Quickship Glass / Natural Stone

Total Page:16

File Type:pdf, Size:1020Kb

Quickship Glass / Natural Stone QuickSHIP glass / natural stone v.9-21 I Table of Contents Chicago Glass & Stone .............................. 2 Glass Crystal ........................................ 4 Elements . 6 Melange ....................................... 7 Resort ........................................ 8 Stix........................................... 9 Marble Arabescato.................................... 10 Athens Gray ................................... 12 Cavalier ...................................... 14 Crema Marfil................................... 16 For your convenience, the products shown in this Driftwood ..................................... 18 catalog are all stocked in our Central Service Center. Gray Cloud .................................... 20 Orders placed before noon are available within 1 business day. Highland Gris . 22 Italian Carrara .................................. 24 Mariner....................................... 28 Ming Green.................................... 30 Mystic........................................ 32 Wooden White ................................. 34 Pebbles Sliced ........................................ 36 Slate & Quartzite ��������������������������������������������������������������������� 38 Travertine Durango ...................................... 39 Glass Guidelines .................................. 40 Natural Stone Guidelines ............................ 41 Very High Shade Variation: All natural stone products have an extreme variation in color, shade and texture. To ensure an even variation of color and surface texture, blend stones from multiple cartons. All material must be reviewed prior to installation, as no concessions will be made after installation. II III CHICAGO CHICAGO Light Blue Glass 3x9 Tile 53GLALIG39 Medium Blue Glass 3x9 Tile Arabescato and Zebra Flat Pebbles Waterjet Trellis Thassos and Carrara Arabescato 1” Hex Arabescato 1” Hex Boardwalk Arabescato 53GLAMED39 Marble (11.75x11.75 Sheet) White Polished Marble Polished Marble Honed Marble 1x3 Herringbone Marble 53PEBARAZEB12 (8.7x8.89 Sheet) 53MARARA1HP 53MARARA1HH 53HERARA13 53WATTRETHACARP Linen Glass 1.5x6 Linear (11.81x12.5 Sheet) Carrara White 2” Hex Waterjet Marrakech Thassos, Carrara Waterjet Shell Arabescato 53GLALIN16B Carrara Octagon with Mountain Blue Waterjet Piazza Zebra White Polished Marble White Marble (8.74x9.84 Sheet) Polished Marble (11x11.5 Sheet) Polished Marble (10.63x11.61 Sheet) and Thassos Polished Marble 92MARCAR2HP 53WATMARTHACARP 53SHEARA12P 53MARCAR1112O (11.89x11.89 Sheet) 53WATPIAZEBTHAP Gray Cloud 1” Hex Polished Marble Arabescato 2x4 Brick Waterjet Mini Arabesque Carrara Waterjet Synergy Weave 53MARGRA1HP Polished Marble White Polished Marble Arabescato Polished Marble 53MARARA24BP (10.24x10.63 Sheet (12x12.75 Sheet) Rubik Square Pattern Waterjet Hex Thassos, Carrara, and 53WATARACARP 53SYNARA1213P Mountain Blue and Thassos Marble Black Water Polished Marble (12x12.75 Sheet) (14x16 Sheet) 53RUBSQU12 53WATHEXTHACARP Ancient Sky 2” Hex (11.81x11.81 Sheet) Arabescato and Carrara Chevron Mosaics sold by 12x12 sheets unless otherwise stated. 