Ninja Recorders Ninja Flame

April 2016 © 2016 Atomos Global | atomos.com 1 HDR is here. We’re determined CONTENTS to open it up to everyone. 03 Introduction 04 What We Do – Rec / Play / Mon / Edit At Atomos we’re proud of our track record at 10 Field Monitor-Recorders breaking open cutting edge technology to 12 Inferno filmmakers of all walks of life. Whether it was the 14 Flame Series changeover from MPEG to ProRes or the upgrade 16 Blade Series to 4K, we focus on helping creative professionals 18 Ninja Recorders grasp the latest technology at a faster rate and 20 Power Station at a lower cost. This lets you not only create 22 Calibration more powerful stories but through greater 23 HDMI Cables efficiencies deliver more profit for your business. 24 Broadcast & Pro AV This year we’ve focused on ensuring the exciting 26 Shogun Studio breakthrough that is HDR becomes part of every 28 Ronin filmmakers arsenal by making it easier to use and 30 Converters available at a range of price points. Read on to 32 Accessories / CFast / Warranty / Education discover more & we look forward to seeing your 34 Specifications creative visions come to life in 2016.

Jeromy Young Ian Overliese Co-founder Co-founder

Atomos partner with brands like Apple & AVID to create Every camera records, however the internal recording often isn’t professional touchscreens for leading camera brands suitable in professional applications. Atomos overcome many of such as Canon, Sony, Panasonic, Nikon, Arri, JVC & Red. the limitations professionals face with their camera.

Overcome the DSLR 30min Avoid lossy, MPEG camera Higher Resolution Recording Limit compression 10-bit Color

Recording externally to the camera To limit file size some camera’s only Recording to 8-bit only allows for a means that the traditional 29m59s capture frame to frame changes rather maximum of 256 gradations in chroma barrier imposed by many DSLR than every frame. All Atomos recorders and luminance per channel of RGB. All cameras does not apply. capture full “I” frame information just Atomos monitor-recorders record to 10- like film, making manipulation in post bit (1024 gradations) for smoother color production easier and higher quality. transitions.

More accurate 4:2:2 color

While every pixel’s luminance information is captured, color is sampled for smaller file sizes. With the 4:2:2 standard, Atomos have higher On affordable color sampling than conventional 4:2:0 media for more accurate colors with increased color resolution.

High resolution, Record to calibrated SuperAtom High resolution & High ProRes & monitor DNxHR bit rate

Recording resolution alone isn’t enough. Even 4K might be rejected in With a single connection, video professionals add recording Along side professional recording, the calibrated touchscreen Post if the bit rate is too low. Internal direct from the camera sensor to Hollywood-ready formats is an audio and video monitor with an array of shot setup camera 4K is typically recorded up like Apple ProRes and Avid DNxHR onto affordable & high scopes and a playback device with on-board controls for to 100Mb/s, whereas with ProRes & capacity HDD/SSD media. instant shot review, tagging and playout to larger monitors, DNxHR you can record up to 880Mb/s, making it a swiss army knife for Production, Post-production maintaining the best possible quality. & Digital signage.

Record longer & Reduce Professional Recording, Playback, Monitoring & Editing media costs that will unleash the hidden potential of your camera from Discover the full list of compatible cameras and media: Cameras use low capacity, high price/ DSLR to Cinema. GB media. Atomos uses high volume, www.atomos.com/cameras high capacity computer SSD’s & HDD’s www.atomos.com/media from the world’s most trusted media brands, allowing easy access anytime, anywhere in the world.

Atomos combine external recording with a professional touchscreen monitor that is armed with scopes and tools for perfect shot setup. AtomOS

AtomOS is our custom-built operating system designed specifically for filmmakers to keep the AtomHDR is a proprietary image processing technology, delivering the high brightness range Atomos feature set a single touch away. Its incredibly fast, intuitive and evolving with regular of Post Production HDR in a field monitor. All you need is the Log output from your camera free updates for new features. (Sony, Canon, Panasonic, Arri, JVC, Red) and to activate AtomHDR on the Inferno, Flame, Blade or Studio series to reveal the HDR magic. The Inferno & Flames also have 1500nit brightness panel and 10-bit color processing for HDR with a wider brightness range and smoother color transitions.

TOOLS & SCOPES HDR CONTROLS

AtomHDR Select camera log signal type & toggle viewing environment

Focus Assist Luma Parade False Color

Log to Video Convert Log to Rec709

2:1 Zoom RGB Parade Blue Only Native Video Source Shoot native Rec709 or Log, up to a maximum of 1500nit brightness

1:1 Zoom Vectorscope Anamorphic Custom Looks For SDR shooting upload your own .cube files for custom “Looks”

Zebra Pattern Vectorscope Zoom Safe Area

Instantly review and collaborate on set. Edit on the fly and finalize in post using your NLE of choice.

4K UHD to HD downscale Playback controls Tag as you shoot or review 4K models can downscale to HD for output Review footage on the product or out Tag clips during recording or playback to create to lower resolution devices. to a larger monitor. Scrub, slow and an FCPX project with tagged footage. fast motion control for detailed edit and review (available with OS7.1)

Custom Playlist Review with confidence Works with all NLE’s PQ I/O for HDR Editing Create custom playlists using Favorite, Use the suite of monitoring tools to Dock and drop files straight into the timeline of all Take PQ out into larger HDR compatible entire clip or loop functions for reviewing check color, focus, exposure on major NLE’s on both Mac and PC. larger screens or feed HDR from your NLE compilation of dailies for clients or digital recorded or uploaded content. into the PQ input for HDR grading using your signage playout. Atomos product.

“The footage plays natively without any codec issues and plays instantly without having to do any transcoding”

Abandon Visuals

CASE STUDY: TESLA

Cloakroom Media & Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia. “AtomHDR mode needs to be seen We were given two production days to complete the filming and put together some cutting edge kit to be believed – It’s going to be very to film from the land and the skies (a pair of Freefly ALTA’s coupled with MoVI M15’s & Red Epic difficult to use any other screen Dragons as well as a Freefly TERO). We were delighted to be invited to test out two pre release products labeled the Atomos Ninja Flame & Shogun Flame. besides the Flame now”

Cloakroom Media Clarity, Detail, Brightness The New Monitoring Standard When we began to setup the Shogun Flame, we powered up In conclusion, for this Tesla shoot both the Shogun and our video link and instantly we all were taken back from the Ninja Flames performed beyond our expectation. It can run image we were seeing. The image was so bright and clear; all day without a hiccup and the monitoring in AtomHDR it was hard to believe it was real at first. It’s super impressive, mode needs to be seen to be believed – It’s going to be very I don’t think there is any monitor that displays such clarity, difficult to use any other screen besides the Flame now. I am detail and brightness all in one, let alone function as a 4K confident that AtomHDR will be the new monitoring standard recorder. Its a combination of the AtomHDR mode and the among productions of all scales, and I can not wait to get it 1500 nit screen that work together to give you that awesome on set again for my clients to take advantage of this new and display. innovative technology.

