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Romanian Political Science Review Vol. XXI, No. 1 2021
Romanian Political Science Review vol. XXI, no. 1 2021 The end of the Cold War, and the extinction of communism both as an ideology and a practice of government, not only have made possible an unparalleled experiment in building a democratic order in Central and Eastern Europe, but have opened up a most extraordinary intellectual opportunity: to understand, compare and eventually appraise what had previously been neither understandable nor comparable. Studia Politica. Romanian Political Science Review was established in the realization that the problems and concerns of both new and old democracies are beginning to converge. The journal fosters the work of the first generations of Romanian political scientists permeated by a sense of critical engagement with European and American intellectual and political traditions that inspired and explained the modern notions of democracy, pluralism, political liberty, individual freedom, and civil rights. Believing that ideas do matter, the Editors share a common commitment as intellectuals and scholars to try to shed light on the major political problems facing Romania, a country that has recently undergone unprecedented political and social changes. They think of Studia Politica. Romanian Political Science Review as a challenge and a mandate to be involved in scholarly issues of fundamental importance, related not only to the democratization of Romanian polity and politics, to the “great transformation” that is taking place in Central and Eastern Europe, but also to the make-over of the assumptions and prospects of their discipline. They hope to be joined in by those scholars in other countries who feel that the demise of communism calls for a new political science able to reassess the very foundations of democratic ideals and procedures. -
Connections Between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M
Communication and Theater Association of Minnesota Journal Volume 36 Article 2 January 2009 "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Hillsdale College, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Film and Media Studies Commons, and the Soviet and Post-Soviet Studies Commons Recommended Citation Brandon, J. (2009). "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post- Soviet Russian Cinema. Communication and Theater Association of Minnesota Journal, 36, 7-22. This General Interest is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Brandon: "Brother," Enjoy Your Hypermodernity! Connections between Gilles CTAMJ Summer 2009 7 “Brother,” Enjoy your Hypermodernity! Connections between Gilles Lipovetsky’s Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Associate Professor [email protected] Department of Theatre and Speech Hillsdale College Hillsdale, MI ABSTRACT In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films. -
Virtual Space Or Real Life?
Today’s “the most sexy thing”: virtual space or real life? ALEXANDRA DZIUBA - Odessa National Polytechnic University (ONPU) ABSTRACT The issues of Reality and Simulation of Reality are highlighted in this article. The nature of Desire is also discussed as a fundamental in contemporary culture and media environments. Special attention has been paid to advertising, as a form of creating desire and simulations of reality which stimulate growing frustrations in society. Online space is also been viewed as a new trend in the simulation of life and a faked advertising reality. In the article I attempt to compare both of these "worlds" – simulated by culture and virtualised by media. KEYWORDS Reality, simulation, media, advertising, sex, desire. Introduction A key issue in contemporary media and cultural studies is the question of what is Reality. Throughout history, humans were trying to comprehend their own existence and validity based on the reality of their own body and on the reality of everyday life. After a while, the human body started to lose its status as a bastion of reality. It happened with the help of growing interests in different kinds of “virtual” worlds, as well as the expansion of media influence. So, with rapid cultural transformations of the present the problem of definition of reality perhaps becomes the most difficult question. In this article I would like to discuss the general issues of Reality and simulations, which prevail in our society. Also, issues about the nature of desire and simulations of desires are considered as one of the main topics of this work. -
The Paradoxical Happiness – Essay on Hyperconsumption Society, by Gilles Lipovetsky
