Castle Howard the History the Howard Family Have Lived at Castle

Total Page:16

File Type:pdf, Size:1020Kb

Castle Howard the History the Howard Family Have Lived at Castle Castle Howard “Nobody had informed me that at one view I should see a palace, a town, a fortified city, temples on high places, woods worthy of being each a metropolis of Druids, the noblest lawn in the world fenced by half the horizon, and a mausoleum that would tempt one to be buried alive: in short I have seen gigantic palaces before, but never a sublime one.” Horace Walpole, 1772 The History The Howard family have lived at Castle Howard ever since it was built for them over 300 years ago and today it remains a family home. Set in the rolling Howardian Hills of North Yorkshire, Castle Howard was commissioned by the 3rd Earl of Carlisle and designed by the dramatist John Vanbrugh, with the assistance of architect Nicholas Hawksmoor, in 1699. The exuberant facades, grand interiors and formal parklands of Castle Howard took over 100 years to complete, spanning the lifetimes of three Earls. The house’s contrasting Baroque and Palladian wings are surmounted by a dramatic masonry dome, the first of its kind to crown a private residence in England. On 9 November 1940, several of the rooms were lost to a fire which swept through the south-east wing into the Great Hall, destroying the dome and nearly twenty rooms. The schoolgirls of St Margaret’s School, who were evacuated to Castle Howard during the war, helped retrieve precious paintings and antiques from the house. Today, the south-east wing remains a shell but the Garden Hall and High South Rooms have been turned into sets and exhibition space and opened to the public after their use in both television and film adaptations of Brideshead Revisited. The House Successive generations have welcomed visitors to the house and it was first opened to the public by George Howard & his wife Lady Cecilia Fitzroy in 1952. It is our continuing success as a tourist attraction and the income this generates that makes possible the endless tasks of preservation, restoration and renovation throughout the house & grounds. The east wing remains the private residence of the Howard family with the rest of the house open to the public; almost 250,000 visitors pass through the doors each year. Exhibitions in the house include: ‘Duty Calls: Castle Howard in Time of War’, ‘Brideshead Restored’ and a small display about the relationship between the Howard family and William Morris. Today the Great Hall is also licensed for weddings; ceremonies in the hall can be followed by dinner and dancing in the Long Gallery. The Gardens Set in almost 1,000 acres, Castle Howard’s gardens and parkland are a mixture of sweeping vistas, lakeside terraces, woodlands, temples, statues and formal gardens. In the 18th century walled garden enjoy a stunning collection of heritage roses, with arbours, herbaceous borders and a carp pond creating the perfect place of tranquillity. In the ornamental vegetable garden, sweet pea wigwams sit amongst the vegetable patches filled with traditional English garden crops which supply the farm shop & cafés The imposing Atlas Fountain dominates the south parterre, which also boasts an impressive collection of lead statues, lakes and terraces with the Temple of The Four Winds giving stunning 360 degree views of the surrounding hills and monuments. Ray Wood houses a prestigious collection of rhododendrons as well as glades of Pieris, wild roses, magnolias, hydrangeas, viburnums, maples and rowans which sit alongside rare botanical finds from around the world. Free daily garden tours take place during high season. By the Great Lake, a high energy adventure playground provides hours of fun for visiting families. The Estate The Castle Howard Estate, which features over 200 listed buildings and monuments, is just15 miles north-east of York. The estate is approximately 8,800 acres (3,561 ha), comprising of farmland, woodland, parkland and property; the diversity of activities from agriculture to the holiday park and let properties all help to generate vital income. Important monumental features include: The Mausoleum Built from 1728-42 to Nicholas Hawksmoor’s design and supervised by William Etty. The Mausoleum rises 90ft into the air and is supported by a colonnade of twenty pillars. Inside, beneath the large circular chapel is a vault containing 63 catacombs. The Mausoleum remains the private burial place of the Howard family. The Pyramid Designed and built by Nicholas Hawksmoor in 1728, this four-sided pyramid measure 9 meters high. Hollow inside it contains a large bust of Lord William Howard, the 3rd Earl’s great-great-great grandfather and Tudor founder of the Carlisle branch of the Howard family. The Gatehouse Built originally as a pyramid arch by Sir John Vanbrugh in c.1718, the flanking wings were added by Sir Thomas Robinson in 1756-58, after which the building