SDI and HDMI Flexibility We shot the Tesla from a leading van on the track, which had a Shogun Flame tethered to the RED Dragon via HD SDI. From inside the vehicle we dialed up HDR mode & the beauty of this is that the finer detail in the image becomes more apparent. Our DP for this shoot Matt Wood was in awe! There is something about seeing a DP of Matt’s level getting excited like a little kid – it tends to rub off on the rest of the crew.

Long Battery Life Both Ninja Flame and Shogun Flame have dual battery plates so you can hot swap batteries whilst in use. We used the dual Sony L series batteries which lasted well over the entire 4-hour race track sequence even when recording the whole time. This brings me back to my experience with the Ninja Blade with continuous power which I still use with my C100mkII.

Credit: Cloakroom Media & Flying Dragon

SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR

Shogun Inferno combines advanced HDR & High PERFECT FOR: brightness monitor technologies with High frame rate & SHOGUN Raw recording capability along with playback & editing Music Video Multi cam HDR/4K from Quad SDI cameras functionality that encourages on set collaboration.

Simply put it is the most advanced field monitor & Sports High frame rate INFERNO most advanced external recorder combined to make Broadcast ISO recordings mastering a high resolution, high frame rate, high Cinema Latest HDR and 4K 60p dynamic range workflow available to all filmmakers. technologies

Where 4K increases the number of pixels, HDR increases the brightness range – displaying brighter and darker parts in a scene at the same time. In consumer terms it means scenes are more vivid and life-like while in filmmaking terms you no longer clip highlights or sacrifice shadow detail. With AtomHDR shoot in Log from your camera and preview post production HDR on the monitor to judge exposure perfectly for final delivery in either HDR or SDR in Post.

Log AtomHDR

INFERNO SERIES CORE FEATURES

RECORD PLAY MONITOR EDIT

The Quad SDI inputs let you connect Apart from 4K recording, high frame Create playlists easily, either entire clips AtomHDR lets you shoot with the high For Standard Dynamic Range (SDR) Record to visually lossless Apple ProRes from cameras with multiple 1.5/3/6/12G rate HD from 50p to 240p can be or tagged parts of clips, for playback on brightness range of your camera’s Log shooting ramp the brightness slider or AVID DNxHD as an edit friendly, SDI outputs without the need for recorded from cameras that output the unit or out to a larger screen. profile and preview the final, vibrant up to 1500 nit for hood-free outdoor visually lossless industry benchmark converters. these high frame rates. post production HDR result. monitoring. independent of the camera brand used.

Record and play out pristine ProRes/ Capture the RAW output from Sony FS5/ Our patent pending Continuous power 10-bit monitor processing increases Apply a custom look to SDR footage by Take PQ out into larger HDR compatible DNxHR in 4K resolution and FS7/FS700 and Canon C300MKII/C500 system automatically swaps to the the number of colors from 16.7 million uploading an applying “.cube” 3D LUT’s. larger screens or feed HDR from your 24/25/30/50/60p frame rates. over SDI, recording to either ProRes, second battery when power is low for for standard 8-bit panels to 1.07 billion, View in full/half mode on screen, output NLE into the PQ input for HDR grading DNxHR or CDNG. uninterrupted recording in the field. minimizing color banding on screen. it to a monitor or record into the footage. using your Atomos product.

The Flame series will change the way you shoot PERFECT FOR: with Log from the camera, combining 3 core monitor FLAME SERIES technologies - AtomHDR, a High Brightness 1500nit Corporate Outdoor/studio monitor, faster ProRes workflow panel and 10-bit color processing - to get the brightness range of HDR Log but with bright, natural Indie As director’s monitor, on gimbals or with DSLR’s colors. This lets you monitor the way you see and record direct to 4K/HD 4:2:2 ProRes / DNxHR Log for Gaming 4K/HD from the console, live audio monitoring & HDR or SDR processing in post production. tagging for edit

Underwater 3rd party housings that bring 4K HDR underwater

Wildlife Pre-roll cache recording, long record times

MODEL COMPARISON

SHOGUN FLAME NINJA FLAME

Perfect for RAW and SDI cameras Perfect for HDMI mirrorless/DSLR cameras

1.5/3/6G SDI & HDMI in/out HDMI in/out

Sony & Canon Raw recording N/A

Bi-directional SDI/HDMI conversion N/A

XLR in/out (cable included) Line audio in / out

Genlock / LTC input N/A

FLAME SERIES CORE FEATURES

RECORD PLAY MONITOR EDIT

The SDI/HDMI Shogun Flame and Apart from 4K recording, high frame Create playlists easily, either entire clips AtomHDR lets you shoot with the high For Standard Dynamic Range (SDR) Record to visually lossless Apple ProRes HDMI only Ninja Flame can input from rate HD up to and including 50/60/120p or tagged parts of clips, for playback on brightness range of your camera’s Log shooting ramp the brightness slider or AVID DNxHD as an edit friendly, cameras, PC’s, game consoles etc and can be recorded from cameras that the unit or out to a larger screen. profile and preview the final, vibrant up to 1500 nit for hood-free outdoor visually lossless industry benchmark output for larger monitors and TV’s. output these high frame rates. post production HDR result. monitoring. independent of the camera brand used.

Record and play out pristine ProRes/ Edit friendly Apple ProRes & AVID Our patent pending Continuous power 10-bit monitor processing increases Apply a custom look to SDR footage by Take PQ out into larger HDR compatible DNxHR in 4K resolution and 24/25/30p DNxHD in 422 for improved color system automatically swaps to the the number of colors from 16.7 million uploading an applying “.cube” 3D LUT’s. larger screens or feed HDR from your frame rates. accuracy & 10-bit for the extended color second battery when power is low for for standard 8-bit panels to 1.07 billion, View in full/half mode on screen, output NLE into the PQ input for HDR grading depth demanded in post production. uninterrupted recording in the field. minimizing color banding on screen. it to a monitor or record into the footage. using your Atomos product.

BLADE SERIES PERFECT FOR:

Weddings Calibrated monitor, long The Blade series adds the professional video recordings on affordable functionality missing in HDMI and SDI cameras. media Monitor on a larger 5” calibrated screen with Indie Films Proxy recorder & focus waveform and focus assist tools, bypass the pulling monitor for internal lossy MPEG recording by capturing 10- Cinema cameras bit 4:2:2 ProRes or DNxHD and even play back Documentary Lightweight ProRes and start tagging footage immediately on set to & Monitor add on to make post production more efficient. DSLR’s