Cadernos de Geografia nº 37 - 2018 Coimbra, FLUC - pp. 121-123 The paradoxical happiness – Essay on hyperconsumption society, by Gilles Lipovetsky. Book review and analysis for work organization, leisure and consumption concepts. A felicidade paradoxal – Ensaio sobre a sociedade do hiperconsumo, por Gilles Lipovetsky. Recensão crítica e análise aos conceitos organização do trabalho, lazer e consumo Luís Silveira CEGOT / Department of Geography and Tourism, University of Coimbra [email protected] ORCID: 0000-0002-8030-7074 The book has as its original title Le bonheur paradoxal - Essai sur la société d'hyperconsommation. It was written by Gilles Lipovetsky (philosopher and professor at the University of Grenoble, France), and published for the first time in 2006. The read book version was Lipovetsky, G. (2014). A Felicidade Paradoxal - Ensaio sobre a Sociedade do Hiperconsumo. Lisboa: Edições 70. ISBN: 978-972-44-1354-9. It has 357 pages and is divided in two parts. The first comprises six chapters and the second comprises five chapters. Part 1 - The Hyperconsumption Society Part 2 - Private Pleasures, Blessed Happiness Chapter 1. The three phases of consumer Chapter 7. Penia: material pleasures, existen- capitalism tial dissatisfaction Chapter 2. Beyond statute: the emotional Chapter 8. Dionysus: hedonistic society, consumption anti-Dionysian society Chapter 3. Consumption, time and play Chapter 9. Superman: obsession for perfor- Chapter 4. The post-Fordism organization of mance, pleasure of the senses the economy Chapter 10. Nemesis: overexposure of Chapter 5. The emergence of a turbo consumer happiness, regression of envy Chapter 6. The fabulous destiny of Homo Chapter 11. Homo felix: greatness and misery of an utopia After the advent of mass capitalism at the end organization of work, Fordism and post-Fordism of the nineteenth century and the society of abundan- leisures, and contemporary leisure in this hypercon- ce, in the post-World War II, the world lives a new sumption society are addressed in this book, four form of consumption. -
Seductive Piety: Faith and Fashion Through Lipovetsky and Heidegger
Seductive Piety: Faith and Fashion through Lipovetsky and Heidegger Muhammad Velji Comparative Studies of South Asia, Africa and the Middle East, Volume 32, Number 1, 2012, pp. 147-155 (Article) Published by Duke University Press For additional information about this article http://muse.jhu.edu/journals/cst/summary/v032/32.1.velji.html Access provided by McGill University Libraries (2 Jul 2013 15:56 GMT) Seductive Piety: Faith and Fashion through Lipovetsky and Heidegger Muhammad Velji artin Heidegger broadened the meaning of art to a truth- disclosing event akin to seemingly disparate events such as the founding of a political state, Jesus’s sacrifice for all humankind, and the questioning of a philosopher. Art makes us pay atten- tion to it by presenting the familiar in a new and unfamiliar context and unsettles our presup- positions and reconceptualizes our way of thinking. I argue that by themselves, the concept of veiling and the concept of fashion are very familiar concepts to Indonesians, but that the practice of combining these two ideas brings something unfamiliar to that society. This new practice reveals a way of Being that combines religious piety with our current, late- modern, consumer society. The combination of fashion and veiling for piety discloses, in the Heideg- gerian sense, a new “world.” I begin by explicating the Heideggerian interpretation of the nature of art by looking at the key concepts that make a work of art work. First, art can only disclose new “worlds” when the new world is in intimate and essential tension with “earth” and when this tension is resolved by preservers who take up and actualize the new way of Being so that a people can be placed on a new path together, as a community. -
INVESTMENT in HUMAN INTELLIGENCE IS TOMORROW's OPPORTUNITY: Interview with the Philosopher Gilles Lipovetsky
INVESTMENT IN HUMAN INTELLIGENCE IS TOMORROW’S OPPORTUNITY: interview with the philosopher Gilles Lipovetsky MIRELLA DE MENEZES MIGLIARI Volume 37 E-mail: [email protected] issue 3 / 2018 ORCID: 0000-0003-3444-8965 Contracampo e-ISSN 2238-2577 LUCIA SANTA CRUZ Niterói (RJ), 37 (3) E-mail: [email protected] ORCID: 0000-0002-5362-9967 dec/2018-mar/2019 SANDRA SANCHES Contracampo – Brazilian Journal E-mail: [email protected] of Communication is a quarterly ORCID: 0000-0003-1007-2473 publication of the Graduate Programme in Communication Studies (PPGCOM) at Fluminense Federal University (UFF). It aims to contribute to critical refl ection within the fi eld of Media Studies, being a space for dissemination of research and scientifi c thought. TO REFERENCE THIS ARTICLE, PLEASE USE THE FOLLOWING CITATION: MIGLIARI, M. M.; SANTA CRUZ, L.; SANCHES, S. (2018). INVESTMENT IN HUMAN INTELLIGENCE IS TOMOR- ROW’S OPPORTUNITY: interview with the philosopher Gilles Lipovetsky. Contracampo, 37(3). Submitted on: 09/29/2018 / Accepted on: 10/22/2018 DOI – http://dx.doi.org/10.22409/contracampo.v37i3.22853 Abstract This interview with the French philosopher Gilles Lipovetsky, held shortly after his participation in an international meeting in Rio de Janeiro on education, addresses the importance of the educational process in the formation of sociability, refl ects on the pedagogical role of the city as a space for generating knowledge, while at the same time pointing out the impacts of excess consumption on the development of human intelligence. Lipovetsky also deals with the creative city, a concept that reinforces the educational character of urban contexts. -
Post-Truth As a Feature of Hypermodern Times
