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Travel Writing
WORKSHOP TTrraavveell WWrriittiinngg Practice, Pedagogy and Theory 24-25 February 2011 III Groyon G. Vicente © Workshop on Travel Writing: Practice, Pedagogy and Theory (24‐25 February 2011) organised by Asia Research Institute, National University of Singapore at the ARI Seminar Room, Tower Block, Level 10, Bukit Timah Road Critical attention to travel writing has grown significantly over the last three decades. Described as a genre that defies categorization, travel texts have long unsettled the conventions of literature, anthropology, history, and geography. Yet despite the varied ways of investigating travel narratives, studies agree on essential elements—the motif of departures and arrivals, the traversal of space, the contact/clash of cultures, the inner/outer journey, the foregrounding of the strange vis‐à‐vis the familiar. These have been mined, largely through the lens of literary and cultural studies, for insights they can provide into structures of power, mobility, representation, knowledge production, cultural dialogue and, more recently, the theme of reconciliation. As the recent years witnessed the formal establishment of travel writing studies into the academe, there has emerged a greater need to explore the varied facets underlying the genre’s production, and how they bear on each other. This has become more urgent as the interest in the phenomenon of travel itself has necessarily been imbricated in more current inquiries such as globalization, migration, tourism, gender studies, digitalization, and international studies. Alongside this development is a keener awareness of how the practice, pedagogy and theorizing of travel narratives are no longer perceived as distinct from each other if more socio‐culturally responsive, rewarding and innovative ways of articulating travel experiences are to be encouraged. -
The Imagined Parakeet: Invention and Fact Irrelevance in the Speculative Essay
Hemley The imagined parakeet Yale-NUS College, Singapore and RMIT University, Melbourne Robin Hemley The imagined parakeet: invention and fact irrelevance in the speculative essay Abstract: Despite the ascendancy of the lyric essay as a form over the past two decades, the essay, whether lyric or otherwise, is still pegged to the category of nonfiction, an amorphous genre that includes everything from journalism to criticism. Any definition of nonfiction will include some variation of the idea that, foremost, nonfiction considers what is ‘informative’ and ‘factual’. But are such definitions limiting where many essayists are concerned? Must an essay, as a subset of nonfiction, entertain ‘thing-ness’ or the empirical world at all? Or is the truth of an essay sometimes speculative without the need to admit things or facts, existing simply as a tidal wave of strange imaginings? A Speculative Essay concerns itself with the figurative over the literal, ambiguity over knowing, meditation over reportage. For some essayists, in all manner of subgenres, from nature writers to personal essayists, facts as such matter only in the path they open to speculation. While this kind of formal speculation is often conflated with the lyric essay, the lyric essay does not own speculation. Essays that tilt more towards metaphor than fact exist in a crack between genres that remains unclassifiable. Biographical note: Robin Hemley is the author of 11 books of fiction and nonfiction and has won many awards for his work, including three Pushcart Prizes in Fiction and Nonfiction, and a Guggenheim Fellowship. He was the Director of the Nonfiction Writing Program at The University of Iowa for nine years and is the Founder and President of NonfictioNOW, a biennial conference of over five hundred practitioners from around the world (NonfictioNOW.org). -
Nonfictionow 2015
NonfictioNOW 2015 Northern Arizona University 28 - 31 October, 2015 www.nonfictionow.org Presented by Northern Arizona University in partnership with RMIT University and Yale NUS College, Singapore Contents Welcome .....................................................................................................................................4 Keynote Speakers ..............................................................................................................6 Maps ................................................................................................................................................8 Schedule .................................................................................................................................. 10 General Information ................................................................................................... 14 Conference Venues ..................................................................................................... 14 Offsite Events .................................................................................................................... 14 Panel Sessions ................................................................................................................... 15 Thursday 9–10.15am ......................................................................................15 Thursday 10.45am–12pm..........................................................................16 Thursday 2.30–3.45pm .................................................................................17 -
2018 Iowa Summer Writing Fest
Welcome The Workshop The Festival Experience Registration Information Registration Form Dear Writer About Us Contents Our Staff Welcome . 1. Amy Margolis, Director, has been with the Festival since 1990, as a graduate The Workshop . 2. assistant, a program assistant, an assistant director, a 2 The Workshop co-director and, since 2001, as the program’s director. Method Amy received her M.F.A. from the Iowa Writers’ 2 Skill Levels/Choosing Workshop, where she was a Teaching-Writing Fellow. a Workshop She’s taught fiction and nonfiction writing as part of 3 Workshops by Date the Festival and to undergraduates at The University of 7 Workshops by Iowa. Her short fiction appears in The Iowa Review and Instructor was nominated for the PEN/Robert J. Dau Short Story Prize for Emerging Writers. She recently collaborated The Festival with writer and violinist Tricia Park, along with the Experience . .68 . 68 The Eleventh Hour Solera Quartet and writers Robin Hemley, Daniel 68 Summer in Iowa City Khalastchi, and Sabrina Orah Mark, on “Mendelssohn 68 Getting Here as Muse,” a performance piece of music and original 69 Your Day, Weekend, writing inspired by the work of Felix Mendelssohn. She Week: Schedules is currently at work on a memoir-in-shards about her 70 Where to Stay life as a dancer in the late seventies, at the onset of the AIDS crisis. Registration Information . 72. 72 How to Register 72 Fees and Deadlines: Kate Aspengren, Weeklong & Weekend Workshops Weekend Coordinator, 73 Fees, Deadlines, and oversees the weekend sessions for the Festival and Timeline: Two-Week is a long-time faculty member in the program.