DOCSLIB.ORG

Salima Saxton

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Salima Saxton Salima Saxton Showreel Agents Maureen Vincent Assistant Holly Haycock [email protected] 0203 214 0772 Roles Film Production Character Director Company Junkhearts Dr Waugh, Special Registrar Tinge Krishnan Coded Pictures Ayesha the American Fatima Emily Abt Pureland Pictures Code 46 Aaliyah Radio Production Character Director Company The Lux Frank Sterling BBC World Service Stage Production Character Director Company Lemon Love Savannah Elizabeth Freestone Finborough Theatre Othello Desdemona Paul Savage Nottingham Playhouse United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company Tall Tails And Small Ananta Tony Graham Unicon Theatre For Children Tails The Mayor Of La Chispa Stephen Siddall Cambridge University Zalamea The Play's The Ensemble Actor Robert Delamere and Granada/ScreenStage Thing Dawn Wilton Television Production Character Director Company Casualty Ronnie Declan Eames BBC Twenty Twelve Roshanara Khan John Morton BBC Absolute Power Journalist Paul Schlesinger BBC Beech Is Back TV Reporter Derek Lister Pearson Television Doctors Dr Susan Weinwright Krishnendu Majumdar BBC Doctors Chitra Jones Michael Clifford BBC Eastenders Cherie Nicholas Prosser BBC First Degree Rehema Bill Broomfield BBC Holby City Caitlin Cooper Rob Evans BBC Jam and Jerusalem Yasmeen Vine Mandie Fletcher BBC Life isn't all Ha Ha Hee Midwife Andy DeEmmony Hat Trick Productions Hee Mysterious Creatures A&E Doctor David Evans Leopardrama for ITV Spooks Fiona Jeremy Lovering BBC The Bill Mary Clarke Anthony Quinn Talkback Thames Two Minutes Harsha Neil Biswas BBC Waking The Dead Gill Randall Phiippa Langdale BBC Additional information SKILLS: Flute, Piano, Recorder, Saxophone; Athletics, Martial Arts, Swimming, Yoga; English, French, Hindi, Spanish, Urdu; Alto; Full Driving Licence United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Load more

Recommended publications
  • Love's Labour's Lost
    CAL PERFORMANCES PRESENTS CAST Wednesday, November 4, 2009, 8pm Love’s Labour’s Lost Thursday, November 5, 2009, 7pm Friday, November 6, 2009, 8pm Saturday, November 7, 2009, 2pm & 8pm Sunday, November 8, 2009, 3pm Zellerbach Hall Shakespeare’s Globe in Love’s Labour’s Lost John Haynes CAST by William Shakespeare Ferdinand, King of Navarre Philip Cumbus Berowne Trystan Gravelle Artistic Director for Shakespeare‘s Globe Dominic Dromgoole Longaville William Mannering Dumaine Jack Farthing Director Set and Costume Designer Composer The Princess of France Michelle Terry Dominic Dromgoole Jonathan Fensom Claire van Kampen Rosaline Thomasin Rand Choreographer Fight Director Lighting Designer Maria Jade Anouka Siân Williams Renny Krupinski Paul Russell Katherine Siân Robins-Grace Text Work Movement Work Voice Work Boyet, a French lord in attendance on the Princess Tom Stuart Giles Block Glynn MacDonald Jan Haydn Rowles Don Adriano de Armado, a braggart from Spain Paul Ready Moth, his page Seroca Davis Holofernes, a schoolmaster Christopher Godwin Globe Production Manager U.S. Production Manager Paul Russell Bartolo Cannizzaro Sir Nathaniel, a curate Patrick Godfrey Dull, a constable Andrew Vincent U.S. Press Relations General Management Richard Komberg and Associates Paul Rambacher, PMR Productions Costard, a rustic Fergal McElherron Jaquenetta, a dairy maid Rhiannon Oliver Executive Producer, North America Executive Producer for Shakespeare’s Globe Eleanor Oldham and John Luckacovic, Conrad Lynch Other parts Members of the Company 2Luck Concepts Musical Director, recorder, shawms, dulcian, ocarina, hurdy-gurdy Nicholas Perry There will be one 20-minute intermission. Recorders, sackbut, shawms, tenor Claire McIntyre Viol, percussion David Hatcher Cal Performances’ 2009–2010 season is sponsored by Wells Fargo.
