Media Ecology and the Future Ecosystemic Society
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Media Ecology and Value Sensitive Design: a Combined Approach to Understanding the Biases of Media Technology
Proceedings of the Media Ecology Association, Volume 6, 2005 Media Ecology and Value Sensitive Design: A Combined Approach to Understanding the Biases of Media Technology Michael Zimmer New York University In recent years, a field known as value sensitive design has emerged to identify, understand, anticipate, and address the ethical and value biases of media and information technologies. Upon developing a dialectical model of how bias exists in technology, this paper makes a case for the dual relevance of value sensitive design to media ecology. I argue that bringing the two approaches together would be mutually beneficial, resulting in richer investigations into the biases in media technologies. Media Ecology and Value Sensitive Design: A Combined Approach to Understanding the Biases of Media Technology N his book Technopoly, Neil Postman (1992) remarked how “we are surrounded by the wondrous effects of machines and are encouraged to ignore the ideas embedded in them. I Which means we become blind to the ideological meaning of our technologies” (p. 94). It has been the goal of many scholars of media technology to remove these blinders and critically explore the ideological biases embedded within the material forms of media technologies. This endeavor forms the foundation of media ecology, an approach to studying media technology that Postman helped to establish. The goal of media ecological scholarship is to uncover and understand “how the form and inherent biases of communication media help create the environment . in which people symbolically construct the world they come to know and understand, as well as its social, economic, political, and cultural consequences” (Lum, 2000, p. -
The Interological Turn in Media Ecology
Conversation The Interological Turn in Media Ecology © Peter Zhang Grand Valley State University © Eric McLuhan Independent Scholar ABSTRACT This dialogue foregrounds the interological nature of media ecology as a style of exploration into the human condition. Besides Marshall McLuhan, it also brings Gilles Deleuze, field theory, and the I Ching, et cetera, to bear on media ecological inquiry. The idea is to reveal a pattern instead of defining a term. KEYWORDS Interology; Deleuze; Assemblage; McLuhan; Field theory; Leibniz; I Ching RÉSUMÉ Ce dialogue met en relief la nature « interologique » du style d’exploration de la condition humaine que propose l’écologie des médias. Pour ce faire, il fait intervenir, en plus des réflexions de Marshall McLuhan, la pensée de Gilles Deleuze, la théorie des champs et le « Livre des transformations » (Yi King). Il s’agit moins ici de définir un terme que de révéler un « motif » (pattern). MOTS CLÉS Interologie; Deleuze; Assemblage; McLuhan; Théorie des champs; Leibniz; Yi King Preamble This article is one among a series of dialogues on media ecology the authors have writ - ten since 2011. The idea is to play, probe, and provoke, while keeping from putting things to bed in a premature manner. Marshall McLuhan points out: “The future mas - ters of technology will have to be lighthearted and intelligent. The machine easily mas - ters the grim and the dumb.” 1 In the same vein, the authors believe playfulness is perhaps humanity’s best defense against the shaping power of its own prostheses. Over the past few years, the authors have been practicing fragmatics and interology in an intersubjective, intergenerational, and intercultural interval, first unwittingly and then self-consciously. -
Joshua Meyrowitz’S Medium Theory Analyses the Impact of the Electronic Media on Human Behavior in Everyday Life?
