DOCSLIB.ORG

116 Autumns Since Inception, Life on the Hilltop Is Good

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
116 Autumns Since Inception, Life on the Hilltop Is Good Vol. II, Issue 1 Salisbury School October 2017 116 Autumns Since Inception, Life On The hilltop Is Good There have been many highlights to the first trimester of the 2017-2018 school year: an action-packed orientation day, a colorful extra-curricular fair, the opening of Spencer Hall, and a glorious thirds soccer squad. What’s Inside... Campus News Arts &Culture Sports Reviews The Board of Trustees (Page 2) Salisbury Dragon (Page 5) Old Face, New Role (Page 4) Movie Review (page 3) Wasps on Hiltops (Page 2) We Will Rock Salisbury (Page 5) Sports overview (Page 4) Album Reviews (Page 3) October 2017 Page 2 October 2017 Page 3 Campus News Reviews The Board of Trustees College Process Minjoo Park ‘19 & Daniel Turevski ‘18 Album Reviews Kyujin Jung ‘20 Henry Seitz ‘18 When Mr. Spencer, chairman of Salis- of constructing a Salisbury gentlemen and bury's board of trustees, asked his son thinks of them as signposts for making de- Now is the time of year when seniors are applying to college. Stress Album: Harmony of Difference Album: A Crow Looked at Me about the board, his son, who graduated cisions. is in the air and tough decisions are looming in the near future. To Artist: Kamasi Washington Artist: Mount Erie from Salisbury in 2009, replied, “Aren’t those who might not know, here is an overview of the college appli- Genre: Jazz Genre: Singer Songwriter they the guys with the fancy cars?” The board of the trustee’s meeting on Oc- cation process along with some helpful tips: tober 5 mainly discussed the four pillars Despite the length of the EP, saxophonist and Death is a hard subject. It’s In actuality, the board of trustees, some- or capital projects that the school plans to The first step is filling out the applications, which will include per- composer Kamasi Washington refuses to cease mysterious. It can silently times called the board of directors, is the invest greatly in. These projects include sonal information about yourself and your high school career, such his ambitious approach to Jazz. Kamasi Wash- creep from any corner, and it final repository in authority of law within a a Belin renovation, the class of 2018 se- as extracurricular activities and accomplishments. ington has been in the music industry for a can cause unfathomable pain school. They are, ultimately, the people re- nior gift, whose plans were shown and while now, but it was not until recently that he to loved ones. But simply put sponsible for the school and for its policy. discussed last week. The second project is To further strengthen your application, you can also include supple- gained a surge of popularity. by Mount Eerie in the opening the chapel renovation. The existing struc- mental materials such as personal work or supplementary essays. Over the years he’s collaborated on multiple track, “Death is real. Someone’s The board con- ture was designed for However, you should be careful when you add supplemental mate- projects with big names such as Flying Lotus, there and then they’re not. And sists of people a slightly smaller stu- rials that they relate to your interests or illuminate something im- Nas, Snoop Dogg, and Kendrick Lamar. How- it’s not for singing about and who have love dent body than we have portant about your personality. Otherwise they could seem random ever it was not until his incredible debut album it’s for making into art.” and interest for now. The third project and might detract from your application. The Epic, which featured three hours of emotion packed spiritual jazz, that he started Salisbury. Half is the conversion of earning long overdue recognition. It is considered to be one of the most impressive Mount Eerie’s 13th album, A Crow Looked At Me, is about his deeply of the board Meyers gym, which International students have extra admission requirements. They jazz projects this decade so far. personal journey to cope with the death of his wife. Every track from are graduates is planned to be used need to take the TOEFL exam and obtain a US visa. To say the least, my expectations for this EP were high. Luckily Kamasi Washington the album is a relentless waterfall of gloom. As Phil Elverum (who themselves for music programs, pulled through with another emotionally rich journey. Harmony of Difference starts performs under the stage name Mount Eerie) stated himself, the album and the other theatrical events, and The second step is to write the admissions essay. In most cases, the with the catchy opening track “Desire.” The song almost sets the tone for the EP by is “barely music.” However if the listener is willing to buy a box of half consist of