DOCSLIB.ORG

Read Book Occultation and Other Stories Ebook, Epub

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book Occultation and Other Stories Ebook, Epub OCCULTATION AND OTHER STORIES PDF, EPUB, EBOOK Laird Barron | 256 pages | 29 Jul 2014 | NIGHT SHADE BOOKS | 9781597805148 | English | Newberg, United States Occultation and Other Stories PDF Book It doesn't only look up at the sky, but down into the bowels of the Earth, too. Laird Barron is not to be missed by horror fans. Gilman, Laura Anne. Fox, Janet. Speculative Fiction. Byers, Richard Lee. Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. So, it was only a matter of time before I dove into some of his work. Estep, Jennifer. It's an excruciating tale, but wrapped up in familial "softness". It sounds to him like an ideal place to explore. Terry lives in Northern California with her husband, professor emeritus and writer Fred White, the imperious but aging Cordelia Louise Cat Weyna-White, and a forever-growing personal library that presently exceeds 15, volumes. The opening of the Parkes radio telescope in October placed Australia at the forefront of international research in radio astronomy and ushered in an era of rapid developments in our understanding of the origin and nature of the Universe and our place within it. Hubbard, L. Friend Reviews. Immobility by Brian Evenson. I don't think there is such a thing as a "good guy" in Barron's stories. We receive referral fees for all purchases not just books. Shelve Experimental Film. Forstchen, William R. This is a horror short that is as fulfilling as any literary novel, if not more fulfilling and with hardly any "filler". Gee, Emily. Occultation and Other Stories Writer From award-nominated writer John Langan comes a collection of uneasy meetings. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows—one that knows that the darkest evil goes by many names. Inspired by H. Read more of my work View all my Goodreads reviews. Sir Durwin must overcome a cloak-and-dagger plot to usurp the king in the final novel of the Enchanter General, a historical fantasy trilogy set in twelfth century England. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows—one that knows that the darkest evil goes by many names. A tale of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones. Related Articles. It's a mean trick to be able to write so beautifully, and yet so brutally. Pershing's girlfriends sees a strange woman leave his apartment that no one else in the building saw. There seems to be a strong if somewhat nebulous theme running through his work not too dissimilar from Lovecraft's in that there is a harsh, terrifying universe out there lying just beyond the bounds of our everyday perception but that occasionally people stray beyond that veil of ignorance and find out more than is good for them and their sanity. Oct 03, Dan Schwent rated it really liked it Shelves: books , , i-hate-short-stories. No trivia or quizzes yet. A bit overlong, I thought. Refresh and try again. Draken vae Khellian, bastard cousin of the Monoean King, had risen far from his ignominious origins, becoming both a Bowrank Commander and Especially "Mysterium Tremendum! And indeed, an finish is captured in the beginning of this tale with the lines "You know how this is going to end. Skip to main content. Not that Imago Sequence wasn't great--it was--this one's just that much better. An aspiring actress goes to an audition with a mysterious director. A stuffed bear's heart beats with the rhythm of a dead baby; Reno keeps receding to the east no matter how far you drive; and in a mine on another planet, the dust won't stop seeping in. Laird Barron. Night Shade. So here's my litany of complaints: All of Barron's stories are just a couple of people hanging out until the weird shoe drops and one of them gets sucked into the earth or abducted by leech people or whatever. Sefira and Other Betrayals by John Langan. Favorites include: Forest, Lagerstatte, 30, and six, six, six. That may be my biggest complim 4. And that's when the situation escalates in an unfathomable way. Maybe that's a good thing? Catch Hell and Mysterium Tremendum worked in similar ways for me. Lovecraft, Peter Straub, and Thomas Ligotti. Hopes were alternately raised and dashed before eventual victory. Occultation and Other Stories Reviews Dawson, Delilah S. Terry lives in Northern California with