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Curso-De-Cine-Grandes-Directores Programa Universidad Abierta para Adultos Mayores Año Académico 2020 Programa Universidad Abierta para Adultos Mayores Curso/Taller Curso de cine: grandes directores Duración Anual Día y Martes de 18 a 20hs Horario Modalidad de 2 hs semanales dictado Conformación de la Cátedra Profesor/es Prof. Gisela Mattioni Fundamentación Este curso de cine propone, además de la proyección de films completos y fragmentos de films, el posterior análisis y desarrollo de diversos aspectos relevantes desde un punto de vista estético, semiótico e histórico, incentivando también el debate entre los asistentes. Sostenemos la importancia de la proyección compartida entre los asistentes al curso para facilitar el posterior trabajo sobre el material fílmico, propiciando el diálogo y la discusión a partir de los lineamientos teóricos que se brindarán en la clase. Centraremos nuestro estudio en una selección de films de reconocidos directores de la historia del cine. Trabajaremos a partir del concepto de autor, potenciado históricamente a partir del grupo de cineastas y críticos que conformó la nouvelle vague francesa. Simultáneamente, tendremos en consideración al cine como arte colectivo. Analizaremos la impronta propia de cada autor, sin dejar de tener en cuenta los cambios y matices que existan en obras realizadas en diversos momentos históricos y en diferentes etapas en la producción de cada cineasta. Objetivos • Posibilitar el acercamiento del alumno a películas de directores clave de la historia del cine • Analizar cada uno de los films y fragmentos que se verán en clase, en relación con la obra del director y la corriente estética en la que se inscriben en el momento de su producción. • Generar debates enriquecedores entre los presentes, moderados Programa Universidad Abierta para Adultos Mayores por la profesora • Comenzar a comprender la especificidad del lenguaje cinematográfico Contenidos y Bibliografía PRIMER MODULO: Contenidos: Dos directores italianos fundamentales: De Sica y Monicelli. Una de las actas fundacionales del neorrealismo: “Ladrones de bicicletas”. Alternancia entre comedia y drama, comedia a la italiana. Crítica social, revisionismo histórico y parodia a los lugares comunes de la representación de la Edad Media. Films a trabajar: De Vittorio De Sica: • “Ladrones de bicicletas” - 1948 - 89 min. - Intérpretes: Lamberto Maggiorani, Enzo Staiola, Lianella Carell. • “Ayer, hoy y mañana” - 1963 - 118 min. - Intérpretes: Sophia Loren, Marcello Mastroianni. • “El jardín de los Finzi-Contini” - 1970 - 94 min. - Intérpretes: Dominique Sanda, Lino Capolicchio, Helmut Berger. De Mario Monicelli • “Los desconocidos de siempre” - 1958 - 106 min. Intérpretes: Vittorio Gassman, Marcello Mastroianni, Renato Salvatori • “La gran guerra” - 1959 - 137 min. Intérpretes: Alberto Sordi, Vittorio Gassman, Silvana Mangano • “La armada Brancaleone” - 1966 - 120 min. Intérpretes: Vittorio Gassman, Catherine Spaak, Folco Lulli SEGUNDO MODULO: Contenidos Una trilogía francesa de un director polaco de renombre mundial: Tres Colores, de Krzysztof Kieslowski. Preocupaciones morales, análisis de las relaciones humanas y trabajo con la forma y el color. Programa Universidad Abierta para Adultos Mayores De Krzysztof Kieslowski: • “Bleu” - 1993 - 94 min. Intérpretes: Juliette Binoche, Benoît Régent. • “Blanc” - 1994 - 92 min. Intérpretes: Zbigniew Zamachowski, Julie Delpy, Janusz Gajos. • “Rouge” - 1994 - 99 min. Intérpretes: Irène Jacob, Jean-Louis Trintignant. TERCER MODULO: Contenidos Directores estadounidenses de diversa trayectoria Sidney Lumet y Ridley Scott, directores que desarrollan su obra dentro del sistema de estudios. Lumet, de perfil humanista, preocupado por debates morales y críticas a la sociedad de su época. Scott, renovador del cine mainstream, director de