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Contemporary Improvisational Theater in Poland and the United States
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 2(40) 2017 http://dx.doi.org/10.18778/1505-9057.40.05 Magdalena Szuster* “Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States Part 1: (Re)defining Improvised Theater – the American and Polish Perspectives What Does Impro(v) Mean Anyway? The origins of improvisation are indistinct, and for most part untraceable. An academic endeavor to establish its beginnings would go unrewarded, as there is no one distinct inventor1 of improvisation. This technique, or method, had been used as means of expression in art long before Spolin or Johnstone, and far away from Chicago or London. The Atellan farce (1 BC), secular entertainers and court jesters in China (10 BC), or the frenzied improvisations in Ancient Greece (600 BC) had preceded the 16th century commedia dell’arte2 the Italian improvised per- formance based on scenarios and/or sketches. The renaissance of improvisation in the 20th century was largely brought about by experimental artists who used it as means of expression, communication and representation. As a tool, a vessel or foundation improvisation existed in theater (both formal and popular), painting, poetry and music. It was an important substance, and an interesting addition to avant-garde art. The early avant-garde theater welcomed improvisation as a means in the pro- cess of developing plays and productions, or as a component of actor training, yet an independent improvisational format was yet to be devised. In the mid-twentieth * Dr, University of Łódź, Faculty of Philology, Department of American Literature and Cul- ture, 91-404 Łódź, ul. -
The Novelty of Improvisation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The novelty of improvisation: towards a genre of embodied spontaneity David Alfred Charles Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Charles, David Alfred, "The novelty of improvisation: towards a genre of embodied spontaneity" (2003). LSU Doctoral Dissertations. 76. https://digitalcommons.lsu.edu/gradschool_dissertations/76 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE NOVELTY OF IMPROVISATION: TOWARDS A GENRE OF EMBODIED SPONTANEITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Alfred Charles B.A., Roosevelt University, 1995 M.F.A., Western Illinois University, 1998 August 2003 © Copyright 2003 David Alfred Charles All rights reserved ii ACKNOWLEDGMENTS Thank you to those who started -
Michael Aviles [email protected] 321-626-5449 Height: 6’2” Hair: Black Weight: 170 Eyes: Brown
Michael Aviles [email protected] 321-626-5449 Height: 6’2” Hair: Black Weight: 170 Eyes: Brown THEATER Yes! Andersonville The Musical Calvin Jackson The pH Comedy Theater; Dir. Brett Mannes Bad Advice, pHamily The Musical, etc. Featured Player The pH Comedy Theater MOMMY Ensemble/Writer The Annoyance Theater/iO WEST LA Comedy Fest Prom Dates Ensemble Big City Improv Festival (Toronto) The Christmas Pageant Multiple Roles The Annoyance Theatre (Dir. Jen Elson) Comedy Studies Revue Ensemble/Writer The Second City T.C. (Dir. Norm Holly) Courtyard Ensemble The iO Theater Chicago Vault Independent Team Dir. Craig Uhlir The Early Show (Long form) Ensemble SAK Comedy Lab FILM/VIDEO “Antidote” – Short Film Lead MOMMY Comedy; Dir. Nate DuFort The History of the Internet Internet Lover The Onion News Network/Yahoo! Series “Winners” a Short Film The Dealer iO Theater - Vidiocy Festival A Day To Remember “2nd Sucks” Drug addict Drew Russ Productions/Victory Records Sleep With Sirens Music Video Aaron Gonzalez Drew Russ Productions/Rise Records Touch N’ Dix Various Roles ManSuit Comedy COMMERCIAL/PRINT Barilla Principal BBD Worldwide Marriott TownPlace Suits Principal Marriott Creative “Parkview Firstcare” – Parkview Health Principal Road Pictures “Our Promise” – Fairlife Milk Principal Assembly Films “Lucky Day Lotto” – Illinois Lottery Lucky Day Northstar Lottery Group Various Deals Principal Groupon “Premier Party” – L&M Cigarettes Principal Native Pictures/Jim Krantz “Our Culture” – Ernst & Young Chuck TEK Productions THEATRE TRAINING Adv. On Camera for the professional Actor Acting Studio Chicago Jenelle Snow/Chris Agos Columbia College Chicago Comedy Studies Theatre Program Anne Libera/Sheldon Patinkin The Second City The Conservatory Program Norm Holly/John Hildreth The Annoyance Theatre The Improvisation Program Mick Napier/Mark Sutton iO Chicago The Improv Program Noah Gregoropoulos High Concept Laboratories Advanced Sketch Writing Andy Miara (The Onion) L.A. -
The Settlement Stage: How Hull House Bridged Leisure, Creativity, and Play
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 2015 The Settlement Stage: How Hull House Bridged Leisure, Creativity, and Play Ann Goodson Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Education Commons Recommended Citation Goodson, Ann, "The Settlement Stage: How Hull House Bridged Leisure, Creativity, and Play" (2015). Master's Theses. 2891. https://ecommons.luc.edu/luc_theses/2891 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2015 Ann Goodson LOYOLA UNIVERSITY CHICAGO THE SETTLEMENT STAGE: HOW HULL HOUSE BRIDGED LEISURE, CREATIVITY, AND PLAY A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS PROGRAM IN CULTURAL AND EDUCATIONAL POLICY STUDIES BY ANN E. GOODSON CHICAGO, IL AUGUST 2015 Copyright by Ann E. Goodson, 2015 All rights reserved. TABLE OF CONTENTS ABSTRACT iv CHAPTER ONE: A BRIEF HISTORY OF HULL HOUSE 1 Overview of Research 1 The Beginnings of Hull House 3 Hull House’s Commitment to the Arts 8 Conclusion 10 CHAPTER TWO: A SYNTHESIS OF TWO THEORIES 12 A Hull House Pedagogy 12 Play Theory and Hull House 29 Significant Terminology 36 Conclusion -