    [Show full text]
  • Portland City Council Agenda
    CITY OF OFFICIAL PORTLAND, OREGON MINUTES A REGULAR MEETING OF THE COUNCIL OF THE CITY OF PORTLAND, OREGON WAS HELD THIS 18TH DAY OF MARCH, 2009 AT 9:30 A.M. THOSE PRESENT WERE: Mayor Adams, Presiding; Commissioners Fish, Fritz and Leonard, 4. OFFICERS IN ATTENDANCE: Karla Moore-Love, Clerk of the Council; Linly Rees, Deputy City Attorney; and Ron Willis, Sergeant at Arms. Items No. 263, 264, 265, 271 and 272 were pulled for discussion and on a Y-4 roll call, the balance of the Consent Agenda was adopted. Disposition: COMMUNICATIONS 254 Request of Lee Iacuzzi to address Council regarding transgender protections (Communication) PLACED ON FILE 255 Request of Daniel Capuia to address Council regarding Mayor Adams (Communication) PLACED ON FILE 256 Request of Amy Harwood to address Council regarding proposed liquefied natural gas terminals (Communication) PLACED ON FILE 257 Request of Melinda Pittman to address Council regarding Vision Into Action Commission and living wages (Communication) PLACED ON FILE 258 Request of Jason Wurster to address Council regarding Mayor Adams (Communication) PLACED ON FILE TIME CERTAINS 259 TIME CERTAIN: 9:30 AM – Accept the Master Plans for Beech Park, Clatsop Butte and Parklane Park as a guide for future development and management of each park (Resolution introduced by Commissioner Fish) 36688 (Y-4) 1 of 91 March 18, 2009 260 TIME CERTAIN: 10:30 AM – Endorse a No Wake Zone for Holgate Channel and a non-motorized zone for Ross Island Lagoon (Resolution introduced by Mayor Adams and Commissioners Fish, Saltzman and Leonard) 36689 (Y-4) CONSENT AGENDA – NO DISCUSSION Mayor Sam Adams 261 Reappoint Jeffrey Cole for a term to expire February 28, 2012 and appoint Roger Alfred and Anyeley Hallova for terms to June 30, 2013 and June 30, 2010 to the Adjustment Committee (Report) CONFIRMED (Y-4) 262 Appoint Jane Hansen and reappoint Andrew Jansky to the Design Commission for a partial term and a 4-year term (Report) CONFIRMED (Y-4) Bureau of Planning & Sustainability *263 Authorize contract with PB Americas, Inc.
    [Show full text]
  • Smokejumper Magazine, January 2005 National Smokejumper Association
    Eastern Washington University EWU Digital Commons Smokejumper and Static Line Magazines University Archives & Special Collections 1-1-2005 Smokejumper Magazine, January 2005 National Smokejumper Association Gene Hamner Follow this and additional works at: https://dc.ewu.edu/smokejumper_mag Recommended Citation National Smokejumper Association and Hamner, Gene, "Smokejumper Magazine, January 2005" (2005). Smokejumper and Static Line Magazines. 46. https://dc.ewu.edu/smokejumper_mag/46 This Book is brought to you for free and open access by the University Archives & Special Collections at EWU Digital Commons. It has been accepted for inclusion in Smokejumper and Static Line Magazines by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. The National Smokejumper Quarterly Magazine SmokejumperAssociation January 2005 Inside This Issue: Smokejumpers to the Ravens ................................................................ 15 To Hunt a Whale ................................................................................... 28 Interviews with ’40s Smokejumpers ...................................................... 42 CONTENTS Message from Message from the President ......................... 2 Jump to the Northwest Arctic ....................... 3 The Wahoo Creek Fire—The Last the President Fire Jump of 1944 ................................. 4 Sounding Off from the Editor ....................... 6 Smokejumper Magazine—How Did started. Projects completed in It/Does It Happen? ................................
