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2OO8 and electronically at [email protected] © British and American Studies, vol. XIV, 2008 CONTENTS “POST”-DILEMMAS MICHAEL CHAPMAN POSTCOLONIALISMA LITERARY TURN / 7 PIA BRÎNZEU “POSTCOLONIALISM” OR “POSTCOLONIALISMS”?: THE DILEMMAS OF A TEACHER / 21 ILEANA SORA DIMITRIU POSTMODERNISM AND/ AS POSTCOLONIALISM:ON RE- READING MILAN KUNDERA AND BREYTEN BREYTENBACH / 33 ELISABETTA MARINO FROM BRICK LANE TO ALENTEJO BLUE: CROSS-CULTURAL ENCOUNTERS IN MONICA ALI’S WRITINGS / 51 DANIELA ROGOBETE PROTEAN IDENTITIES AND INVISIBLE BORDERS IN HARI KUNZRU’S THE IMPRESSIONIST / 59 MARIA ªTEFÃNESCU AN ARTIST OF FLOATING WOR(L)DS / 71 ANDREEA ªERBAN CANNIBALISED BODIES. MARGARET ATWOOD’S METAPHORS OF TROUBLED IDENTITIES / 79 ANDREEA TEREZA NIÞIªOR TWO INSTANCES OF THE FRAGMENTARY IN THE POSTMODERN NOVEL: ITALO CALVINO’S IF ON A WINTER’S NIGHT A TRAVELER AND ANNIE PROULX’S THE SHIPPING NEWS / 89 CRISTINA CHEVEREªAN DEARLY BELOVED:TONI MORRISON’S RESURRECTION OF THE AFRICAN-AMERICAN NARRATIVE / 105 JACQUES RAMEL UNDEAF YOUR EARS: WHAT THE TRAGEDY OF RICHARD II GIVES US TO HEAR / 113 KLAUDIA PAPP INSCRIPTION AND ENCRYPTION: DAPHNE DU MAURIER’S REBECCA / 121 CLAUDIA IOANA DOROHOLSCHI WILLIAM MORRIS’S CHILD CHRISTOPHER AND GOLDILIND THE FAIR: MEDIEVALISM AND THE ANTI-NATURALISM OF THE 1890S / 129 ANNIE RAMEL THE WHEEL OF DESIRE IN THE MILL ON THE FLOSS / 139 DANA PERCEC BARRY UNSWORTH AND THE HISTORICAL NOVEL TODAY / 151 TERESA BELA NARRATIVE TECHNIQUE IN THE EARLY NOVELS OF PIERS PAUL READ / 161 ISTVÁN D. RÁCZ WHAT IS “ALMOST TRUE”: LARKIN AND KEATS / 171 CLAIRE CRABTREE-SINNETT INTENSITIES OF CONSCIOUSNESS DELUSION, DREAM, AND DELIRIUM IN VIRGINIA WOOLF’S MRS. DALLOWAY AND KATHERINE ANN PORTER’S “PALE HORSE, PALE RIDER” / 181 B.A.S. -
Spotlight on Erie – 19 Flagship Multimedia, Inc, 1001 State St., Julian Is Referring to Voodoo Able, with Window Air Condition- Suite 901, Erie, Pa, 16501
CONTENTS: From the Editors The only local voice for Gainfully employing Erie’s strengths news, arts, and culture. September 28, 2016 Editors-in-Chief: live on the lower west This circumstance, as we all Brian Graham & Adam Welsh side of Erie, and I like my know, has a paralyzing ripple Managing Editor: Just a Thought – 4 Katie Chriest “I neighborhood a lot.” effect. Assignment Editor: Taking a cue from autumn That’s how Dan Schank be- “When the health of our Nick Warren gins his feature on concentrated schools relies on the value of Contributing Editors: poverty in this issue. Schank’s our properties, we incentivize Ben Speggen opening immediately under- flight and punish those who Jim Wertz A Day in the Life of an Erie City mines the generalization that stay put,” Schank writes. “When Contributors: Lisa Austin, Civitas Firefighter – 7 young professionals don’t want trust breaks down between our Ed Bernik to live here. The reality, as usu- police and our most vulnerable Mary Birdsong Running into a blazing building al, is far more nuanced than the neighborhoods, crime flourish- Tracy Geibel Lisa Gensheimer can be ‘terrifying,’ but some supposition. es and abuses occur. When fear Gregory Greenleaf-Knepp As Schank explains, “the prob- of that crime escalates, foot traf- Dan Schank choose to do it, anyway. Tommy Shannon lem isn’t that I wouldn’t be fic disappears, businesses fail, Ryan Smith happy in Frontier or Fairview. and basic needs can’t be met.” Ti Sumner Matt Swanseger The problem is that I’m already Schank’s approach is multifac- Bryan Toy happy where I am. -
Top 40 Singles Top 40 Albums
