Peirce's Sign Theory As an Open-Source R Package
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Hypertext Semiotics in the Commercialized Internet
Hypertext Semiotics in the Commercialized Internet Moritz Neumüller Wien, Oktober 2001 DOKTORAT DER SOZIAL- UND WIRTSCHAFTSWISSENSCHAFTEN 1. Beurteiler: Univ. Prof. Dipl.-Ing. Dr. Wolfgang Panny, Institut für Informationsver- arbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik. 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien. Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Eingereicht am: Hypertext Semiotics in the Commercialized Internet Dissertation zur Erlangung des akademischen Grades eines Doktors der Sozial- und Wirtschaftswissenschaften an der Wirtschaftsuniversität Wien eingereicht bei 1. Beurteiler: Univ. Prof. Dr. Wolfgang Panny, Institut für Informationsverarbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Fachgebiet: Informationswirtschaft von MMag. Moritz Neumüller Wien, im Oktober 2001 Ich versichere: 1. daß ich die Dissertation selbständig verfaßt, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und mich auch sonst keiner unerlaubten Hilfe bedient habe. 2. daß ich diese Dissertation bisher weder im In- noch im Ausland (einer Beurteilerin / einem Beurteiler zur Begutachtung) in irgendeiner Form als Prüfungsarbeit vorgelegt habe. 3. daß dieses Exemplar mit der beurteilten Arbeit überein -
A Diagrammatic Approach to Peirce's Classifications of Signs
A diagrammatic approach to Peirce’s classifications of signs1 Priscila Farias Graduate Program in Design (SENAC-SP & UFPE) [email protected] João Queiroz Graduate Studies Program on History, Philosophy, and Science Teaching (UFBA/UEFS) Dept. of Computer Engineering and Industrial Automation (DCA/FEEC/UNICAMP) [email protected] © This paper is not for reproduction without permission of the author(s). ABSTRACT Starting from an analysis of two diagrams for 10 classes of signs designed by Peirce in 1903 and 1908 (CP 2.264 and 8.376), this paper sets forth the basis for a diagrammatic understanding of all kinds of classifications based on his triadic model of a sign. Our main argument is that it is possible to observe a common pattern in the arrangement of Peirce’s diagrams of 3-trichotomic classes, and that this pattern should be extended for the design of diagrams for any n-trichotomic classification of signs. Once this is done, it is possible to diagrammatically compare the conflicting claims done by Peircean scholars re- garding the divisions of signs into 28, and specially into 66 classes. We believe that the most important aspect of this research is the proposal of a consolidated tool for the analysis of any kind of sign structure within the context of Peirce’s classifications of signs. Keywords: Peircean semiotics, classifications of signs, diagrammatic reasoning. 1. PEIRCE’S DIAGRAMS FOR 10 CLASSES OF SIGNS In a draft of a letter to Lady Welby composed by the end of December 1908 (dated 24-28 December, L463:132-146, CP 8.342-76, EP2:483-491; we will be referring to this diagram 1. -
Semiotics of Strategy Graeme Carswell Macleod Smith MA. Dipm
Knowledge Management through Storytelling and Narrative – Semiotics of Strategy Graeme Carswell MacLeod Smith MA. DipM. PGCLTHE. MCIM. FIDM. AFHEA School of Business, Law and Communications Solent University Southampton A thesis submitted in partial fulfilment of the requirements of the Nottingham Trent University and Solent University for the degree of Doctor of Philosophy. A thesis submitted in fulfilment of the requirements of Solent University for the degree of Doctor of Philosophy October 2019 i Copyright Statement This work is the intellectual property of Graeme Smith. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the Intellectual Property Rights. ii Acknowledgments The author wishes to acknowledge the invaluable assistance of the following people whose contribution, advice and encouragement have done so much to bring this work to fruition. To Professor Steven Henderson, my former Director of Studies, whose advice, interest and expertise was always inspiring. You instilled in me so many research skills, such as critical thinking and helped to guide me away from many a youthful folly. And Professor Deborah Blackman who set me on this road of discovery in the field of knowledge management. To Emeritus Professor Mike Wilkinson, who stepped in as Director of Studies and instilled some ‘management’ rigour to the project and immediately saw merit in this whole endeavour. -
The Commutation Test and Chris Bacon's Score for Source Code As