her husband, professor emeritus and writer Fred White, the imperious but aging Cordelia Louise Cat Weyna-White, and a forever-growing personal library that presently exceeds 15, volumes. Dixon, Heather. Henderson, Alexis. Ford, Jeffrey. It's one thing to make you afraid of the cold and desolated cosmic void, but you'll never look at an ant the same way after reading The Forest. Coates, Ta-Nehisi. I still have so many things to say about Occultation and Other Stories , but I have to stop myself before getting embarrassingly nerdy about it. Francis, Diana Pharaoh. Ende, Michael. Lovecraft, Peter Straub, and Thomas Ligotti. Other Editions 3. Desrochers, Lisa. Archer, E. Griffin, Kate. About Laird Barron. You can feel the work that was poured into this story, but you can't see the cut marks on the marble, so to speak. Brackett, Leigh. Bennett, Robert Jackson. I kind of hit a wall with "Mysterium Tremendum" and it took a while to pick this book up again. Hahn, Rebecca. New other. Ashwood, Sharon. Hurley, Kameron. Teatro Grottesco by Thomas Ligotti. Files, Gemma. The buildup is most of the story and it kinda lives or dies by the quality of the characters and how much atmosphere the clues can build. Davidson, MaryJanice. Barry, Max. Occultation and Other Stories Read Online Tough questions, none of which are answered by the last, stunning line of the story. It amazes me as to Mr. I don't think I want to know. More filters. Mysterium Tremendum is probably my favorite story in the collection. See all 3 questions about Occultation and Other Stories…. Short Stories. The cycle of… More. By and away the best collection of short stories I've encountered in recent memory. This is a volume best not attempted at night. However, I'll touch on a few of the stories that had the biggest impact on me. Every year the bar is raised; the screw is tightened. I have no idea. Poe's genius in finding the strangeness lurking at the heart of things is revealed through his short stories. Get a FREE e- book by joining our mailing list today! The sections of his tales in which characters come face to face with the very worst imaginable may as well be etched in blood and cosmic slime on a cave wall by the opalescent claw of some denizen of the abyss. A Collapse of Horses by Brian Evenson. By clicking 'Sign me up' I acknowledge that I have read and agree to the privacy policy and terms of use. Short stories aren't really my thing, and this collection was a mixed bag for me. I'm all for open endings but this one was far too muddied. In the wake of 11 September , there has been much talk about the inevitable clash between "East" and "West. Unfortunately they also have the bad sense or bad luck to go traipsing off into the wilderness using only a mysterious thrift-store paperback as a guide. His wording, phrasing, and editing are flawless — literally among the best wordsmithing I have encountered among writers active today. Also, the fear of the unknown and unknowable are just as prominent as the fear of some beasty or boogieman. Although some Greeks , for example Herodotus , thought these stories incredible , others , in particular the philosopher Parmenides , realized that if the earth Details if other :. See all 12 - All listings for this product. The way his universe is alive — and hungry — is very close to Lovecraft especially when you have impossibly ancient gods clawing their way into our world. The Broadsword: 4 stars. Shelve Between Two Fires. Immobility by Brian Evenson. Lovecraft, Peter Straub, and Thomas Ligotti. Apr 09, Simon rated it it was amazing Shelves: horror , short-stories. Average rating 4. Product Details. View all 3 comments. Be the first to write a review. I had to take time afterwards to mull over all I had just read and imagined, because the stories deserved an evening all to themselves. Maybe it's too much of a good thing? https://files8.webydo.com/9583437/UploadedFiles/6DB0D51A-11C9-2B7C-9C2E-7CD7E7453FF9.pdf https://files8.webydo.com/9583546/UploadedFiles/5E1C0CF7-4D84-DA8F-E374-D3D4450B04CB.pdf https://files8.webydo.com/9583284/UploadedFiles/AEF35052-44ED-5A17-EBA7-7F3D0C9C47E6.pdf https://files8.webydo.com/9582762/UploadedFiles/715C4485-BDDF-928F-881D-BC03A1B3F7AF.pdf https://files8.webydo.com/9584606/UploadedFiles/10FDF80B-BA2B-C897-1240-131461A1049E.pdf https://files8.webydo.com/9583673/UploadedFiles/310DC59A-C3E6-C882-8CEC-44C4776317D7.pdf.