Comedy Writing Resume
AEA ∙ SAG-AFTRA [email protected] height 6’3” ∙ weight 190lb (248) 431-7009 GREG OTT brown hair ∙ hazel eyes greg-ott.com TELEVISION & NEW MEDIA (selected) “What A Country” Host SAY App Hidden America with Jonah Ray Featured Dakota Films/d. Troy Miller IFC Comedy Crib Principal IFC/d. Mick Napier Lollapalooza Livestream Principal Red Bull Media/d. Peter Gwinn The Second City Network Principal Second City/d. Jeph Porter COMMERCIAL & INDUSTRIAL (selected) Halls Lead Reverse Lowe’s Lead Cap Gun Collective CommunityAmerica Credit Union Lead Cactus Jones Lang LaSalle Lead Omobono Kentucky Office of Highway Safety Lead Doe-Anderson Dish Network Lead MADAY Productions Deloitte. Lead There Media NARRATION & VOICEOVER (selected) HP Narrator Accenture Hallmark Principal Leo Burnett McDonald’s Principal Bernstein-Rein Coors Light Principal Calvary Levi’s Principal APG THEATER (selected) The Second City National Touring Company Ensemble - BlueCo. The Second City (Chicago) The Second City NCL (Breakaway, Pearl & Gem) Ensemble The Second City (Chicago) The Second City’s Good Time Game Show Host/Ensemble UP Comedy Club Death by Evening Ensemble The Second City e.t.c. Shark Tank: The Musical Greg The Annoyance Theatre Fuck Trump: An Evening of Songs Ensemble The Annoyance Theatre OJ Didn’t Do It: What Really Happened Ron Goldman The Annoyance Theatre Big Sausage Pizza: The Musical Mikey The Annoyance Theatre Chris Gaines in… The Life of Garth Brooks Chris Gaines The Annoyance Theatre Sexual Perversity in Chicago Danny Apollo Theater IMPROV (selected) The -
The Harold: a Revolutionary Form That Changed
THE HAROLD: A REVOLUTIONARY FORM THAT CHANGED IMPROVISATIONAL THEATRE & AMERICAN COMEDY A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By MATT FOTIS Dr. M. Heather Carver, Dissertation Supervisor MAY 2012 © Copyright by Matt Fotis 2012 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE HAROLD: A REVOLUTIONARY FORM THAT CHANGED IMPROVISATIONAL THEATRE & AMERICAN COMEDY Presented by Matt Fotis A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Professor M. Heather Carver Professor David Crespy Professor Cheryl Black Professor Cornelius Eady ACKNOWLEDGEMENTS This dissertation would have never happened without the help, support, and encouragement of numerous people. First and foremost I want to thank my committee— Heather Carver, David Crespy, Cheryl Black, and Cornelius Eady—for their guidance, questions, epiphanies, and good humor, without which I would not be writing this thank you. I want to thank Ann Haugo, John Poole, and Liz Mullenix for first beginning this journey with me. Of course many thanks go out to Charna Halpern, Ted Flicker, and all the generous improvisers who agreed to be interviewed for this project, as well as the countless improvisers who simply took the time to informally discuss improv with me. I would be nowhere without the teachers that taught me how to improvise and the students who continue to teach me. My beautiful wife, whom I first got to know through improvisation, thank you for your love, support, and patience…and for usually laughing at my jokes…and for telling me when I’m not funny. -
Policies and Procedures About the Training Center Facility Information
The Second City Training Center Manual for Adult Students Policies and Procedures This General Information page contains important and pertinent information regarding the Training Center and general policies for our students. All new students should read this page thoroughly and print out a copy for your reference. If you have any questions regarding this information, please contact the office. Every effort is made to keep this information uptodate. However, policies and procedures are subject to change without notice, at the Training Center’s discretion. About the Training Center The Second City Training Center has emerged as a leading school for people from all walks of life to study improvisation, acting, writing and more. Many Second City alumni first studied here, including Tina Fey and Rachel Dratch of Saturday Night Live, Stephanie Weir of MAD TV, Steve Carell of The Office, Nancy Walls and Stephen Colbert of The Colbert Report, Chris Farley, Bonnie Hunt and Mike Myers. Other alumni of our Training Center include Sean Hayes of Will and Grace, threetime Tony Award winner Hinton Battle, author of Broadway's Urinetown, Greg Kotis, Halle Berry, and countless other producers, directors, writers and actors working in theater, television and film. Our students come from many backgrounds and experience levels. Whatever your reason for joining, we aim to create a safe and supportive environment where you can explore and grow. The focus of The Second City Training Center is to teach the skills which underlie the work on our resident stages. The classes, taught by professionals working in their fields, are dedicated to helping students develop their artistic voice, both individually and within an ensemble, and to provide the tools and techniques needed to express that voice. -
