SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3

Total Page:16

File Type:pdf, Size:1020Kb

SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3 Individual FRA Beneficiaries list of Dhenkanal District SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3 4 5 1 Hindol Baunsapokhari Nuakot Jaga Purti S/O-Sagara 2 Hindol Baunsapokhari Nuakot Chengu Purti S/O-Sagara 3 Hindol Baunsapokhari Nuakot Bisun Purti S/O-Sagara 4 Hindol Baunsapokhari Nuakot Duryodhana Dehury S/O-Arakhita 5 Hindol Baunsapokhari Nuakot Shyama Sundar Samad S/O-Rutia Samad 6 Hindol Baunsapokhari Nuakot Balhei Dehury S/O-Hada 7 Hindol Baunsapokhari Nuakot Joginath Padhan S/O-Sukadeba 8 Hindol Baunsapokhari Nuakot Bhima Dehuri S/O-Kalia 9 Hindol Baunsapokhari Nuakot Ganesh Dehury S/O-Nadei Dehury 10 Hindol Baunsapokhari Nuakot Radhanath Dehury S/O-Kela 11 Hindol Baunsapokhari Nuakot Bimbadhara Padhan S/O-Bida 12 Hindol Baunsapokhari Nuakot Madhab Dehury S/O-Mitu Dehury 13 Hindol Baunsapokhari Nuakot Chandra Dehury S/O-Jhati 14 Hindol Baunsapokhari Nuakot Mandara Dehury S/O-Jhati 15 Hindol Baunsapokhari Nuakot Sankara Dehury S/O-Mitu 16 Hindol Baunsapokhari Nuakot Ranju Padhan W/O-Gada Padhan 17 Hindol Baunsapokhari Nuakot Abhaya Dehury S/O-Mitu 18 Hindol Baunsapokhari Nuakot Kartika Padhan S/O-Panchu Padhan 19 Hindol Baunsapokhari Nuakot Pitei Behera S/O-Late Madhu Behera 20 Hindol Baunsapokhari Nuakot Rabi Behera S/O-Punia 21 Hindol Baunsapokhari Nuakot Chhabi Behera S/O-Punia 22 Hindol Baunsapokhari Nuakot Kanduru Behera S/O-Dandua 23 Hindol Baunsapokhari Nuakot Bhima Behera S/O-Dusi 24 Hindol Baunsapokhari Nuakot Kulei Behera S/O-Madhu 25 Hindol Baunsapokhari Nuakot Dhobani Behera S/o-Basu 26 Hindol Baunsapokhari Nuakot Bramha Dehury S/O-Markanda 27 Hindol Baunsapokhari Nuakot Parama Dehury S/O_Markanda 28 Hindol Baunsapokhari Nuakot Lembua Behera S/o-Kulei 29 Hindol Baunsapokhari Nuakot Kartika Padhan S/O- Panchu 30 Hindol Baunsapokhari Nuakot Damburu Dehury S/O- Markanda 31 Hindol Baunsapokhari Nuakot Gopala Samad S/O-Shyama Sundar 32 Hindol Khaliborei Govindpur Gouranga Pradhan S/O-Arjuna 33 Hindol Khaliborei Govindpur Hira Padhan W/O-Brundabana 34 Hindol Khaliborei Govindpur Tanu Munda W/O-Late Deba 35 Hindol Khaliborei Govindpur Ruma Dehury W/O-Late Sunia 36 Hindol Khaliborei Khaliborei Biranchi Dehury S/O-Kanu 37 Hindol Khaliborei Khaliborei Sudhakar Nahak S/O-Mandar 38 Hindol Khaliborei Khaliborei Jagabandhu Dehury S/O-Kanu 39 Hindol Khaliborei Khaliborei Puspasen Dehury S/O-Kunthu 40 Hindol Khaliborei Khaliborei Trinath Dehury S/O-Kunthu 41 Hindol Khaliborei Khaliborei