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Online Donation Re Donation Received on 11-04-2020 On
Chief Minister’s Relief Fund Government Of Odisha https://cmrfodisha.gov.in Online Donation Received on 11-04-2020 The contribution to Chief Minister's Relief Fund entitles the donor to 100% e xemption under section 80 G(2)(iiihf) of Income Tax Act.1961 https://cmrfodisha.gov.in Donor Details Sl. Name and Address of Donor Amount Abinash Sahoo 1 100000 Khurdha Neha Enterprises 2 100000 Khurda Pawan Consumer Care 3 100000 Khurda Alekha Kumar Das 4 51000 Khurdha Sumanta Sathua 5 51000 Puri Chandra Mohan Behera 6 25000 Mayurbhanj Puspita Behera 7 25000 Mayurbhanj Asruta Pritam 8 20000 Bhadrak Forest Range Office Bargarh 9 15790 Bargarh Head Master And Staff 10 15000 Rayagada Turunji Christian Mandali 11 13000 Nabarangpur Basanta Kumar Tripathy 12 11111 Bhubaneswar Soumyakanta Mahalik 13 11111 Angul Ms Krishna Rig Service 14 11000 Kalahandi Prafulla Kumar Gachhayat 15 10001 Khordha Trilochan Mahanta 16 10001 Kendujhar Abhinaba Kumar Rao 17 10000 Sambalpur Bc Kavya 18 10000 Puri Online Donation Received on 11-04-2020 Page 2 https://cmrfodisha.gov.in Bikash Prasad Das 19 10000 Cuttack Debasmita Sahu 20 10000 Jharsuguda Gayatri Jena 21 10000 Cuttack Kumar Sourabh 22 10000 Keonjhar Sanjeeb Kumar Mohanty 23 10000 Khurda S P Kar 24 10000 Sundargarh Sudarshan Send 25 10000 Balasore Veer Surendra Sai Institute Of Medical Science And Research 26 8200 Sambalpur Mohini Hota 27 8096 Sambalpur Santanu Sengupta 28 8000 Sambalpur Prabhu Panda 29 7500 Bhadrak Priyadarshinee Naik 30 5100 Kalahandi Benjamin Kujur 31 5001 Rourkela Mandakini Kar 32 5001 Keonjhar -
Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne T a Y L O T ^ N U ^ \,<U^<N Gloria Cox H
Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne TayloT^nu^ \,<u^<n Gloria Cox hjL^Ua^ CJOY- Fuchser 2 Table of Contents Introduction 3 Part I: Religious Context 4 Hinduism 4 Islam 11 Jainism and Buddhism 12 Part II: Historical Context 13 Part II: Ragamala Painting 19 Music: the raga 19 Poetry: the dhyana 24 Painting: the ragamala 25 Part IV: Asavari Ragini 41 Conclusion 45 Works Cited 46 Fuchser 3 Introduction At various times in history, artists have intertwined the art of painting with other forms of art. For example, the Chinese paintings of the Song Dynasty combined painting with the art of poetry, and some Western Baroque paintings worked with the music played in churches to aid in worship (Yee 122; Gardner 651). But the first works of art to ever merge the three art forms of music, poetry, and painting, was the Ragamala paintings of India. Ragamala painting is quite a unique form of art in that it successfully combines these three art forms. This paper will describe many facets of Ragamala painting, and describe a specific example of Ragamala painting, in what one could call an onion of art. This is because, just as an onion has layer upon layer, art too has many different layers. The layers around a work of art include the artwork itself, its uses, any symbolism in the artwork, the role of the artist, and the background or any traditions that the artwork follows. It also includes cultural and religious contexts as well as social, political, economical, and historical contexts. -
Outcome Budget 2014-15
OUTCOME BUDGET 2014-15 Government of Odisha Forest & Environment Department Contents Sl. No. Page No. 1. Executive Summary 1 2. Chapter-I : Introduction 3 3. Chapter-II : Outcome Budget, 2014-15 33 Statement (Plan & Non-Plan) 4. Chapter-III : Reform Measures and Policy Initiatives 62 5. Chapter-IV : Past performance of Programmes 64 and Schemes 6. Chapter-V : Financial Review 92 7. Chapter-VI : Gender and SC/ST Budgeting 99 O U T C O M E B U D G E T 2 0 1 4 - 1 5 Executive Summary The Outcome Budget of F & E Department intends to convert effectively outlay into outcome by planning the expenditure, fixing appropriate targets and quantifying deliverables. It is an exercise to change the mindset of officials to focus on results/outcome of projects/ programmes and to ensure value for money rather than on spending of money. It ensures timely flow of funds for effective utilization for achievement of intended outputs/outcome. The document also highlights the status of ongoing and new schemes implemented through the Department along with physical and financial targets set for the financial year 2012-13 & 2013-14. The Outcome Budget 2014-15 broadly consists of the following chapters: Chapter-I: Brief introductory note on the functions of the Department, organizational setup, planning & policy framework and programmes /schemes being implemented by Department. Chapter-II: Contains a tabular format, indicating the details of financial outlays, projected physical outputs & projected outcomes for 2014-15 under Plan and Non-plan. Chapter-III: Detail reform measures and policy initiatives taken up by the Department. -