The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay. -
Non-Anthropogenic Mind and Complexes of Cultural Codes
Semiotica 2016; 213: 63–73 Sergey Kulikov* Non-anthropogenic mind and complexes of cultural codes DOI 10.1515/sem-2015-0034 Abstract: The object of research is to clarify the connections between non- anthropogenic mind and culture as sign systems. Investigation of such an object discloses the perspectives on construction of the generalized model of mind and can help to build the bridge between traditional and digital humanities. The subject of traditional humanities is natural human activity; the subject of digital humanities is computer-based forms of activity and communication. Finding signs created not only by human but also by natural circumstances helps to define the sign system that unites the natural (non-anthropogenic) and artificial kinds of mind. Methodology of research includes the principles of semiotics previously developed by Charles Peirce and Ferdinand de Saussure and expanded by Yuri Lotman and Boris Uspensky. Semiotic interpretation of mind as the object of culture allows the building of a generalized model of mind as one of textual constructions, presenting the history of mankind as the replacement of natural events by secondary models. The author concludes that the revealing of a generalized model of mind opens new opportunities for the construction of the intelligent activity strictly interpreted as special sign systems. Semiotic studies interpret culture as a rationality making machine, and activity of mind is caused by the work of such a machine. Because of that, if traditional meaning sign systems were estimated as human-made kinds of complex of primary signs, then modern statements help to see the absence of an irresistible limit to interpret such complex as a nature-made but non-anthropogenic phenomenon. -
Charles Sanders Peirce - Wikipedia, the Free Encyclopedia 9/2/10 4:55 PM
Charles Sanders Peirce - Wikipedia, the free encyclopedia 9/2/10 4:55 PM Charles Sanders Peirce From Wikipedia, the free encyclopedia Charles Sanders Peirce (pronounced /ˈpɜrs/ purse[1]) Charles Sanders Peirce (September 10, 1839 – April 19, 1914) was an American philosopher, logician, mathematician, and scientist, born in Cambridge, Massachusetts. Peirce was educated as a chemist and employed as a scientist for 30 years. It is largely his contributions to logic, mathematics, philosophy, and semiotics (and his founding of pragmatism) that are appreciated today. In 1934, the philosopher Paul Weiss called Peirce "the most original and versatile of American philosophers and America's greatest logician".[2] An innovator in many fields (including philosophy of science, epistemology, metaphysics, mathematics, statistics, research methodology, and the design of experiments in astronomy, geophysics, and psychology) Peirce considered himself a logician first and foremost. He made major contributions to logic, but logic for him encompassed much of that which is now called epistemology and philosophy of science. He saw logic as the Charles Sanders Peirce formal branch of semiotics, of which he is a founder. As early as 1886 he saw that logical operations could be carried out by Born September 10, 1839 electrical switching circuits, an idea used decades later to Cambridge, Massachusetts produce digital computers.[3] Died April 19, 1914 (aged 74) Milford, Pennsylvania Contents Nationality American 1 Life Fields Logic, Mathematics, 1.1 United States Coast Survey Statistics, Philosophy, 1.2 Johns Hopkins University Metrology, Chemistry 1.3 Poverty Religious Episcopal but 2 Reception 3 Works stance unconventional 4 Mathematics 4.1 Mathematics of logic C. -
A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au A Semiotic Perspective on the Denotation and Connotation of Colours in the Quran Mona Al-Shraideh1, Ahmad El-Sharif2* 1Post-Graduate Student, Department of English Language and Literature, Al-alBayt University, Jordan 2Associate Professor of Linguistics, Department of English Language and Literature, Al-alBayt University, Jordan Corresponding Author: Ahmad El-Sharif, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This study investigates the significance and representation of colours in the Quran from the Received: September 11, 2018 perspective of meaning and connotation according to the semiotic models of sign interpretation; Accepted: December 06, 2018 namely, Saussure’s dyadic approach and Peirce’s triadic model. Such approaches are used Published: January 31, 2019 to analyze