became an inn. The Stray Walls Mock fortification walls built c.1720 by Sir John Vanbrugh. Built from limestone and spanning half a mile to the east and west of the Gatehouse, the walls measure four metres high and have square and circular interval towers of different styles. The Obelisk Built in 1714-15 by Sir John Vanbrugh. The square sandstone shaft rises 24 metres high and has a pointed apex. It bears two inscriptions, one in Latin to the victories of the Duke of Marlborough and the second in English to the building achievements of the 3rd Earl of Carlisle and his aspirations for himself and his family. Carrmire Gate Designed and built in c.1726 by Nicholas Hawksmoor. A crenellated mock- medieval limestone curtain wall with polygonal end turrets and triple keystone archway beneath a pediment flanked by square piers topped with slender pyramids. Seventh Earl’s Monument Erected in 1869-70 to the design of Frederick Pepys Cockerel to the memory of George Howard, 7th Earl of Carlisle (1802 – 1864), and paid for by public subscription. A sandstone column stands on a stepped platform with heraldic devices at the corner. Standing at 30 metres tall and topped with a metal superstructure. Shops & Cafés The Stable Courtyard provides a shopping and eating destination for locals and tourists alike with a farm shop, gift shop, book and toy shop, garden centre, coffee shop and café. Open year round and with free admission, the courtyard is a popular hub for cyclists and walkers. Within the grounds there is an additional gift shop, main restaurant and boathouse café with ice cream kiosk by the lake and adventure playground. In the summer, boat trips on the lake sail from the boathouse decking. Events There is a changing programme of annual events with highlights including; family focussed Easter activities, The Proms Spectacular, a flower festival, triathlon, monthly courtyard markets (from April to October), a Halloween event and Christmas opening. On Film For many, Castle Howard is synonymous with Evelyn Waugh’s Brideshead Revisited having featured in both the 1981 Granada adaptation and the Miramax feature film in 2008 as the home of the fictional Marchmain family. The story of the filming of both adaptations is revealed in an exhibition in the house ‘Brideshead Restored’. Castle Howard has also featured in: Death Comes To Pemberley (BBC, 2013) Garfield: A Tale of Two Kitties (Film, 2006) The Buccaneers (BBC, 1994) Twelfth Night (BBC, 1978) Barry Lyndon (Film, 1975) The Spy With a Cold Nose (Film, 1966) Lady L (Film, 1965) Awards Hudson’s Heritage Award 2014: Best WW1 Event (as part of the Yorkshire Country House Partnership’s series of exhibitions and events at nine historic houses across Yorkshire) Visit York Tourism Award 2014: Large Visitor Attraction Welcome to Yorkshire, White Rose Award 2013: Large Visitor Attraction Opening Dates The grounds and stable courtyard are open year round with the house open from Saturday 21 March to Sunday 1 November 2015 and then for Christmas from Saturday 21 November to Wednesday 23 December 2015. For press enquiries, filming, photography or image requests please contact Hannah Cooke, Press Manager - [email protected] | 01653 648647 | 07816 147619 www.castlehoward.co.uk www.facebook.com/castlehoward | www.twitter.com/CastleHowardEst | www.instagram.com/castle_howard .
Recommended publications
  • YORKSHIRE & Durham
    MotivAte, eDUCAte AnD reWArD YORKSHIRE & Durham re yoUr GUests up for a challenge? this itinerary loCAtion & ACCess will put them to the test as they tear around a The main gateway to the North East is York. championship race track, hurtle down adrenaline- A X By road pumping white water and forage for survival on the north From London to York: york Moors. Approx. 3.5 hrs north/200 miles. it’s also packed with history. UnesCo World heritage sites at j By air Durham and hadrian’s Wall rub shoulders with magnifi cent Nearest international airport: stately homes like Castle howard, while medieval york is Manchester airport. Alternative airports: crammed with museums allowing your guests to unravel Leeds-Bradford, Liverpool, Newcastle airports 2,000 years of past civilisations. o By train And after all this excitement, with two glorious national parks From London-Kings Cross to York: 2 hrs. on the doorstep, there’s plenty of places to unwind and indulge while drinking in the beautiful surroundings. York Yorkshire’s National Parks Durham & Hadrian’s Wall History lives in every corner of this glorious city. Home to two outstanding National Parks, Yorkshire Set on a steep wooded promontory, around is a popular destination for lovers of the great which the River Wear curves, the medieval city of A popular destination ever since the Romans came outdoors. Durham dates back to 995 when it was chosen as to stay, it is still encircled by its medieval walls, the resting place for the remains of St Cuthbert, perfect for a leisurely stroll.