Evaluation of the Effects of Music Therapy Using Todi Raga of Hindustani Classical Music on Blood Pressure, Pulse Rate and Respiratory Rate of Healthy Elderly Men
Volume 64, Issue 1, 2020 Journal of Scientific Research Institute of Science, Banaras Hindu University, Varanasi, India. Evaluation of the Effects of Music Therapy Using Todi Raga of Hindustani Classical Music on Blood Pressure, Pulse Rate and Respiratory Rate of Healthy Elderly Men Samarpita Chatterjee (Mukherjee) 1, and Roan Mukherjee2* 1 Department of Hindustani Classical Music (Vocal), Sangit-Bhavana, Visva-Bharati (A Central University), Santiniketan, Birbhum-731235,West Bengal, India 2 Department of Human Physiology, Hazaribag College of Dental Sciences and Hospital, Demotand, Hazaribag 825301, Jharkhand, India. [email protected] Abstract Several studies have indicated that music therapy may affect I. INTRODUCTION cardiovascular health; in particular, it may bring positive changes Music may be regarded as the projection of ideas as well as in blood pressure levels and heart rate, thereby improving the emotions through significant sounds produced by an instrument, overall quality of life. Hence, to regulate blood pressure, music voices, or both by taking into consideration different elements of therapy may be regarded as a significant complementary and alternative medicine (CAM). The respiratory rate, if maintained melody, rhythm, and harmony. Music plays an important role in within the normal range, may promote good cardiac health. The everyone’s life. Music has the power to make one experience aim of the present study was to evaluate the changes in blood harmony, emotional ecstasy, spiritual uplifting, positive pressure, pulse rate and respiratory rate in healthy and disease-free behavioral changes, and absolute tranquility. The annoyance in males (age 50-60 years), at the completion of 30 days of music life may increase in lack of melody and harmony. -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
IEE: India: Rural Roads Sector II Investment Program (Project 4
Environmental Assessment Report Initial Environmental Examination for Orissa Project Number: 37066 June 2009 India: Rural Roads Sector II Investment Program (Project 4) Prepared by [Author(s)] [Firm] [City, Country] Prepared by Ministry of Rural Development for the Asian Development Bank (ADB). Prepared for [Executing Agency] [Implementing Agency] The views expressed herein are those of the consultant and do not necessarily represent those of ADB’s members, Board of Directors, Management, or staff, and may be preliminary in nature. The initial environmental examination is a document of the borrower. The views expressed herein do not necessarily represent those of ADB’s Board of Directors, Management, or staff, and may be preliminary in nature. RURAL ROADS SECTOR II INVESTMENT PROGRAMME ORISSA, INDIA INITIAL ENVIRONMENTAL EXAMINATION REPORT BATCH III: 1498.58 Km of Rural Roads June 2009 MINISTRY OF RURAL DEVELOPMENT Acronyms and Abbreviations ADB : Asian Development Bank BIS : Bureau of Indian Standards CD : Cross Drainage CGWB : Central Ground Water Board CO : Carbon Monoxide COI : Corridor of Impact DM : District Magistrate EA : Executing Agency EAF : Environment Assessment Framework ECOP : Environmental Codes of Practice EIA : Environmental Impact Assessment EMAP : Environmental Management Action Plan EO : Environmental Officer FEO : Field Environmental Officer FGD : Focus Group Discussion FFA : Framework Financing Agreement GOI : Government of India GP : Gram Panchayat GSB : Granular Sub Base HC : Hydro Carbon IA : Implementing Agency -
Indo-Caribbean "Local Classical Music"
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/335 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VOL. 44, NO. 1 ETHNOMUSICOLOGY WINTER 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" PETER MANUEL / John Jay College and City University of New York Graduate Center You take a capsule from India leave it here for a hundred years, and this is what you get. Mangal Patasar n recent years the study of diaspora cultures, and of the role of music therein, has acquired a fresh salience, in accordance with the contem- porary intensification of mass migration and globalization in general. While current scholarship reflects a greater interest in hybridity and syncretism than in retentions, the study of neo-traditional arts in diasporic societies may still provide significant insights into the dynamics of cultural change. In this article I explore such dynamics as operant in a unique and sophisticated music genre of East Indians in the Caribbean.1 This genre, called "tan-sing- ing," has largely resisted syncretism and creolization, while at the same time coming to differ dramatically from its musical ancestors in India. Although idiosyncratically shaped by the specific circumstances of the Indo-Caribbean diaspora, tan-singing has evolved as an endogenous product of a particu- lar configuration of Indian cultural sources and influences. -
Memo No. LI (3'6 P,Idt — -Act?