Gopal Nahak S/O-Lochan 42 Hindol Khaliborei Khaliborei Bhaskar Nahak S/O-Mandar 43 Hindol Khaliborei Khaliborei Sankar Dehury S/O-Gouranga 44 Hindol Khaliborei Khaliborei Puda Nahak S/O- Mandar 45 Hindol Khaliborei Khaliborei Kathi Nahak S/O- Mandar 46 Hindol Khaliborei Khaliborei Ranjan Nahak S/O-Mandar 47 Hindol Khaliborei Khaliborei Janak Nahak S/O-Dayanidhi 48 Hindol Khaliborei Khaliborei Debraj Palei S/O-Natha 49 Hindol Khaliborei Khaliborei Madhab Dehury S/O-Kunu 50 Hindol Khaliborei Khaliborei Sumanta Nahak S/O-Sridhara 51 Hindol Khaliborei Khaliborei Santosh Dehury S/O-Kunthu 52 Hindol Khaliborei Khaliborei Ekadasia Dehury S/O-Kunthu 53 Hindol Khaliborei Khaliborei Dusmanta Nahak S/O-Sridhara 54 Hindol Khaliborei Khaliborei Benudhara Dehury S/O-Mangulu 55 Hindol Khaliborei Khaliborei Tila Jani S/O-Late Purna 56 Hindol Khaliborei Khaliborei Nilamani Jani S/O-Late Purna 57 Hindol Khaliborei Khaliborei Fagu Jani S/O-Purna 58 Hindol Khaliborei Khaliborei Maheswar Jani S/O-Late Sunia 59 Hindol Khaliborei Khaliborei Dayanidhi Jaji S/O-Sunia 60 Hindol Khaliborei Khaliborei Manash Dehury S/O-Mangulu 61 Hindol Khaliborei Khaliborei Duryodhan DehuryS/O-Kanhu 62 Hindol Khaliborei Khaliborei Arjuna Dehury S/O-Kanhu 63 Hindol Khaliborei Khaliborei Pitabas Dehury S/O-Khaira Page 1 of 130 SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3 4 5 64 Hindol Khaliborei Khaliborei Nityananda Dehury S/O-Late Khaira 65 Hindol Khaliborei Khaliborei Bidyadhra Dehury S/O-Khaira 66 Hindol Khaliborei Khaliborei Panchu Dehury S/O-Khaira 67 Hindol Khaliborei Khaliborei Hatakishore Dehury S/O-Khaira 68 Hindol Khaliborei Khaliborei Maharga Jani S/O-Kusan 69 Hindol Khaliborei Khaliborei Murali Jani S/O-Sikhara 70 Hindol Khaliborei Khaliborei Chani Bewa W/O-Bira Jani 71 Hindol Khaliborei Khaliborei Laxman Dehury S/o-Ainthu 72 Hindol Khaliborei Khaliborei Hari Dehury S/O-Purna 73 Hindol Khaliborei Khaliborei Sridhara Dehury S/O-Purna 74 Hindol Khaliborei Khaliborei Banamali Dehury S/O-Ainthu 75 Hindol Khaliborei Khaliborei Mohan Dehury S/O-Ainthu 76 Hindol Dandiri Kanaka (Muruda) Siba Kada S/O-Mangu 77 Hindol Khaliborei Gobindpur Hema Bhoi W/O-Late Gurubaria 78 Hindol Khaliborei Gobindpur Manoj Bhoi S/O-Prasanna 79 Hindol Khaliborei Gobindpur Bijaya Behera , Ajaya Behera S/O-Late Gobinda 80 Hindol Khaliborei Gobindpur Laxman Behera, Samabari Behera S/O-Gandu 81 Hindol Khaliborei Gobindpur Bhaskara Bhoi S/O-Dinabandhu 82 Hindol Khaliborei Gobindpur Antara Bhoi, Anukulia Bhoi, Ananta Bhoi S/O- Padmacharana 83 Hindol Khaliborei Gobindpur Pechi Bhoi, Sukuti Bhoi, Madhaba Bhoi, Udhaba