MODEL COMPARISON

SAMURAI BLADE NINJA BLADE

Perfect for Proxy and SDI cameras Perfect for HDMI DSLR cameras

HD/SD SDI in/out HDMI in/out

D-Tap adapter included Canon & Nikon battery plates included

BLADE SERIES CORE FEATURES

RECORD PLAY MONITOR EDIT

The SDI Samurai Blade and HDMI Ninja Frame accurate timecode and start/ We support affordable HDD or SSD from AtomHDR Light brings post production HDR The 5” SuperAtom IPS capacitive Record to visually lossless Apple ProRes Blade have an input for connection with stop triggers from the leading camera the world’s leading media brands. HDD is images to the field. The Light version (8-bit, touchscreen is 1280 x 720 with 325ppi or AVID DNxHD as an edit friendly, cameras, PC’s, game consoles etc and brands over SDI (Samurai) or HDMI the most affordable option, while SSD is 400nit range) previews HDR on screen and overlay to ensure you see your visually lossless industry benchmark output for larger monitors and TV’s. (Ninja). suitable for vibration sensitive shoots. whereas the full AtomHDR (10-bit 1500nit image crisply & cleanly as you monitor. independent of the camera brand used. range) adds PQ in/out. Mark content in recording or playback Edit friendly Apple ProRes & AVID Our patent pending Continuous power Colors you can trust with both out Suite of monitor tools including Mark content in recording or playback as Favorite/Reject and save as an XML DNxHD in 422 for improved color system automatically swaps to the of the box and ongoing calibration waveform, RGB parade, luma parade, using 10 different tags and save as an file with your content for faster editing accuracy & 10-bit for the extended color second battery when power is low for (optional X-Rite unit) to SMPTE vectorscope, focus peaking, false color XML file with your content for faster in FCPX. depth demanded in post production. uninterrupted recording in the field. Rec.709 & D65 white point. & blue only. editing in FCPX.

These lightweight Ninja models are the most PERFECT FOR: affordable and compact way to record professional, NINJA visually lossless Apple ProRes direct from the sensor Underwater Small footprint, low buoyancy ProRes recorder of your DSLR camera or any HDMI source. They also RECORDERS extend the record time beyond the 30min DSLR barrier Youtube ProRes HD recording and offer an affordable playout solution for reviewing & talent monitor combined with larger monitors on set. Education Add ProRes to older MPEG video cameras.

Perfect for Canon 5DMKIII

MODEL COMPARISON

NINJA 2 NINJA STAR

Perfect Recording Upgrade for DSLR’s Perfect for Drones & recording with existing monitors

HDMI (Full) in/out HDMI (micro) in/out

4.3” touchscreen No monitor

115 x 87 x 41mm, 4.5 x 3.4 x 1.6” 95 x 60 x 25mm, 3.7 x 2.4 x 1.0”

Apple ProRes & AVID DNxHD Apple ProRes

2.5” SSD / HDD media CFast 2.0/1.0 media

NINJA RECORDERS CORE FEATURES

Record to visually lossless Apple Edit friendly Apple ProRes & AVID Recording externally to the camera Extract 24P/30P from 60i & 25P from Recorded footage can be played back Ninja2 only; The 4.3” resistive ProRes as an edit friendly, visually DNxHD in 422 for improved color means that the traditional 29.59min 50i or pSF equivalents in real time. and controlled on screen (Ninja2) or touchscreen is 800 x 480 with 220ppi. lossless, camera independent industry accuracy & 10-bit for the extended color barrier imposed on many DSLR cameras out to larger monitors for client viewing. Perfect to navigate menu options and as benchmark. DNxHD available as well depth demanded in post production. does not apply. a comfort monitor on set. on the Ninja 2. Frame accurate timecode and start/stop Compatible with HD and SD video for Synchronize with the camera’s timecode The HDMI input and output allows you Our low power design means that long Ninja Star only; The world’s smallest, triggers from the leading camera brands. recording and playout. via HDMI embedded for independent to connect and record from any HDMI battery life (5hrs+) is realized. lightest Apple ProRes recorder at only external recording. device or loop out to larger monitors for 130g (4.6oz) and 95mm wide (3.7”). client review.

POWER STATION EXTEND CAMERA RUNTIME. CHARGE 3x FASTER. CONTINUOUS POWER.

INCLUDED ACCESSORIES

1 x Atomos Power Station 5 x Battery Adapters

2 x NP-F960 7800mAh Batteries 1 x Canon LP-EN6 battery adapter for 5D MKIII

1 x Soft Carry Case 1 x Sony NP-FW50 battery adapter for A7s

1 x DC to DC Cable (for Shogun/Ninja Assassin) 1 x Sony NP-F L series battery adapter for compatible Sony cameras

1 x 15V 60W AC/DC Adapter 1 x Panasonic DMW-BLF19 battery adapter for GH4

6 x Velcro Straps 1 x Nikon EN-EL15 battery adapter for D800/D810

POWER STATION CORE FEATURES

Continuous Power 3x Faster Charge Extend Run Time USB Quick Charge LED Readouts DC Battery Adapters Our patented Continuous Power dual battery system The DC input lets you connect to AC power to Extend your camera run time beyond the A flexible dual USB power source allows you to The independent left and right LED displays on the Dummy batteries available to power popular cameras allows batteries to be hot swapped ensuring you will charge the provided batteries up to 3x the rate manufacturers own battery capacity. charge 2 USB devices (up to 3A) eg. cameras, front of Power Station give a quick 5 step visual guide such as the Sony A7s/A7RII, Panasonic GH4, Nikon never be without power in the field. of conventional chargers. tablets & smart phones. on the power remaining for each battery from 100% 800/810, Canon 5D MKIII and Sony camcorders using down to 5%. NP-F L series.

Power Output Power Input Weight Battery Management

On DC power 2 DC outputs at 8.4V, 4A Max Total DC Input voltage 12V to 19V Without batteries 143g / 5oz Battery Charging (on DC 2 x 1.6A fast chargers (approx three hours power only) to simultaneously charge a 2x NP-F570 USB Charging 2 USB outputs at 5V, 3A Max Total D-tap input voltage 12V to 19V With batteries 719g / 25.4oz batteries) (via adapter) Max Total Output Power 32W Dimensions (W x H x D mm) 160 x 55 x 35mm Battery Level Indicators Charge remaining indicators for both Battery input voltage 7.4V System (8.4V Max), 2 slots Operational Temperature 0°C - 40°C (32°F 104°F) Construction High quality lightweight ABS Polycarbonate batteries Compatible Batteries Sony NPF series mount. for durability & portability Continuous Power *Patent Primary-Secondary battery system. Change Nikon and Canon batteries via optional Pending batteries without losing power. Loop bat- Atomos adapters teries continuously. Falls back on battery power if mains power lost.

Every brand of monitor in the field and in the editing suite Ensure your HDMI cables aren’t the weakest link naturally drifts in color over time. Atomos have partnered on set. Featuring high quality connectors, with calibration leader X-Rite to open up professional high speed HDMI 2.0 for the latest high frame rate monitor calibration to all filmmakers. recordings and a coiled cable for neater cable management on the rig. These are the only HDMI cables specifically designed for filmmakers.