53HEXANC2 Polished Marble (11.15x11.75 Sheet) Please Note: It is recommended on Waterjet Mosaics to 53CHEARACAR12P install with a light colored grout to best compliment the look. 2 3 chicago glass & stone chicago glass & stone CRYSTAL GLASS CRYSTAL GLASS 3/8x6 Super White Liner 3/8x6 Icelandic Blue Liner 1/2x12 Feather Pencil Liner 1/2x12 Beluga Pencil Liner 1/2x12 Angora Pencil Liner 53CRYSUP386L 53CRYICE386L 53CRYFEA112P 53CRYBEL112P 53CRYANG112P 1/2x12 Super White Pencil 1/2x12 Icelandic Blue Liner Pencil Liner 53CRYSUP112P 53CRYICE112P 3x6 Feather 3x6 Beluga 3x6 Angora 53CRYFEA36 53CRYBEL36 53CRYANG36 3x6 Super White 3x6 Icelandic Blue 53CRYSUP36 53CRYICE36 3/8x6 Moscato Liner 3/8x6 Gray Liner 53CRYMOS386L 53CRYGRA386L 1/2x12 Moscato Pencil Liner 1/2x12 Gray Pencil Liner 1.5x6 Linen Linear Mosaic 53CRYMOS112P 53CRYGRA112P 53GLALIN16B 3x6 Moscato 3x6 Gray 53CRYMOS36 53CRYGRA36 Moscato Stagger Gray Stagger 53CRYMOSSTA 53CRYGRASTA Stagger sold on 13.6x11.7 Sheets (Gray, Moscato only) Mosaics sold on 12x12 Sheets 4 5 glass glass ELEMENTS MELANGE 1/2” Polar 1/2” Cosmos 1/2” Beach 53ELEPOL12M 53ELECOS12M * 53ELEBEA12M Crema Marfil Marble Gray Cloud Marble Brick Brick with Mother of with Mother of Pearl, Pearl and Glass Stainless and Black 53MELCRE12 Glass 53MELGRA12 Polar Linear Cosmos Linear Beach Linear 53ELEPOL12LM 53ELECOS12LM * 53ELEBEA12LM Wooden White and Athens Gray and Gray Arabescato Marble Brick Cloud Marble Brick with with Mother of Pearl Mother of Pearl and and Super White Glass Super White Glass 53MELWHI12 53MELATH12 1/2” Stone 1/2” Branch Twilight Linear 53ELESTO12M 53ELEBRA12M * 53ELETWI12LM * Stone Linear 53ELESTO12LM * Noted items are discontinued and available only while stock inventory lasts Mosaics sold on 12x12 Sheets Mosaics sold on 12x12 Sheets 6 7 glass glass RESORT STIX Spa Blend Relax Blend Mineral 53RESSPA12M 53RESREL12M 53STIMIN12M (Coordinates with (Coordinates with (Glass and Golden Harvest Quartzite) Thassos Marble) Wooden White Marble) Calm Blend Zen Blend 53RESCAL12M 53RESZEN12M (Coordinates with (Coordinates with Calacatta Marble) Crema Marfil Marble) * Noted items are discontinued and available only while stock inventory lasts Mosaics sold on 12x12 Sheets Mosaics sold on 12x12 Sheets 8 9 glass glass ARABESCATO MARBLE Waterjet Shell Polished Chevron w/Carrara Pol. Polished Quadrafoil Flat Pebbles with Zebra (11x11.5 Sheet) (11.15x11.75 Sheet) with Gray Lady (11.75x11.75 Sheet) 53SHEARA12P 53CHEARACAR12P 53MARARA12QP 53PEBARAZEB12 Polished and Honed Polished Basketweave Polished Basketweave Athens Gray Honed Mod Basketweave with Athens Gray Dot with Black Dot with Arabescato Polished 53MARARAR12B 53MARARAT12B 53MARARA12BM 53MODATH12HP * 4x12 Bullnose Brush - 53MARARA412B * Pol - 53MARARA412P * Melange Wooden White Waterjet Synergy Weave and Arabescato Brick Arabescato Polished with Mother of Pearl (12x12.75 Sheet) 53MELATH12 53SYNARA1213P 20” Corner Seat * Appenine with Silver Foil 1x2 Honed Brick 1x3 Polished Herringbone 2x4 Polished Brick 53PIEAPP12L 53MARARA12M Boardwalk 53MARARA24BP 53HERARA13 White Carrara Thresholds 2x36x3/4 - 2x36x3/8 4x28x5/8 - 4x30x5/8 4x36x5/8 - 4x50x5/8 4x72x5/8 - 6x36x5/8 6x72x5/8 * Noted items are discontinued and available only while stock inventory lasts 1” Polished Hexagon 1” Honed Hexagon Polished / Honed Bubbles Due to the addition of a resin mesh for added stability, TEC’s Super Flex™ or 100% Solids Epoxy Mortar is 53MARARA1HP 53MARARA1HH 53MARARA12BS required for proper installation of all mosaics. Mosaics sold on 12x12 sheets unless otherwise stated. Note: It is recommended on Waterjet Mosaics to install with a light colored grout to best compliment the look. 10 11 marble marble ATHENS GRAY MARBLE Scan this code to see a video on this product! 