Bhoi, Bata Bhoi S/O-Bantha 84 Hindol Khaliborei Gobindpur Antara Bhoi, Anukulia Bhoi, Ananta Bhoi S/O- Padmacharana 85 Hindol Kansara Kansara Shyama Bhoi Oger S/O-Late Nahia 86 Hindol Kansara Kansara Dula Bhoi W/O-Late Bhagirathi 87 Hindol Kansara Kansara Subudhi Bhoi S/O-Bhikari 88 Hindol Kansara Kansara Ratnakara Bhoi Oger other four brothers S/O-Late Gopala 89 Hindol Kansara Kansara Budhia Bhoi Oger S/O-Mangei 90 Hindol Kansara Kansara Benudhara Bhoi Oger S/O-Gada 91 Hindol Dandiri Rajang Jagabandhu Dehury S/O-Sambhu 92 Hindol Dandiri Rajang Bhubana Padhan Oger S/O-Bibhakta 93 Hindol Dandiri Rajang Banambara Dehury Oger S/O-Baidhara 94 Hindol Dandiri Rajang Ganeswara Padhan Oger S/O-Sridhara 95 Hindol Dandiri Rajang Biswambara Dehury Oger S/O-Gopi 96 Hindol Dandiri Rajang Basu Padhan Oger S/O-Mukunda 97 Hindol Dandiri Rajang Jagabandhu Dehury Oger S/O-Surendra 98 Hindol Nabakishorepur Kapishai Arjuna Bhoi S/O-Gandharba 99 Hindol Nabakishorepur Kapishai Sankhali Bhoi S/O-Gandharba 100 Hindol Nabakishorepur Kapishai Chandrama Bhoi W/O-Pitabas 101 Hindol Nabakishorepur Kapishai Bhimasen Bhoi S/O-Gandharba 102 Hindol Dandiri Kanaka Pandari Padhan W/O-Mandara 103 Hindol Dandiri Kanaka Sisula Behera S/O-Lochan 104 Hindol Dandiri Kanaka Duryodhana Padhan S/O-Mangulu 105 Hindol Dandiri Kanaka Katika Padhan S/O-Makara 106 Hindol Dandiri Kanaka Baria Jani S/O-Sujan 107 Hindol Dandiri Kanaka Gadadhar Padhan S/O-Bikram 108 Hindol Dandiri Kanaka Mangaraj Padhan S/O-Paikira 109 Hindol Dandiri Kanaka Sikara Padhan S/O-Mandara 110 Hindol Dandiri Kanaka Kunja Padhan S/O-Bisunu Padhan 111 Hindol Dandiri Kanaka Kapila Chandra Padhan S/O-Ghasi 112 Hindol Dandiri Kanaka Chakara Dehury S/O-Dhani 113 Hindol Dandiri Kanaka Chhabirani Dehury W/O-Sankar 114 Hindol Dandiri Kanaka Nakula Padhan S/O-Ghasi 115 Hindol Dandiri Kanaka Akula Padhan S/O-Ghasi 116 Hindol Dandiri Kanaka Kamala Padhan W/O-Charana 117 Hindol Dandiri Kanaka Kamala Padhan W/O-Braja 118 Hindol Dandiri Kanaka Netra Padhan S/O-Panchu 119 Hindol Dandiri Kanaka Debaraj Padhan S/O-Gandharba 120 Hindol Dandiri Kanaka Krushna Hanaga H/O-Champa 121 Hindol Dandiri Kanaka Ganeswar Purti S/O-Debendra 122 Hindol Dandiri Kanaka Naresh Padhan S/O-Naba 123 Hindol Dandiri Kanaka Jadu Padhan S/O-Rushia Page 2 of 130 SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3 4 5 124 Hindol Dandiri Kanaka Laxmidhara Gagarai S/O-Dibakara 125 Hindol Dandiri Kanaka Jema Champia W/O-Biju 126 Hindol Dandiri Kanaka Kamala Padhan W/O-Brajabandhu 127 Hindol Dandiri Kanaka Dambarudhar Gagarai S/O-Dibakara 128 Hindol Dandiri Kanaka Kamala Padhan