FIELD MONITORS EDITING MONITORS USB TO SERIAL FAST AND ACCURATE HDMI 2.0 READY HDR READY 4K 60p READY ATOMFLEX COILED CABLE

Make judgments on color and Final editing decisions need to Use the same X-Rite i1Display The X-Rite i1Display Pro model Passes the high speed tests laid Compatible with High Dynamic The perfect cable for Atomos Coiled cable to give flexibility on luminance in the field with be made on a calibrated screen. Pro model already trusted by is renowned for its speed and out in HDMI 2.0. 4K 60p and HD Range (HDR) product line up. Inferno and connecting the rig, extending & retracting as the confidence of a calibrated The same X-Rite model used professionals around the world. accuracy – a simple 3 step 240p are fully supported. other high frame rate 4K 60p you need to minimize clutter. monitor. in the field can also be used to There is no “special” model, process is all it takes to ensure infrastructure. calibrate monitors in the simply purchase the Atomos your Atomos monitor-recorders editing suite. USB to serial cable and get to are always color accurate. work calibrating the monitors in your workflow.

HDMI Cables

Part number Connector (Atomos) Connector (Camera) Cable type Length (cm) Length (inches) STUDIO FLAME ATOM4K60C1 HDMI Full HDMI Micro (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended) BLADE ATOM4K60C2 HDMI Full HDMI Micro (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

ATOM4K60C3 HDMI Full HDMI Mini (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)

ATOM4K60C4 HDMI Full HDMI Mini (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

ATOM4K60C5 HDMI Full HDMI Full (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)

ATOM4K60C6 HDMI Full HDMI Full (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

INFERNO i1Display Pro supported on Atomos Inferno, Flame, Blade and Studio series

CASE STUDY: WORLD MUSIC TOUR

“The perfect solution for recording Gearhouse Broadcast were commissioned to facilitate the 4K production of the Sydney leg of what proved to be one of the top grossing tours of 2015. To have an understanding of the scale of this 4K Multi-cam large scale events” event, the size of the production crew was 300 – and that was just the Recording/OB crew alone! Chris Davies, Senior Broadcast Engineer, Gearhouse Broadcast

Client Demanded ProRes Delivery Easy to use Rack-based Monitoring The client requested that the production was to be captured & Recording in 4K for archiving and a future 4K delivery. The specific This rack set up was the most impressive in the production, requirement was 4K ProRes HQ, making the footage 10bit, it seemed to be a favorite for the producers and the client. low compressed and edit ready for Final Cut Pro. We set Having such a vivid image displayed on these monitors with out to achieve the best possible image capture which all of the tools just a touch away was instrumental in our required technologies that we would not usually use for a success. The fact that this rack was our 4k Record seemed multi-cam recording. to be just a bonus.

Best of the Best in Multi-cam Making the Complex, Simple The camera of choice was the Sony PMW-F55 CineAlta, The Shogun Studio integrated perfectly to our ecosystem, 20 of them to be exact. The large sensor, low light and 4K locking signal and timecode flawlessly. The simplicity of the capabilities made this camera a no brainer. We also had two Atomos system in such a complex environment makes it a Phantom Flex 4K cameras and a few Arri Alexa’s for additional breath of fresh air once that record button is tapped. stylized shots. These cameras were paired with Fujinon and The Shogun studio proved to be the perfect solution for Canon cinema zoom lenses. To add to the list of toys we had recording 4k Multi-cam large scale events. We can now take on 4x techno cranes, a Helicopter with a Cineflex stabilizer and 6x any 4K event knowing that we can confidently capture pristine remotely operated hot heads, that, coupled with some of the footage that is immediately edit-ready. best camera operators Australia has to offer.

Challenge; 4K Data Wrangling With all of these camera rigs equipped to capture amazing pictures, the next challenge was to get them feeding back to the OB compound. We ran fiber from each camera back to the OB into the Sony Baseband processors and then distributed the 4K signal into the final link of the chain, the Atomos Shogun Studio. In fact we used a combination of Shogun and Shogun studios just in case we decided to get some units mobilized.

Credit: Gearhouse Broadcast

SHOGUN STUDIO RONIN SHOGUN INFERNO CONNECT-AC CONNECT PAGE 12

PERFECT FOR: Harnessing the latest 4K/HD recorder, monitor and playback technologies the Shogun Studio 4K/HD playout with GenLock and enhances existing HD workflows and provides Event Playout SHOGUN Playlist an affordable rack mount solution for creating 4K Masters. Sports Multi camera 4K ProRes record STUDIO with Waveform OB Vans 3RU all in one record/monitor/test/ convert/playout

SHOGUN STUDIO CORE FEATURES

RECORD PLAY MONITOR EDIT

Record camera ISO feeds directly from Shogun Studio provide continuous In Playback mode customer playlists AtomHDR lets you shoot with the high Spectacular 7.1” 1920x1200 over 320PPI Record to visually lossless Apple ProRes the sensor via HDMI or SDI turning any 4K/HD recording with the ability to can be created from Favorites (even brightness range of your camera’s Log SuperAtom IPS capacitive touch-screen & or AVID DNxHR as an edit friendly, camera into a studio head. Increased automatically record onto the 2nd drive respecting subclip i/o points), selected profile and preview the final, vibrant record indicators. Calibrated in the factory visually lossless industry benchmark quality 4:2:2 10-bit ProRes/DNxHR/HD when the first is full. clips or a combination of the two. post production HDR result. to Rec.709 & calibrate anytime using the independent of the camera brand used. with file naming & Metadata. optional X-Rite unit. Shogun Studio has both HDMI and 12G SDI SDI & HDMI Rec Start / Stop triggers Shogun Studio benefits from redundant Supports up to 12 tracks 24bit 48k Monitor more than just the composition Take PQ out into larger HDR compatible in/out (back compatible with 1.5/3/6G SDI). that can be cascaded across multiple dual auto load balancing power supplies Audio on SDI, 2 channels XLR in at of the shot with wave form Luma, larger screens or feed HDR from your You can convert between HDMI and SDI devices as well as the ability to remotely and industry standard IEC connectors mic or line level, 48V phantom and RGB parade and vector scope. Check NLE into the PQ input for HDR grading (both ways) and downscale from 4K to HD control the Studio via 9pin RS422 making it easy to connect to your rack Audio Delay as well as 2 XLR outputs exposure, focus and critical focus with using your Atomos product. on the outputs. Machine control or AMP over Ethernet. PDU or UPS. per Recorder. 2:1 zoom.

RONIN PERFECT FOR:

Concerts – High capacity, affordable Designed for fixed facility studios and OB media for long run times. vans, Ronin lets you standardize ISO, Live and Switched HD or SD recording feeds direct to Broadcast – standardize iso, live and switched recordings Apple ProRes or Avid DNxHD ready immediately

for post production. OB Vans - Continuous recording with dual Ronins test/convert/playout

Dual Ronin also available RONIN CORE FEATURES

RECORD PLAY MONITOR EDIT

Ronin is compatible with HD and SD Record to visually lossless Apple Synchronize with the camera’s timecode A 5” resistive touchscreen (800 x 480) SDI input for connection with cameras We support affordable, readily available video for recording and playout. ProRes or AVID DNxHD as an edit & record run, free run, time-of-day time to navigate menu options and as a & broadcast infrastructure and output HDD or SSD. For mastering and friendly, visually lossless industry codes for independent external recording. comfort monitor during recording. for larger monitors and TV’s. archiving, they outperform DVD’s and benchmark independent of the camera Blu-ray significantly in size of cost. brand used. Edit friendly Apple ProRes & AVID Dual Ronins provide continuous Recorded footage can be played back 2 channels of XLR balanced analog Forget buttons & tape, move to AC power drives the Ronin with DNxHD in 422 for improved color recording for extra long shoots. Loop and controlled on screen or out to larger (48kHz 16-bit) in addition to the 12 touchscreens & HDD/SSD. Adjust audio continuous battery backup for accuracy & 10-bit for the extended color out to the second Ronin and start monitors for client viewing. channels embedded in the SDI signal. channels on screen & monitor feeds with emergency situations. depth demanded in post production. recording as the first drive fills. intuitive feedback.

