{PDF} Bill Evans: How My Heart Sings

BILL EVANS: HOW MY HEART SINGS PDF, EPUB, EBOOK

Learn how to enable JavaScript on your browser. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Here, the eight selections have a much more mid- and even up-tempo flair. Israel appears more comfortable in these settings to be sure, as he is the kind of bassist that relegates himself deeply into the rhythm section, sublimating himself to the pianist. In Evans' own words, the band's desire was to "provide a more singing sound" in this material. The set begins with a lyrical waltz in the title track. There are a number of standards here, including "Summertime," which sounds so different with its mid-tempo opening and Israel's flaunting bass vamp in front of the piano. When Evans gets to the melody he is following the swinging skip of Motian's drums, and he digs deep into inverting the melody line with a slew of arpeggios and short, choppy phrases. On Cole Porter 's "Everything I Love," Evans takes the snap in the tune and breaks it, committing it to a driving swing and vaunting lyrical gem that has three seemingly unresolvable harmonic problems in the center that turn out to be a Moebius strip in Evan's chromatic language. Very little surface noise. Good feeling vinyl with thick outer edge. Comes in a mofi-style poly inner sleeve. Reply Notify me 1 Helpful. Add all to Wantlist Remove all from Wantlist. Have: Want: Avg Rating: 4. Spinning-CD by basementrug. Fantasy 45 Series by Analogue Production by Ventrino. LP by Marten How My Heart Sings. I Should Care. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Delivery times may vary, especially during peak periods. Start of add to list layer. Add to Watchlist Add to wish list. Sign in for more lists. Sep 26, PDT. Seller's other items. Sell one like this. Similar sponsored items Feedback on our suggestions - Similar sponsored items. Seller assumes all responsibility for this listing. Item specifics Condition: Like New : An item that looks as if it was just taken out of shrink wrap. How My Heart Sings! - Wikipedia

There are a number of standards here, including "Summertime," which sounds so different with its mid-tempo opening and Israel's flaunting bass vamp in front of the piano. When Evans gets to the melody he is following the swinging skip of Motian's drums, and he digs deep into inverting the melody line with a slew of arpeggios and short, choppy phrases. On Cole Porter 's "Everything I Love," Evans takes the snap in the tune and breaks it, committing it to a driving swing and vaunting lyrical gem that has three seemingly unresolvable harmonic problems in the center that turn out to be a Moebius strip in Evan's chromatic language. This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains the deep, nearly profound lyricism that was the pianist's trademark. Product Details Tracks Album Credits. Show More. Related Searches. Ben Hur [Hallmark]. View Product. Blue in Green [Milestone]. Pianist Evans, bassist Pianist Evans, bassist Eddie Gomez and drummer Marty Morell had been playing regularly together since Gomez had joined the group back in The set begins with a lyrical waltz in the title track. There are a number of standards here, including "Summertime," which sounds so different with its mid-tempo opening and Israel's flaunting bass vamp in front of the piano. When Evans gets to the melody he is following the swinging skip of Motian 's drums, and he digs deep into inverting the melody line with a slew of arpeggios and short, choppy phrases. On Cole Porter 's "Everything I Love," Evans takes the snap in the tune and breaks it, committing it to a driving swing and vaunting lyrical gem that has three seemingly unresolvable harmonic problems in the center that turn out to be a Moebius strip in Evan 's chromatic language. This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains the deep, nearly profound lyricism that was the pianist's trademark. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Such was the case with Bill Evans. His shining tone and cloudy pastel harmonies transformed such innocuous pop songs as ''Young and Foolish'' and ''The Boy Next Door'' into fleeting visions of infinite grace. Yet the bespectacled, cadaverous ruin who sat hunched over the keyboard like a broken gooseneck lamp seemed at first glance incapable of such Debussyan subtlety; something, one felt sure, must have gone terribly wrong for a man who played like that to have looked like that. Appearances are seldom deceiving to the clear-eyed observer, and Peter Pettinger writes frankly in his fine new biography of what was no secret to Evans's appalled colleagues: The most influential jazz pianist of the past half-century was addicted to drugs -- first heroin, then cocaine -- for much of his adult life. He picked up the habit in as a member of Miles Davis's sextet, and despite occasional interludes of sobriety, it stayed with him, finally leading to his death in Pettinger, who died last month, was an English concert pianist who began listening to Evans as a teen-ager. He is as interested in his playing as