2x2 Honed Athens Gray Honed Mod 53MARATH2MH * with Arabescato Polished 53MODATH12HP * Honed Vein Cut * 3x6 53MARATH36H 3x12 53MARATH312H 12x12 53MARATH12H Melange Athens Gray and Polished Arabescato Basket Gray Cloud Brick with with Athens Gray Dot Mother of Pearl 53MARARAT12B 53MELATH12 6x20 3D Ledger 53MARATH620L * 11x12 Linear 53MARATH11LH * 4x12 Bullnose 53MARAT412BH * 10” Shelf Thresholds 4x36x3/4 4x50x3/4 * 6x72x3/4 We recommend installing Athens Gray Marble with Super Flex™ or epoxy mortar since these are moisture sensitive stones. Mosaics sold on 12x12 Sheets. * Noted items are discontinued and available only while stock inventory lasts 12 13 marble marble CAVALIER MARBLE 3x6 Leathered 3x12 Leathered 3x6 Polished 3x12 Polished 72MARCAV36L 72MARCAV312L 72MARCAV36P 72MARCAV312P 12x24 Leathered 12x24 Polished 72MARCAV1224L 72MARCAV1224P 1/2x12 Somerset Pencil Leathered 72MARCAV512SPL Polished 72MARCAV512SPP 1x12 Pencil Leathered 72MARCAV112PL Polished 72MARCAV112PP 2” Hexagon Leathered 72MARCAV2HL Polished 72MARCAV2HP Mosaics sold on 12x12 Sheets leathered polished 14 15 marble marble CREMA MARFIL MARBLE 5/8” Polishedl Melange Brick with Mother of Pearl Resort Collection Zen Blend 65MARCRE58MP * 53MELCRE12 53RESZEN12M 3x12 Persian Green Scroll Border with Wooden Yellow and Crema Marfil 53SCRGRE312 * Crema Marfil 10” Corner Shelf 65FIXCRECS10 * 3x3 Border Corner Thassos Polished Mod 53SCRGRE3C * with Crema Marfil Crema Marfil Threshold 53MODTHA12P * 4x36x3/4 65436CRE34 * Dark Emperador 1x12 Pencil Polished 65MARDA112PP * Dark Emperador 10” Shelf Polished 65FIXDARCS10 * Dark Emperador Thresholds 4x36x3/4 65436DAR34 * 4x50x3/4 65450DAR34 * 6x72x3/4 65672DAR34 * * Noted items are discontinued and available only while stock inventory lasts Due to the addition of a resin mesh for added stability, TEC’s Super Flex™ or 100% Solids Epoxy Mortar is required for proper installation of all mosaics. Mosaics sold on 12x12 Sheets. 16 17 marble marble DRIFTWOOD MARBLE 3x12 Polished 72MARDRI312P 3” Hexagon Polished 72MARDRI3HP 12x24 Polished 72MARDRI1224P Insignia Chevron Polished 72MARDRI12CP 1/2x12 Somerset Pencil Polished 72MARDRI512SPP 1x12 Pencil Polished 72MARDRI112PP Mosaics sold on 12x12 Sheets polished 18 19 marble marble GRAY CLOUD MARBLE 5/8” Polished 1” Polished Hex 53MARGRA58MP * 53MARGRA1HP Polished * 12x12 53MARGRA12PO 1x2 Honed Brick 2x2 Polished 53MARGRA12M 53MARGRA2MP * 2x12 Chair Rail Polished 53MAGRA212PC * Melange Brick with Mother Melange Athens Gray and Polished Basketweave with of Pearl and Stainless Gray Cloud Brick with Snow White Dot 53MELGRA12 Mother of Pearl 53MARGRA12BM * 53MELATH12 * Noted items are discontinued and available only
Recommended publications
  • Glass Mosaic Tb136