    [Show full text]
  • From Dock Green to Docusoap
    From Dock Green to docusoap: decline and fall in TV Copland From caring copper to corruption and conspiracy, Frank Leishman and Paul Mason chart the changes in public attitude embodied by the British television policeman. ollowing his untimely murder in the 1950 fictional British cop show landscape forever was J C Ealing film The Blue Lamp, PC George Wilsher's Between the Lines (1992 - 4), which FDixon was famously resurrected by the BBC inspired a new breed of 'hybrid' police procedurals in 1956, to continue as the central character in the where cop culture, corruption and conspiracy have TV police drama Dixon of Dock Green. For twenty become embedded features. No longer is police further years Dixon served the citizenry, latterly as deviance portrayed in terms of 'one rotten apple', or a saintly, septuagenarian station sergeant. the single clean apple in an otherwise rotten barrel, Anachronistic, incongruous and too good to be true but rather as an 'apple crumble' effect. In today's he may well have become, but iconic he remains: a TV Copland, under a crumbling facade of police potent point of reference in contemporary debates propriety, good apples and bad apples coexist in a about a return to neighbourhood beat patrols, mix, and are not always easily distinguished one from prompting recent headlines such as "Dixon with a another: 'good cops' are very often bad people. The Mobile Phone". Contrast this with the fate in focus on tight teams of three or four main characters February 2005 of another long-running TV cop show working in a specialist area of policing has become character, PC Jim Carver of The Bill.
    [Show full text]
  • 2012 Winter/Spring Season January
    2012 Winter/Spring Season January Philip Taaffe, Chorus, 2011 (detail) BAM 2012 Winter/Spring Season sponsor: Published by: BAM 2012 Winter/Spring Brooklyn Academy of Music Bank of America Alan H. Fishman, presents Chairman of the Board William I. Campbell, The Bridge Project Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Richard III Joseph V. Melillo, Executive Producer Produced by BAM, The Old Vic & Neal Street By William Shakespeare Directed by Sam Mendes BAM Harvey Theater Jan 10—Mar 4, 2012 Approximate running time: three hours and 15 minutes, including one intermission Scenery by Tom Piper Costumes by Catherine Zuber Lighting by Paul Pyant BAM 2012 Winter/Spring sponsor: Projection by Jon Driscoll Sound by Gareth Fry Bank of America is the proud presenting sponsor of Music by Mark Bennett The Bridge Project Musical coordination and direction by Curtis Moore Leadership support for The Bridge Project provided Fight direction by Terry King by Stavros Niarchos Foundation Artistic associate Gaye Taylor Upchurch Bridge Project Production Partners: Celia Atkin; Casting by Daniel Swee and Maggie Lunn John & Samantha Hunt; Donald R. Mullen Jr.; International Tour Producer Claire Béjanin Tony Randall Theatrical Fund; Jon & NoraLee Sedmak; Carol & Ian Sellars; Scott & Kathleen Simpson; and Barbara & David Zalaznick with additional support from Mr. Remmel T. Dickinson; Sophie Hughes; First performance of this production was at The Old Vic, Sharon E. Karmazin; and Peregrine Whittlesey. London, on June 18, 2011 Major support for theater at BAM provided by Rose M. Badgeley Residuary Charitable Trust; The Gladys Krieble Delmas Foundation; Frederick Loewe Foundation; The Fan Fox & Leslie R.