his private life; his book is packed with so much shrewd critical commentary that it reads at times more like an annotated discography than a biography. But ''Bill Evans: How My Heart Sings'' is also the first full-length biography of Evans, and most readers will doubtless pay special attention to the grisly particulars of what the writer Gene Lees, who knew him well, tersely called ''the longest suicide in history. The second son of a hard-drinking New Jersey printer, Evans had a conventional and uneventful youth. One of his sidemen would later speculate that ''his involvement with drugs early on, anyway was to get away from the fact that he really was a very American kind of guy. How My Heart Sings! - Bill Evans, Bill Evans Trio | Songs, Reviews, Credits | AllMusic

Jan 19, Donald rated it really liked it Shelves: biography. A tribute to this bountiful jazz pianist. This man lived a tortured life that somehow produced a keyboardist's manuscript and genre. His arrangements and compositions will live as long as one listens to jazz. Friends of mine ask why I like his stuff I am not a keyboardist. It's simply that Evans's virtuosity is emotionally descriptive. Jazz is an individualistic and existential experience; It only happens once. Evans spent himself on his own excellence. This is a fine account and a very good A tribute to this bountiful jazz pianist. This is a fine account and a very good look at a great jazz man, although it spares us of the torture he must have actually inflicted on himself. Nov 12, Philly Aesthete Brown rated it it was ok Shelves: music , books-i-reviewed , biography. Evans is one of the most lyrical and sensitive piano players in any genre of music. Wonderful composer, too, but this bio is clunky and rather flat. It's a sad, sorta paint by numbers affair here with respect to storytelling. Sep 23, Stefan Kanev rated it really liked it. I didn't expect that reading a biography of one of my favorite musicians would be so enjoyable. It transformed my experience of listening to his albums. There are a few bits of notated music in the book used to illustrate a point, but they were a bit above my skillset to grok. Mar 13, Bob rated it really liked it. A very good review of this brilliant musician's triumphs and tragedies. Bill Evan's contributions to modern music were profound and intellectual, yet accessible and deeply emotional. I still mourn his passing - after all these years. Mar 22, Addison rated it really liked it. This is the only complete biography of the jazz pianist Bill Evans. It lacks in personality, which is made up for with stories about Bill Evans, who was quite the character himself. I suppose that is the downside to non-fiction. A must-read for ardent fans of Bill Evans. Bill Evans is one of my all-time favorite piano player so I was predisposed to like this book. Pettinger lays out such a great examination of Evans life in four sections. Going through all of evans's highs and lows Mar 18, Al rated it liked it. I guess I wanted more than just the dates and personnel on recording sessions. Mar 28, Sam Chandler rated it it was amazing. Summary: Born in in Plainfield, New Jersey, Bill Evans grew up in a musical household, with his father Harry singing regularly in a barbershop quartet and his mother being a singer and classical pianist. He branched off and studied not only piano, but violin and flute. However, it was clear from a young age that Evans preferred the piano, having sightread and studied a number of works by the classical masters by the age of Evans garnered a taste for improvisation--a key element of jazz m Summary: Born in in Plainfield, New Jersey, Bill Evans grew up in a musical household, with his father Harry singing regularly in a barbershop quartet and his mother being a singer and classical pianist. Evans garnered a taste for improvisation--a key element of jazz music--by playing with a local Dixieland band. He specifically recalled creating a new riff on a tune called "Tuxedo Junction," and subsequently became fascinated by the mechanics of music created in the moment. He found it very challenging to determine what medium of piano playing was right for him, as he enjoyed both classical and jazz music. After high school, Evans attended Southeastern Louisiana University on a flute scholarship, playing in the college band while continuing his piano studies. Following college, he served a short stint in the Army, also playing flute and piano. Evans remembered facing lots of adversity during his time in the Army, and felt it was necessary to take a sabbatical. Lacking confidence in his own playing, he spent an entire year at home developing his chops. Evans was again faced with a hard choice: classical or jazz? Evidently he chose the latter, as he would become considered one of the most well-respected jazz pianists of the 20th century. But by no means did he arrive at that point naturally. Knowing that the Big Apple was where everything was "happening," Evans moved and took musical odd jobs to pay the bills. He would occasionally sit in on jazz gigs, but these were few and far