REVISED TOUR PROGRAMME & HQRS. ENGAGEMENT OF SRI BHUMESH CHANDRA BEHERA, OAS (SAG), COLLECTOR & D.M. DHENKANAL FOR THE FIRST FORTNIGHT OF AUGUST, 2019. Date Time. Place of Programme Officer to arrival 01.08.2019 Facilitate 11.00A.M. Sadbhabana Inauguration of district Thursday. level orientation-cum- Asst.Col. Hall. training programme on decision support system (DSS). Emergency. 11.30 A.M. Office Chamber. Attend hearing of grievances. Asst.Col.,PGC 3.30P.M. Majhisahi. Attend avenue plantation programme at President, Saptasajya Majhisahi. DSCF,Dkl. 4.30P.M. -do- Visit Horticulture Farm at Saptasajya. DDH, Dkl. 02.08.2019 4.00P.M. Office Chamber. Discuss on various Friday. issues with Govt. Asst.Col., Officials.(raised by the State President, Odisha Gen.& Misc. Bhumihina Praja Samiti, Dhenkanal.) 03.08.2019 11.00A.M. DDA Conference Attend Dist.Level Scrutiny Saturday. Sub-Committee DDA, Dkl. Hall. Meeting (DLSSC) under Mukhya Mantri Krushi Udyog Yojana. 11.30A.M. -do- Attend meeting on finalization of Irrigation -do- schedule to tackle drought situation.(All irrigation related officers) 12.30P.M. OSWAN HALL. Attend V.C.on KALIA Programme taken up DDA by the Chief Secretary,Odisha. 04.08.2019 10.00A.M. Kalyan Mandap. Attend Mega Legal Services Camp at Dhenkanal Sunday. Secy.,DLSA/ Municipality Kalyan Mandap. 05.08.2019 PD,DRDA 10.00A.M. Sadar Block. Attend Joint Public Grievance Hearing Camp in Monday. AC, PGC. Sadar Block Office Premises. ' imuBDO,Sadar. 4.00P.M. Office Chamber. Discuss with the G.M (Chem), Nodal Officer for Aspirational District . 06.08.2019 11.00A.M. DRDA Interaction with Z.P. -
Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea -
2. Ijhss-Exploring Symbolism of Ragas on Costume and Designing Contemporary Wear
International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 7, Issue 5, Aug - Sep 2018; 11-26 © IASET EXPLORING SYMBOLISM OF RAGAS ON COSTUME AND DESIGNING CONTEMPORARY WEAR Vaishali Menon 1 & Kauvery Bai 2 1Research Scholar, Department of Textiles and Clothing, Bangalore, Karnataka, India 2Associate Professor, Department of Textiles and Clothing, Smt VHD Central Institute of Home Science, Bangalore, Karnataka, India ABSTRACT Indian classical music is one of the ancient art forms in the world. Apart from being deeply spiritual, it also offers a rich visual and cultural experience. Ragas are an integral part of Indian classical music which is a set of minimum 5 notes set in a certain progression with emphasis on certain notes, creating a specific mood or depicting certain emotions which are largely associated with the time and season in which they are sung, Character of the notes and dominant notes in a Raga. This study was undertaken to explore the symbolism of 6 principle ragas associated with 6 different seasons in nature. Symbolism was studied for Seasons, emotions, time and color associated with Raga Bhairav, Megh, Malkauns, Hindol, Shree, and Deepak. This symbolism was correlated with costumes to design contemporary garments, using Indian fabrics like Ikkat, Kalamkari, Ahimsa Silk, Chiffon, Batik etc. These were further analyzed by musicians, students and faculty in the fashion field. From this study, it was found that there is the association between the nature of Raga and mood created by the same. The creative process of designing a garment can be influenced by the sensory experience created by different ragas in Indian classical music which had an influence on color, texture, silhouette, and embellishment of the garment. -
Machine Learning Approaches for Mood Identification in Raga: Survey
