles SEDE Viale Stelvio, 66 20159 Milano 08 Gilberto Zorio e l’Arte Povera tel. 02 87388250 fax 02 6072609 12 Art & Reality a San Pietroburgo [email protected] 14 Alex Pinna DIRETTORE RESPONSABILE Gaetano Grillo 18 Aurelio Sartorio e Grazia Varisco DIRETTORE EDITORIALE 24 Giovanni Maria Accame Gaetano Grillo 28 Albano Morandi VICE- DIRETTORE EDITORIALE Elisabetta Longari 32 Rosario Genovese REDAZIONE le collaborazioni si intendono a titolo gratuito *Tutte Gaetano Grillo 36 Valentino Vago Elisabetta Longari Cristina Valona 38 54sima Biennale di Venezia: Padiglione Accademie Melissa Provezza (segreteria di red.) 40 Partecipanti Premio Maimeri GRAFICA HANNO COLLABORATO* Massimiliano Patriarca 41 Conferenza Nazionale Docenti-Studenti delle Accademia Statali Claudio Cerritelli EDITRICE 42 Diploma Honoris Causa a Mario Dondero L’IMMAGINE SRL Ornella Fazzina Rachele Ferrario Zona Industriale Lotto B/12 43 Recensioni 70056 Molfetta (Ba) Italy Nina Getashvili Rocco Giudice FOTOLITO E STAMPA Kevin McManus L’IMMAGINE AZIENDA GRAFICA SRL Ornella Mignone Via Antichi Pastifici Lotto B/12 - Z.I. Francesca Pensa 70056 Molfetta (Ba) Italy Raffaella Pulejo Fanny Uselini tel. +39.0803381123 Alberto Zanchella fax +39.0803381251 William Xerra www.limmagine.net [email protected] In copertina: Gillo Dorfles L’UNICA RIVISTA PERIODICA RIVOLTA ALLE ACCADEMIE DI BELLE ARTI, AI DOCENTI, AGLI STUDENTI E A TUTTI GLI OPERATORI DEL SETTORE. impaginato Academy n.11.indd 1 08/01/12 22:28 ACADEMY OF FINE ARTS compie 3 anni! grazie a tutti coloro che hanno collaborato con noi: Rosella Alberti Francesca Alfano Miglietti Adriano Altamira Alessandra Angelini Anna Maria Amonaci Maria Angelastri Pippo Altomare Barbara Ardau Antonio Battaglia Pasquale Bellini Luca Beatrice Davide Benati Antonio Bisaccia Luca Bonanno Anna Claudia Bianchi Ursula Bonetti Botto & Bruno Ana Bracic Sandro Baroni Matteo Bergamini Achille Bonito Oliva Gustavo Bonora Rolando Bellini Enrica Borghi Salvo Bitonti Maurizio Bottarelli Marco Brandizzi Tullio Brunone Ruxandra Balaci Tiziana Campi Gianni Caravaggio Fabio Cavallucci Giovanna Cassese Luigi Carboni Luciana Cataldo Mino Ceretti Giulio Ciavoliello Maurizio Coccia Ciriaco Campus Bruno Ceccobelli Giorgio Bruno Civello Francesco Correggia Guido Curto Giovanna Crescentini Giustina Coda Pietro Coletta Martina Corgnati Claudio Cerritelli Claudio Cugusi Riccardo Dalisi Michele Degan Valerio Dehò Radu Dragomirescu Fernando De Filippi Giacinto Di Pietrantonio Lia De Venere Silvia De Rosa Fabrizio D’Amico Fabio D’Aprile Edoardo Di Mauro Andrea B. Del Guercio Giulio De Mitri Claudio Delli Santi Pino Di Gennaro Carlo Di Raco Massimo Di Stefano Piero Di Terlizzi Silvia Donini Barbara Drudi Danilo Eccher Giordano Emiliazzi Silvia Evangelisti Ida Egger Federica Facchini Stefano Farcis Gian Alberto Farinella Vincenzo Ferrari Rachele Ferrario Luigi Fiorletta Anna Fucili Giovanni Ferrero Ado Franchini Eleonora Frattarolo Giuseppe Furlanis Serena Francone Ignazio Gadaleta Elisabetta Galasso Omar Galliani Renato Galbusera Alberto Garutti Fabrizio Gazzarri Patrizio Gagliardi Guglielmo Gigliotti Michele Giangrande Alessandro Gioiello Rocco Giudice Giuliano Giuman impaginato Academy n.11.indd 2 08/01/12 22:28 Gabriele Giromella Sebastiano Guerrera Alessandro Guerriero Rocco Guglielmo Dario Fo Pietro Fortuna Carlo Franza Barbara Giorgis Caterina Iaquinta Enzo Indaco Giovanni Iovane Cosmo Laera Paolo Laudisa Gerardo Lo Russo Andrea Leuzzo Dora Liguori Laura Lombardi Elisabetta Longari Salvatore Lovaglio Paolo Lunanova Nella Lovero Mauro Mazzali Fiore Madeo Gianfranco Maraniello Giuseppe Maraniello Gianni Maimeri Dario Maina Luciano Massari Gualtiero Marchesi Lea Mattarella Kevin McManus Marco Meneguzzo Sabina Mezzaqui Miriam Mirolla Albano Morandi Nicola Maria Martino Gian Luigi Megassini Gianluca Marziani Michele Mirabella Monica Saccomandi Dario Micci Gastone Mariani Carmelo Nicosia Gianfranco Notargiacomo Riccardo Notte Hidettoshi Nagasawa Sergio Nannicola Laura Panno Rocco Pangaro Loredana Parmesani Silvia Passerini Massimiliano Patriarca Francesca Petrucci Antonella Pierno Maura Pozzati Antonello Pelliccia Lorenza Pignatti Rossella Piergallini Michelangelo Pistoletto Luca Piffero Greta Petese Stefano Pizzi Paola Poggi Arnaldo Pomodoro Elena Pontiggia Melissa Provezza Giovanni Pucciarmati Raffaella Pulejo Moira Ricci Sandro Ricaldone Maria Teresa Roberto Cesare Romiti Paolo Rosa Rosanna Ruscio Alessandro Russo Beppe Sabatino Nicola Salvatore Sandro Scarrocchia Marco Scotini Catterina Seia Vittorio SgarbiGiandomenico Semeraro Alessandro Spadari Giuseppe Spagnulo Fausta Squatriti Beppe Sylos Labini Aldo Spoldi Ida Terracciano Rita Tondo Rosanna Ruscio Valeria Tassinari Tiziana Tacconi Marco Tirelli Laura Tonanni Barbara Tosi Dario Trento Arturo Tuzzi Simona Uberto Gloria Vallese Marta Valsania Francesca Valli Cristina Valota Anna Verducci Andrea Villani Miklos N. Varga Andrea Zanella Francesca Zocchi e ... a tutti coloro che erroneamente abbiamo dimenticato. impaginato Academy n.11.indd 3 08/01/12 22:28 Che fare? Foto Ranuccio Bastoni di Gaetano Grillo 4 Tre anni fa nasceva questa rivista scommettendo sulla all’autoreferenzialità è diventato un piccolo mondo che inizia necessità di creare una rete fra le varie Accademie italiane finalmente a fare sistema. al fine di informare, approfondire, far conoscere e mettere In questi tre anni però la nostra riforma è rimasta incompiuta in contatto fra loro le varie componenti di questo nostro così come le rivendicazioni di riconoscimento giuridico del circuito, per tanto tempo lasciato all’implosione individualista titolo di studio e della docenza sono rimbalzate contro
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  • Tate Report 09–10 Contents