Load more

Recommended publications
  • The Weird: Aesthetic Effect and Power
    MJUR 2017, Issue 8 59 The Weird: Aesthetic Effect and Power Lauren Lipski Colorado Mesa University Abstract Rod Serling’s The Twilight Zone, Edgar Allen Poe’s “The Fall of the House of Usher,” and The Who’s Tommy have all been called weird, but what makes these texts weird? This paper examines weirdness beyond its use as a value judgment or genre category. Similar to Sianne Ngai’s Our Aesthetic Categories (2012), which describes cute, zany, and interesting as aesthetic effects, my project also describes the weird as an aesthetic effect. By drawing upon its etymology, my project establishes the weird as a term referencing a power, “an effect that holds an audience enthralled.” Occurring either via ruptures of coherency or when distinct boundaries are blurred to create “in-between states,” the weird as a critical term has the potential to examine our contemporary preoccupation with destabilization. My paper poses several questions: Can the weird be reclaimed from a subjective judgment to one of critical application? How is context important in determining what is weird and what is not? How does the weird challenge what society considers normal, logical, and stable? By establishing the weird as an analytical term, my project provides a lens through which to examine texts that perplex and discomfort, yet simultaneously enthrall, an audience. Introduction The term weird can seemingly describe anything. It could categorize the nonsense title and lyrics of Cream’s psychedelic hit, S.W.L.A.B.R., with its title of the invented acronym for “she walked like a bearded rainbow” (Bruce).
    [Show full text]
  • THE 2016 DELL MAGAZINES AWARD This Year’S Trip to the International Conference on the Fantastic in the Arts Was Spent in a Whirl of Activity
    EDITORIAL Sheila Williams THE 2016 DELL MAGAZINES AWARD This year’s trip to the International Conference on the Fantastic in the Arts was spent in a whirl of activity. In addition to academic papers, author readings, banquets, and the awards ceremony, it was a celebration of major life events. Thursday night saw a surprise birthday party for well-known SF and fantasy critic Gary K. Wolfe and a compelling memorial for storied editor David G. Hartwell. Sunday morning brought us the beautiful wedding of Rebecca McNulty and Bernie Goodman. Rebecca met Bernie when she was a finalist for our annual Dell Magazines Award for Undergraduate Ex- cellence in Science Fiction and Fantasy Writing several years ago. Other past finalists were also in attendance at the conference. In addition to Re- becca, it was a joy to watch E. Lily Yu, Lara Donnelly, Rich Larson, and Seth Dickin- son welcome a brand new crop of young writers. The winner of this year’s award was Rani Banjarian, a senior at Vanderbilt University. Rani studied at an international school in Beirut, Lebanon, before coming to the U.S. to attend college. Fluent in Arabic and English, he’s also toying with adding French to his toolbox. Rani is graduating with a duel major in physics and writing. His award winning short story, “Lullabies in Arabic” incorporates his fascination with memoir writing along with a newfound interest in science fiction. My co-judge Rick Wilber and I were once again pleased that the International Association for the Fantastic in the Arts and Dell Magazines cosponsored Rani’s expense-paid trip to the conference in Orlando, Florida, and the five hundred dollar prize.
    [Show full text]
  • A Dark Matter
    Follow the book map to find books on similar Book Map subjects and topics. A Dark Matter by Peter Straub This horror story opens in the 1960s, when a college campus guru invites his ardent followers to a meadow to participate in a secret night ritual. The meeting ends in chaos with a gruesomely dismembered body and many shocked and shattered FICTION STRAUB P young adults. Years later, one of these haunted souls decides to write a book in an attempt to understand what happened on that terrifying night. As the writer and his friends drag memories from deep within, they become conscious of reawakening the evil that permeated that long-ago night. This chilling novel will be appreciated by Straub’s fans and will surely win him many more with its excellent style and tone. Like More by the Author? Like Haunted Houses? Like Titles With a Gothic Touch? The Talisman House of Reckoning The House of Sight and Shadow by Peter Straub & Stephen King by John Saul by Nicholas Griffin Jack Sawyer, a twelve-year-old, embarks on a An orphaned teenager, Sarah Crane, finds sol- In this masterful story by a modern day Poe, a journey simultaneously this world and the realm ace in the house of her high school art teacher. young mentored doctor gets pulled into the of the Territories to find a magic talisman that She and her new friend Nick begin to experi- gruesome world of corpse-snatching. He falls in will save his mother and her twin counterpart in ence a paranormal presence in the house - a love with the mentor’s light-sensitive daughter the Territories.