International Journal of Innovations in Engineering and Technology (IJIET) Machine Learning Approaches for Mood Identification in Raga: Survey Priyanka Lokhande Department of Computer Engineering Maharashtra Institute of Technology, Pune, Maharashtra, India Bhavana S. Tiple Department of Computer Engineering Maharashtra Institute of Technology, Pune, Maharashtra, India Abstract- Music is a “language of emotion”, which defines the emotion or feeling through music. Music directly connects to the soul and induces emotion in mind and brains. In Hindustani Classical Music raga plays very important role. It defines characteristics that differentiate ragas uniquely. Hindustani Classical Music also has nine different swaras that specifically define the emotion. In this paper we surveyed different techniques for raga identification and differentiate them according to their work and accuracy. We give the rasa - bhava relationship and raga-rasa mapping that defines the emotion related to raga. Keywords – Indian Classical Music, Emotion, Raga- Rasa relation, Classifiers. I. INTRODUCTION Indian classical music: One of an ancient tradition is Indian classical music that is an art form that is continuously growing. It has its roots in Sam Veda. Indian classical music is divided into two branches: Carnatic (South Indian Classical Music) and Hindustani (North Indian Classical Music). Carnatic music is sharp and involves many rhythmic and tonal complexities. Hindustani is mellifluous and meant to be entertainment and pleasure oriented music. Indian classical music and Western music vary from each other with respect to their notes, timings and different characteristics associated with raga. Swaras of Indian classical music are similar to the note of western classical music. There are many characteristics of Hindustani classical music. -
Sangeet Kendra Catalogue Copy
Sangeet Kendra Catalogue Baithak Series (Vocal) Siddheshwari Devi ! Volume 1 - Poorab Thumri!! ! ! ! 1. Dole Re Joban Madamaati 2. Rasa Ki Boond Pari 3. Jhamak Jhuki Aayi 4. E Ri Haanri Nanandiyaa 5. Ranaji Main Bairaagan Hungi !Volume 2 - Poorab Thumri 1. Saba Ras Barase Nayanavaa 2. Shaam Bhai Bin Shyam 3. Are Guiyaan Daravajavaa Mein 4. Aavo Aavo Nagariyaa Badi Motibai ! Volume 1 - Poorab Thumri 1. Vasant Ritu Bahaar and Piya Sang Karat Boli Tholi 2. Bahiyaan Naa Maroro Giridhaari 3. Paani Bhare Ri Kaun Albele Ki Naar Jhamaajham 4. Saiyaandaman !Volume 2 - Poorab Thumri 1. Tori Tirachhi Nazar Laage Pyari Re 2. Sab Ban Ambuvaa Mahurila 3. Naahak Laaye Gawanvaa ! Volume 3 - Poorab Thumri 1. Raga Kamod - Khayal 2. Raga Mishra Sindhura - Thumri 3. Raga Bageshree - Khayal 4. Raga Mishra Kafi - Tappa 5. Raga Mishra Jhinjhoti - Tappa Ustad Sharafat Hussain Khan ! Volume 1 - Agra Gharana 1. Raga Saavani - Alap (Vilambit) 2. Raga Saavani - Alap (Madhyalaya) 3. Raga Saavani - Alap (Drut) 4. Raga Saavani - Khayal in Vilambit Ektala (E Ri Mai Aaj) ! ! Volume 2 - Agra Gharana 1. Raga Saavani - Khayal in Drut Teentala (E Ri Faagun Jhula Daare) 2. Raga Nat Bihaag - Khayal in Drut Teentala (Jhan Jhan Jhan Jhan Payal Baaje Ma) 3. Raga Sohini - Drut Teentala ! Volume 3 - Agra Gharana 1. Raga Jayjaywanti - Khayal Vilambit Ektala (Vaaye Kahaan Kal Ho) 2. Raga Jayjaywanti - Khayal Drut Teentala (Naadaan Akhiyaan Laagi) ! Volume 4 - Agra Gharana 1. Raga Raamkali - Khayal in Vilambit Ektala (Aaj Radhe Tore Badan Par) 2. Raga Raamkali - Khayal in Drut Teentala (Un Sang Laagi) 3. Raga Bhairavi - Dadra (Banaavo Batiyaan) Dagar Brothers (Nasir Zahiruddin Dagar and Nasir Faiyazuddin Dagar) ! Volume 1 - Dhrupad 1.