even public speaking. college will provide specific topics and prompts for you. In some playing a swaying melody that builds throughout the track. However, the album’s tissues and power through all 11 tracks, it’s the most emotionally re- parents, for- The fourth initiative cases, however, you will be able to choose your own topic for the tone takes an immediate shift from a swaying ballad to an all-out big band dance party warding experience any album has offered all year. No other album this mer teachers, is intended for facul- essay. Be sure to write your college admissions essay clearly so when the second track “Humility” seamlessly transitions in. decade so far has painted such a detailed picture of the aftermath of the and people ty members who have that admissions officers are not left with ambiguous answers. You Moments like these are when Kamasi is at his best. Most of the songs use this style death of loved one. who have an appreciation and connection daughters. Salisbury, which can provide should probably have an English teacher or another trusted set of where Kamasi pulls in the listener with a solid melody only to swing into several for or to Salisbury. education for male faculty children, wants eyes review your work. One helpful tip: ask this person sooner instrumental solos. Eventually the melody returns with an explosion of power and The opening track, “Real Death” masterfully sets the tone and will like- to be able to assist faculty daughters. The rather than later, as they typically field many similar requests right emotion. This style doesn’t come to full force until the final track “Truth.” Taking up ly have the listener welling up with its heartbreaking lyrics. The only The board of trustees is always actively board wants to be help those faculty finan- around the time applications are due. almost half of the EP, this thirteen minute track masterfully builds instrument upon problem with it is that apart from the lyrics, the tracks don’t have much engaged with the school. They physically cially through agreements with sister and instrument until the grand finale, ending the EP in a fury of beauty. longevity. For fans of the singer writer genre this shouldn’t be a prob- meet every fall, winter and spring. Besides partner schools. The third step is to gather your college recommendation letters. My only problem is that Harmony of Difference feels a little lacking in content. De- lem all, but for those who are indifferent towards the genre the album meetings, members of the board express They are not always necessary, but many schools do in fact require spite the run time, most of the songs on his previous project, The Epic, had more might not last more than a month. their passion for the school through visits Even broader, other future projects in- them. These usually come from teachers (Math/Science and En- depth. With Harmony of Difference, the style becomes more predictable as the album and attendance to sporting events. clude improvements to the video lab, ad- glish/History), coaches, church leaders, community service orga- progresses. However, monotony would be too strong of a criticism as Kamasi injects Feeling a strong 9/10. missions, and future renovations of dorms nizers, or other adults who can attest to your skill and work ethic. plenty of mind boggling solos. The board plans for the school strategical- such as Langdon and Carr. Feeling a strong 9/10. ly, looking upwards of 3 to 10 years ahead Next step is an interview. Some schools require a student interview Favorite Track: Truth for future projects. Plans for the future are With an active and engaging board of for admission with a representative or even an alumni. International joint efforts between the board of trustees trustees paired with a healthy Salisbury students may find student interviews especially important as they and the capable management. community, Mr. Spencer is positive and can help separate you from a crowded applicant pool. envisions a strong future for our school. Movie Review - IT The board places an emphasis on excel- The final step is to receive your acceptance letters. You will have to Zach Tsun ‘19 lence, which Mr. Spencer classifies as “In twenty to thirty years," Mr. Spencer let the school know that you have decided to accept its admission having the competence to accomplish any- says, "we see Salisbury as one of the best offer. In Andrés Muschietti’s long-awaited reboot of the cult-classic It, a group of seven kids in the fictional town thing, as well as empathy. “Loyalty, broth- thriving boys’ schools and even boarding of Derry face an ancient, shape-shifting evil (Pennywise the Clown) that lives in the sewers and returns to erhood, and honor are our prime values schools in the world.” Good luck to all the seniors.