THE WORLD’S SMALLEST BATTERY CONNECT POWERED VIDEO CONVERTER.

HRS 10 BATTERY H2S S2H

THE WORLD’S SMALLEST AC POWERED CONNECT-AC VIDEO CONVERTER.

External Battery

D-Tap/AC Rack Mountable Power H2S S2H

They are stackable too. With the AC power The internal battery lasts 2 hours & with a fully There is an optional rack mount kit to supply included, you can charge up to three charged battery mounted lasts 10 hours. hold up to 4 Connect AC converters. Connect units simultaneously.

CONNECT/CONNECT-AC CORE FEATURES Internal battery

Test Pattern & Audio Tone Generator 3:2 & 2:2 Pulldown Timecode & Trigger pass through Flash light A test pattern & audio tone generator is built in to use as a Extract 24P/30P from 60i & 25P from 50i or pSF equivalents Allow for pass through of timecode and start/stop trigger A built in LED torch so you can see what you’re line testing tool. A time saver for system technicians & system in real time. between devices. connecting to in the dark. integrators in the field or in the studio.

CONNECT H2S/S2H SPECS CONNECT-AC S2H / CONNECT-AC H2S SPECS

Weight & Dimensions 113g (without battery) / 213g (with battery) USB Interface Firmware Update Interface ONLY Weight & Dimensions 115g (without battery) / 215g (with battery) Video Input S2H: 3G/HD/SD-SDI x 1 H2S: HDMI x 1 45.0mm (w) x 76.5mm (l) x 34.0mm (h) 85.0mm (w) x 90.0mm (l) x 25.0mm (h) Video Input H2S: HDMI x 1 S2H: 3G/HD/SD-SDI x1 Video Out S2H: 3G/HD/SD-SDI x 1 and HDMI x 1 H2S: 3G/HD/SD-SDI x 2 Power Consumption 2W while converting AC Power 100-240VAC, 0.2A, 50-60Hz Video Out H2S: 3G/HD/SD-SDI x 2 S2H: 3G/HD/SD-SDI x1 and HDMI x1 Audio (In/Out) Embedded Audio 2ch, 16, 20 or 24-bit Batteries • Internal up to 1 hour • 2600mAh - 10hrs (included) Power Consumption 2W while converting • 5200mAh (NP Series, 7.4V - 16.8V) - 20hrs (optional) Audio (In/Out) Embedded Audio 2ch, 24, 20 or 16-bit Timecode SDI: Sony, Canon, Panasonic, Arri, RED • 7800mAh - 30hrs (optional) • AC Power 2:2 Pulldown Removal • 25PSF (50i)>25P • 30PSF (60i) >30P • 24PSF > 24P & Rec Trigger Exchange HDMI: Sony, Canon Timecode, Canon Start/Stop Supply 100-240V (included) • DTap Adapter (optional) Timecode SDI: Sony, Canon, Panasonic, Arri, RED & Rec Trigger Exchange HDMI: Sony, Canon Timecode, Canon Start/Stop Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, Continuous Power Connect acts as a battery, feeding continuous power Audio Tone 1kHz @ -20dBfs 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, (Patent Pending) into your Ninja, Samurai, or another Connect. Supported Formats (In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, USB Interface Firmware Update Interface ONLY 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, Built-in 3:2 • 25PSF (50i)>25P • 30PSF (60i) >30P • 24p (3:2-60i) >24P 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 486i59.94, 480i59.94, 576i50 Pulldown Removal 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, 486i59.94, 480i59.94, 576i50 All specifications correct when published, subject to E&OE. Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Audio Tone 1kHz @ -20dBfs All specifications correct when published, subject to E&OE.

SUNHOOD ARMOR BUMPER LCD PROTECTOR TRAVEL CASE HARD CASE USB TO SERIAL CABLE Optional sun hood available for Shogun, Protection from bumps and knock Matte protector sheet for 7” models Smaller footprint travel case for Hard carry case and Calibration cable to connect with Ninja Assassin, Samurai/Ninja Blade, on Shogun and Ninja Assassin Shogun, Ninja Assassin and Blade replacements foams available optional X-Rite calibration unit Ninja 2. Replacement available for hoods series included with Inferno and Flame models

POWER STATION BATTERY ADAPTERS BATTERIES HDD/SSD CADDIES x 5 DOCKING STATION CFAST READER DOCK CANON & NIKON Power Station battery adapters for Sony FW-50, 2600mAh 2 cell & 5200mAh 4 cell For all Recorders Dock SSD/HDD to Mac/PC Dock CFast to Mac/PC BATTERY ADAPTER Panasonic BLF19, Canon LP-E6, Sony NP-F570, battery Nikon EN-EL15

AC POWER ADAPTER FAST BATTERY CHARGER DC TO D TAP COILED CABLE CONNECT-AC RACK KIT RONIN RACK KIT Replacement AC power for all Fast single battery charger For all 7” recorders Fits four Connect-ACs Fits two Ronins XLR BREAKOUT CABLE monitor-recorders for Atomos and Sony NP style Replacement breakout XLR cable batteries for Shogun

To make it easier for students to learn the right way, Atomos offer one of the most generous discounts in the industry to students. A 25% discount from the MSRP is % available to students with proof of enrollment in media/film/photo studies or purchasing CFast Media Specs ATOMCFT64 ATOMCFT128 on behalf of a University/School. Available for Atomos products with MSRP greater than CFast speed & size, made affordable by Atomos $500. Institution with more complex needs are welcome to contact their local Atomos Size 64GB* 128GB* 25 office (atomos.com/contact) to design a customized Atomos bundle.