Brand 1 Catherine Brand (ID N00185778) Instructor: Jae Kang Media Studies: Ideas Fall 2010 6 October 2010 How does Joshua Meyrowitz’s medium theory analyses the impact of the electronic media on human behavior in everyday life? This paper aims to explain how Joshua Meyrowitz’s medium theory analyses the impact of the electronic media on human behavior in everyday life. It is an attempt to clarify the different ideas that are developed by the author and that ultimately lead to a better comprehension of his theory. To provide a historical context, this paper considers critical research developments conducted by first generation medium theorists Harold Innis and Marshall McLuhan. It then focuses on Meyrowitz’s medium theory and its analysis of the impact of electronic media by examining the notions of situations as information systems and roles as information networks. This paper concludes with an evaluation of the theory’s contributions and shortcomings. Before discussing Joshua Meyrowitz’s medium theory it is important to gain an insight into the work of his predecessors, first generation medium theorists Harold Innis and Marshall McLuhan. Trained as an economic historian, Harold Innis (1894-1952) draws a parallel between economic monopolies and information monopolies. He argues that the control of media of communication has an impact on changes occurring in a society and on the sustainability of a society. In The Bias of Communication he rewrites the history of Western civilization by placing the innovation of media technology at the center of social and political changes. He observes that a medium of communication has an influence on the dissemination of knowledge and that depending on its characteristics it is either space or time biased. -
A Media Ecology Analysis of Digital Teen Sexuality and Sexting Education
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-25-2020 "It Doesn't Seem Like a Big Deal": A Media Ecology Analysis of Digital Teen Sexuality and Sexting Education Allison Marie Metz Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Commons Recommended Citation Metz, Allison Marie, ""It Doesn't Seem Like a Big Deal": A Media Ecology Analysis of Digital Teen Sexuality and Sexting Education" (2020). Theses and Dissertations. 1225. https://ir.library.illinoisstate.edu/etd/1225 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. “IT DOESN’T SEEM LIKE A BIG DEAL”: A MEDIA ECOLOGY ANALYSIS OF DIGITAL TEEN SEXUALITY AND SEXTING EDUCATION ALLISON MARIE METZ 100 pages In the state of Illinois, any person in possession of sexually explicit photos of a minor, even if the subject is oneself, can be prosecuted as a felon for possession of child pornography and be required to registered as a sex-offender (705 ILCS § 405). Concurrently, the recent trend of ‘send nudes’ depicts humorous ways to request the transmission of sexually explicit photos, increasing this act as a normative practice for young people (Bradford, 2018; Thomas, 2017). This trend is incongruent with Illinois statue (705 ILCS § 405) and school administrative policy about transmitting sexually explicit photos of a minor. -
Toward a More Substantive Media Ecology: Postman's Metaphor
International Journal of Communication 8 (2014), 2027–2045 1932–8036/20140005 Toward a More Substantive Media Ecology: Postman’s Metaphor Versus Posthuman Futures NIALL P. STEPHENS Framingham State University, USA The metaphor of “ecology,” common in vernacular and academic discourse about communication media, can inhibit substantively ecological thinking about communication. While some have attributed the currency of this metaphor to Marshall McLuhan, I argue that this criticism is better directed at Neil Postman, who helped popularize McLuhan under the banner of “media ecology.” I outline the need for substantively ecological thinking, sketch its ontological and ethical contours, and illustrate the ubiquity of a more metaphorical use of “ecology” as applied to communication media. I then discuss Postman and some of his intellectual heirs, linking their dualistic thinking to a metaphorical conception, which I argue inhibits full appreciation of interrelations among humans, our cultures and technologies, and the more-than-human world. Keywords: Neil Postman, posthumanism, media ecology, environmental communication, ecological thinking, anthropocentrism. I do not deny this consciousness of being, nor the immediate security of here I am that it breathes into us. What I do deny is that all our convictions must be adjusted to the customary antithesis between the self and the non-self, and that this antithesis is constant. —Jorge Luis Borges (1999, p. 4) John Donne was wrong. Each man is an island entire of itself. —Neil Postman & Charles Weingartner (1969, p. 99) The past decade has seen the emergence of an idiom that evokes media and communication technologies in ecological terms. Terms like media ecology and media environment have become commonplace in vernacular English, as well as in scholarly discourse. -
The Five Ages of Communication Logan, Robert K