    [Show full text]
  • 50% Off List Copy
    ! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson.
    [Show full text]
  • Catalogue XV 116 Rare Works of Speculative Fiction
    Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985.
    [Show full text]
  • RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^By Brendan Ryder Page 13
    ISSUE NO. 76 August 1992 ________ ISSN 0791-3966 RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^by Brendan Ryder page 13 THE TWILIGHT ZONE How to find your way around by Michael Cullen page 5 OUR SEMI-ANNUAL "MEGA" QUIZ It’s not just a quiz, it's the contents of page 11 MORPHING So how did Arnie turn into Michael Jackson? See on page 12 REGULAR FEATURES News 3 ISFA News 4 Letters 7 Meeting report 8 Movies 9 Videos 10 Book Reviews 15 Comics 18 Drabbles 19 PUBLISHED BY Wc welcome unsolicited manuscripts on the basis that the THE IRISH SCIENCE FICTION ISFA is poor, and if wc don’t actually pay contributors it ASSOCIATION doesn’t mean wc don’t appreciate them. So send us your news. Send us your opinions. Send us your doodles. Send 30, BEVERLY DOWNS us your shorts. But wash ’em first. KNOCKLYON ROAD Take that old dusty Royal out of the wardrobe and type it, TEMPLEOGUE, DUBLIN 16 if you can. If you can’t, well, it’s not the end of the world. FURTHER INFORMATION NOTE: OPINIONS EXPRESSED ARE NOT THOSE OF FROM THIS ADDRESS OR THE ISFA, EXCEPT WHERE STATED AS SUCH PHONE 934712 2 ISFA Newsletter August 1992 NEWS Crypt Creator Dies Wiliam M Gaines, publisher of Mad maga­ zine and the EC comics line which included Rings, No Strings Weird Science, Tales from the Crypt, and As part of the Galway Arts Festival which ran The Vault of Horror, died in Manhattan in from 15-26 July, the Canadian Theatre Sans June, at the age of 70.
    [Show full text]
  • 2256 Inventory 4.Pdf
    The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol.
    [Show full text]
  • INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
    INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe.
    [Show full text]
  • ENC 1145 3309 Chalifour
    ENC 1145: Writing About Weird Fiction Section: 3309 Time: MWF Period 8 (3:00-3:50 pm) Room: Turlington 2349 Instructor: Spencer Chalifour Email: [email protected] Office: Turlington 4315 Office Hours: W Period 7 and by appointment Course Description: In his essay “Supernatural Horror in Fiction,” H.P. Lovecraft defines the weird tale as having to incorporate “a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” This course will focus on “weird fiction,” a genre originating in the late 19th century and containing elements of horror, fantasy, science fiction, and the macabre. In our examination of weird authors spanning its history, we will attempt to discover what differentiates weird fiction from similar genres and will use several theoretical and historical lenses to examine questions regarding what constitutes “The Weird.” What was the cultural and historical context for the inception of weird fiction? Why did British weird authors receive greater literary recognition than their American counterparts? Why since the 1980s are we experiencing a resurgence of weird fiction through the New Weird movement, and how do these authors continue the themes of their predecessors into the 21st century? Readings for this class will span from early authors who had a strong influence over later weird writers (like E.T.A. Hoffman and Robert Chambers) to the weird writers of the early 20th century (like Lovecraft, Robert Howard, Clark Ashton Smith, Lord Dunsany, and Algernon Blackwood) to New Weird authors (including China Miéville, Thomas Ligotti, and Laird Barron).