    Glass Mosaic Installation Technical Bulletin Category: Tiling Keywords: Glass Mosaic, Tile, Thin Set, Grout Glass mosaics bring a beautiful look to any surface. Glass Mosaics come in different types, sizes, colors and patterns and are used in residential and commercial projects on backsplashes above sink, bathrooms, showers, and fireplaces. There are 3 different types of glass tile; cast glass tile, fused glass tile, and low- temperature-coated glass tile as per ANSI A137.2 standard. Typically glass mosaics are larger than ¾”x ¾” and smaller than 3”x3”. Many questions have come up on which setting materials to use for a long lasting glass mosaic installation. In this technical bulletin will help you to select the appropriate Merkrete products for setting glass mosaics. Considerations to take before installing glass mosaics: Substrates All substrates should be plumb and true, substrate deviation should not exceed 1/8” in 10’ or 1/16 in 3’. Substrate preparation should be completed following ANSI A108 AN-2 “General Requirements for Sub- surfaces. Substrate should be dry, clean and free from oil, grease, wax, paint, old adhesives, sealers and curing compounds. Any contaminates which inhibit proper bond must be removed. Recommendation for setting: Merkrete Integra - Is a non-abrasive all-in-one adhesive and grout for glass mosaics installations on walls and floors. Integra was developed especially for the installation of mosaics and glass tile of all shapes and sizes with no concerns about thin set color bleed through because the adhesive and the grout are the same color. Merkrete Integra is available in 8 different colors.
    [Show full text]
  • Decaying of the Marble and Limestone Monuments in the Urban Environment
    Studia Universitatis Babeş-Bolyai, Geologia, 2009, 54 (2), 17 – 22 Decaying of the marble and limestone monuments in the urban environment. Case studies from Saint Petersburg, Russia Olga V. FRANK-KAMENETSKAYA*, Dmitrii Yu. VLASOV, Marina S. ZELENSKAYA, IrinaV. KNAUF & Mariya A. TIMASHEVA Saint Petersburg State University, Saint Petersburg, 199034, Russia Received March 2009; accepted June 2009 Available online September 2009 ABSTRACT. The results of a long-lasting research of sulphation process, which causes an essential deterioration of marble and limestone monuments in Saint Petersburg are reported. Based on a variety of field and analytical methods we can show that the decay process forming a gypsum-rich patina depends mainly on the local environment, the moisture accumulation, and is connected with the fissuring and porosity of the rock and the relief of a monument. Three main stages of gypsum-rich patina formation in the presence of microorganisms were revealed. Key words: marble, limestone, travertine, stone decay, gypsum-rich patina, biodeterioration, Saint Petersburg, Russia. INTRODUCTION Saint Petersburg monuments and in particular to investigate: (a) the morphology and the peculiarities of gypsum crystals, The sculptures and constructions made of marble and (b) the variations of chemical composition of the gypsum limestone have a special position among the unique crusts, and (c) the role of micro-organisms in the gypsum architecture ensemble of Saint Petersburg (Russia). Many of crust formation. the famous monuments are intensively decaying under the influence of the natural and anthropogenic factors such as atmospheric humidity and temperature changes, air MATERIALS AND METHODS pollution, salts, aggressive microbial communities (Bulakh, 2005; Vlasov and Frank-Kamenetskaya, 2006).