W/O-Charana 129 Hindol Dandiri Kanaka Kokila Behera W/O-Mulia 130 Hindol Dandiri Kanaka (Muruda) Siba Kada S/O-Mangu 131 Hindol Dandiri Kanaka (Muruda) Sama Birua S/O-Paga 132 Hindol Dandiri Kanaka (Muruda) Raghu Tiu S/O-Manada 133 Hindol Dandiri Kanaka (Muruda) Raibari Padhan W/O-Late Kabiraja 134 Hindol Dandiri Kanaka (Muruda) Rabi Gagarai S/O-Nidhi 135 Hindol Dandiri Kanaka (Muruda) Kuntala Padhan W/O-Late Buta 136 Hindol Dandiri Kanaka (Muruda) Amari Padhan W/O-Late Naba 137 Hindol Nabakishorepur Kalipoi Lalita Dehury W/O-Late Ganga 138 Hindol Nabakishorepur Kalipoi Mantri Dehury S/O-Hatia 139 Hindol Nabakishorepur Kalipoi Patu Dehury S/O-Kapila 140 Hindol Nabakishorepur Kalipoi Patra Dehury S/O-Hatia 141 Hindol Nijigarh Kandha Manu Nahak. S/o- Lochan Nahak, Khaliborei 142 Hindol Bampa Brahmanipal Pathani Bhoi W/o- Sanei 143 Hindol Bampa Brahmanipal Bikala Bhoi S/o - Shyam 144 Hindol Bampa Brahmanipal Narottam Naik S/o - Chakradhar 145 Hindol Bampa Brahmanipal Ujalla Bhoi W/o - Murali 146 Hindol Madhapur Kukupangi Malati Padhan,W/o-Pabana Padhan, Jayanti Padha, W/o- Nabina Padhan, Jui Padhan, S/o- Nabina Padhan 147 Odapada Kalanga Dinabandhupur Chaitanya Naik, S/O- Sudarsan 148 Odapada Kalanga Dinabandhupur Amar Bhoi, S/O- Bidyadhar 149 Odapada Kalanga Dinabandhupur Chandramani Bhoi, S/O-Nakul 150 Odapada Kalanga Dinabandhupur Narottam Bhoi, S/O-Kubera 151 Odapada Kalanga Dinabandhupur Biranchi Bhoi, S/O-Chandramani 152 Odapada Kalanga Dinabandhupur Khaga Bhoi, S/O-Iswar 153 Odapada Kalanga Dinabandhupur Baidhar Bhoi, S/O- Jaganatha 154 Odapada Kalanga Dinabandhupur Hari Bhoi, S/O-Kapila 155 Odapada Kalanga Dinabandhupur Batakrishna Bhoi, S/O- Nurshingh 156 Odapada Kalanga Dinabandhupur Makara Bhoi, S/O-Kanhei 157 Odapada Kalanga Dinabandhupur Boita Bhoi, W/O-Dheneswar 158 Odapada Kalanga Dinabandhupur Baidhar Bhoi, S/O- Goji 159 Odapada Kalanga Dinabandhupur Nursingh Bhoi, S/O- Jaganatha 160 Odapada Kalanga Dinabandhupur Rabinarayana Bhoi, S/O- Jaganatha 161 Odapada Kalanga Dinabandhupur Satrughan Bhoi, S/O-Nila 162 Odapada Kalanga Dinabandhupur Purusottam Naik, S/O- Sudarsan 163 Odapada Kalanga Dinabandhupur Hadibandhu Bhoi, S/O- Naba 164 Odapada Kalanga Dinabandhupur Maharaga Bhoi, S/O-Mangulu 165 Odapada Kalanga Dinabandhupur Sankar Bhoi, S/O-Natha 166 Odapada Kalanga Dinabandhupur Paluni Bhoi, W/O-Raghu Page 3 of 130 SI No Block Gram Panchayat Village Name of the FRA Beneficiary 1 2 3 4 5 167 Odapada Kalanga Dinabandhupur Rajkishore Bhoi, S/O- Dama 168 Odapada Kalanga Dinabandhupur Bighna Bhoi, S/O- Naba 169 Odapada Kalanga Dinabandhupur Suresh Ch.