08 March 1987 CHART #559 Top 40 Singles Top 40 Albums Funky Town Thorn In My Side Revenge Different Light 1 Pseudo Echo 21 Eurythmics 1 Eurythmics 21 The Bangles Last week 3 / 2 weeks EMI Last week 15 / 8 weeks RCA Last week 1 / 28 weeks Platinum / RCA Last week 19 / 19 weeks FESTIVAL Word Up Hungry Town Graceland True Colours 2 Cameo 22 Big Pig 2 Paul Simon 22 Cyndi Lauper Last week 1 / 3 weeks POLYGRAM Last week 38 / 2 weeks FESTIVAL Last week 5 / 20 weeks Platinum / WEA Last week 20 / 20 weeks Platinum / CBS Good Times Don't Give Up Genesis They Don't Make Them Like They Us... 3 Jimmy Barnes & INXS 23 Peter Gabriel & Kate Bush 3 Genesis 23 Kenny Rogers Last week 2 / 9 weeks FESTIVAL Last week 34 / 3 weeks VIRGIN Last week 2 / 104 weeks Platinum / POLYGRAM Last week - / 1 weeks RCA Shake You Down To Be A Lover The Whole Story So 4 Gregory Abbott 24 Billy Idol 4 Kate Bush 24 Peter Gabriel Last week 4 / 7 weeks CBS Last week 21 / 12 weeks FESTIVAL Last week 4 / 8 weeks EMI Last week 50 / 29 weeks Platinum / VIRGIN C'est La Vie Slice Of Heaven Dancing On The Ceiling The Autobiography Of Supertramp 5 Robbie Nevil 25 Dave Dobbyn 5 Lionel Richie 25 Supertramp Last week 8 / 2 weeks EMI Last week 23 / 23 weeks Gold / SONY Last week 3 / 19 weeks Platinum / RCA Last week 16 / 9 weeks Gold / FESTIVAL Greetings To The New Brunette Victory Invisible Touch Brothers In Arms 6 Billy Bragg 26 Kool & The Gang 6 Genesis 26 Dire Straits Last week 12 / 3 weeks FESTIVAL Last week 30 / 2 weeks POLYGRAM Last week 6 / 32 weeks Platinum / VIRGIN Last week 22 -
Songs of the Nativity
SONGS OF THE NATIVITY John Calvin Selected Sermons on Luke 1 & 2 Translated into English by ROBERT WHITE THE BANNER OF TRUTH TRUST 4 THE JUDGE OF ALL THE WORLD 'He has plucked princes from their seats, and has raised up the lowly. 53 He has filled with good things those who were hungry, and has left the rich empty. 54 He has received Israel his servant in remembrance of his mercy, 55 According as he spoke to our fathers, promising mercy to Abraham and his seedf or ever' (Luke r: 5 2- 5 5). t1 A ) e have seen already that, because God resists the proud, 'V V we cannot do better than walk before him in sincerity. For if we try to promote ourselves by high-fl.own ambition and careful scheming, God is bound to intervene and bring everything undone, so that it all ends in ruin and confusion. Let us not be too clever, but be sober-minded. If we did not live modestly, but rather aimed above our calling, we would become like wayward beasts-the faster we went, the more likely we would be to break our necks! That is why Mary continues her song with the words, 'God plucks princes and the mighty from their seats, and raises up the lowly.' Unbelievers, when they see the way the world is always chang• ing, think that God plays with humankind as with a ball. That is the kind of thing men say when they blaspheme God, or else they think that change is merely random.1 So what we have to notice is that, when God raises up the lowly and casts the mighty down, 49 SONGS OF THE NATIVITY The judge cf.A ll the World it is because men cannot endure their condition. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
ELAT Past Paper 2012
English Literature Admissions Test 4501/11 Wednesday 7 November 2012 Morning 1 hour 30 minutes Instructions to Candidates Please read this page carefully, but do not open the question paper until told to do so. A separate 8 page answer booklet is provided. Please check you have one. Write your name, date of birth and centre number in the spaces provided on the answer booklet. Please write very clearly, preferably in black ink. You should allow at least 30 minutes for reading this question paper, making notes and preparing your answer. At the end of the examination, you must hand in both your answer booklet and this question paper. Any rough notes or plans that you make should only be written in your answer booklet. No texts, dictionaries or sources of reference may be brought into the examination. Developed and administered on behalf of the University of Oxford by Cambridge Assessment. © Copyright UCLES 2012 This paper consists of 8 printed pages and 4 blank pages. Cambridge Assessment is the brand name of the University of Cambridge Local Examinations Syndicate, a department of the University of Cambridge. Cambridge Assessment is a not-for-profit organisation. 