Load more

Recommended publications
  • Cameron Graves – A.K.A
    Cameron Graves – A.K.A. The Planetary Prince – Brings Thrash-Jazz to the Universe with Seven Album Features Special Guest Kamasi Washington Alongside Guitarist Colin Cook, Bassist Max Gerl, and Drummer Mike Mitchell Pianist, composer and vocalist Cameron Graves calls the music he’s architected for his new Artistry Music/Mack Avenue Music Group release thrash-jazz, though that only begins to tell the story. Yes, upon an initial listen, the juggernaut metal force and hardcore precision of Seven can knock you back. After all, Graves grew up in metal-rich Los Angeles, headbanging to Living Colour as a kid and, after immersing himself in jazz and classical studies for years, reigniting his love for hard rock through records by Pantera, Slipknot and his most profound metal influence, Swedish titans Meshuggah. But listen closer to Seven, Graves’ follow-up to 2017’s Planetary Prince (which Pitchfork called a “rousing debut”). “Los Angeles is a melting pot of everything,” Graves points out. His father, Carl Graves, was a great soul singer, and you can hear his imprint along with the likes of Marvin Gaye and Otis Redding, on “Eternal Paradise,” which marks the younger Graves’ vocal debut. Throughout the album, the generation of 1970s jazz-rock fusion pioneers is a source of inspiration. “Our mission is to continue that legacy of advanced music that was started by bands like Mahavishnu Orchestra, Weather Report and Return to Forever,” Graves says. “That was instilled in us by the masters. Stanley Clarke, Chick Corea, Herbie Hancock—these guys sat with us and told us, ‘Look, man, you’ve got to carry this on.’” The “us” that Graves refers to would include the core quartet on Seven, as well as the West Coast Get Down, the now well-known expansive yet fraternal clique of high school friends who became some of the most influential jazz-rooted musicians to emerge in recent decades: saxophonist Kamasi Washington, who guests on two of Graves’ 11 new tracks; bassists Thundercat and Miles Mosley; drummers Ronald Bruner Jr.
    [Show full text]
  • Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
    Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • 2018 Celebrity Birthday Book!
    2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) .
    [Show full text]
  • Evbeyi Deathless Free Download Evbeyi Deathless Free Download
    evbeyi deathless free download Evbeyi deathless free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a290bdf8ed0c48 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Lyrics Deathless. What's your name? Do you know why I'm here? She was, she was Innocent Sweet sixteen Frozen with fear Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless He said, he said You're not clean You might deal All the same with that skin She was, she was Funny looks With her books Left for dead in the streets Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless Whatever happens, whatever happened (oh hey) We are deathless We are deathless.
    [Show full text]
  • Sex Education: out with the Old, in with the New
    Herriman High’s Blake Freeland Surviving 4th What I Wish I Knew Breakfast Club - P. 4 Spotlight- P. 6 Quarter - P. 8 About Dating - P. 10 Sex Education: Out with the Old, In with the New Talking about the Elephant in the Room STORY BY CORA ROMERO Let’s talk about sex. 44% of young adults will have sex by age sex, like teaching about it in school and 17, according to the Guttmacher Institute. allowing safe places to talk about sex, is Yes, sex. The big elephant in the room that’s This means that nearly half of our youth crucial to a teenager’s wellbeing.” slowly becoming more and more noticeable population is receiving sexual education As increased attention is being brought each day in the United States. Sex. More that is now no longer applicable to them. to this issue, re-defining the curriculum specifically, sex education. It’s a topic Surely we can’t expect young adults to for sex ed is making an appearance many shy away from, something we avoid practice safe sex if they lack the knowledge on the ballot for Utah legislators. The discussing in hopes that everyone will just to make informed decisions about it. push for a more comprehensive sexual figure it out eventually, right? Wrong. education is on the rise. But what exactly is comprehensive sex education? According to the American Medical According to the Sexuality Information Association (AMA) Journal of Ethics, each and Education Council of the United and every day in the United States 10,000 States, comprehensive sex ed, “includes teens contract an STD, 2,400 get pregnant, age-appropriate, medically accurate and 55 contract human immunodeficiency information on a broad set of topics virus (HIV).