CFast version CFast 1.0 EDUCATION DISCOUNT For more details visit: www.atomos.com/school Write Speed 80MB/s

Read Speed 200MB/s

Operating temperature -25 to 45 degrees Celsius Registering your Atomos product is easy and rewarding. You’ll be the first to know about new features and firmware and your warranty will -13 to 113 degrees Fahrenheit YEAR be tripled from the standard 1 year to 3 years warranty (extended warranty applies to Atomos product greater than $500 MSRP on products registered within 1 year * Some of the listed storage capacity is used for formatting and other purposes and WARRANTY REGISTERED3 PRODUCTS of purchase) is not available for data storage

Learn more and register your product at: www.atomos.com/registration

Weight

Without batteries & media 709g / 25.0oz 650g / 22.9oz 620g / 21.9oz 345g / 12oz 311g / 11oz 300g / 11oz 130g / 4.6oz

With batteries & media 1153g / 40.7oz 1094g / 38.6oz 1064g / 37.5oz 696g / 25oz 662g / 23oz 651g / 23oz 249g / 8.8oz

Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 153 x 87 x 48mm, 6.0 x 3.4 x 1.9” 136 x 87 x 48mm, 5.4 x 3.4 x 1.9” 115 x 87 x 41mm, 4.5 x 3.4 x 1.6” 95 x 60 x 25mm, 3.7 x 2.4 x 1.0”

High quality lightweight ABS Polycarbonate for High quality lightweight ABS Polycarbonate for High quality lightweight ABS Polycarbonate for Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Construction durability & portability durability & portability durability & portability

Built-in armor protection Built-in armor protection Built-in armor protection

Power

Operating power (including SSD) 10 - 27W 10 - 24W 10 - 24W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.0W (Rec, Mon, Play) 3.5W / 4.5W (Rec,Play)

Compatible batteries NP series and supporting accessories NP series and supporting accessories NP series and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories

Input voltage (battery) 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V

Battery time (based on 7.4V) - - - 2600mAh - up to 4hrs 2600mAh - up to 4hrs 2600mAh - up to 5hrs 2600mAh - up to 5hrs

5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 8hrs 5200mAh - up to 8hrs 5200mAh - up to 9hrs 5200mAh - up to 9hrs

7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 12hrs 7800mAh - up to 12hrs 7800mAh - up to 14hrs 7800mAh - up to 14hrs

DC In 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) - - - -

Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system Primary-secondary battery system Continuous power Change batteries without losing power Change batteries without losing power Change batteries without losing power Change batteries without losing power Change batteries without losing power Change batteries without losing power via optional Power Station * Patent pending Loop batteries continuously Loop batteries continuously Loop batteries continuously Loop batteries continuously Loop batteries continuously Loop batteries continuously

Touchscreen

Size 7.1” 7.1” 7.1” 5” 5” 4.3” -

Resolution 1920 x 1200 1920 x 1200 1920 x 1200 1280 x 720 1280 x 720 800 x 480 -

PPI 325 325 325 325 325 220 -

Aspect ratio 16:9 native 16:9 native 16:9 native 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox -

Color Gamut REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV SMPTE -

Look up table (LUT) support 3D LUT (.cube file format) 3D LUT (.cube file format) 3D LUT (.cube file format) 1D LUT 1D LUT - -

Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 - - - -

SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to SuperAtom IPS panel (capacitive touch), calibration to LCD (Resistive touch) - Technology Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit Rec.709 with optional calibration unit

HDR

AtomHDR Yes Yes Yes Yes Yes No No

Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, N/A N/A Supported Log formats Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Panasonic Vlog, JVC JLog, Red LogFilm Sony SGamut / SGamut3 / SGamut3.cine Sony SGamut / SGamut3 / SGamut3.cine Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Canon Cinema / BT2020 / DCI P3 / DCI P3+ Canon Cinema / BT2020 / DCI P3 / DCI P3+ Native gamut (no conversion) Native gamut (no conversion) N/A N/A Supported Gamuts Panasonic V Gamut Panasonic V Gamut Panasonic V Gamut Arri Alexa Wide Gamut Arri Alexa Wide Gamut Arri Alexa Wide Gamut

Bit depth 10-bit (8+2 FRC) 10-bit (8+2 FRC) 10-bit (8+2 FRC) 8-bit 8-bit 8-bit N/A

Brightness 1500nit (+/- 10%) 1500nit (+/- 10%) 1500nit (+/- 10%) 400nit 400nit N/A

PQ in/out Yes / Yes Yes / Yes Yes / Yes No / No No / No N/A N/A In = Post Out = Monitor

Video input/loop out

HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)

SDI Quad link 4 x 3G SDI or up to 12G single link SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) - 1 x HD/SD-SDI (SMPTE) - - -

Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Signal (camera dependent) (camera dependent) (camera dependent) (camera dependent) (camera dependent) (camera dependent) (camera dependent)

Video output (play out)

HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)

SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G - 1 x HD/SD-SDI - - -

Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 Signal (playback file dependent) (playback file dependent) (playback file dependent) (playback file dependent) (playback file dependent) (playback file dependent) (playback file dependent)

Supported loop out formats

SD 480i, 576i SD 480i, 576i SD 480i, 576i 720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60, 1280 x 720p 50/60 1280 x 720p 50/60 1280 x 720p 50/60 1080p 24/25/30/50/60/100/120/200*/240* 1080p 24/25/30/50/60/120, 1080p 24/25/30/50/60/120, - HDMI to HDMI 1920 x 1080i 50/60 1920 x 1080i 50/60 1920 x 1080i 50/60 2160p 24/25/30/50/60 2160p 24/25/30 2160p 24/25/30 1920 x 1080p 24/25/30 1920 x 1080p 24/25/30 1920 x 1080p 24/25/30

720p 50/60, 1080i 50/60 720p 50/60, 1080i 50/60 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080pSF 24/25/30 - 1080pSF 24/25/30 - - - SDI to SDI 1080p 24/25/30/50/60/100/120/200*/240* 1080p 24/25/30/50/60/120* 1080p 24/25/30 2160p 24/25/30/50/60 2160p 24/25/30

Video signal conversion

720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60 HDMI to SDI 1080p 24/25/30/50/60/100/120/200*/240* 1080p 24/25/30/50/60/120* - - - - - 2160p 24/25/30/50/60 2160p 24/25/30 720p 50/60, 1080i 50/60, 720p 50/60, 1080i 50/60, SDI to HDMI 1080p 24/25/30/50/60/100/120/200*/240* 1080p 24/25/30/50/60/120* - - - - - 2160p 24/25/30/50/60 2160p 24/25/30

Specifications correct at time of printing E&OE 34 Atomos * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI © 2016 Atomos Global | atomos.com 35 SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR

Supported Codecs & frame rates (record & playback)

Codecs Codecs Cinema DNG for supported cameras (Sony FS5/FS7/ Cinema DNG for supported cameras (Sony FS5/FS7/ FS700, Canon C300MKII, C500, Panasonic Vericam FS700, Canon C300MKII, C500, Panasonic Vericam RAW*) RAW*) Raw to CDNG (Record only)* N/A N/A N/A N/A N/A Frame rates Frame rates 4K DCI / 4K UHD; 24/25/30p 4K DCI / 4K UHD; 24/25/30p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p

Codecs Codecs Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB AVID DNxHR HQX. HQ, SQ, LB Raw to ProRes / DNxHR N/A N/A N/A N/A N/A Frame rates Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p 4K DCI / 4K UHD; 24/25/30 2K*** / 1080p; 24/SF24/25/SF25/30/ 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 SF30/50/60/100/120/200/240p

Codecs Codecs Codecs Codecs Codecs Codecs Apple ProRes HQ, 422, LT Codecs Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB AVID DNxHR HQX. HQ, SQ, LB AVID DNxHD 220x, 220, 145, 36 AVID DNxHD 220x, 220, 145, 36 AVID DNxHD 220x, 220, 145, 36