between. However slow the career advancements were, he persevered. His patience and work ethic eventually paid off, as by he was playing and recording with the legendary Miles Davis. Evans' session work on the landmark album Kind of Blue would skyrocket his career. While his small-group work with horns was nothing less that transcendent mastery, Evans felt most comfortable playing with bass and drums. Evans' playing and development influenced--and continues to influence--jazz artists and classical musicians alike. Despite his success as a musician, Evans couldn't hold down a stable life. He dabbled with drugs, struggling with a heroin addiction for years and a cocaine addiction later in his life. His first wife and brother tragically committed suicide. He was rarely home due to his demanding tour schedule. The melancholy and mourning nature of his music was seemingly reflective of his descent into personal chaos leading up to his death. Evans is not only remembered by fans, friends, and family for his beautiful music, but for his calm and kind presence. Even to this day, Bill Evans' music continues to inspire thousands, if not millions of listeners from around the world. Overview: Bill Evans' music is one of the biggest influences on my own playing. I found the book a wonderful resource for digging into the nitty-gritty details of the jazz giant's life, musical and otherwise. Non-musicians may have to do some research to understand all the references Pettinger makes. Pros: The wonderful and thoughtful details collected by Pettinger add so much depth to the story of Evans' life. The book also comes with a thorough discography, several pictures, and some music examples. While his writing and research is an adequate sketch of Evans's life, these "bonus features" are excellent supplements. Offensive Content: Some readers might struggle reading about the several problems that plagued Evans' social and familial life. Details about Evans' drug problem and his wife's and brother's suicides may be difficult to digest. Some foul language also appears. Two Excerpts: 1. George Russell on how Bill Evans met Miles Davis : Miles was having a problem with substance abuse in his band and asked me if I knew of any pianist who could play the job. I recommended Bill. Bring him over to the Colony in Brooklyn on Thursday night Bill this is Miles--Miles Davis. You wanna make a weekend in Philadelphia? The [Village] Vanguard's policy at that time was to schedule a Sunday matinee as well as an evening performance, and those afternoon sessions--like the one that Peter Titelman and his father attended--were a focus for the most discerning jazz audience in New York City. On June 25, , the trio played five sets--two in the afternoon and three in the evening--each one comprising four or five numbers and lasting about half an hour. The long day afforded the Riverside team generous leeway for whatever recording hazards might arise on site. And so, with the pianist himself finally in favor of the project, the equipment was lugged downstairs and the scene set for a memorable day's recording. Two albums resulted at the time: Sunday at the Village Vanguard and Waltz for Debby, a further selection of takes appearing posthumously as More from the Village Vanguard. Oct 22, Philip Riley rated it really liked it Shelves: non-fiction. Read this with my friend so we could nerd out about this amazing piano player that I've always held in high reverence, but have yet to really dive into the discography. One of the most challenging things about reading this book was when the author would talk about specific songs or albums; I felt the need to put down the book and listen to the actual tracks, which I often did. The untimely passing of Scott LaFaro, weeks after the legendary live Vangaurd recording, was one of the first scenes tha Read this with my friend so we could nerd out about this amazing piano player that I've always held in high reverence, but have yet to really dive into the discography. The untimely passing of Scott LaFaro, weeks after the legendary live Vangaurd recording, was one of the first scenes that hit me especially hard. The author accurately describes Bill Evans' playing as pure expression and emotion. This book significantly raised my appreciation for his sense of harmony and chords, while also illuminating the totally incomprehensible mastery that Bill Evans seemed to possess out the gate. Props to Eddie Gomez as well, dude crushes the bass. Oct 15, Chris Ciesielski rated it liked it. I enjoyed this book as a fan of Bill Evans' music If you are seeking to understand Bill Evans the man - and how tragedy, disease and drug use shaped his life and his music - you will not find it here. Evans spent twelve years of his life with a woman, who after t I enjoyed this book as a fan of Bill Evans' music Evans spent twelve years of his life with a woman, who after their breakup, threw herself in front of a subway train. The event merits one small paragraph in this volume. Evans' relationship with his brother Harry is so foundational - and one wonders how Harry's