    [Show full text]
  • A Unique Experience with Albion Journeys
    2020 Departures 2020 Departures A unique experience with Albion Journeys The Tudors & Stuarts in London Fenton House 4 to 11 May, 2020 - 8 Day Itinerary Sutton House $6,836 (AUD) per person double occupancy Eastbury Manor House The Charterhouse St Paul’s Cathedral London’s skyline today is characterised by modern high-rise Covent Garden Tower of London Banqueting House Westminster Abbey The Globe Theatre towers, but look hard and you can still see traces of its early Chelsea Physic Garden Syon Park history. The Tudor and Stuart monarchs collectively ruled Britain for over 200 years and this time was highly influential Ham House on the city’s architecture. We discover Sir Christopher Wren’s rebuilding of the city’s churches after the Great Fire of London along with visiting magnificent St Paul’s Cathedral. We also travel to the capital’s outskirts to find impressive Tudor houses waiting to be rediscovered. Kent Castles & Coasts 5 to 13 May, 2020 - 9 Day Itinerary $6,836 (AUD) per person double occupancy The romantic county of Kent offers a multitude of historic Windsor Castle LONDON Leeds Castle Margate treasures, from enchanting castles and stately homes to Down House imaginative gardens and delightful coastal towns. On this Chartwell Sandwich captivating break we learn about Kent’s role in shaping Hever Castle Canterbury Ightham Mote Godinton House English history, and discover some of its famous residents Sissinghurst Castle Garden such as Ann Boleyn, Charles Dickens and Winston Churchill. In Bodiam Castle a county famed for its castles, we also explore historic Hever and impressive Leeds Castle.
    [Show full text]
  • An Exceptional Country House Set in 1 Acre of Walled Garden in the Prestigious Claremont Estate
    AN EXCEPTIONAL COUNTRY HOUSE SET IN 1 ACRE OF WALLED GARDEN IN THE PRESTIGI OUS CLAREMONT ESTATE BLUE JAY, CLAREMONT DRIVE, ESHER, SURREY, KT10 9LU Furnished / Part Furnished £22,000 pcm + £285 inc VAT tenancy paperwork fee and other charges apply.* Available from 01/06/2018 £22,000 pcm Furnished / Part Furnished • 6 Bedrooms • 7 Bathrooms • 5 Receptions • Exceptional opportunity • Impressive from start to finish • Significant estate • Privacy is key • Ultra- modern living space • Indoor swimming pool including sauna & gym • Cinema room • Excellent proximity to schools including ACS & Claremont • EPC Rating C • Council Tax H Description An exceptional opportunity to rent a Property that is understated in style, flexible in use and above all, a home. Every aspect of security and technology has been carefully considered to provide hassle-free liveability. With a combination of intimacy and carefully designed entertainment and relaxation space, the five-bedroom property is entirely unique and has been designed for entertaining and to reinvent country house living. Blue Jay is accessed via a 100 metre long private tree-lined driveway. Security and alarm systems have been installed with external CCTV and flood lighting. The 3 metre high, 17th-century walls were designed by architect Sir John Vanbrugh, who built Blenheim Palace in Oxfordshire and Castle Howard in North Yorkshire, two of the most significant historical country houses in England. Just 19 miles from Central London, Blue Jay is set within an acre of walled gardens, land that was formally part of Claremont House Gardens, a Royal residence designed by Sir John Vanbrugh and occupied by King George III and Queen Victoria in the late nineteenth century.
    [Show full text]
  • The Country House in English Women's Poetry 1650-1750: Genre, Power and Identity
    The country house in English women's poetry 1650-1750: genre, power and identity Sharon L. Young A thesis submitted in partial fulfilment of the University’s requirements for the Degree of Doctor of Philosophy 2015 University of Worcester Abstract The country house in English women’s poetry 1650-1750: power, identity and genre This thesis examines the depiction of the country estate in English women’s poetry, 1650-1750. The poems discussed belong to the country house genre, work with or adapt its conventions and tropes, or belong to what may be categorised as sub-genres of the country house poem. The country house estate was the power base of the early modern world, authorizing social status, validating political power and providing an economic dominance for the ruling elite. This thesis argues that the depiction of the country estate was especially pertinent for a range of female poets. Despite the suggestive scholarship on landscape and place and the emerging field of early modern women’s literary studies and an extensive body of critical work on the country house poem, there have been to date no substantial accounts of the role of the country estate in women’s verse of this period. In response, this thesis has three main aims. Firstly, to map out the contours of women’s country house poetry – taking full account of the chronological scope, thematic and formal diversity of the texts, and the social and geographic range of the poets using the genre. Secondly, to interrogate the formal and thematic characteristics of women’s country house poetry, looking at the appropriation and adaptation of the genre.