Frame rates Frame rates Frame rates Frame rates Frame rates Frame rates Frame rates Video to ProRes / DNxHR 4K DCI / 4K UHD; 24/25/30/50/60p 1080p; 24/SF24/25/SF25/30/SF30 4K DCI* / 4K UHD; 24/25/30 4K DCI* / 4K UHD; 24/25/30 1080p; 24/SF24/25/SF25/30/SF30 1080p; 24/SF24/25/SF25/30/SF30 1080p; 24/SF24/25/SF25/30/SF30 2K*** / 1080p; 24/SF24/25/SF25/30/ 1080i; 50/60i 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 1080i; 50/60i 1080i; 50/60i 1080i; 50/60i SF30/50/60/100/120/200/240p 720p; 50/60p 1080i; 50/60i 1080i; 50/60i 720p; 50/60p 720p; 50/60p 720p; 50/60p 1080i; 50/60i SD 480i, 576i 720p; 50/60p 720p; 50/60p SD 480i, 576i SD 480i, 576i SD 480i, 576i 720p; 50/60p

Onboard processing

24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) Pulldown removal 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback - - - -

Audio in/out (48kHz PCM audio)

HDMI 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent - 2ch 48kHz 16-bit 2ch 48kHz 16-bit 2ch 48kHz 16-bit (no gain control)

SDI 12ch 48kHz 24-bit 12ch 48kHz 24-bit - 12ch 48kHz 16-bit - - -

2ch balanced XLR analog in/out 2ch balanced XLR analog in/out Dynamic range >90dB Dynamic range >90dB Audio Max signal level +24dBu Max signal level +24dBu Line in / Mic in / Headphone out 2ch 48kHz 24-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in 2ch 48kHz 16-bit Max analog gain +52dB Max analog gain +52dB 48V Phantom Power for Mic 48V Phantom Power for Mic

Remote start/stop

Auto HDMI Trigger Auto HDMI Trigger Auto HDMI Trigger Auto HDMI Trigger Auto HDMI Trigger Auto HDMI Trigger HDMI Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open - Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open Supported Protocols - Canon, Sony, Atomos Open Standard Standard Standard Standard Standard Standard

SDI SDI trigger camera selectable SDI trigger camera selectable - SDI trigger camera selectable - - -

Other LANC control - Slave LANC control - Slave LANC control - Slave LANC control - Slave LANC control – Slave - -

Playback

Playlist Yes Yes Yes - - - -

Genlock/LTC Yes / Yes Yes / Yes - - - - -

Recording

Pre-roll record Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) - - - -

Custom timelapse Yes Yes Yes - - - -

Meta data tagging Yes (10 tags available) Yes (10 tags available) Yes (10 tags available) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject)

4K / HD (50/60/120p) 4K / HD (50/60/120p) 4K / HD (50/60/120p) SSD 2.5”, HDD (7,200 up to 1080p60) SSD 2.5”, HDD (7,200 up to 1080p60) SSD 2.5”, HDD (7,200 up to 1080p60) SSD 2.5” SSD 2.5” SSD 2.5” Atomos CFast & approved 3rd party CFast Supported media (Approved List Only) HDD (5,400 to 7,200rpm) HDD (5,400 to 7,200rpm) HDD (5,400 to 7,200rpm) HD HD HD SSD 2.5”, HDD (5,400 up to 1080p30) SSD 2.5”, HDD (5,400 up to 1080p30) SSD 2.5”, HDD (5,400 up to 1080p30) Master Caddy II (included) Master Caddy II (included) Master Caddy II (included) Master Caddy 1 (included) Master Caddy 1 (included) Master Caddy 1 (included) - Master caddy case 75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm 75mm x 105mm x 12mm

Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 USB 2.0/3.0 CFast card reader

Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- Supported Applications FCPX/FCP7+ / Media Compos- er 5.0+ / Premiere 5.5+ er 5.0+ / Premiere 5.5+ er 5.0+ / Premiere 5.5+ er 5.0+ / Premiere 5.5+ er 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ er 5.0+ / Premiere 5.5+ er 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Supported applications EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / / Lightworks / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Autodesk Smoke 2015 Autodesk Smoke 2015 Autodesk Smoke 2015 Autodesk Smoke 2015 Autodesk Smoke 2015 Autodesk Smoke 2015 FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion FCPX XML native, FCP7 supported with conversion (Adobe compatible) XML support (Adobe compatible) (Adobe compatible) (Adobe compatible) (Adobe compatible) (Adobe compatible) (Adobe compatible) Shogun Inferno unit, Custom yellow HPRC case, Shogun Flame unit, Custom yellow HPRC case, Ninja Flame unit, Custom red HPRC case, Control Samurai Blade unit, Universal battery charger 110- Ninja Blade unit, Universal battery charger 110-240V, Control cable, XLR breakout cable, 2x NP-F750 Control cable, XLR breakout cable, 2x NP-F750 cable, 2x NP-F750 5200mAh batteries, Fast battery Ninja Star unit, Universal battery charger 110-240V, AC 240V, AC adapter & car charger, docking station & AC adapter & car charger, docking station & leads, 2 Ninja 2 unit, Universal battery charger 110-240V, dock- 5200mAh batteries, Fast battery charger, SATA 3/2 to 5200mAh batteries, Fast battery charger, SATA 3/2 to charger, SATA 3/2 to USB 3/2 HDD/SSD docking adapter & car charger, CFast card reader, 1 x Atomos leads, 2 x master caddy cases, 1 x Atomos 2600mAh x master caddy cases, 1 x Atomos 2600mAh battery, ing station & leads, 2 x master caddy cases, 1 x Atomos Accessories included USB 3/2 HDD/SSD docking station, DC to D-Tap coiled USB 3/2 HDD/SSD docking station, DC to D-Tap coiled station, DC to D-Tap coiled cable, Master Caddy II x 2600mAh battery, Rugged carry case, Cheese plate battery, Rugged carry case, D-Tap adapter, 2.5mm “Y” Rugged carry case, Canon & Nikon adapter plates, 2600mAh battery, Canon & Nikon adapter plates cable, Master Caddy II x 5, 12V-3A AC adapter x 2 cable, Master Caddy II x 5, 12V-3A AC adapter x 2 5, 12V-3A AC adapter x 2 (Fast charger & DC power), mounting adapter adapter cable for LANC 2.5mm “Y” adapter cable for LANC (Fast charger & DC power), HDR sunhood (Fast charger & DC power), HDR sunhood HDR sunhood 5 x Master caddy cases, Sunhood, Carry cases, Canon 5 x Master caddy cases, Sunhood, D-Tap adapter, 5 x Master caddy cases, Sunhood, D-Tap adapter, car D-Tap adapter, Canon & Nikon adapter plates, Connect Optional extras Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration & Nikon adapter plates, Connect H2S converter, Carry cases, Connect H2S converter, Connect S2H adapter, Carry cases, Connect H2S converter, Connect H2S converter, Connect S2H converter, CFast cards, Connect S2H converter, Power Station converter, Power Station S2H converter, Power Station Atomos specialty HDMI cables, Power Station