Recommended publications
  • Online Donation Re Donation Received on 11-04-2020 On
    Chief Minister’s Relief Fund Government Of Odisha https://cmrfodisha.gov.in Online Donation Received on 11-04-2020 The contribution to Chief Minister's Relief Fund entitles the donor to 100% e xemption under section 80 G(2)(iiihf) of Income Tax Act.1961 https://cmrfodisha.gov.in Donor Details Sl. Name and Address of Donor Amount Abinash Sahoo 1 100000 Khurdha Neha Enterprises 2 100000 Khurda Pawan Consumer Care 3 100000 Khurda Alekha Kumar Das 4 51000 Khurdha Sumanta Sathua 5 51000 Puri Chandra Mohan Behera 6 25000 Mayurbhanj Puspita Behera 7 25000 Mayurbhanj Asruta Pritam 8 20000 Bhadrak Forest Range Office Bargarh 9 15790 Bargarh Head Master And Staff 10 15000 Rayagada Turunji Christian Mandali 11 13000 Nabarangpur Basanta Kumar Tripathy 12 11111 Bhubaneswar Soumyakanta Mahalik 13 11111 Angul Ms Krishna Rig Service 14 11000 Kalahandi Prafulla Kumar Gachhayat 15 10001 Khordha Trilochan Mahanta 16 10001 Kendujhar Abhinaba Kumar Rao 17 10000 Sambalpur Bc Kavya 18 10000 Puri Online Donation Received on 11-04-2020 Page 2 https://cmrfodisha.gov.in Bikash Prasad Das 19 10000 Cuttack Debasmita Sahu 20 10000 Jharsuguda Gayatri Jena 21 10000 Cuttack Kumar Sourabh 22 10000 Keonjhar Sanjeeb Kumar Mohanty 23 10000 Khurda S P Kar 24 10000 Sundargarh Sudarshan Send 25 10000 Balasore Veer Surendra Sai Institute Of Medical Science And Research 26 8200 Sambalpur Mohini Hota 27 8096 Sambalpur Santanu Sengupta 28 8000 Sambalpur Prabhu Panda 29 7500 Bhadrak Priyadarshinee Naik 30 5100 Kalahandi Benjamin Kujur 31 5001 Rourkela Mandakini Kar 32 5001 Keonjhar
    [Show full text]
  • Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne T a Y L O T ^ N U ^ \,<U^<N Gloria Cox H
    Reflections on Ragamala Painting Fall 2000 Honors Thesis Susan Fuchser Dianne TayloT^nu^ \,<u^<n Gloria Cox hjL^Ua^ CJOY- Fuchser 2 Table of Contents Introduction 3 Part I: Religious Context 4 Hinduism 4 Islam 11 Jainism and Buddhism 12 Part II: Historical Context 13 Part II: Ragamala Painting 19 Music: the raga 19 Poetry: the dhyana 24 Painting: the ragamala 25 Part IV: Asavari Ragini 41 Conclusion 45 Works Cited 46 Fuchser 3 Introduction At various times in history, artists have intertwined the art of painting with other forms of art. For example, the Chinese paintings of the Song Dynasty combined painting with the art of poetry, and some Western Baroque paintings worked with the music played in churches to aid in worship (Yee 122; Gardner 651). But the first works of art to ever merge the three art forms of music, poetry, and painting, was the Ragamala paintings of India. Ragamala painting is quite a unique form of art in that it successfully combines these three art forms. This paper will describe many facets of Ragamala painting, and describe a specific example of Ragamala painting, in what one could call an onion of art. This is because, just as an onion has layer upon layer, art too has many different layers. The layers around a work of art include the artwork itself, its uses, any symbolism in the artwork, the role of the artist, and the background or any traditions that the artwork follows. It also includes cultural and religious contexts as well as social, political, economical, and historical contexts.
    [Show full text]
  • Outcome Budget 2014-15
    OUTCOME BUDGET 2014-15 Government of Odisha Forest & Environment Department Contents Sl. No. Page No. 1. Executive Summary 1 2. Chapter-I : Introduction 3 3. Chapter-II : Outcome Budget, 2014-15 33 Statement (Plan & Non-Plan) 4. Chapter-III : Reform Measures and Policy Initiatives 62 5. Chapter-IV : Past performance of Programmes 64 and Schemes 6. Chapter-V : Financial Review 92 7. Chapter-VI : Gender and SC/ST Budgeting 99 O U T C O M E B U D G E T 2 0 1 4 - 1 5 Executive Summary The Outcome Budget of F & E Department intends to convert effectively outlay into outcome by planning the expenditure, fixing appropriate targets and quantifying deliverables. It is an exercise to change the mindset of officials to focus on results/outcome of projects/ programmes and to ensure value for money rather than on spending of money. It ensures timely flow of funds for effective utilization for achievement of intended outputs/outcome. The document also highlights the status of ongoing and new schemes implemented through the Department along with physical and financial targets set for the financial year 2012-13 & 2013-14. The Outcome Budget 2014-15 broadly consists of the following chapters: Chapter-I: Brief introductory note on the functions of the Department, organizational setup, planning & policy framework and programmes /schemes being implemented by Department. Chapter-II: Contains a tabular format, indicating the details of financial outlays, projected physical outputs & projected outcomes for 2014-15 under Plan and Non-plan. Chapter-III: Detail reform measures and policy initiatives taken up by the Department.