    [Show full text]
  • VILLAGE DESIGN STATEMENT for SLINGSBY, SOUTH HOLME and FRYTON SUPPLEMENTARY PLANNING DOCUMENT
    VILLAGE DESIGN STATEMENT for SLINGSBY, SOUTH HOLME and FRYTON SUPPLEMENTARY PLANNING DOCUMENT August 2016 CONTENTS PAGE Introduction 3 General description of Slingsby, South Holme and Fryton 4 Historical context 9 The character of village housing 12 Individual buildings in Slingsby 19 Landscape features 25 Wildlife, habitats and green infrastructure 29 Public consultation 29 Guidelines for future development and property alterations 30 Conclusion 32 Appendix A: Results of Public Consultation 33 Appendix B: Listed Buildings in Slingsby, South Holme and Fryton 35 Appendix C: Conservation Areas 39 Appendix D: Bats 41 Appendix E: Planning Policy Documents 42 Appendix F: Bibliography and Websites 43 Appendix G: Acknowledgements 45 Appendix H: Maps 46 Front cover: The Green, Slingsby Back cover: Slingsby Castle 2 Introduction This document describes the distinctive characters of the village of Slingsby, and hamlets of South Holme and Fryton and the immediate countryside which surrounds these settlements by examining: the setting of the villages in the countryside; the layout of the villages; details of the houses which create the special character of the villages; and other special landscape features. It identifies important features of the villages and their buildings which need to be retained if the character of the villages is to be preserved, while recognising that Slingsby is a working village. It also seeks to identify changes which could be harmful to the character of these settlements. The focus of the document is on Slingsby, as it is the largest settlement in the Parish and subject to more development than the hamlets of South Holme and Fryton. It is intended to be of help and guidance for any new developments in the village as well as for small alterations to existing properties.
    [Show full text]
  • Wren and the English Baroque
    What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today.
    [Show full text]
  • Tours, Talks & Private Views 2011
    Tours, Talks & Private Views 2011 Tours The best way to experience the extensive Castle Howard landscape is to walk through it, measuring what you see with your eye and your feet. The route between the Temple, Mausoleum, Pyramid, Mock Fortifications, Gatehouse, and Avenue is full of dramatic surprises; with each step you travel through the landscape but also journey back in time to the early 18th century when the grounds were first fashioned, and on to later eras when these features were changed or restored. The Mausoleum Mausoleum tours last Mausoleum Tours 2-2½hrs, Monumental Visit the most mysterious and imposing tours slightly longer; sensible footwear is building in the Castle Howard landscape, where recommended, see generations of the Howard family are buried website for further in the vaults beneath the spectacular chapel. details. The evening tour The tour also includes a visit to the Temple of on 7 June includes wine the Four Winds not normally open to the public. and canapés in the Temple. The premium Monumental Tours tour on 2 June includes This circuit walk covers the heart of the famous lunch in the Grecian Hall after the morning tour, 18th-century landscape taking in the Avenue, followed by a rare Gatehouse, Mock Fortifications, Pyramid, opportunity to view Mausoleum, and Temple, with exclusive access estate maps and other to these buildings. material from the archives. The Temple of the Four Winds The Pyramid Talks The 2011 series of talks is divided into a spring and an autumn went smoothly and not so smoothly during the visit, as well as the disastrous season, with an opportunity to sign up to all four events if you wish.
    [Show full text]
  • Learning and Court Culture: Women in the Court of Henry VIII
    Learning and Court Culture: Women in the Court of Henry VIII The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Meadows, Jessica Nicole. 2021. Learning and Court Culture: Women in the Court of Henry VIII. Master's thesis, Harvard University Division of Continuing Education. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37369149 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Learning and Court Culture: Women in the Court of Henry VIII Jessica N. Meadows A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2021 Copyright 2021 Jessica N. Meadows Abstract This work details the lives and roles of the wives of Henry VIII as well as other female members of the British aristocracy, specifically during the reign of Henry VIII and the time immediately preceding and succeeding his reign. The research cited in this work show that female members of the nobility, particularly the wives of Henry VIII, were not completely independent of Henry VIII but gained independence through their own unique households and through the decisions they made in this space they could attain a certain level of autonomy. Women’s leadership within the household could translate into leadership outside of the household and allowed women to operate and hold power independently of their male counterparts, particularly when employing religious and patronage efforts.