Specifications correct at time of printing E&OE 36 Atomos * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI © 2016 Atomos Global | atomos.com 37 SHOGUN STUDIO RONIN SHOGUN STUDIO RONIN

Weight & dimensions Codecs Codecs Apple ProRes HQ, 422, LT Apple ProRes HQ, 422, LT 1.8kg / 3lb 15oz (Ronin) AVID DNxHR HQX. HQ, SQ, LB AVID DNxHD 220x, 220, 145, 36 Weight 5.0kg / 11lb 4.8kg / 10lb 9oz (Ronin Duo) Frame rates Frame rates Video to ProRes / DNxHR 4K DCI / 4K UHD; 24/25/30 1080p; 24/SF24/25/SF25/30/SF30 3Ru 3Ru Rack height 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 1080i; 50/60i 1080i; 50/60i 720p; 50/60p Rack mounting Removable rack ears Optional rack shelf 720p; 50/60p SD 480i, 576i 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears) 202 x 120 x 160mm, 8.0 x 4.7 x 6.3” (Ronin) Onboard processing Dimensions (W x H x D mm) 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears) 490 x 120 x 160mm, 19.3 x 4.7 x 6.3” (Ronin Duo) 24/25/30pSF > 24/25/30p (2:2 pulldown) 24/25/30pSF > 24/25/30p (2:2 pulldown) Construction Steel construction for durability Steel construction for durablility HDMI 60i > 24p (3:2 pulldown) 60i > 24p (3:2 pulldown)

Cooling Actively controlled fan with heat sinks Heat sink, fanless SDI Yes - Always on via optional Connect converter

Power Analogue audio On HDMI/SDI loop out (Rec & Playout) No

Operating power (including SSD) 20 - 60W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) Audio in/out (48kHz PCM audio)

Redundant PSU Yes No HDMI 2 or 8ch 24-bit, camera dependent No

Compatible batteries No NP series, D-Tap and supporting accessories SDI 12ch 48kHz 24-bit 12ch 48kHz 16-bit

2 x XLR in & 2 x XLR out on rear per record Input voltage (battery) - 6.2V to 16.8V 2 x XLR in & 2 x XLR out on rear per record channel. Analogue audio channel. Mic or line level with phantom 48V DC Out No Yes Processing Gain control on line in & headphone output Gain control on line in & headphone output Continuous power - AC, battery & DC * Patent pending Maximum audio quality 24-bit, 48kHz 16-bit, 48kHz Touchscreen Audio delay Delay setting +1 to 99 frames No Size 7.1” 5” Remote control 1920 x 1200 800 x 480 Resolution Auto HDMI Trigger No HDMI Supported Protocols - Canon, Sony, Atomos Open Standard PPI 320 220 SDI SDI trigger camera selectable SDI trigger camera selectable Aspect ratio 16:9 native 16:9 native / 4:3 Letterbox RS422 RS422 machine control No Color standard Rec.709 HDTV SMPTE AMP via Ethernet RJ45 10/100 No Look up table (LUT) support 3D LUT (.cube file format) No Serial Calibration (front) LANC control - slave Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit LCD (resistive touch) Timecode Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom No Embedded timecode from camera or video device No Calibration in factory to Rec.709, in field HDMI No Calibration calibration with optional X-Rite unit SDI Embedded timecode from camera or video device Embedded timecode from camera or video device HDR LTC In Yes (LTC loop back) No AtomHDR Yes No GenLock In Yes (GenLock loop back) No Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red Supported Log formats N/A LogFilm Playback Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ N/A Playlist Yes (run down or reverse order) for selected, favorite or all clips No Supported Gamuts Panasonic V Gamut Arri Alexa Wide Gamut

Bit depth 8-bit 8-bit Playback options Loop in & out markets Loop in & out markets

400nit Brightness Recording

PQ in/out Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen- Yes / Yes No In = Post Out = Monitor Dual channel dent dual channel record. Single channel 4K / HD recording automatically switches between drive when at Video input/loop out No Continuous record capacity HDMI 1 x HDMI (1.4b) per channel No Pre-roll record Yes (HD 8s, 4K 2s) No SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel 1 x HD/SD-SDI 1.5G (SMPTE) Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from No Custom timelapse internal clock). Uncompressed true 10-bit or 8-bit 422 Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) (camera dependent) Meta data tagging Yes (10 tags available) Yes (Favorite, Reject) Video output (play out) Recording media HDMI 1 x HDMI (1.4b) per channel No Drive slots 2 (1 per record channel) 1 per device SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel 1 x HD/SD-SDI 1.5G (SMPTE) Drive connection types SATA SATA Uncompressed true 10-bit or 8-bit 422 Uncompressed true 10-bit or 8-bit 422 4K / HD (50/60/120p*) Signal (playback file dependent) (playback file dependent) CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60) Supported media Supported Codecs & frame rates (record & playback) (Approved List Only) HD HD Codecs CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30) CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30) Cinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500, Master Caddy II (included) Master Caddy I (included) Panasonic Vericam RAW*) Master caddy case 75mm x 105mm x 12mm 75mm x 105mm x 12mm Raw to CDNG (Record only) N/A Frame rates Master caddy dock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 4K DCI / 4K UHD; 24/25/30p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ / Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS Supported applications Lightworks / Autodesk Smoke 2015 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 Codecs Apple ProRes HQ, 422, LT XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible) AVID DNxHR HQX. HQ, SQ, LB Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies Ronin unit, docking station & leads, 5 x master caddy cases, 2 x Atomos 2600mAh Raw to ProRes / DNxHR N/A Accessories included Frame rates 4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth battery, D-Tap adapter 4K DCI / 4K UHD; 24/25/30 Master Caddy II x 5, X-Rite calibration Rack mount adapter, Connect H2S converter, Connect s2H converter 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120 Optional extras Warranty 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration

Specifications correct at time of printing E&OE 38 Atomos * Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI © 2016 Atomos Global | atomos.com 39 Join the Atomos community.

/atomosglobal /atomosvideo @Atomos_News /AtomosVideo @atomos_news

Atomos (HQ)

29 Nott Street, Port Melbourne Email [email protected] VIC 3207 Australia Tel +61 3 9999 5908

ATOMOS USA ATOMOS EUROPE ATOMOS JAPAN ATOMOS CHINA

Atomos Inc Europe, Middle East & Africa Atomos Co. Ltd Atomos China Co., Ltd. 2056 NW Aloclek Drive, Atomos GmbH AY bld. 1-2-3 Nihonbashi Horidomecho 1208, Golden Tower, Suite #303 Hillsboro, OR, 97124 Hohe Str. 21 Chuo-ku, No.1 Xibahe South Road, 56410 Montabaur, Germany Tokyo 103-0012 Chaoyang District, 100028, Beijing, Tel: +1 503 388 3236 China Tel: + 49 2602 839 180 0 Tel: +81 3 6661 2827 (English & German) Tel: +86 10 6440 3688

® 2016 Atomos Global. “Atomos” and product names are registered trademarks. 40 Atomos