    [Show full text]
  • New Releases & Discoveries 2017 (Click for PDF)
    January 1, 2016 56 seasons by flyingdeadman (France) https://flyingdeadman.bandcamp.com/album/56-seasons-2 released January 5, 2017 When You're Young You're Invincible by Dayluta Means Kindness (El Paso, Texas) https://dayluta.bandcamp.com/album/when-youre-young-youre-invincible released January 6, 2017 Icarus by Sound Architects (Quezon City, Philippines) https://soundarchitects.bandcamp.com/track/icarus released January 6, 2017 0 by PHONOGRAPHIA (attenuation circuit - Augsburg, Germany) https://emerge.bandcamp.com/album/0-2 released January 1, 2017 Chill Kingdom by The American Dollar (New York) https://theamericandollar.bandcamp.com/track/chill-kingdom released January 1, 2017 Anticipation of an Uncertain Future by Various Artists (Preserved Sound - Hebden Bridge, UK) https://preservedsound.bandcamp.com/album/anticipation-of-an-uncertain-future released January 1, 2017 Swimming Through Dreams by Black Needle Noise with Mimi Page (Oslo, Norway) https://blackneedlenoise.bandcamp.com/track/swimming-through-dreams released January 1, 2017 The New Empire by cétieu (Warsaw, Poland) https://cetieu.bandcamp.com/album/the-new-empire released January 1, 2017 Live at the Smilin' Buddha Cabaret by Seven Nines & Tens (Vancouver) https://sevenninesandtens.bandcamp.com/album/live-at-the-smilin-buddha-cabaret released January 1, 2017 EUPANA @ VIVID POST-ROCK FESTIVAL-2016 https://www.youtube.com/watch?v=dcX3VKgaVsE Published on 1 Jan 2017 Clones by Vacant Stations (UK) https://vacantstations.bandcamp.com/album/clones released January 1, 2017 Presence,
    [Show full text]
  • For Immediate Release Exclusive Sfjazz 'Fridays At
    FOR IMMEDIATE RELEASE Media Contact: TJ Gorton [email protected] 415.283.0309 EXCLUSIVE SFJAZZ 'FRIDAYS AT FIVE' FOUR-PART BROADCAST TO BENEFIT WAYNE SHORTER Four Historic Wayne Shorter Celebration Concerts From January 2019 Featuring Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, and Brian Blade to Air on SFJAZZ “Fridays at Five” Online Series (SAN FRANCISCO, CA, May 18, 2020) -- SFJAZZ announced a historic Wayne Shorter Celebration concert series with Herbie Hancock, Kamasi Washington, Branford Marsalis, Terence Blanchard, Terrace Martin, Danilo Pérez, John Patitucci, Brian Blade, and more will be broadcasted for the first time ever on “Fridays at Five.” For these four-night broadcasts, all contributions will go directly to the Wayne Shorter fund to support his ongoing medical needs. All concerts also feature members of Wayne Shorter’s quartet including pianist Danilo Pérez, bassist John Patitucci, and drummer Brian Blade. “FRIDAYS AT FIVE” is SFJAZZ’s new weekly online membership program launched in the face of the COVID-19 crisis to support SFJAZZ’s ongoing operations and artists in anticipation of reopening. The program is supported by a $5 monthly/$60 yearly membership. Direct support of artists is provided via a “tip jar” that is available prior, during and after the broadcast that is split 50/50 between artist and SFJAZZ. For these four concerts 100% of the “tip jar” proceeds will go to Wayne Shorter for needed medical expenses. BROADCAST DATES Friday, May 22 | 5PM PT w/ Kamasi Washington and Terrace Martin Friday, June 26 | 5PM PT w/ Herbie Hancock, Terence Blanchard, Terrace Martin Friday, July 31 | 5PM PT w/ Branford Marsalis and Terence Blanchard + 1 MORE TBA ABOUT WAYNE SHORTER CELEBRATION CONCERTS Legendary saxophonist and composer Wayne Shorter had been scheduled to perform with his quartet over four nights in Miner Auditorium in January of 2019, but unfortunately an illness that precluded travel prevented Wayne from appearing that week.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • KAMASI WASHINGTON Orchestra for Their 2006 Album, in Our Even Jazz, the Sleeping Giant of African- Time
    American jazz saxophonist, composer, and electrify the militant black nationalist producer, and bandleader Kamasi movement”. Washington ventured into big band music when he joined the Gerald Wilson Amid this infusion of political energy, KAMASI WASHINGTON Orchestra for their 2006 album, In Our even jazz, the sleeping giant of African- Time. Washington played saxophone on American culture, shows signs of stirring... Kendrick Lamar's To Pimp A Butterfly. Its resurgence takes a number of forms, His debut solo recording, The Epic, was none more imposing than the majestic released in May 2015 to critical acclaim. - figure of Kamasi Washington. The tenor wikipedia saxophonist, 35, is a key member of a thriving Los Angeles jazz scene that is Ludovic Hunter-Tilney, ft.com (June attracting new crossover audiences to the 2016): music. Last year he released a much praised debut album, The Epic, whose political What has been dubbed “the second orientation is summed up by a track civil rights movement” is unfolding, like eulogising Malcolm X, the controversial the first, against a backdrop of music. black nationalist leader. “The whole Beyoncé hijacked this year’s Super point of playing this music is to convey a Bowl half-time show with the Black message,” Washington says. Power-themed performance of her song “Formation”, inspired by the Black Lives + + + + + Matter campaign against racist violence in the US. Protesters chanted lyrics from Thanks to survivor69 for sharing the show the rapper Kendrick Lamar’s album To at Dime. Pimp a Butterfly after being pepper- sprayed by police last year during a Lineage: Cleveland rally.