Ditch the Pitch Sales Practice Program Description
Praise for Ditch the Pitch “It’s simple: sell to people the way you’d like to be sold to. This book will give salespeople the courage to be human.” Seth Godin Author, The Icarus Deception “In these high pressure times of bite-size communications we all hunger to be listened to and cared for individually. Our customers know great hospitality, the kind that is not about selling but treating their needs as our highest priority. Steve Yastrow’s teachings are applicable to any business that values long- standing success based on personal relationships.” Alex von Bidder Managing Partner, The Four Seasons Restaurant, New York “Business is an act of improvisation, and I’m thrilled to see this thought brought into such sharp focus by Steve Yastrow. There’s an axiom in our work: the less you plan the more you’ll discover. We’d all benefit from ditching the pitch more often, and co-creating with our clients and prospects so we can discover more.” Tom Yorton CEO, Second City Communications “Sales is all about listening and creating a conversation based on what you hear. Steve Yastrow shows us how in this great book for salespeople and every one of us who needs to persuade people in our daily lives.” Rich Sheridan Sales Vice President, salesforce.com “Ditch the Pitch is how you run your business and your life. Steve Yastrow gives us concrete tools to get better at ditching the pitch whenever we communicate.” Neal Kusnetz President, Robert Graham Copyright © 2014 by Steve Yastrow All rights reserved. Published in the United States of America. -
Improvise: Scene from the Inside out Free
FREE IMPROVISE: SCENE FROM THE INSIDE OUT PDF Mick Napier,Stephen Colbert | 272 pages | 17 Aug 2015 | Christian Publishers LLC | 9781566081986 | English | IA, United States Improvise. Scene from the Inside Out by Mick Napier, Hardcover | Barnes & Noble® Renowned improvisation instructor and award-winning director Mick Napier has been at the heart of the professional improvisation community for over 25 years. The first edition of Improvise. This expanded and revised edition provides additional advice and tips for success, as well as a full reproduction of Napier's web journal from his time directing the famous show Paradigm Lost for The Second City that included Tina Fey, Rachel Dratch, and Kevin Improvise: Scene from the Inside Out. In this entertaining and incredibly informative book, Napier will teach you the essentials of: Why "The Rules" don't matter; How to take care of yourself in a scene; Using context to your advantage; Effective two-person scenes; Balanced large-cast scenes; Successful auditioning; Solo exercises you can practice at home. Scene from the Inside Out," globally acclaimed improviser, director, and instructor Mick Napier focuses on the complexities and theories of long form improvisation. This extended form of improvisation invites performers to be inspired for at least thirty minutes by a single suggestion as they push their creativity to the limit. Napier taps into more than 30 years of experience and distills his tools for success into practical, engaging lessons: --The art of introductions and edits --Different approaches to openers --Pros and cons of the back line --Why it's okay to be funny --Finding the dominant energy --Sustaining a strong character. -
Improvise: Scene from the Inside out Download Free (EPUB, PDF)
Improvise: Scene From The Inside Out Download Free (EPUB, PDF) This expanded and revised edition has a new foreword by The Late Show host Stephen Colbert, additional advice and tips for success, and a full reproduction of Mick Napier's web journal from his time directing the famous show Paradigm Lost for The Second City that included Tina Fey, Rachel Dratch, and Kevin Dorff.Renowned improv instructor and award-winning director Mick Napier has been at the heart of the professional improvisation community for more than 25 years. The first edition of Improvise. quickly earned its position as necessary reading for improv students across the country and around the world and gave birth to a new generation of performers who questioned "The Rules" of improvisation. In this entertaining and incredibly informative book, Napier will teach you the essentials of...· Why "The Rules" don't matter· How to take care of yourself in a scene· Using context to your advantage· Effective two-person scenes· Balanced large-cast scenes· Successful auditioning· Solo exercises you can practice at home Paperback: 272 pages Publisher: Meriwether Publishing Ltd; Second edition (August 17, 2015) Language: English ISBN-10: 156608198X ISBN-13: 978-1566081986 Product Dimensions: 5.4 x 0.7 x 8.4 inches Shipping Weight: 12 ounces (View shipping rates and policies) Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews) Best Sellers Rank: #92,420 in Books (See Top 100 in Books) #91 in Books > Arts & Photography > Performing Arts > Theater > Acting & Auditioning #119 in Books > Humor & Entertainment > Humor > Comedy #522 in Books > Textbooks > Humanities > Performing Arts Best book on improv on the market.