    [Show full text]
  • The Franklin Marble: One of New Jersey’S Most Famous Geologic Formations
    New Jersey Geological and Water Survey Information Circular The Franklin Marble: One of New Jersey’s Most Famous Geologic Formations Introduction 0 5 10 Miles NY Sussex County Few rocks in New Jersey are as attractive or as well known as the Franklin Marble, which displays a Franklin virtual rainbow of colors from white, PA to light gray, pale pink, orange, pale Limecrest green, or pale blue. Samples of Franklin Quarry Marble are displayed in many museum exhibits nationally and internation- ally because of its importance as host rock for the world-famous zinc-iron- manganese deposits at the Franklin and Sterling Hill mines in Sussex County. These deposits contain more than 350 minerals, of which 90 are fluorescent. If New Jersey Highlands area of ever there were a contender for the offi- detail cial state rock of New Jersey, Franklin Marble would certainly be among those at the top of the list. Early in the study of the state’s geologic history, all marble was simply called white or crystalline limestone (Cook, 1868). The name “Frank- lin white limestone” was first intro- Figure 1. Distribution of the Franklin Marble (shown in blue) and other uncorre- duced by Wolff and Brooks (1898) for lated marble deposits (shown in red) in the New Jersey Highlands. marble at the zinc deposits in Frank- lin Borough. This was later shortened the area, where it forms a nearly continu- known. As a result, Franklin Marble was to “Franklin limestone” on one of the ous 21-mile-long belt in Sussex County. quarried extensively during the 20th cen- early state geologic maps of New Jersey Marble also crops out in small, detached tury, although most of the quarries are no (Lewis and Kümmel, 1910-1912), and bodies in the southwestern and eastern longer in operation.
    [Show full text]
  • Fact Sheet 5 Principles of Stone Extraction
    QuarryScapes guide to ancient stone quarries Fact Sheet 5 Fact Sheet 5 Principles of stone extraction In all stone quarry situations the extraction phase rich) ones. Partly because they in general display is based on one or combinations of three the most brittle behaviour, but also because it is a fundamental principles: well documented fact (and experience among quarrymen) that siliceous rocks (granite in 1. Levering; expanding open fractures by particular) have well defined preferred splitting inserting levers, crowbars or stones 2. Splitting; creating fractures, preferable directions defined by microfractures in quartz. planar, by strokes (i.e. sledge hammer), Splitting by heating is caused by a combination of wedging; heating or blasting with thermal expansion properties and brittle explosives behaviour. It works best on quartz-rich rocks due 3. Channelling (carving); making channels in to the well known but poorly understood change the rock by carving with hammer and of mechanical properties of quartz when heated. chisel, pickaxe or stone tools, heating with fire, sawing or drilling Channelling is the third fundamental principle. Channels in the rock are made by removing the Levering may be described as the “simplest” way rock mass by chiselling, picking, sawing or of extraction, involving the expansion of natural heating. In most soft stone quarries from the cracks or other planes of weakness (such as Bronze Age onwards, channelling is the most bedding planes) using various tools. important extraction method. In most cases, channelling is combined with other methods. For Splitting may be defined as the act of generating instance, channels are made perpendicular to the new fractures for extracting rock.