    [Show full text]
  • Robert Bloch
    ROBERT BLOCH APPRECIATIONS OF THE MASTER EDITED BY RICHARD MATHESON AND RICIA MAINHARDT ® TOR® A TOM DOHERTY ASSOCIATES BOOK / NEW YORK CONTENTS Acknowledgments 11 Introduction by Ricia Mainhardt 15 Douglas E. Winter 17 Frederik Pohl Our Bob 28 Peter Straub 29 Introduces "The Cloak" 32 Gahan Wilson 44 Introduces "Beetles" 48 Andre Norton 57 Christopher Lee 58 William E Nolan 61 Introduces "I Do Not Love Thee, Dr. Fell" 63 Richard Matheson 70 Introduces "Enoch" 74 Hugh B. Cave 85 Introduces "Sweets to the Sweet" 87 Philip Klass (William Tenn) On Robert Bloch 94 Introduces "That Hell-Bound Train" 98 David J. Schow 109 Introduces "The Final Performance" 115 Randall D. Larson Robert Bloch—A Personal Appreciation 125 Introduces "The Pin" 129 Joe R. Lansdale 140 Introduces "The Animal Fair" 143 Jeff Walker Bob, We Bearly Knew Ye ... The Hokas, Hollywood, and Development Hell 154 Introduces Scenes from a Screenplay: Earthman's Burden 157 Introduces "The Plot Is the Thing" 164 Harlan Ellison 170 Introduces "Yours Truly, Jack the Ripper" 177 Julius Schwartz The Good Old Days 190 Melissa Ann Singer Lessons 193 Introduces "A Toy for Juliette" 196 Arthur C. Clarke 201 Philip Jose Farmer More Than Most 203 Introduces "All on a Golden Afternoon" 206 Brian Lumley 226 Ramsey Campbell 229 Introduces "Notebook Found in a Deserted House" 231 Bill Warren 246 Introduces "The Clown at Midnight" 250 Mick Garris Four in the Back 258 William Peter Blatty 261 Introduces "A Good Knight's Work" 262 Sheldon Jaffery A Chip Off the Old Bloch 280 Introduces "The Yougoslaves" 283 Stephen King Robert Bloch: An Appreciation 299 Stephen Jones 301 Introduces "The Dead Don't Die!" 304 Neil Gaiman 355 Neil Gaiman and Stephen Jones 358 Introduce "Warning: Death May Be Injurious to Your Health" 359 Ray Bradbury Remembering Bob Bloch 360 Richard Matheson and Ricia Mainhardt 362 Introduce "The Pied Piper Fights the Gestapo" 363 Contributors' Biographies 377 10.
    [Show full text]
  • An Adventure in Sound—The Robert A. Heinlein Audioplays by Anders Monsen
    Liberty and Culture Vol. 25, No. 2 Winter 2007 An Adventure in Sound—The Robert A. Heinlein Audioplays By Anders Monsen Old Time Radio Radio more than once sparked major changes in my life. back even further. With all the different forms of entertain- As a high school kid in western Norway ment available to radio, such as sports, in the mid-1980s it opened up worlds religious sermons, political talk formats, for my music sensibilities as I listened and music, adapting the written word to John Peel’s BBC Radio 1 shows late into a form of audio theatre is merely at night on old portable. As a college one other format. And yet, there’s an student in the early 1990s in Austin, inherent nostalgia around this format, Texas, driving an old VW bug with only for in our present age listening to a play AM radio, it fired an interest and love seems quite old-fashioned compared to for baseball listening to college and pro- watching TV or renting DVDs. Orson fessional broadcasts. Where TV failed Welles 1938 adaptation of H.G. Wells in igniting the imagination, as baseball story, “War of the Worlds,” on his show on the small screen is far duller than in entitled The Mercury Theatre of the real life, radio listeners must pay greater Air, stands out perhaps as the pinnacle attention, and the announcer’s spare no of the power of entertainment on radio. effort in their descriptions. In those days the lines between news In 1998 I conducted an interview and entertainment were still blurred.
    [Show full text]
  • GOTHIC HORROR Gothic Horror a Reader's Guide from Poe to King and Beyond
    GOTHIC HORROR Gothic Horror A Reader's Guide from Poe to King and Beyond Edited by Clive Bloom Editorial matter and selection © Clive Bloom 1998 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. __ First published 1998 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-68398-9 ISBN 978-1-349-26398-1 (eBook) DOI 10.1007/978-1-349-26398-1 A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 02 01 00 99 98 __ Published in the United States of America 1998 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y.
    [Show full text]