2 BLANK PAGE © Copyright UCLES 2012 3 Time allowed: 1 hour 30 minutes. You should spend at least 30 minutes reading and annotating the passages and in preparing your answer. The following poems and extracts from longer texts offer different representations of relationships within families. They are arranged chronologically by date of composition or publication. Read all the material carefully, and then complete the task below. -
El Paso County, Colorado COVID Operating Expenses CARES Act Transparency Reporting Oct-20 Payment Date Vendor Payee Payment Amou
El Paso County, Colorado COVID Operating Expenses CARES Act Transparency Reporting Oct-20 Payment Payment Date Vendor Payee Amount Description of Purchases Department Invoice # 3/18/2020 Dr Robin Johnson MD 2,125.00 Medical Director Covid19 Services Public Health 2020-03 3/19/2020 Diamond Shamrock 5.63 Public Health Fuel Covid-19 Public Health 583027 3/31/2020 Dr Robin Johnson MD 212.50 Medical Director Covid19 Services Public Health 2020-03 4/2/2020 Western Paper Distributors Inc 4,998.94 Covid19 Disinfectant Cleaning Supplies Sheriff 3654762 4/2/2020 Western Paper Distributors Inc 10,129.38 Covid19 Disinfectant Cleaning Supplies Sheriff 3654763 4/2/2020 Western Paper Distributors Inc 12,678.72 Covid19 Disinfectant Laundry Supplies Sheriff 3656506 Hygiene Products - Razors, Toothbrush, 4/9/2020 ICS Jail Supplies Inc 3,270.00 Combs Sheriff W3574400 Hygiene Products - Razors, Toothbrush, 4/9/2020 ICS Jail Supplies Inc 509.00 Combs Sheriff W3574600 4/9/2020 Waxie Sanitary Supply 109.29 Disinfectant &dispenser to Patrol Vehicles Sheriff 78999046 4/9/2020 Waxie Sanitary Supply 53.95 Covid19 Disinfectant Cleaning Supplies Sheriff 78995087 4/9/2020 Waxie Sanitary Supply 7,848.34 Covid19 Disinfectant Cleaning Supplies Sheriff 79008445 4/9/2020 Waxie Sanitary Supply 5,087.50 Disposable Gloves Sheriff 78999288 N95 Disposable Particulate Respirator 4/16/2020 4MD Medical Solutions LLC 1,790.00 Mask Emergency Managemen1815743 4/16/2020 Best Buy Gov, LLC 207.79 USB to VGA Adapters for Computers Public Health 004196 4/16/2020 Best Buy Gov, LLC 389.63 -
Madness Mad Not Mad Mp3, Flac, Wma
Madness Mad Not Mad mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mad Not Mad Country: UK Released: 1985 Style: Pop Rock MP3 version RAR size: 1819 mb FLAC version RAR size: 1826 mb WMA version RAR size: 1698 mb Rating: 4.1 Votes: 861 Other Formats: VOC MOD AU AAC APE TTA MMF Tracklist Hide Credits I'll Compete A1 3:21 Written-By – Woodgate*, Thompson* Yesterday's Men A2 4:37 Written-By – Foreman*, McPherson* Uncle Sam A3 4:16 Written-By – Foreman*, Thompson*, Thompson* White Heat A4 3:47 Written-By – Smyth*, McPherson* Mad Not Mad A5 4:10 Written-By – Smyth*, McPherson* Sweetest Girl B1 5:47 Written-By – Green* Burning The Boats B2 4:31 Written-By – Foreman*, McPherson* Tears You Can't Hide B3 3:08 Written-By – Smyth* Time B4 4:18 Written-By – Smyth* Coldest Day B5 4:24 Written-By – Foreman*, Langer*, McPherson* Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Published By – Nutty Sounds Published By – Warner Bros. Music Ltd. Published By – Chrysalis Music Ltd. Mastered At – Tape One Pressed By – EMI Records Credits Backing Vocals [Female] – Afrodiziak Backing Vocals [Male] – Jimmy Chambers, Jimmy Helms, Jimmy Thomas Computer [Supervisor] – Mr Tom Morley* Design [Sleeve Design] – Simon Halfon Harmonica – Judd Lander Horns – Gary Barnacle, Mr L.J. Thompson* Illustration – Ian Wright Keyboards – Steve Nieve Mastered By – BilBo (tracks: A1 to A5), DB* (tracks: B1 to B5) Percussion – Luis Jardim Performer – C.J.P. Smyth*, C.J. Foreman*, D.M. Wodgate*, G.S. McPherson*, L.J. -