    [Show full text]
  • Evaluation of the Effects of Music Therapy Using Todi Raga of Hindustani Classical Music on Blood Pressure, Pulse Rate and Respiratory Rate of Healthy Elderly Men
    Volume 64, Issue 1, 2020 Journal of Scientific Research Institute of Science, Banaras Hindu University, Varanasi, India. Evaluation of the Effects of Music Therapy Using Todi Raga of Hindustani Classical Music on Blood Pressure, Pulse Rate and Respiratory Rate of Healthy Elderly Men Samarpita Chatterjee (Mukherjee) 1, and Roan Mukherjee2* 1 Department of Hindustani Classical Music (Vocal), Sangit-Bhavana, Visva-Bharati (A Central University), Santiniketan, Birbhum-731235,West Bengal, India 2 Department of Human Physiology, Hazaribag College of Dental Sciences and Hospital, Demotand, Hazaribag 825301, Jharkhand, India. [email protected] Abstract Several studies have indicated that music therapy may affect I. INTRODUCTION cardiovascular health; in particular, it may bring positive changes Music may be regarded as the projection of ideas as well as in blood pressure levels and heart rate, thereby improving the emotions through significant sounds produced by an instrument, overall quality of life. Hence, to regulate blood pressure, music voices, or both by taking into consideration different elements of therapy may be regarded as a significant complementary and alternative medicine (CAM). The respiratory rate, if maintained melody, rhythm, and harmony. Music plays an important role in within the normal range, may promote good cardiac health. The everyone’s life. Music has the power to make one experience aim of the present study was to evaluate the changes in blood harmony, emotional ecstasy, spiritual uplifting, positive pressure, pulse rate and respiratory rate in healthy and disease-free behavioral changes, and absolute tranquility. The annoyance in males (age 50-60 years), at the completion of 30 days of music life may increase in lack of melody and harmony.
    [Show full text]
  • Causelistgenerate Report
    WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise.
    [Show full text]
  • IEE: India: Rural Roads Sector II Investment Program (Project 4
    Environmental Assessment Report Initial Environmental Examination for Orissa Project Number: 37066 June 2009 India: Rural Roads Sector II Investment Program (Project 4) Prepared by [Author(s)] [Firm] [City, Country] Prepared by Ministry of Rural Development for the Asian Development Bank (ADB). Prepared for [Executing Agency] [Implementing Agency] The views expressed herein are those of the consultant and do not necessarily represent those of ADB’s members, Board of Directors, Management, or staff, and may be preliminary in nature. The initial environmental examination is a document of the borrower. The views expressed herein do not necessarily represent those of ADB’s Board of Directors, Management, or staff, and may be preliminary in nature. RURAL ROADS SECTOR II INVESTMENT PROGRAMME ORISSA, INDIA INITIAL ENVIRONMENTAL EXAMINATION REPORT BATCH III: 1498.58 Km of Rural Roads June 2009 MINISTRY OF RURAL DEVELOPMENT Acronyms and Abbreviations ADB : Asian Development Bank BIS : Bureau of Indian Standards CD : Cross Drainage CGWB : Central Ground Water Board CO : Carbon Monoxide COI : Corridor of Impact DM : District Magistrate EA : Executing Agency EAF : Environment Assessment Framework ECOP : Environmental Codes of Practice EIA : Environmental Impact Assessment EMAP : Environmental Management Action Plan EO : Environmental Officer FEO : Field Environmental Officer FGD : Focus Group Discussion FFA : Framework Financing Agreement GOI : Government of India GP : Gram Panchayat GSB : Granular Sub Base HC : Hydro Carbon IA : Implementing Agency
    [Show full text]
  • Indo-Caribbean "Local Classical Music"
    City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/335 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VOL. 44, NO. 1 ETHNOMUSICOLOGY WINTER 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" PETER MANUEL / John Jay College and City University of New York Graduate Center You take a capsule from India leave it here for a hundred years, and this is what you get. Mangal Patasar n recent years the study of diaspora cultures, and of the role of music therein, has acquired a fresh salience, in accordance with the contem- porary intensification of mass migration and globalization in general. While current scholarship reflects a greater interest in hybridity and syncretism than in retentions, the study of neo-traditional arts in diasporic societies may still provide significant insights into the dynamics of cultural change. In this article I explore such dynamics as operant in a unique and sophisticated music genre of East Indians in the Caribbean.1 This genre, called "tan-sing- ing," has largely resisted syncretism and creolization, while at the same time coming to differ dramatically from its musical ancestors in India. Although idiosyncratically shaped by the specific circumstances of the Indo-Caribbean diaspora, tan-singing has evolved as an endogenous product of a particu- lar configuration of Indian cultural sources and influences.