    Tate Report 09–10 Contents

    Tate Report 09–10 Tate Tate Report 09–10 Contents / Introduction 02 Art and Ideas / Collection Acquisitions 10 Collection care 12 Research 15 Acquisition highlights 17 Art and Ideas / Programme Tate Britain 31 Tate Modern 32 Tate Liverpool 35 Tate St Ives 36 Calendar 38 Audiences / Learning Families and young people 40 Adult programmes and live events 42 Audiences / Beyond Tate Online and media 45 Tate National 46 Tate International 48 Improving Tate Staff and sustainability 50 Funding and trading 52 Future Developments 54 Financial Review 56 Donations, Gifts, Legacies and This report is also available to download Sponsorships 58 in PDF and large-print versions – visit www.tate.org.uk/tatereport Featured art and artists 64 Introduction We are committed to enriching people’s lives International Art. The acquisition of a large through their encounter with art. And so, this group of work by Keith Arnatt, a film by David year Tate again reached out across the country Lamelas, and a significant photographic and to the world beyond – through our galleries, collection, generously given to Tate through partnerships and online – to invite people to the Acceptance in Lieu scheme by the late look again at the familiar, and to think about Barbara Lloyd, are examples of ways in which the new experiences offered by the art of our our representation of this important area of own time. art practice is being strengthened. Broadening global and artistic perspectives / Other notable works entering the Collection Our environment is characterised by rapid this year included a performance by Tania technological, social and economic change.
  • Galleria Dell'ariete Records, 1955-1993

    Galleria Dell'ariete Records, 1955-1993

    http://oac.cdlib.org/findaid/ark:/13030/c8b27w2m No online items Finding aid for the Galleria dell'Ariete records, 1955-1993 Alan Tomlinson and Annette Leddy Finding aid for the Galleria 990058 1 dell'Ariete records, 1955-1993 Descriptive Summary Title: Galleria dell'Ariete records Date (inclusive): 1955-1993 Number: 990058 Creator/Collector: Galleria dell'Ariete Physical Description: 46.43 Linear Feet(88 boxes; 2 flatfile folders) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The complete business records of the Galleria dell'Ariete of Milan, Italy, from 1955, when it opened, through its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. The archive documents these connections through correspondence, business and financial papers, catalogs, press clippings, and an extensive photographic record. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is primarily in Italian and English Biographical/Historical note Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art-her first major exhibition at the gallery was of lithographs and engravings by Picasso-though the formal statutes of the company state that its object is 'il commercio in generale di opere d'arte antiche e moderne'.