Bedlam in Mind: Seeing and Reading Historical Images of Madness
Bedlam in Mind: Seeing and Reading Historical Images of Madness Bedlam in Mind: Seeing and Reading Historical Images of Madness Simon Cross Department of Media and Cultural Studies Nottingham Trent University Clifton Lane Nottingham NG11 8NS NOTTINGHAM UK Email: [email protected] Fax: 0115 9418418 Dr Simon Cross is Senior Lecturer in Media and Cultural Studies at Nottingham Trent University. He is the author oi Mediating Madness: Mental Distress and Cultural Representation. Houndsmill: Palgrave Macmillan, 2010. 1 Bedlam in Mind: Seeing and Reading Historical Images of Madness Bedlam in Mind: Seeing and Reading Historical Images of Madness Abstract. In this article I explore mythical Bedlam of popular imaginings. London's Bethlem Hospital was for centuries a unique institution caring for the insane and its alter ego 'Bedlam' influenced popular stereotypes of insanity. For instance, while the type of vagrant beggar known as a 'Tom of Bedlam' was said to have disappeared from English society with the Restoration, the figure of Mad Tom retained a visual and vocal presence within popular musical culture from the seventeenth century up to the present era. Using the ballad 'Mad Tom o' Bedlam' as a case study, I illustrate how an early modern stereotype of madness has maintained continuity within a popular song tradition whilst undergoing cultural change. Keywords: Bethlem Hospital; Bedlam; historical image of madness; continuity and change in Bedlam stereotype; 'Mad Tom of Bedlam' (Bedlamite ballad) Introduction1 In the English-speaking world, the symbol of a segregative response to insanity has long been fixed on London's Bethlem Hospital, popularly known as Bedlam (Scull, 2006). -
Open Mueller Thesis Final.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF MUSIC PRETTY OPHELIA: THE DESTRUCTIVE NATURE OF OBJECTIFICATION THROUGH MUSIC AND PROSE LEAH W. MUELLER Spring 2012 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Music Education with honors in Music Reviewed and approved* by the following: Ted Christopher Assistant Professor of Music Thesis Supervisor Joanne Rutkowski Professor of Music Education Honors Adviser * Signatures are on file in the Schreyer Honors College i ABSTRACT Shakespeare’s Ophelia has long fascinated composers, painters, poets, and scholars alike. She is at first beautiful and pure, but descends into utter madness filled with dark coded phrases that leave plenty of room for mystery and interpretation. In this thesis I investigated the lack of personal identity and tragic circumstances that lead to Ophelia’s demise. All who surround her, Hamlet, Polonius, Laertes, and even Shakespeare himself, constantly objectify her. The successive composers who have interpreted Ophelia diminish this objectification by giving her, her own voice. As part of this thesis project, a recital featuring the Brahms’ and Strauss Ophelia lieder as well as a performance of the original Shakespeare text was given on November 15th, 2011. The recital program, program notes, script, and video are included in this thesis. ii TABLE OF CONTENTS ABSTRACT i TABLE OF CONTENTS ii ACKNOWLEDGEMENTS iii CHAPTER 1: OPHELIA IN PROSE Introduction 1 Ophelia and the Play 2 A Symbol of Purity 5 Ophelia Through the Feminist Gaze 8 CHAPTER 2: OPHELIA IN MUSIC Ophelia and the French 13 Ophelia and the Germans 16 CHAPTER 3: OPHELIA ONSTAGE Performance Planning 22 Rehearsing for the Performance 25 CHAPTER 4: SUMMARY, DISCUSSION, & CONCLUSION Summary 27 Discussion 28 Conclusion 29 BIBLIOGRAPHY 30 APPENDICES APPENDIX A: Performance Script 32 APPENDIX B: Recital Program 40 APPENDIX C: Recital Program Notes 42 APPENDIX D: Video of Performance Project 45 Academic Vita iii ACKNOWLEGMENTS I would like to thank Dr. -