    [Show full text]
  • Cemetery Preservation QUICK TIPS
    Georgia’s State Historic Preservation Office IIIIIICCCeeemmmeeettteeerrryyy PPPrrreeessseeerrrvvvaaatttiiiooonnn QQQUUUIIICCCKKK TTTIIIPPPSSSIIIIII Common Monument and Gravemarker Materials Below are brief descriptions of the most common stones and monument material types found in Georgia. Stones vary in hardness and therefore in their ability to survive satisfactorily outdoors in cemeteries, as well as their ability to withstand cleaning or restoration. The Mohs Scale of Mineral Hardness, created in 1812, establishes talc as the softest mineral material and diamond as the hardest. There is no need to determine the exact hardness of a stone you are working on. However, seeing how some common cemetery materials rank on the Mohs Scale can guide your choice of the best methods for working with them: Talc (see "soapstone" below) Marble Sandstone Granite Diamond 1 3-4 5 7-8 10 If identifying the type of stone is difficult, but will be important to a cemetery preservation project, referring to a stone/mineral field guide is recommended, or consulting with a geologist or other expert. Marker Material Descriptions MARBLE Marble has been used for a great many markers in historic cemeteries in Georgia. The state's marble industry dates back to the late 1830s, when outcroppings of surface marble were discovered in north Georgia. Quarrying began, and markers were carved and sold throughout the area. The Georgia marble industry still thrives today. Several different types of stone that can be polished are called marble. A true marble, though, is a metamorphic rock made up of calcium carbonate, traces of silica and iron oxides; it is rather soft and easily carved.
    [Show full text]
  • Bowing of Marble Slabs: Can the Phenomenon Be Arrested and Prevented by Inorganic Treatments?, Environmental Earth Sciences 77 (2018) 387
    This is a post-peer-review, pre-copyedit version of the article: Sassoni E., Andreotti S., Scherer G.W., Franzoni E., Siegesmund S., Bowing of marble slabs: can the phenomenon be arrested and prevented by inorganic treatments?, Environmental Earth Sciences 77 (2018) 387. The final version is available online at DOI: 10.1007/s12665-018-7547-7 BOWING OF MARBLE SLABS: CAN THE PHENOMENON BE ARRESTED AND PREVENTED BY INORGANIC TREATMENTS? Enrico Sassoni1,*, Serena Andreotti1, George W. Scherer2, Elisa Franzoni1, Siegfried Siegesmund3 1 Department of Civil, Chemical, Environmental and Materials Engineering (DICAM), University of Bologna, Via Terracini 28, 40131, Bologna, Italy 2 Department of Civil and Environmental Engineering (CEE), Princeton University, 69 Olden Street, 08542, Princeton (NJ), U.S.A. 3 Department of Department of Structural Geology and Geodynamics University of Göttingen, Goldschmidtstr. 3, 37077, Göttingen, Germany * corresponding author: [email protected] ABSTRACT Bowing of thin marble slabs is a phenomenon affecting both historic monuments and modern buildings. In spite of the ubiquity and destructiveness of this phenomenon, no fully satisfactory treatment is currently available to arrest and/or prevent bowing. In this study, a treatment based on formation of hydroxyapatite (HAP) was investigated as a possible route to arrest and possibly prevent bowing of Carrara marble slabs. Four different formulations of the HAP-treatment were tested and compared to ammonium oxalate and ethyl silicate (widely used in the practice of marble conservation). The treatments were applied onto pre-weathered and unweathered specimens to investigate their ability to arrest and prevent bowing, respectively. Marble behavior was studied in terms of residual strain and bowing after thermal cycles up to 90°C in dry and wet conditions.
    [Show full text]
  • Stained Glass - Mosaic Gingerbread Cottage Light up the Night with This Sweet Little Gingerbread Cottage Night Light
    Stained Glass - Mosaic Gingerbread Cottage Light up the night with this sweet little gingerbread cottage night light. From roof to doorway it is sure to add sparkle to the holiday season. Materials: #S3172 Medium Amber & White Opal #S3196 Dark Amber/ White Wispy #S3296 Dark Green & White Opal #591432 Medium Red Special Rod #XSM96 Mardi Gras Stringer Assortment #45133 Green Millefiori #X85811 Fun Time Millefiori #426307 3/4" Glass Tile Iridized Pastels Mix #B110182 Clear Transparent Frit - Medium #8919 E6000 Adhesive #65101 Weldbond Adhesive #5568 5/32" Copper Foil #5614 Copper Reinforcing Strip #7030PK Light Sensor Night Light With 4w Bulb/6-pack 60/40 Solder Painters Tape To make this project as shown use the products listed above or use glass and any embellishments you may already have. Instructions: 1. Following pattern guide, cut out all cottage pieces. 2. Clean well. Foil and solder. Tip: Add a small dot of E-6000 to top back of cottage door to add strength. 3. Make decorative dots of solder along roof line, corners of cottage and chimney. 4. Cut two lengths of copper reinforcement strip 1/4" longer than house opening in the back. Bend ends to fit inside house. (A) 5. Tack solder copper strips together. 6. Set night light inside house and mark for placement of this copper strip. Hold in place with painters tape and solder. 7. Solder night light clip securely to copper strip. (A) 8. With flux cleaner, clean off all residue. Polish with finishing compound. 9. Embellish with glass chips, millefiori, stringer and rod in any way you like! 10.