depression and suicide must have affected Bill You won't find any answers - Harry's depression and suicide get only a couple sentences before the reader is treated to more details of gigs and record contracts. This is a great resource for the music scholar and for some die-hard Bill Evans fans, but we are left to hope that this man's fascinating life gets a more critical examination somewhere down the line. Jul 01, Patrick rated it liked it. Pettinger was an international concert pianist who taught music at Cambridge. He was also a longtime fan of Bill Evans. His deep knowledge of both the piano and evan's works makes this a rich musical biography. Pettinger is an excellent and perceptive listener and I think it's this ability as a listener that benefits the book. Despite his specialized knowledge of music, music theory, and piano technique, he writes about Evans' music as an excellent listener rather than from an overly technical o Pettinger was an international concert pianist who taught music at Cambridge. Despite his specialized knowledge of music, music theory, and piano technique, he writes about Evans' music as an excellent listener rather than from an overly technical or academic perspective. Although its' primarily about Evan's music, it is not academic music theory. I really liked Pettinger's extensive knowledge of Evan's recorded output, including bootleg recordings, and early role as a sideman for various other projects. Although it is a bio of Evans, Pettinger does not focus much on the non- musical side of evans' life. Pettinger doesn't delve too deeply into Evans the person. You do get some glimpses of junkie hijinx throughout his life, but the book never spends much time on Evans' psychological or emotional history. As a musical bio of Evans, though, really good. Aug 13, Robert S rated it liked it Shelves: music , nonfiction , biography. Bill Evans is arguably the greatest jazz musician to ever play piano, a big claim considering the pantheon of legends who have also played what I consider to be my favorite instrument. So it seems almost like an oversight on the universe's part that Evans for all of his accolades doesn't really have a lot of reading material out there about him as an individual. Does it get the job done? Yes and no. It's clear the amount of re Bill Evans is arguably the greatest jazz musician to ever play piano, a big claim considering the pantheon of legends who have also played what I consider to be my favorite instrument. It's clear the amount of respect that Pettinger has for Evans and his work as a musician. The biography itself clocks in at less than pages and largely focuses on Evans discography. Some of the larger details of the man's life don't really seem to get much room or even an explanation in some cases. Whether this is due to a lack of information available or the author's desire to examine Evans from largely a musical perspective is unknown. However, fans of Evans and his work will find something to take away from this biography. Exploration that blends sketch of Evans' personality and incidentally without much on motivation or impact, his drug use , and more detailed description of his skill and musical philosophy, including complete discography, and session and concert history. Engagingly, appreciatively, almost worshipfully written. Detailed assessment of pieces in recordings and concerts that pianists and musicians will especially appreciate, but also easily accessible to non-musicians who just hear magic happen whe Exploration that blends sketch of Evans' personality and incidentally without much on motivation or impact, his drug use , and more detailed description of his skill and musical philosophy, including complete discography, and session and concert history. Detailed assessment of pieces in recordings and concerts that pianists and musicians will especially appreciate, but also easily accessible to non- musicians who just hear magic happen when listening to an Evans' recording - the author highlights the unique or distinct features on the recordings. Pettinger's drilling down into each recording provides a valuable opportunity to learn from listening to the album. The detailed accounting of recordings and concerts feels long and repetitive by the end. Interesting biography of the fantastic jazz pianist Bill Evans. This book is written by a piano player and goes into great depth about the actual music that Evans played. For musicians this makes for a great read. For those who are not musicians or are not familiar with the work of Evans this book is not esspecially interesting as the actual details of Bill Evans life, particularly after he became a famous musician are pretty sketchy. In fact the author seems to go out of his way to avoid the ele Interesting biography of the fantastic jazz pianist Bill Evans. In fact the author seems to go out of his way to avoid the elephant in the room of Evan's heroin addiction and ongoing drug abuse. If you are a musician and love the work of Evan's Not a fan Aug 28, Robert B rated it really liked it. Very good biography of the troubled