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OCAD University Open Research Repository OCAD University Open Research Repository sLAB (Strategic Innovation Lab) 2002 The five ages of communication Logan, Robert K. Suggested citation: Logan, Robert K. (2002) The five ages of communication. Explorations in Media Ecology, 1 (1). pp. 13-20. ISSN 15397785 Available at http://openresearch.ocadu.ca/id/eprint/891/ Open Research is a publicly accessible, curated repository for the preservation and dissemination of scholarly and creative output of the OCAD University community. Material in Open Research is open access and made available via the consent of the author and/or rights holder on a non-exclusive basis. OCAD University Open Research Repository Strategic Innovation Lab (sLab) Faculty of Design 2002 The Five Ages of Communication Robert K. Logan Department of Physics, University of Toronto Strategic Innovation Lab (sLab), OCAD University [email protected] © Intellect Journals. The following article originally appeared in Explorations in Media Ecology. It is a pre-publication draft. Original article available at DOI: 10.1386/eme.1.1.13_1 Suggested citation: Logan, Robert K. The Five “ges of Communication. Explorations in Media Ecology 1.1 (2002): 13–20. Web. The Five Ages of Communication Robert K. Logan Department of Physics – University of Toronto Media ecology began with Harold Innis and Marshall McLuhan and the insistence of these two pioneers of media ecology on the dynamic role of media and technology in the economic, political, social, and cultural environments in which they impacted and in which they dominated. -
How Linguistic Manipulation of Mass and Social Media Distract from the Authentic Self
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 5-2014 Language, Technology and the “They Self”: How Linguistic Manipulation of Mass and Social Media Distract from the Authentic Self Edith M. Talley University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Philosophy Commons Recommended Citation Talley, Edith M., "Language, Technology and the “They Self”: How Linguistic Manipulation of Mass and Social Media Distract from the Authentic Self" (2014). Senior Honors Theses. 58. https://scholarworks.uno.edu/honors_theses/58 This Honors Thesis-Unrestricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Unrestricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Unrestricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. LANGUAGE, TECHNOLOGY AND THE “THEY SELF”: HOW LINGUISTIC MANIPULATION OF MASS AND SOCIAL MEDIA DISTRACT FROM THE AUTHENTIC SELF An Honors Thesis Presented to the Department of Interdisciplinary Studies of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Bachelor of Interdisciplinary Studies with Honors By Edith M. -
From the Mass Media to Social Media: Reflections on the New Media Ecology”
RLCS, Revista Latina de Comunicación Social, 73 – Pages 583 to 594 [Funded] [Research] | DOI:10.4185/RLCS-2018-1270-29en | ISSN 1138-5820 | Year 2018 How to cite this article in bibliographies / References A Velasquez, D Renó, A M Beltrán, J C Maldonado, C Ortiz León (2018): “From the mass media to social media: reflections on the new media ecology”. Revista Latina de Comunicación Social, 73, pp. 583 to 594. http://www.revistalatinacs.org/073paper/1270/29en.html DOI: 10.4185/RLCS-2018-1270-29en From the mass media to social media: reflections on the new media ecology Andrea Velásquez [CV] [ORCID] [GS] . Professor of the Department of Communication Sciences – Universidad Técnica Particular de Loja, UTPL, Ecuador – [email protected] Denis Renó [CV] [ORCID] [GS] . Researcher of the Department of Communications and Arts – Universidad de Aveiro, UAVR, Portugal – [email protected] Ana María Beltrán Flandoli [CV] [ORCID] [GS]. Professor of the Department of Communication Sciences – Universidad Técnica Particular de Loja, UTPL, Ecuador – [email protected] Juan Carlos Maldonado Vivanco [CV] [ORCID] [GS]. Professor of the Department of Communication Sciences – Universidad Técnica Particular de Loja, UTPL, Ecuador – [email protected] Carlos Ortiz León [CV] [ORCID] [GS]. Professor of the Department of Communication Sciences – Universidad Técnica Particular de Loja, UTPL, Ecuador – [email protected] Abstract The media ecosystem is a research methodology proposed by Neil Postman and Marshall McLuhan in 1971, with its consolidation based on solid concepts presented in 1979. However, it presents cross- cutting concepts to other media studies, many of them developed by theorists who will update, or built concepts that sustain a new media ecology. -
Media Ecology – (Un)Necessary Research Perspective in Communication and Media Studies
Pobrane z czasopisma Mediatizations Studies http://mediatization.umcs.pl Data: 18/03/2020 11:56:41 MEDIATIZATION STUDIES 3/2019 DOI: 10.17951/ms.2019.3.53-68 Małgorzata Laskowska Cardinal Wyszyński University in WarsaW. department of theory, ethiCs and me- DIA LAW. institUte of media education and JoUrnalism [email protected] ORCID: HTTPS://OrciD.ORG/0000-0003-2192-9006 krzysztof Marcyński Cardinal Wyszyński University in WarsaW. department of rhetoriC and langUage of media. institUte of media education and JoUrnalism [email protected] ORCID: HTTP://OrciD.ORG/0000-0003-0255-2952 Media Ecology – (Un)necessary Research Perspective in Communication and Media Studies Abstract. The aim of this reviewUMCS and theoretical study is to determine the importance of media ecology theory for communication and media studies. Bearing in mind this research goal, the following research questions were asked: what is the media ecology theory? what approach to media and communication research does it represent? what research perspectives are proposed in the field of media ecology?w hat new can media ecology bring to communication and media studies? an additional objective of the ar- ticle, and, at the same, time the intention of the authors, is to raise the interest of Polish researchers in the subject of media ecology and its various aspects, enriching research in the field of communication and media studies. Keywords: media ecology; methodology; media nature; communication and media studies Research methods Communication and media studies, known as a scientific discipline integrating so- cial, humanistic and technical studies (Jabłonowski, Gackowski 2012, p. 17) continue to evolve in their scientific identity. -
1 Media Ecology