Revved up Innovation for Road and Racetrack
1 // 2014 Revved up Innovation for road and racetrack Robot Kenshiro has more than 160 muscles Long a source of fascination: flying cars 2 Contents __ __ Contents 3 The big picture p. 8 4 Research robot youBot News 6 Redefining the kilogram Editorial In focus When the small 8 Full throttle With Nico Müller at the trial race for the Formula Renault 3.5 in Monza. motor is as 15 Made for extreme environments Zytek’s John Manchester on the requirements important as the for motors in racing. big one 16 “Velocity and environmentalism are not mutually exclusive” p. 26 Dominik Stockmann of maxon motor about the future of automobility. p. 29 p. 22 19 Staying on track Driver assist systems are becoming more and more important. In critical situations they may save lives. 22 Smart head The FiberCut laser cutting head always keeps the right tool gap to the workpiece. p. 16 Eugen Elmiger, CEO, maxon motor ag Innovation 24 Power like a manga hero The robot Kenshiro looks similar to a comic character. However, it is really modeled to resemble humans. On the racetrack, every turn counts. The same is true for the road. This is one reason Exploration 26 Earth’s hot sister planet why engineers are developing smarter and p. 15 p. 19 470 °C – maxon motor develops motors to withstand smarter assistance systems for us drivers. the temperatures on Venus. Be it for efficient engine performance, better aerodynamics, or improved safety. This Expertise usually requires small, reliable drives that 29 Energy efficiency in microdrives generate a lot of power without taking too much space. -
Madness Absolutely Mp3, Flac, Wma
Madness Absolutely mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Absolutely Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1211 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1513 mb Rating: 4.6 Votes: 208 Other Formats: VQF RA AUD APE MP4 AHX DXD Tracklist Hide Credits Baggy Trousers A1 2:45 Written-By – Foreman*, McPherson* Embarrassment A2 3:13 Written-By – Thompson*, Barson* E.R.N.I.E. A3 2:08 Written-By – Foreman*, McPherson* Close Escape A4 3:29 Written-By – Foreman*, Thompson* Not Home Today A5 2:30 Written-By – McPherson*, Barson* On The Beat Pete A6 3:05 Written-By – Thompson*, Madness Solid Gone A7 2:22 Written-By – Smash* Take It Or Leave It B1 3:26 Written-By – Thompson*, Barson* Shadow Of Fear B2 1:58 Written-By – McPherson*, Barson* Disappear B3 2:58 Written-By – McPherson*, Bedford* Overdone B4 3:45 Written-By – Foreman*, Thompson* In The Rain B5 2:42 Written-By – Mc Pherson*, Madness You Said B6 2:35 Written-By – McPherson*, Barson* Return Of Los Palmas 7 B7 1:57 Written-By – Woodgate*, Bedford*, Barson* Companies, etc. Record Company – Virgin España, S.A. Phonographic Copyright (p) – Stiff Records Ltd. Copyright (c) – Stiff Records Ltd. Manufactured By – PolyGram Servicios, S.A. Distributed By – Discos CBS, S.A., Madrid Credits Baritone Saxophone, Tenor Saxophone – Lee Thompson* Bass – Mark Bedford Drums, Other [Fire Extinguisher] – Woody* Guitar, Sitar, Steel Guitar – Chris Foreman Illustration – Humphrey Ocean Lead Vocals, Percussion – Suggs Liner Notes – Robbi Millar Producer – Clive Langer & Alan Winstanley Vibraphone, Marimba, Harmonica, Piano, Organ – Mike Barson Vocals, Trumpet – Chas Smash Notes Close to Madness - Absolutely but with different distributor ℗ © 1980 Stiff Records Ltd.