    [Show full text]
  • Memo No. LI (3'6 P,Idt — -Act?
    REVISED TOUR PROGRAMME & HQRS. ENGAGEMENT OF SRI BHUMESH CHANDRA BEHERA, OAS (SAG), COLLECTOR & D.M. DHENKANAL FOR THE FIRST FORTNIGHT OF AUGUST, 2019. Date Time. Place of Programme Officer to arrival 01.08.2019 Facilitate 11.00A.M. Sadbhabana Inauguration of district Thursday. level orientation-cum- Asst.Col. Hall. training programme on decision support system (DSS). Emergency. 11.30 A.M. Office Chamber. Attend hearing of grievances. Asst.Col.,PGC 3.30P.M. Majhisahi. Attend avenue plantation programme at President, Saptasajya Majhisahi. DSCF,Dkl. 4.30P.M. -do- Visit Horticulture Farm at Saptasajya. DDH, Dkl. 02.08.2019 4.00P.M. Office Chamber. Discuss on various Friday. issues with Govt. Asst.Col., Officials.(raised by the State President, Odisha Gen.& Misc. Bhumihina Praja Samiti, Dhenkanal.) 03.08.2019 11.00A.M. DDA Conference Attend Dist.Level Scrutiny Saturday. Sub-Committee DDA, Dkl. Hall. Meeting (DLSSC) under Mukhya Mantri Krushi Udyog Yojana. 11.30A.M. -do- Attend meeting on finalization of Irrigation -do- schedule to tackle drought situation.(All irrigation related officers) 12.30P.M. OSWAN HALL. Attend V.C.on KALIA Programme taken up DDA by the Chief Secretary,Odisha. 04.08.2019 10.00A.M. Kalyan Mandap. Attend Mega Legal Services Camp at Dhenkanal Sunday. Secy.,DLSA/ Municipality Kalyan Mandap. 05.08.2019 PD,DRDA 10.00A.M. Sadar Block. Attend Joint Public Grievance Hearing Camp in Monday. AC, PGC. Sadar Block Office Premises. ' imuBDO,Sadar. 4.00P.M. Office Chamber. Discuss with the G.M (Chem), Nodal Officer for Aspirational District . 06.08.2019 11.00A.M. DRDA Interaction with Z.P.
    [Show full text]
  • Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
    FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea
    [Show full text]
  • 2. Ijhss-Exploring Symbolism of Ragas on Costume and Designing Contemporary Wear
    International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 7, Issue 5, Aug - Sep 2018; 11-26 © IASET EXPLORING SYMBOLISM OF RAGAS ON COSTUME AND DESIGNING CONTEMPORARY WEAR Vaishali Menon 1 & Kauvery Bai 2 1Research Scholar, Department of Textiles and Clothing, Bangalore, Karnataka, India 2Associate Professor, Department of Textiles and Clothing, Smt VHD Central Institute of Home Science, Bangalore, Karnataka, India ABSTRACT Indian classical music is one of the ancient art forms in the world. Apart from being deeply spiritual, it also offers a rich visual and cultural experience. Ragas are an integral part of Indian classical music which is a set of minimum 5 notes set in a certain progression with emphasis on certain notes, creating a specific mood or depicting certain emotions which are largely associated with the time and season in which they are sung, Character of the notes and dominant notes in a Raga. This study was undertaken to explore the symbolism of 6 principle ragas associated with 6 different seasons in nature. Symbolism was studied for Seasons, emotions, time and color associated with Raga Bhairav, Megh, Malkauns, Hindol, Shree, and Deepak. This symbolism was correlated with costumes to design contemporary garments, using Indian fabrics like Ikkat, Kalamkari, Ahimsa Silk, Chiffon, Batik etc. These were further analyzed by musicians, students and faculty in the fashion field. From this study, it was found that there is the association between the nature of Raga and mood created by the same. The creative process of designing a garment can be influenced by the sensory experience created by different ragas in Indian classical music which had an influence on color, texture, silhouette, and embellishment of the garment.