Miguel Ángel Quintana-Paz Artykuły naukowe Artykuły naukowe Edukacja Filozoficzna 66/2018 ISSN 0860-3839 DOI: 10.14394/edufil.2018.0020 ORCID: 0000-0001-9717-4098 Post-Truth as a Feature of Hypermodern Times Miguel Ángel Quintana-Paz (European University Miguel de Cervantes, Valladolid, Department of Humanities) Introduction1 One of the best-known characteristics of hypermodernity is speed. It is true that authors like Paul Virilio2 had already underscored the importance of speed in order to understand our times as early as in the 1970s. But at those times (still postmodern times?) speed was mainly connected to the use of analogic technolo- gies, like television or airplanes, as Alan N. Shapiro3 has pointed out; whereas in hypermodern times speed is connected mostly to the use of digital technologies, like computers and the Internet. This hypermodern alliance of speed and digital technologies explains, among others, the incredibly short time that it takes for some new words to become widely known and used on a global scale. This is what has happened to the term “post-truth”, which was elevated to the rank of “Word of the year” by Oxford Dictionaries in 2016. There was no record of this term before 1980, according to 1 This paper is based in the contribution “Post-Truth as a Feature of Hypermodern Times”, that I presented at the conference Around Hypermodernism, held at the Faculty “Artes Liberales” of the University of Warsaw on June 14, 2018. Paragraphs 2, 3 and 4 expand a shorter version of them that I already published in section 3.6. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque A Dissertation Presented by Lilla T!ke to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University May 2010 Copyright by Lilla T!ke 2010 Stony Brook University The Graduate School Lilla T!ke We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, English and Comparative Literary and Cultural Studies, Dissertation Director Krin Gabbard, Professor, Comparative Literary and Cultural Studies, Chairperson of Defense Robert Harvey, Professor, Comparative Literary and Cultural Studies and European Languages Sandy Petrey, Professor, Comparative Literary and Cultural Studies and European Languages Katie Trumpener, Professor, Comparative Literature and English, Yale University Outside Reader This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque by Lilla T!ke Doctor of Philosophy in Comparative Literature Stony Brook University 2010 The dissertation examines the legacies of grotesque comedy in the cinemas of Eastern Europe. The absolute non-seriousness that characterized grotesque realism became a successful and relatively safe way to talk about the absurdities and the failures of the communist system. This modality, however, was not exclusive to the communist era but stretched back to the Austro-Hungarian era and forward into the Postcommunist times. -
Hypermodern Times Gilles Lipovetsky, Sebastien Charles
To purchase this product, please visit https://www.wiley.com/en-cn/9780745634203 Hypermodern Times Gilles Lipovetsky, Sebastien Charles Paperback 978-0-745-63421-0 March 2005 Out of stock $23.75 Hardcover 978-0-745-63420-3 March 2005 Out of stock $67.50 DESCRIPTION The term ‘postmodernity’ has been used to describe that historical transformation of the late 20th century when the institutional breaks holding back individual emancipation disintegrated, thereby giving rise to the full expression of individual desires and the quest for self- fulfilment. But there are now signs – argues Gilles Lipovetsky, one of the most original social thinkers in France today – that we’ve entered a new phase of ‘hypermodernity’, characterized by hyper-consumption and the hypermodern individual. Hyperconsumption is a consumption which absorbs and integrates more and more spheres of social life and which encourages individuals to consume for their own personal pleasure rather than to enhance their social status. Hypermodernity is a society characterized by movement, fluidity and flexibility, distanced more than ever from the great structuring principles of modernity. And the hypermodern individual, while oriented towards pleasure and hedonism, is also filled with the kind of tension and anxiety that comes from living in a world which has been stripped of tradition and which faces an uncertain future. Individuals are gnawed by anxiety; fear has superimposed itself on their pleasures, and anguish on their liberation. Everything worries and alarms them, and there are no longer any beliefs systems to which they can turn for assurance. These are hypermodern times. ABOUT THE AUTHOR Gilles Lipovetsky, Professor of Philosopy and member of the “Conseil National des Programmes (Education Nationale) in France Sébastien Charles, Professor of Philosophy at the University of Sherbrooke, Canada FEATURES • • Lipovetsky is an important thinker in France and his ideas and responses to current intellectual debates surrounding modernity and postmodernity discussed in this book will travel well. -
Ethics and the Challenge to Moral Philosophy