jazz pianist. The music theory seems excellent, although I don't know enough to evaluate it. My one complaint is that he doesn't say much about Bill's drug use and the damage that it did until Bill is dying. His death almost comes out of nowhere, and yet it reads as if we should have seen it coming. Nevertheless, a very good book on Evans and jazz in general. Jun 03, Arya Jenkins rated it really liked it. An in depth look at one of the greatest, if not the greatest jazz pianist of all time. Chock full of interesting and detailed anecdotes that jazz enthusiasts are likely to appreciate almost as much as jazz scholars, lovers of Evans's music, and musicians themselves. An excellent biography, worthy of a slow, thoughtful read. Sep 16, Rod rated it it was ok. I learned a lot about Bill Evans' musical virtuosity, and about the recording of many of his fantastic albums. But I didn't learn much at all about Bill Evans. This was disappointing. I was left with a lot of questions about his life. Oct 30, Paul Wilner rated it it was amazing. Hey, I'm in the book - of course I like it! And Evans was an amazing original - the jazz equivalent of Glenn Gould. Hard to do him justice, writing about music is like dancing about architecture, as they say. Still, an engrossing look at an American master. Dec 11, Tom rated it it was ok. This is not a biography of Bill Evans, at best it offers a view at his recordings and live performances. I found it handy for reviewing Evans thoughts, opinions and feelings as he worked at his art. Apr 07, Joe rated it really liked it. Apr 23, Chris marked it as to-read Shelves: i-want-to-own. I owned this, and was enjoying it greatly, until a leaky window in the bathroom destroyed it. I'll get another copy some day. Sep 26, PDT. Seller's other items. Sell one like this. Similar sponsored items Feedback on our suggestions - Similar sponsored items. Seller assumes all responsibility for this listing. Item specifics Condition: Like New : An item that looks as if it was just taken out of shrink wrap. No visible wear, and all facets of the item are flawless and intact. See all condition definitions - opens in a new window or tab. All records in my collection are carefully selected, audiophile edition or sounds like audiophile edition. Beautiful XRCD sound. Feel free to contact me if you have any question or you need more photos. Shipping is valid for the continental us only. Back to home page Return to top. Back to home page. Listed in category:. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Add to Watchlist. Ended: Sep 26, PDT.

Bill Evans: How My Heart Sings! () Riverside | LondonJazzCollector

I think the drugs for him made him more mysterious. One way for him to prove his authenticity was to do as Coltrane and Jones did and as Davis himself had so famously done only a few years before. Though Pettinger skims over the details of Evans's plunge into the abyss of addiction, his biography contains more than enough horror stories to make the reader wonder how he managed to function at all, much less to forge a powerfully individual style that would leave its mark on virtually every jazz pianist to follow him. Perhaps most astonishingly, his playing became markedly more intense and probing in the last year of his life, not long after he switched from methadone to cocaine. It was as if he were racing himself to the grave. Two weeks later, he was dead, leaving his friends to wonder what demons had driven him to so squalid an end. PERI COUSINS, the woman with whom Evans was living when he first began to use heroin, offered as plausible an explanation as any: ''When he came down, when he kicked it, which he did on numerous occasions, the world was -- I don't know how to say it -- too beautiful. It was too sharp for him. It's almost as if he had to blur the world for himself by being strung out. Was it also too beautiful for him to live with? Needless to say, Peter Pettinger has no answer, but that such a question can be seriously asked is perhaps the best possible tribute to the unhappy soul who is the subject of this unsettling book. Books Suicide Was Painful. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers. By Peter Pettinger. Delivery times may vary, especially during peak periods. Start of add to list layer. Add to Watchlist Add to wish list. Sign in for more lists. Sep 26, PDT. Seller's other items. Sell one like this. Similar sponsored items Feedback on our suggestions - Similar sponsored items. Seller assumes all responsibility for this listing. Item specifics Condition: Like New : An item that looks as if it was just taken out of shrink wrap. No visible wear, and all facets of the item are flawless and intact. See all condition definitions - opens in a new window or tab. All records in my collection are carefully selected, audiophile edition or sounds like audiophile edition. Beautiful XRCD sound. Feel free to contact me if you have any question or you need more photos. Shipping is valid for the continental us only. Back to home page Return to top.

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