    [Show full text]
  • 00:00:00 Music Transition Gentle, Trilling Music with a Steady Drumbeat Plays Under the Dialogue
    00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Terrace Martin—a musician and Thorn producer—was born in Los Angeles’s Crenshaw District. He first started in music as a saxophonist who played in jazz bands, went to an arts high school, and even went to band camp. He wasn’t much older than 18 when he figured out that life wasn’t for him. At the same, the kids growing up around him were freestyling and making mixtapes and beats. And who wouldn’t be excited about that? With those two parallel backgrounds, Terrace kicked off a career that would make him a trailblazing polymath in popular music. As a producer, he’s worked with Snoop Dogg, Charlie Wilson, YG, Kendrick Lamar. As a solo artist, he’s released about half a dozen albums. Terrace channels classic artists like Sly Stone, Marvin Gaye, Stevie Wonder, and Herbie Hancock, while also landing some pretty great features—heavy hitters like Kamasi Washington, Thundercat, Wiz Khalifa, and the aforementioned K Dot. Terrace isn’t the kind of guy to be slowed down by anything, including a pandemic. [Music fades in.] In 2020, he released seven EPs, including Village Days, a record that features a jazz tribute to the late Nipsey Hussle.
    [Show full text]
  • Cameron Graves
    CAMERON GRAVES The release of Kamasi Washington's The Epic last year marked a seismic shift in the jazz landscape and the game-changing arrival of the genre-blurring Los Angeles collective West Coast Get Down. That evolution continues with the release of Planetary Prince, the debut album by visionary pianist, keyboardist, composer and WCGD founding member Cameron Graves. Upon signing with Mack Avenue Records, Graves’ nearly released four song EP of the same name was expanded to an eight track full length album, all packed with the same mind-expanding invention that marked all of the work previously generated by the WCGD – including Kamasi Washington’s universally acclaimed debut The Epic (which prominently featured Graves throughout its three discs). These releases have marked a seismic shift in the jazz landscape and the game-changing arrival of the genre-blurring Los Angeles collective West Coast Get Down blending elements of Jazz, Classical, Rock and Hip-Hop. Planetary Prince continues that evolution, with the scope and ambition of Graves’ vision only more evident on this release. “Cameron Graves’ music is vigorous and refreshing. There is an infectious raw energy on Planetary Prince that is coupled with these terrific melodies and blistering solo work, the whole album is energizing,” reflects Mack Avenue Records’ President Denny Stilwell, speaking on the new signing. In its full realization, the album only furthers that pulse-quickening, consciousness-broadening energy and maintains it over the course of nearly 80 illuminating minutes. The core of the band is made up of fellow West Coast Get Down members, whose musical and personal relationships with Graves stretch back to their high school days: tenor saxophonist Kamasi Washington, trombonist Ryan Porter, bassist Stephen “Thundercat” Bruner, and drummer Ronald Bruner Jr.
    [Show full text]