    [Show full text]
  • Get Smart with Art Is Made Possible with Support from the William K
    From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco.
    [Show full text]
  • Cherrygarth-Cottages-Brochure.Pdf
    CHERRYGARTH COTTAGES 5 STAR LUXURY LIVING IN THE HOWARDIAN HILLS C HERRYGARTH COTTAGES WHETHER YOU’RE LOOKING FOR AN ACTION-PACKED BREAK, FOR A BASE FROM WHICH TO EXPLORE THE HOWARDIAN HILLS AND BEYOND, OR HOPING TO RELAX IN PEACEFUL SURROUNDINGS, YOU’LL FIND IT ALL AT CHERRYGARTH COTTAGES. HAY BARN HAY BARN CAN ACCOMMODATE UP TO EIGHT GUESTS AND EACH OF THE FOUR BEDROOMS HAS ITS OWN EN SUITE BATHROOM, ONE BOASTING A LUXURIOUS JACUZZI BATH. THE SPACIOUS DINING ROOM CAN SEAT TWELVE AND THE LOG-BURNING STOVE IN THE SITTING ROOM PROVIDES A RELAXING AND WELCOMING ATMOSPHERE AT ANY TIME OF THE DAY OR NIGHT. THE STABLES THE STABLES SLEEPS UP TO FOUR GUESTS. THOUGH THE UNDER FLOOR HEATING SUPPLIES WELCOME WARMTH, THE SITTING-ROOM FEATURES A LOG-BURNING STOVE THAT PROVIDES AN ATTRACTIVE FOCAL POINT IN THIS OPEN PLAN PART OF THE HOUSE. THE TWO DOUBLE BEDROOMS BOTH HAVE EN SUITE BATHROOMS AND THE CHOICE AT THE STABLES IS BETWEEN AN INVIGORATING POWER SHOWER AND A RELAXING JACUZZI BATH. FOR DEDICATED CHEFS THERE IS ALSO A FULLY EQUIPPED KITCHEN. G YM SAUNA JACUZZI (FITS 8) ROWING MACHINE CROSS-TRAINER MASSAGE ROOM GAMES ROOM SUN ROOM RUNNING MACHINE BIKE SONY TV G ARDENS ARCHITECURAL DESIGN FEATURES STRONGLY IN THE COURTYARD GARDEN WITH A FUSION BETWEEN THE CLASSIC SANDSTONE BUILDINGS AND IMAGINATIVE STEEL SCULPTURES. LACES OF INTEREST P CASTLE HOWARD HOWARDIAN HILLS ROBIN HOODS BAY - WHITBY YORK MINSTER WHITBY A19 A1 NORTH YORK MOORS HELMSLEY A170 SCARBOROUGH THIRSK B1257 FRYTON FILEY HOVINGHAM A19 SLINGSBY MALTON BRIDLINGTON HARROGATE A64 YORK A64 LEEDS HOW TO FIND US FROM THE NORTH FROM THE A1 FOLLOW THE EXIT SIGN POSTED THIRSK.
    [Show full text]
  • Life, Death and Rubbish Disposal in Roman Norton, North Yorkshire
    Life, Death and Rubbish Disposal in Roman Norton, North Yorkshire Excavations at Brooklyn House 2015-16 Janet Phillips and Pete Wilson with contributions by Tony Benfield, Joanna Bird, Richard Brickstock, Spencer Carter, John Carrott, Hilary Cool, John Cruse, Chris Cumberpatch, David Dungworth, Hugh Fiske, Alison Foster, Stephen Greep, Kay Hartley, Malin Holst, Katie Keefe, Jane McComish, J.M. Mills, Ian Rowlandson, Sophie Tibbles, Blaise Vyner and David Williams illustrations by Janet Phillips, Hilary Cool, Hugh Fiske and David Heslop photography for Chapters 7-9 and 11 by: Dominic Powlesland Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-838-1 ISBN 978-1-78969-839-8 (e-Pdf) © Archaeopress and the individual authors 2021 Cover Illustration: The bustum burial under excavation. The site archive, including specialist data, will be deposited with Malton Museum, 36 Yorkersgate, Malton YO17 7AB. Accession Code: MALTM2020.1. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures �������������������������������������������������������������������������������������������������������������������������������������������������������� ii List of Tables ����������������������������������������������������������������������������������������������������������������������������������������������������������
    [Show full text]
  • The University of Hull the Early Career of Thomas
    THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material.
    [Show full text]