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The Weird: Aesthetic Effect and Power
MJUR 2017, Issue 8 59 The Weird: Aesthetic Effect and Power Lauren Lipski Colorado Mesa University Abstract Rod Serling’s The Twilight Zone, Edgar Allen Poe’s “The Fall of the House of Usher,” and The Who’s Tommy have all been called weird, but what makes these texts weird? This paper examines weirdness beyond its use as a value judgment or genre category. Similar to Sianne Ngai’s Our Aesthetic Categories (2012), which describes cute, zany, and interesting as aesthetic effects, my project also describes the weird as an aesthetic effect. By drawing upon its etymology, my project establishes the weird as a term referencing a power, “an effect that holds an audience enthralled.” Occurring either via ruptures of coherency or when distinct boundaries are blurred to create “in-between states,” the weird as a critical term has the potential to examine our contemporary preoccupation with destabilization. My paper poses several questions: Can the weird be reclaimed from a subjective judgment to one of critical application? How is context important in determining what is weird and what is not? How does the weird challenge what society considers normal, logical, and stable? By establishing the weird as an analytical term, my project provides a lens through which to examine texts that perplex and discomfort, yet simultaneously enthrall, an audience. Introduction The term weird can seemingly describe anything. It could categorize the nonsense title and lyrics of Cream’s psychedelic hit, S.W.L.A.B.R., with its title of the invented acronym for “she walked like a bearded rainbow” (Bruce). -
THE 2016 DELL MAGAZINES AWARD This Year’S Trip to the International Conference on the Fantastic in the Arts Was Spent in a Whirl of Activity
EDITORIAL Sheila Williams THE 2016 DELL MAGAZINES AWARD This year’s trip to the International Conference on the Fantastic in the Arts was spent in a whirl of activity. In addition to academic papers, author readings, banquets, and the awards ceremony, it was a celebration of major life events. Thursday night saw a surprise birthday party for well-known SF and fantasy critic Gary K. Wolfe and a compelling memorial for storied editor David G. Hartwell. Sunday morning brought us the beautiful wedding of Rebecca McNulty and Bernie Goodman. Rebecca met Bernie when she was a finalist for our annual Dell Magazines Award for Undergraduate Ex- cellence in Science Fiction and Fantasy Writing several years ago. Other past finalists were also in attendance at the conference. In addition to Re- becca, it was a joy to watch E. Lily Yu, Lara Donnelly, Rich Larson, and Seth Dickin- son welcome a brand new crop of young writers. The winner of this year’s award was Rani Banjarian, a senior at Vanderbilt University. Rani studied at an international school in Beirut, Lebanon, before coming to the U.S. to attend college. Fluent in Arabic and English, he’s also toying with adding French to his toolbox. Rani is graduating with a duel major in physics and writing. His award winning short story, “Lullabies in Arabic” incorporates his fascination with memoir writing along with a newfound interest in science fiction. My co-judge Rick Wilber and I were once again pleased that the International Association for the Fantastic in the Arts and Dell Magazines cosponsored Rani’s expense-paid trip to the conference in Orlando, Florida, and the five hundred dollar prize. -
A Dark Matter
Follow the book map to find books on similar Book Map subjects and topics. A Dark Matter by Peter Straub This horror story opens in the 1960s, when a college campus guru invites his ardent followers to a meadow to participate in a secret night ritual. The meeting ends in chaos with a gruesomely dismembered body and many shocked and shattered FICTION STRAUB P young adults. Years later, one of these haunted souls decides to write a book in an attempt to understand what happened on that terrifying night. As the writer and his friends drag memories from deep within, they become conscious of reawakening the evil that permeated that long-ago night. This chilling novel will be appreciated by Straub’s fans and will surely win him many more with its excellent style and tone. Like More by the Author? Like Haunted Houses? Like Titles With a Gothic Touch? The Talisman House of Reckoning The House of Sight and Shadow by Peter Straub & Stephen King by John Saul by Nicholas Griffin Jack Sawyer, a twelve-year-old, embarks on a An orphaned teenager, Sarah Crane, finds sol- In this masterful story by a modern day Poe, a journey simultaneously this world and the realm ace in the house of her high school art teacher. young mentored doctor gets pulled into the of the Territories to find a magic talisman that She and her new friend Nick begin to experi- gruesome world of corpse-snatching. He falls in will save his mother and her twin counterpart in ence a paranormal presence in the house - a love with the mentor’s light-sensitive daughter the Territories. -
50% Off List Copy