1 Media Ecology: Exploring the Metaphor to Expand the Theory Carlos A. Scolari, Ph. D. Universitat Pompeu Fabra Abstract This article introduces media ecology and reflects on its potential usefulness for gaining an understanding of the contemporary mutations of the media system. The first section maps the origins of the field, specifically the development of the ecological metaphor. The second section explores the metaphor by including the concepts of evolution, interface and hybridization in the media ecology discourse. The concept of evolution creates a theoretical framework for studying the history of media and suggests new concepts and questions about media extinction, survival and coevolution. The concept of interface focuses on the media, subject and social interactions. Finally, the analysis of media hybridizations is basic for understanding the appearance of new media that combine different devices, languages and functions. Keywords: media ecology, evolution, interface, hybridization, coevolution, media theory 2 Understanding media ecology In the last decade media ecology has become consolidated as an innovative and useful theoretical framework for media studies. It was born in the 1960s and was initially ignored1 by the scientific establishment; however, the creation of the Media Ecology Association in 1998, the diffusion of the World Wide Web and the development of media convergence processes – which renewed the interest in an integrated approach to media – facilitated the ‘resurrection’ of thinkers like Marshall McLuhan and the institutional consolidation of media ecology in the context of communication studies and the social sciences.2 Even if the Canadian media thinker played a fundamental role in the constitution of the field, for Strate media ecology ‘is more than McLuhanism’ (2008: 130), and its roots can be traced to the studies of researchers like L. -
Thinking Media Aesthetics: Media Studies, Film Studies and the Arts
Introduction Liv Hausken All through the 20th century, there have been rich and complex interchanges between aesthetic practices and media technologies. Along with the arrival of mass media, new technological forms of culture were gradually added to the old typologies of the arts. Photography, film, television, and video increasingly ap- peared in the curricula of art schools and were given separate departments in art museums. With the introduction of digital media technologies in the 1980s and 1990s, the means of production, storage, and distribution of mass media changed, and eventually, so did its uses. As artists adopted the technologies of mass media, the economy of fine art (like the economy of limited editions) was confronted with the logics of mass production and mass distribution. Thus, when visiting a contemporary art museum one might find, for example, such conceptually con- tradictory displays as “DVD, edition of 3” (see for instance Lev Manovich 2000). The increasing centrality of digital tools and technologies in all sorts of social practices has changed the media as we have known it. These social, cul- tural and technological changes in everyday life have also influenced artistic forms, as well as modes of imagination, expression, and critique. In these complex interchanges between aesthetic practices and media technolo- gies, media aesthetics has emerged as an interdisciplinary field of research between media studies and the aesthetic disciplines. This field grew out of earlier attempts at theorizing about the relations between aesthetics, technology and media, such as media philosophy (Friedrich Kittler), medium theory (Joshua Meyrowitz), mediol- ogy (Régis Debray) and critical theory (most notably Walter Benjamin), and is influenced by current, aesthetic theories of what has been termed “new media” (Mark Hansen) and “visual culture” (W.J.T. -
The Biological Foundation of Media Ecology Logan, Robert K
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OCAD University Open Research Repository OCAD University Open Research Repository sLAB (Strategic Innovation Lab) 2007 The biological foundation of media ecology Logan, Robert K. Suggested citation: Logan, Robert K. (2007) The biological foundation of media ecology. Explorations in Media Ecology, 6 (1). pp. 19-34. ISSN 1539-7785 Available at http://openresearch.ocadu.ca/id/eprint/884/ Open Research is a publicly accessible, curated repository for the preservation and dissemination of scholarly and creative output of the OCAD University community. Material in Open Research is open access and made available via the consent of the author and/or rights holder on a non-exclusive basis. OCAD University Open Research Repository Strategic Innovation Lab (sLab) Faculty of Design 2007 The Biological Foundation of Media Ecology Robert K. Logan Department of Physics, University of Toronto Strategic Innovation Lab (sLab), OCAD University [email protected] The following article originally appeared in Explorations in Media Ecology. It is a pre- publication draft. Suggested citation: Logan, Robert K. The ”iological Foundation of Media Ecology. Explorations in Media Ecology 6.1 (2007): 19–34. Web. 1 The Biological Foundation of Media Ecology Robert K. Logan Professor Emeritus, Department of Physics, University of Toronto Seniour Fellow, Beal Institute for Strategic Creativity, Ontario College of Art [email protected] Abstract: Media ecology is shown to embrace not only the study of media but also the study of language, culture and technology and the interaction of these four domains. It is demonstrated that language, culture, technology and media behave like living organisms in that they are emergent phenomena and that they evolve, propagate their organization and interact with each other in a media ecosystem.