CHAPTER 1 Ethics and the Challenge to Moral Philosophy Ethical discourse is so fashionable these days that people tend to for get how much it owes to moral philosophy for its main concepts, claims, and topics. This book therefore serves as a reminder that without moral philosophy, there is no such a thing as ethical deliberation and that without ethical deliberation, there is no ethics worthy of consideration. My analysis deals mainly with France, where ethics’ privileged status remains unchallenged. Could the present situation be taken as an indica tion that moral philosophy is a blooming garden in the intellectual landscape of French philosophy? Or that our understanding of moral reasoning and ethical deliberation is now deeper, more refined, and more nuanced than ever before? Are there any good reasons to rejoice that ratio nal deliberation has regained its vigor or that it has become multifaceted and unbiased? My answer to each of these questions is negative. No, French moral philosophy is not blooming. True, ethics is being treated better than logic or the philosophy of mind, but moral philoso phy—as a philosophical discipline with its own history, rigorous concepts, and systematic approaches—is as ignored today as it was a generation ago. Ethical thinking and moral philosophy arise both from the same kind of intellectual endeavors: an unprejudiced understanding of a question’s scope, premises, and consequences; a fair assessment of possible action or lack thereof; and deliberations and decisions supported by justifications, whether partial or multiple, complete or not. Due to this common intellec tual core, ethical deliberation may be applied successfully to a whole range of concrete, present-day questions, whereas moral philosophy concerns itself with more traditional issues that are sometimes revisited by contem porary thought. -
Emoções De Um Consumo Hipermoderno Branding De Moda E Tendências De Comportamento De Consumo
FACULDADE DE LETRAS DA UNIVERSIDADE DE LISBOA Programa de Cultura e Comunicação Emoções de um Consumo Hipermoderno Branding de Moda e Tendências de Comportamento de Consumo Mara Alexandra Silvério da Silva Balbino Dissertação orientada pela Professora Doutora Teresa de Ataíde Malafaia e pelo Mestre Nelson Pinheiro Gomes Mestrado em Cultura e Comunicação Lisboa, 2014 1 Agradecimentos Nunca serão demasiadas as palavras para agradecer aos meus familiares e amigos, que estiveram sempre a meu lado no momento das tomadas de decisão mais difíceis, porém mais compensadoras, da minha vida. Por isso, a todos eles agradeço do fundo do meu coração. Quero ressalvar um agradecimento muito especial à minha mãe. O ser humano mais forte, mais corajoso e mais altruísta que alguma vez conheci. Sem ela, e os ensinamentos que me incutiu ao longo dos anos, nunca seria a mulher que sou hoje, nem nunca teria alcançado tudo aquilo que consegui até ao momento. Por fim agradeço aos meus dois orientadores de Mestrado, à Professora Doutora Teresa Malafaia e ao Mestre Nelson Pinheiro Gomes. Ambos foram, garantidamente, dois pilares essenciais ao longo da minha formação académica, tendo-me demonstrado que sem motivação, persistência e empenho nunca conseguiremos cumprir os nossos grandes sonhos e ambições. 2 Resumo Vivemos num ambiente metropolitano de consumo permanente, onde os cidadãos se apresentam como pessoas socialmente conscientes, usufruindo de uma autonomia e liberdade individual para desenvolver a sua própria identidade e personalidade. Assim, é definido de uma forma particular os seus gostos e perfil estético, bem como o modo de estar e agir em ambiente social. Ao habitarmos uma sociedade cada vez mais singular, onde o prazer e o bem-estar são altamente privilegiados, é essencial compreender qual é a verdadeira natureza emocional que se encontra associada a tendências de comportamento de consumo na área da moda. -
Peter Sloterdijk and the ‘Security Architecture of Existence’: Immunity, Autochthony, and Ontological Nativism Thomas Sutherland
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Lincoln Institutional Repository Draft version – please do not cite Peter Sloterdijk and the ‘security architecture of existence’: Immunity, autochthony, and ontological nativism Thomas Sutherland The act of dwelling, insists Martin Heidegger (1971: 159), is a constitutive element of human existence, the plight or pathos of this perpetual exigency for dwelling being ‘that mortals ever search anew for the essence of dwelling, that they must ever learn to dwell’. Surely no philosopher has taken this claim as seriously as Peter Sloterdijk (2016: 37), whose now wholly-translated Spheres trilogy furnishes an elaborate ontology premised upon the figuration of atmosphere as a spatialized existential condition, seeking ‘a technological theory of humanly inhabited, symbolically air-conditioned spaces’. In spite of Sloterdijk’s sharp critiques of the credos of liberalism, universalism, and postmodernism, and his significant insight into issues of contemporary precarity, social isolation, and economic and socio- cultural disruption, however, his political commitments, and the normative implications of his ontology, demand closer examination. Indeed, although it may well be correct to observe that the Spheres trilogy is mostly spared the rhetorical excesses and reductive polemics of Sloterdijk’s newspaper articles and later books (see Hoban 2012), I wish to argue that it nevertheless evinces an anti- cosmopolitanism congruent with the political