! ! ! ! ! ! James M. Dourgarian, Bookman! 1595-B Third Avenue! Walnut Creek, CA 94597! (925) 935-5033! [email protected]" www.jimbooks.com! ! Any item is returnable for any reason with seven days of receipt, if prior notice is given, and! if the same item is returned in the same condition as sent.! !Purchases by California resident are subject to 8.5% sales tax.! !Postage is $4 for the first item and $1 each thereafter.! Payment in U. S. dollars only. Visa, MasterCard, Discover, and American Express accepted.! ! Items are offered at a 50% discount on the prices shown. No other discounts apply. This discount applies only to direct orders. It does not apply to orders via ABE, Biblio, the! ABAA website, or my own website, which I would encourage you to visit.! 1. Algren, Nelson. Walk On The Wild Side. Columbia, 1962, first edition thus, self- wrappers. Softcover. An original-release film pressbook, 12 pages, with advertising supplement laid in. Fine. JD5 $10.00.! 2. Allen, Woody. Side Effects. NY, Random House, 1980, first edition, dust jacket. Hardcover. Very fine. JD17 $25.00.! 3. Allison, Dorothy. Two Or Three Things I Know For Sure. NY, Dutton, August 1995, first edition, dust jacket. Hardcover. Inscribed by author to the Jack London Foundation for use in an auction fund-raiser. Very fine, unread. JD31 $30.00.! 4. Benson, Jackson J. Wallace Stegner His Life And Work. NY, Viking, 1996, first edition, slick photographic wrappers. Softcover. Advance copy, an uncorrected proof of this long-awaited biography, this was the biographer's own personal copy, so Signed by Benson. -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^By Brendan Ryder Page 13
ISSUE NO. 76 August 1992 ________ ISSN 0791-3966 RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^by Brendan Ryder page 13 THE TWILIGHT ZONE How to find your way around by Michael Cullen page 5 OUR SEMI-ANNUAL "MEGA" QUIZ It’s not just a quiz, it's the contents of page 11 MORPHING So how did Arnie turn into Michael Jackson? See on page 12 REGULAR FEATURES News 3 ISFA News 4 Letters 7 Meeting report 8 Movies 9 Videos 10 Book Reviews 15 Comics 18 Drabbles 19 PUBLISHED BY Wc welcome unsolicited manuscripts on the basis that the THE IRISH SCIENCE FICTION ISFA is poor, and if wc don’t actually pay contributors it ASSOCIATION doesn’t mean wc don’t appreciate them. So send us your news. Send us your opinions. Send us your doodles. Send 30, BEVERLY DOWNS us your shorts. But wash ’em first. KNOCKLYON ROAD Take that old dusty Royal out of the wardrobe and type it, TEMPLEOGUE, DUBLIN 16 if you can. If you can’t, well, it’s not the end of the world. FURTHER INFORMATION NOTE: OPINIONS EXPRESSED ARE NOT THOSE OF FROM THIS ADDRESS OR THE ISFA, EXCEPT WHERE STATED AS SUCH PHONE 934712 2 ISFA Newsletter August 1992 NEWS Crypt Creator Dies Wiliam M Gaines, publisher of Mad maga zine and the EC comics line which included Rings, No Strings Weird Science, Tales from the Crypt, and As part of the Galway Arts Festival which ran The Vault of Horror, died in Manhattan in from 15-26 July, the Canadian Theatre Sans June, at the age of 70. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
INTERVIEW with ROBERT BLOCH - 1 - by Jean-Marc Lofficier
INTERVIEW WITH ROBERT BLOCH - 1 - By Jean-Marc Lofficier INTERVIEW WITH ROBERT BLOCH Randy and Jean-Marc Lofficier RL: Who do you consider to be at the root of your inspiration for your writing of terror and horror fiction? RB: Well, I spent eleven years in an advertising agency! Actually, as a child I was interested in reading that sort of thing. But, I was more interested, and I think most imaginative children are, in the mysteries of death, age and cruelty. Why do these things happen? Why do people do these things to one another? An innocent child believes in the protection and security of his daddy and mama, his friends and his safe home environment. Then to read and learn about these things is a great shock. I've done a good deal of talking with many other contemporary writers of this sort of fiction, people like Stephen King, Peter Straub, Richard Matheson and half-a- dozen others. They all had the same experience; they all feel this was their motivation. Some kids don't think about these things particularly, but I did. Particularly when I was hiding under the bed or in the closet after seeing something like Lon Chaney in The Phantom of the Opera for the first time at the age of 8 or 9. I decided, as I guess most of these people did, if you can't lick ‘em, join ‘em. So, I learned the method of what it is that terrifies other people as well. Yet, I tried to do it in a way that is safe. -
ENC 1145 3309 Chalifour