colours from the perspective of cultural semiotics. The study presents both the Volume: 8 Issue: 1 semantic and cultural semiotics aspects of colour signs in the Quran to demonstrate the various Advance access: December 2018 semiotic meanings and interpretations of the six basic colours (white, black, red, green, yellow, and blue). The study reveals that Arabic colour system agrees with colour universals, especially in terms of their categorization and connotations, and that semiotic analysis makes Conflicts of interest: None an efficient device for analyzing and interpreting the denotations and connotations of colour Funding: None signs in the Quran. Key words: Semiotics, Signs, Denotation, Connotation, Colours, Quran INTRODUCTION or reading, a colour ‘term’ instead of seeing the chromatic Colours affect the behaviour by which we perceive the features of the colour. -
The Object of Signs in Charles S. Peirce's Semiotic Theory
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1977 The Object of Signs in Charles S. Peirce's Semiotic Theory William W. West University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation West, William W., "The Object of Signs in Charles S. Peirce's Semiotic Theory" (1977). Open Access Master's Theses. Paper 1559. https://digitalcommons.uri.edu/theses/1559 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE OBJECT OF SIGNS IN CHARLESS. PEIRCE'S SEMIOTIC THEORY OF WILLIAMW. WEST THESIS SUBMITTEDIN PARTIAL FULFILLMENTOF THE REQUIREMENTSFOR THE DEGREEOF MASTEROF ARTS IN PHILOSOPHY UNIVERSITYOF RHODEISLAND 1977 TABLE OF CONTENTS Page . I INTRODUCTION. • • • • • • • • • • • • . .. • • • 1 Chapter I THE CATEGORIES• . .. •· .... 4 II SIGNS EXPLAINED 8 • • • • • • • • • • • • • • • • The First Trichotomy: The Sign Itself . ~ • • 15 Qualisign • • • • • • • • • • •• • • • • • 15 Sinsign • • • • • • • • • • • • • • • • 16 Legisign. • • • • • • • • • • • . • • • • 17 The Second Trichotomy: The Sign-Object Relation ••••• . • ....... • • 18 Icon. • • • • • • • • • • • • • • • • • 19 Index • • • • • • • • • • • • • • • • • 24 Symbol • • • • • • • • • • • • • • • • • 28 The Third Trichotomy: Ho~ the Interpretant Represents th~ Object • • • • • • • • • -
22-Barthes-Semiotics.Pdf
gri34307_ch26_332-343.indd Page 332 17/01/11 9:35 AM user-f469 /Volumes/208/MHSF234/gri34307_disk1of1/0073534307/gri34307_pagefiles Objective Interpretive CHAPTER 26 ● Semiotic tradition F r om : E . M . G r i f f i n , A F i r s t L o o k a t C ommu n i c a t i o n T h e ory , 8 t h E d . , Ne w Y o r k , Ne w Y o r k : Mc G r a w H i l l ,2 0 1 2 . Semiotics of Roland Barthes French literary critic and semiologist Roland Barthes (rhymes with “smart”) wrote that for him, semiotics was not a cause, a science, a discipline, a school, a movement, nor presumably even a theory. “It is,” he claimed, “an adventure.” 1 The goal of semiotics is interpreting both verbal and nonverbal signs . The verbal side of the fi eld is called linguistics. Barthes, however, was mainly interested in the nonverbal side—multifaceted visual signs just waiting to be read. Barthes held the chair of literary semiology at the College of France when he was struck and killed by a laundry truck in 1980. In his highly regarded book Mythologies , Barthes sought to decipher the cultural meaning of a wide variety of visual signs—from sweat on the faces of actors in the fi lm Julius Caesar to a magazine photograph of a young African soldier saluting the French fl ag. Unlike most intellectuals, Barthes frequently wrote for the popular press and occasionally appeared on television to comment on the foibles of the French middle class. -
Peirce's Sign Theory As an Open-Source R Package
Signs vol. 8: pp. 1-24, 2017 ISSN: 1902-8822 Peirce’s sign theory as an open-source R package Alon Friedman1 and Erin Feichtinger2 Abstract: Throughout Peirce’s writing, we witness his developing vision of a machine that scientists will eventually be able to create. Nadin (2010) raised the question: Why do computer scientists continue to ignore Peirce’s sign theory? A review of the literature on Peirce’s theory and the semiotics machine reveals that many authors discussed the machine; however, they do not differentiate between a physical computer machine and its software. This paper discusses the problematic issues involved in converting Peirce’s theory into a programming language, machine and software application. We demonstrate this challenge by introducing Peirce’s sign theory as a software application that runs under an open-source R environment. Keywords: Peirce sign theory, Software, Open source R, package, Fuzzy logic. 