una obra clave del cine de ciencia ficción neo-noir Wes Anderson: director de una obra original y personal, de perfil independiente, con una característica y reconocible puesta en escena. Conflictos familiares como tema recurrente Bob Fosse: renovador del género musical a partir de una aproximación adulta al género. Desinhibición sexual, reconstrucción de la Alemania de la década del ’30 y repaso (auto)biográfico en dos de sus musicales imprescindibles. Crítica a la sociedad estadounidense De Sidney Lumet • “12 hombres en pugna” - 1957 - 96 min. Intérpretes: Henry Fonda, Lee J. Cobb, Martin Balsam. • “Network - Poder que mata” - 1976 - 121 min. Intérpretes: Faye Dunaway, William Holden, Peter Finch. • “Antes de que el diablo sepa que estás muerto” - 2007 - 117 min. Intérpretes: Philip Seymour Hoffman, Ethan Hawke, Albert Finney. De Ridley Scott • “Los duelistas” - 1977 - 100 min. Intérpretes: Keith Carradine, Harvey Keitel, Albert Finney. • “Blade runner” - 1982 - 117 min. Intérpretes: Harrison Ford, Rutger Hauer, Sean Young. • “El abogado del crimen” - 2013 - 117 min. Intérpretes: Michael Fassbender, Penélope Cruz, Cameron Diaz. De Wes Anderson Programa Universidad Abierta para Adultos Mayores • “Los excéntricos Tenenbaum” - 2001 - 110 min. Intérpretes: Gene Hackman, Gwyneth Paltrow, Anjelica Huston. • “Fantástico Sr. Zorro” (animación en stop motion) - 2009 - 87 min. Intérpretes: George Clooney, Meryl Streep, Bill Murray. • “Gran Hotel Budapest” - 2014 - 99 min. Intérpretes: Ralph Fiennes, F. Murray Abraham, Mathieu Amalric. De Bob Fosse • “Cabaret” - 1972 - 124 min. Intérpretes: Liza Minnelli, Michael York, Helmut Griem. • “Lenny” - 1974 - 111 min. Intérpretes: Dustin Hoffman, Valerie Perrine, Jan Miner. • “All that jazz” - 1979 - 123 min. Intérpretes: Roy Scheider, Jessica Lange, Leland Palmer. CUARTO MODULO: Contenidos Un director chino de fascinante puesta en escena visual, con historias que alternan entre lo épico y la reflexión humana en pequeñas historias de personajes humildes De Zhang Yimou • “Esposas y concubinas” - 1991 - 125 min. Intérpretes: Li Gong, Jingwu Ma, Saifei He. • “Ni uno menos” - 1999 - 106 min. Intérpretes: Minzhi Wei, Huike Zhang, Zhenda Tian. • “Héroe” - 2002 - 107 min. Intérpretes: Jet Li, Tony Chiu-Wai Leung, Maggie Cheung. Bibliografía de referencia para el programa Autor Titulo Lugar, Edición, Año A.A.V.V. Una cinefilia a Barcelona, Paidós, contracorriente. La 2004. nouvelle vague y el gusto por el cine americano Aumont, Jacques y Análisis del film Buenos Aires, Paidós, Programa Universidad Abierta para Adultos Mayores Marie, Michel 1990. Bazin, André ¿Qué es el cine? Madrid, RIALP, 2008. Beceyro, Raúl Manual de cine Rosario, Beatriz Viterbo editora, 2008. Casadevall, Domingo El lenguaje de las Buenos Aires, Ediciones imágenes del carro de Tespis, Costa, Antonio Saber ver el cine Madrid, Paidós, 1988. Fernández Díez, Manual básico de Madrid, Paidós, 1999. Federico y Martínez lenguaje y narrativa Abadía, José audiovisual Gardies, René (comp). Comprender el cine y Buenos Aires, La Marca las imágenes Editora, 2014. Oubiña, David El silencio y sus bordes. Buenos Aires, Fondo de Modos de lo extremo cultura económica, en la literatura y el cine 2011. Russo, Eduardo Diccionario de cine Buenos Aires, Paidós, 2005. Truffaut, François Conversaciones con Madrid, Alianza, 2003. Hitchcock Régimen de Cursado Se asistirá semanalmente a la proyección de los films y fragmentos de films seleccionados, dando lugar al análisis de manera de alternar el diálogo con los alumnos con la exposición teórica y crítica. Recursos Didácticos Films y fragmentos de films que se proyectarán, analizarán y discutirán. Textos complementarios. Exámenes Se realizará un coloquio final optativo entre los asistentes. También se evaluará el progreso del aprendizaje clase por clase .
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