ENC 1145: Writing About Weird Fiction Section: 3309 Time: MWF Period 8 (3:00-3:50 pm) Room: Turlington 2349 Instructor: Spencer Chalifour Email: [email protected] Office: Turlington 4315 Office Hours: W Period 7 and by appointment Course Description: In his essay “Supernatural Horror in Fiction,” H.P. Lovecraft defines the weird tale as having to incorporate “a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” This course will focus on “weird fiction,” a genre originating in the late 19th century and containing elements of horror, fantasy, science fiction, and the macabre. In our examination of weird authors spanning its history, we will attempt to discover what differentiates weird fiction from similar genres and will use several theoretical and historical lenses to examine questions regarding what constitutes “The Weird.” What was the cultural and historical context for the inception of weird fiction? Why did British weird authors receive greater literary recognition than their American counterparts? Why since the 1980s are we experiencing a resurgence of weird fiction through the New Weird movement, and how do these authors continue the themes of their predecessors into the 21st century? Readings for this class will span from early authors who had a strong influence over later weird writers (like E.T.A. Hoffman and Robert Chambers) to the weird writers of the early 20th century (like Lovecraft, Robert Howard, Clark Ashton Smith, Lord Dunsany, and Algernon Blackwood) to New Weird authors (including China Miéville, Thomas Ligotti, and Laird Barron). -
Robert Bloch
ROBERT BLOCH APPRECIATIONS OF THE MASTER EDITED BY RICHARD MATHESON AND RICIA MAINHARDT ® TOR® A TOM DOHERTY ASSOCIATES BOOK / NEW YORK CONTENTS Acknowledgments 11 Introduction by Ricia Mainhardt 15 Douglas E. Winter 17 Frederik Pohl Our Bob 28 Peter Straub 29 Introduces "The Cloak" 32 Gahan Wilson 44 Introduces "Beetles" 48 Andre Norton 57 Christopher Lee 58 William E Nolan 61 Introduces "I Do Not Love Thee, Dr. Fell" 63 Richard Matheson 70 Introduces "Enoch" 74 Hugh B. Cave 85 Introduces "Sweets to the Sweet" 87 Philip Klass (William Tenn) On Robert Bloch 94 Introduces "That Hell-Bound Train" 98 David J. Schow 109 Introduces "The Final Performance" 115 Randall D. Larson Robert Bloch—A Personal Appreciation 125 Introduces "The Pin" 129 Joe R. Lansdale 140 Introduces "The Animal Fair" 143 Jeff Walker Bob, We Bearly Knew Ye ... The Hokas, Hollywood, and Development Hell 154 Introduces Scenes from a Screenplay: Earthman's Burden 157 Introduces "The Plot Is the Thing" 164 Harlan Ellison 170 Introduces "Yours Truly, Jack the Ripper" 177 Julius Schwartz The Good Old Days 190 Melissa Ann Singer Lessons 193 Introduces "A Toy for Juliette" 196 Arthur C. Clarke 201 Philip Jose Farmer More Than Most 203 Introduces "All on a Golden Afternoon" 206 Brian Lumley 226 Ramsey Campbell 229 Introduces "Notebook Found in a Deserted House" 231 Bill Warren 246 Introduces "The Clown at Midnight" 250 Mick Garris Four in the Back 258 William Peter Blatty 261 Introduces "A Good Knight's Work" 262 Sheldon Jaffery A Chip Off the Old Bloch 280 Introduces "The Yougoslaves" 283 Stephen King Robert Bloch: An Appreciation 299 Stephen Jones 301 Introduces "The Dead Don't Die!" 304 Neil Gaiman 355 Neil Gaiman and Stephen Jones 358 Introduce "Warning: Death May Be Injurious to Your Health" 359 Ray Bradbury Remembering Bob Bloch 360 Richard Matheson and Ricia Mainhardt 362 Introduce "The Pied Piper Fights the Gestapo" 363 Contributors' Biographies 377 10. -
An Adventure in Sound—The Robert A. Heinlein Audioplays by Anders Monsen
Liberty and Culture Vol. 25, No. 2 Winter 2007 An Adventure in Sound—The Robert A. Heinlein Audioplays By Anders Monsen Old Time Radio Radio more than once sparked major changes in my life. back even further. With all the different forms of entertain- As a high school kid in western Norway ment available to radio, such as sports, in the mid-1980s it opened up worlds religious sermons, political talk formats, for my music sensibilities as I listened and music, adapting the written word to John Peel’s BBC Radio 1 shows late into a form of audio theatre is merely at night on old portable. As a college one other format. And yet, there’s an student in the early 1990s in Austin, inherent nostalgia around this format, Texas, driving an old VW bug with only for in our present age listening to a play AM radio, it fired an interest and love seems quite old-fashioned compared to for baseball listening to college and pro- watching TV or renting DVDs. Orson fessional broadcasts. Where TV failed Welles 1938 adaptation of H.G. Wells in igniting the imagination, as baseball story, “War of the Worlds,” on his show on the small screen is far duller than in entitled The Mercury Theatre of the real life, radio listeners must pay greater Air, stands out perhaps as the pinnacle attention, and the announcer’s spare no of the power of entertainment on radio. effort in their descriptions. In those days the lines between news In 1998 I conducted an interview and entertainment were still blurred. -
GOTHIC HORROR Gothic Horror a Reader's Guide from Poe to King and Beyond
GOTHIC HORROR Gothic Horror A Reader's Guide from Poe to King and Beyond Edited by Clive Bloom Editorial matter and selection © Clive Bloom 1998 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. __ First published 1998 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-68398-9 ISBN 978-1-349-26398-1 (eBook) DOI 10.1007/978-1-349-26398-1 A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 02 01 00 99 98 __ Published in the United States of America 1998 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y.