1. Introduction Semiotics, the study of signs, arises from philosophical speculation about signification and language (Chandler, 2004). In the 19th century, deliberation about the meaning of the term “signs” developed in two schools of thought that provided different interpretations. One was promulgated by American philosopher Charles Sanders Peirce, who proposed the study of the sign as "semeiosis." Peirce offered a triadic foundation for the term, in which anything can be a sign as long as someone interprets it as signifying something, referring to, or standing for something other than itself (Peirce, 1931-58, 2.302). Another school of thought, developed by Ferdinand de Saussure (1916/1983, 114), introduces the structuralist point of view which emphasizes the synchronic dimension in the study of language. -
Phenomenological Principles of Global Innovative Logosphere of Computer Being Construction (Based on Europeаn and Oriental Languages)
Загальне мовознавство UDC 811.111: 81’42 DOI https://doi.org/10.32838/2710-4656/2021.1-1/34 Makhachashvili R. К. Borys Grinchenko Kyiv University Semenist I. V. Borys Grinchenko Kyiv University PHENOMENOLOGICAL PRINCIPLES OF GLOBAL INNOVATIVE LOGOSPHERE OF COMPUTER BEING CONSTRUCTION (BASED ON EUROPEАN AND ORIENTAL LANGUAGES) The paper main focus is the inquiry into the phenomenological premises of comprehensive structuring of the global innovative linguistic sphere of modern digital technologies (Global Innovative Logosphere of Computer Being as construed by the transformative neological strata of modern European and Oriental languages of international communication – English, Spanish, French, Chinese, Japanese, accordingly). The problem of theoretical and methodological substantiation of cross-cutting principles, directions, mechanisms, and results of qualitative dynamics of linguistic macro- and microstructures of vocabulary in the realm of computer being, as a consolidated linguistic object, is investigated in depth. Consideration of this issue requires the involvement of the phenomenological perspective of the study of complex linguistic objects, such as the Global Innovative Logosphere of Computer Being. Mosaic, simulation, and multidimensional approaches to understanding complex dynamic linguistic phenomena and entities, prioritized by this methodological context, allowed us to identify the ontological nature of computer lexical innovations of the European and Oriental languages (namely, the ability to embody and structure elements -
Linguistic Philosophy of Cyberspace
Linguistic Philosophy of Cyberspace 1Rusudan Makhachashvili1 Ivan Semenist2 1Borys Grinchenko Kyiv University 2 Borys Grinchenko Kyiv University [email protected], [email protected] Abstract2 21st century has witnessed the qualitative advances in ontological reality structuring and approaches to perception and cognition by the human mind. The study objective is the investigation of the innovative philosophic aspects of cyberspace through the lenses of the language development processes in the sphere of innovative computer technologies and digital communication. The study design is the disclosure of cyberspace as an ontology model and as a linguistic model in the template of a logosphere. The linguistic philosophy approach to the study of cyberspace allows to efficiently investigate the empirical manifestation of cyberspace ontology (space and time dimensions), the generic categories and dimensions of cyber-epistemology, to denote existential anthropocentric character of cyberspace. Philosophical foundations of the study of cyberspace as an integrated macro-and micro-entity are determined by the substantive features of inovative logosphere as a macrostructure and by the phenomenological characteristics and properties of substrate of linguistic units of innovative cyberspace logosphere. Keywords: Cyberspace, Linguistic Philosophy, Innovative Logosphere of Cyberspace, Digital Ontology 1. Introduction At the turn of the XX-XXI centuries, as an essential product of civilization, computer reality has been gradually separated into an independent existential whole, within which digital media serve not only as a means of transmitting information or interaction, but fulfill their own world-building, sense- building and, consequently, logo-generative potential (Gelernter, 1998), (Price, 2001). Cyberspace, henceforth, is an object of study of a wide range of academic branches – philosophy of modern humanities, psychology, sociology, cultural studies, etc.