    [Show full text]
  • {PDF} Mosaic Renaissance : Reviving Classic Tile Art with Millefiori Ebook
    MOSAIC RENAISSANCE : REVIVING CLASSIC TILE ART WITH MILLEFIORI PDF, EPUB, EBOOK Laurel Skye | 128 pages | 27 Nov 2009 | F&W Publications Inc | 9781600611988 | English | Cincinnati, OH, United States Mosaic Renaissance : Reviving Classic Tile Art with Millefiori PDF Book Inside "Mosaic Renaissance" discover a treasure trove of rich, inspiring patterns and intriguing mosaic projects that incorporate handcrafted Italian glass known as millefiori. Mastering Composition. Add to Wish List. Revive your love of mosaics! The company that has a sole seat in Murano Venice , the island famous for artistic glass, produces and sells directly its products all over the world. When will my order be ready to collect? Not Specified. Trivia About Mosaic Renaissanc We sell a plethora of odds and ends with special interest in retro Video Games, tools, coins, media and obscure. Italian Ceramics Tiles Marca Corona. Mechanika, Revised and Updated. Drawing for the Absolute Beginner. Keys to Drawing. Show More Show Less. Most relevant reviews. The site uses cookies to offer you a better experience. New ideas on how to utilize every inch of polymer clay millefiore work. View: Gallery View. Kamperen Campingottermeer. Jared Blando. All Listings. Your cart is currently empty. Customer Reviews Based on 2 reviews Write a review. Watercolor Techniques. More filters. Iklan Atas Artikel. Lubna rated it it was amazing Sep 02, Designers developers and contractors rely upon us to deliver creative products which are affordable and on time. The colors in the standard MDM smalti palette allow mosaicists to create works of exceptional beauty and detail. Jenny rated it it was amazing Dec 04, Decorate and paint a faux tile design or random wall art motifs with our Renaissance Tile Stencils Set A.
    [Show full text]
  • Deterioration of Thin Marble Cladding - a Comprehensive Literature Update
    01 May 2004 Literature list of May 8th 2004.doc Page 1 (9) Deterioration of thin marble cladding - A comprehensive literature update. Literature list of May 1st 2004 Author 1 Title Book/Journal Adams, Eric Wintry discontent (Finlandia City Hall) Architecture, October 1998 Aires-Barros, L., Et al. Dry and wet laboratory tests and thermal fatigue of rocks Engineering Geology, 9, p. 249-265, 1975 Alesiani, M. Evaluation of stone pore size distribution by means of NMR 9th International Congress on deterioration and conservation of stone, Venice 19- Et al. 24 June, 2000 Alessandrini, G., Et al. Investigations on the decay of Candoglia marble used in the Milan Proc. Of the Int. Symp. On the conservation of stone, Bologna, June, 1975 Duomo Algeo, H.L. What the specification writer needs from the stone industry. Construction Specifier, April 1961 Alnæs, L. Quality and durability of natural stone. Influencing factors and test Dr.ing-thesis No. 1995:5. Institute for geology and mineral resources methods. (In Norwegian, summary in English) engineering, University of Trondheim, NTH, Norway, 1995 Alnæs, L., Et al. Influence of mineral and rock properties on bowing and strength loss of 9th Euroseminar on microscopy applied to building material, Trondheim, Norway, marble claddings – Discussion paper based on status of work in the September 2003. TEAM project. Alnæs, L., Et al. Influence of rock and mineral properties on the durability of marble Proceedings Dimension Stone 2004, International Conference, Prague, Czech panels. Republic. (In prep.), 2004 Amrhein, J.E., Designing successful stone slab veneer Stone World, Nov., pp. 46-, 1993 Et al.