    [Show full text]
  • AN ICE AGE QUARRY-WORKSHOP the West Athens Hill Site Revisited the UNIVERSITY of the STATE of NEW YORK Regents of the University
    AN ICE AGE QUARRY-WORKSHOP The West Athens Hill Site Revisited THE UNIVERSITY OF THE STATE OF NEW YORK Regents of The University ROBERT M. BENNETT, Chancellor, B.A., M.S. ................................................................... Tonawanda ADELAIDE L. SANFORD, Vice Chancellor, B.A., M.A., P.D. ............................................. Hollis DIANE O’NEILL MCGIVERN, B.S.N., M.A., Ph.D. .......................................................... Staten Island SAUL B. COHEN, B.A., M.A., Ph.D. ................................................................................. New Rochelle JAMES C. DAWSON, A.A., B.A., M.S., Ph.D. ................................................................... Peru ANTHONY S. BOTTAR, B.A., J.D. ....................................................................................... North Syracuse MERRYL H. TISCH, B.A., M.A. ......................................................................................... New York GERALDINE D. CHAPEY, B.A., M.A., Ed.D. .................................................................... Belle Harbor ARNOLD B. GARDNER, B.A., LL.B. ................................................................................... Buffalo HARRY PHILLIPS, 3rd, B.A., M.S.F.S. ............................................................................... Hartsdale JOSEPH E. BOWMAN,JR., B.A., M.L.S., M.A., M.Ed., Ed.D. .......................................... Albany LORRAINE A. CORTÉS-VÁZQUEZ, B.A., M.P.A. ................................................................ Bronx
    [Show full text]
  • SMOKEJUMPER, ISSUE NO. 46, JANUARY 2005 Position to Fill, Merchandising a Good Year
    The National Smokejumper Quarterly Magazine SmokejumperAssociation January 2005 Inside This Issue: Smokejumpers to the Ravens ................................................................ 15 To Hunt a Whale ................................................................................... 28 Interviews with ’40s Smokejumpers ...................................................... 42 CONTENTS Message from Message from the President ......................... 2 Jump to the Northwest Arctic ....................... 3 The Wahoo Creek Fire—The Last the President Fire Jump of 1944 ................................. 4 Sounding Off from the Editor ....................... 6 Smokejumper Magazine—How Did started. Projects completed in It/Does It Happen? ................................. 6 The Story Behind the Picture ....................... 8 October. Way to go Bill Ruskin and I Jump Into Hell .......................................... 9 crew. Respect for the Past ................................... 12 **Smokejumper Exhibit dedi- CPS Reunion .............................................. 13 The View from Outside the Fence ............... 14 cated at Evergreen Aviation Mu- Smokejumpers to the Ravens ..................... 15 seum. It’s a great exhibit. Thanks to Seize the Impulse ...................................... 19 Fond Memories—Those Old Green Bill Moody, Del, Pen and Ben at Trucks!!! Stake Bodies That Is!!!! ......... 20 Evergreen. Odds and Ends ........................................... 21 **The Missoula National Follow-un to Tom Decker’s
    [Show full text]
  • A Case Study of Production Processes on Television Police Drama “The Bill”
    The London School of Economics and Political Science Watching the Cops: a case study of production processes on television police drama “The Bill” Marianne Colbran A thesis submitted to the Department of Sociology of the London School of Economics for the degree of Doctor of Philosophy, September 2011 Page 1 of 312 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 88,000 words. Page 2 of 312 Abstract This thesis examines the process of storytelling on television police drama, The Bill. It explores how factors such as commercial imperatives, working processes and artistic constraints affected representation of the police. The study argues that, in the early days of the show, stories originated with the freelance writers and were based on research and observation of police work. Representation of the police was favourable, partly due to the ideological views of the makers and partly due to the format: stories had to be resolved within a half-hour timeslot, which militated against writers being able to tell stories about issues such as racism, sexism and corruption.
    [Show full text]