    [Show full text]
  • Machine Learning Approaches for Mood Identification in Raga: Survey
    International Journal of Innovations in Engineering and Technology (IJIET) Machine Learning Approaches for Mood Identification in Raga: Survey Priyanka Lokhande Department of Computer Engineering Maharashtra Institute of Technology, Pune, Maharashtra, India Bhavana S. Tiple Department of Computer Engineering Maharashtra Institute of Technology, Pune, Maharashtra, India Abstract- Music is a “language of emotion”, which defines the emotion or feeling through music. Music directly connects to the soul and induces emotion in mind and brains. In Hindustani Classical Music raga plays very important role. It defines characteristics that differentiate ragas uniquely. Hindustani Classical Music also has nine different swaras that specifically define the emotion. In this paper we surveyed different techniques for raga identification and differentiate them according to their work and accuracy. We give the rasa - bhava relationship and raga-rasa mapping that defines the emotion related to raga. Keywords – Indian Classical Music, Emotion, Raga- Rasa relation, Classifiers. I. INTRODUCTION Indian classical music: One of an ancient tradition is Indian classical music that is an art form that is continuously growing. It has its roots in Sam Veda. Indian classical music is divided into two branches: Carnatic (South Indian Classical Music) and Hindustani (North Indian Classical Music). Carnatic music is sharp and involves many rhythmic and tonal complexities. Hindustani is mellifluous and meant to be entertainment and pleasure oriented music. Indian classical music and Western music vary from each other with respect to their notes, timings and different characteristics associated with raga. Swaras of Indian classical music are similar to the note of western classical music. There are many characteristics of Hindustani classical music.
    [Show full text]
  • Sangeet Kendra Catalogue Copy
    Sangeet Kendra Catalogue Baithak Series (Vocal) Siddheshwari Devi ! Volume 1 - Poorab Thumri!! ! ! ! 1. Dole Re Joban Madamaati 2. Rasa Ki Boond Pari 3. Jhamak Jhuki Aayi 4. E Ri Haanri Nanandiyaa 5. Ranaji Main Bairaagan Hungi !Volume 2 - Poorab Thumri 1. Saba Ras Barase Nayanavaa 2. Shaam Bhai Bin Shyam 3. Are Guiyaan Daravajavaa Mein 4. Aavo Aavo Nagariyaa Badi Motibai ! Volume 1 - Poorab Thumri 1. Vasant Ritu Bahaar and Piya Sang Karat Boli Tholi 2. Bahiyaan Naa Maroro Giridhaari 3. Paani Bhare Ri Kaun Albele Ki Naar Jhamaajham 4. Saiyaandaman !Volume 2 - Poorab Thumri 1. Tori Tirachhi Nazar Laage Pyari Re 2. Sab Ban Ambuvaa Mahurila 3. Naahak Laaye Gawanvaa ! Volume 3 - Poorab Thumri 1. Raga Kamod - Khayal 2. Raga Mishra Sindhura - Thumri 3. Raga Bageshree - Khayal 4. Raga Mishra Kafi - Tappa 5. Raga Mishra Jhinjhoti - Tappa Ustad Sharafat Hussain Khan ! Volume 1 - Agra Gharana 1. Raga Saavani - Alap (Vilambit) 2. Raga Saavani - Alap (Madhyalaya) 3. Raga Saavani - Alap (Drut) 4. Raga Saavani - Khayal in Vilambit Ektala (E Ri Mai Aaj) ! ! Volume 2 - Agra Gharana 1. Raga Saavani - Khayal in Drut Teentala (E Ri Faagun Jhula Daare) 2. Raga Nat Bihaag - Khayal in Drut Teentala (Jhan Jhan Jhan Jhan Payal Baaje Ma) 3. Raga Sohini - Drut Teentala ! Volume 3 - Agra Gharana 1. Raga Jayjaywanti - Khayal Vilambit Ektala (Vaaye Kahaan Kal Ho) 2. Raga Jayjaywanti - Khayal Drut Teentala (Naadaan Akhiyaan Laagi) ! Volume 4 - Agra Gharana 1. Raga Raamkali - Khayal in Vilambit Ektala (Aaj Radhe Tore Badan Par) 2. Raga Raamkali - Khayal in Drut Teentala (Un Sang Laagi) 3. Raga Bhairavi - Dadra (Banaavo Batiyaan) Dagar Brothers (Nasir Zahiruddin Dagar and Nasir Faiyazuddin Dagar) ! Volume 1 - Dhrupad 1.
    [Show full text]