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • Special Effects with Stains
    Get Fortified with Fiber Vol. 7 No. 4 • June/July 2007 • $6.95 Special Effects With Stains The masters reveal their secrets Getting Edgy New border tools and stamps Kitchen Countertops: Safety First II • www.ConcreteDecor.net • Aug./Sept. 2006 June/July 2007 | www.ConcreteDecor.net | 1 Publisher’s Letter Dear Readers, My wife’s grandfather is turning 98 years old in a month or June/July 2007 • Volume 7 so. Having lost his wife a couple of years ago, Papa, believe it or Issue No. 4 • $6.95 not, still lives at home by himself. On a recent visit to Papa we sat, as usual, in his family Publisher: Bent O. Mikkelsen room talking about a lot of things, like the way things used to Co-Publisher: Ernst H. Mikkelsen Editor: Wendy Ardolino be and, for obvious reasons, our concern for his health. During Editor: John Strieder our conversation Papa told me in a matter-of-fact tone of voice Translation Editor: Eduardo Morales that he had suffered a heart attack a couple of weeks earlier. Shocked by the news, I asked Creative Director: Patrick Hunter if he had seen a doctor or spent time in the hospital following that ordeal. Papa responded Web Design: Mark Dixon by saying “Oh yes, one night. My legs feel numb but I’m getting better.” Pressing for more Writers: Andrew Amrhein Susan Brimo-Cox information, he added, “… when I had the heart attack I was afraid I was going to die Christina Camara – however, a moment later, I became afraid I wasn’t going to die.” Saddened as we both Doug Carlton were by his news, this announcement caused us to laugh at the ordeal.
    [Show full text]
  • CO-CATHEDRAL of the SACRED HEART a R C H D I O C E S E O F G a L V E S T O N - H O U S T O N Dedicated to the GLORY of GOD
    CO-CATHEDRAL OF THE SACRED HEART A R C H D I O C E S E O F G A L V E S T O N - H O U S T O N Dedicated to the GLORY of GOD “Today we dedicate to your lasting service this house of prayer, this temple of worship, this home in which we are nourished by your word and your sacraments.” Rite of Dedication April 2, 2008 “My house shall be called a house of prayer for all peoples.” Isaiah 56:7 In The Beginning Two years after Texas gained its admission into the United States, Galveston was erected as the twenty- eighth diocese in the nation. The pontifical bull, In Apostolicae Sedis Fastigo, from his Holiness Pope Pius ix, signed and sealed in Rome on May established Texas as a bishopric and Left: 1904 photograph of the first named the Most Reverend Jean Marie Odin, Sacred Heart Church. C.M., its first Bishop. The diocese was dedicated Below: 1913 postcard of the church. to the Blessed Virgin Mary under the title of the Immaculate Conception and St. Mary’s Church in December Pope John Paul ii created a Galveston was named the cathedral. A new church second archdiocese in Texas, raising the Diocese of Bishop Odin for St. Mary’s had been begun with the laying of a Galveston-Houston to the status of a Metropolitan cornerstone on March ; the cathedral was Archdiocese. Bishop Joseph A. Fiorenza was dedicated on November Galveston was a named the first Archbishop of Galveston-Houston, major seaport and the largest city in the state at and Bishop Daniel N.
    [Show full text]