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‚Gutes' Theater
VS PLUS Zusatzinformationen zu Medien des VS Verlags ‚Gutes’ Theater Theaterfinanzierung und Theaterangebot in Großbritannien und Deutschland im Vergleich 2011 | Erstauflage Anhang Tabellen [Text eingeben] www.viewegteubner.de www.vs -verlag.de Inhaltsverzeichnis Tab. 1: Internationale Definitionen von Kultur, Kultursektor, Kulturindustrien....................................4 Tab. 2: Kulturfinanzierung, GB, 1998/99, in ₤ Mio. und %...................................................................5 Tab. 3: Zentralstaatliche Kulturförderung in GB, 1998/99, in ₤ Mio. und %......................................... 5 Tab. 4: Anteil Kultursponsoring am BIP, D vs. GB, 1999-2007............................................................5 Tab. 5 Production categories , TMA (Beschreibung der Sparten für die Umfrage), ab 1993 ...............6 Tab. 6a: Production categories , SOLT .................................................................................................... 7 Tab. 6b: Sub genres und other production criteria , SOLT ......................................................................7 Tab. 7: Verteilung der deutschen Theater nach Träger, 1990-2005 .......................................................8 Tab. 8: Verteilung Rechtsträger und -formen der deutschen öffentlichen Theaterunternehmen............ 8 Tab. 9: Londoner Theater (SOLT-Mitgliedschaft).................................................................................9 Tab. 10: Wichtigste Londoner Theater, A-Z, Sitzplatzkapazitäten, Eigentümer/ Betreiber.................. -
Dear Friends
About the Program DEAR FRIENDS, Welcome to this performance of studied the different dialects found within traditional vestments of the classical one of the ultimate motivic compositions Early Adventures. a close radius of his home in Brno, he tradition - principally speaking, harmonic in musical history. This highly through- was also was obsessed with the melody and formal structures - are more or less connected journey represents a Paul Crewes Rachel Fine heard in everyday speech and made a abandoned, or even subjugated, in favor of remarkable degree compactness of form Artistic Director Managing Director As part of the 30th anniversary fascinating habit of notating the inherent a highly visceral palette that focuses on and character. The motivating ideas celebrations of my company, pitch and rhythm. For the record, any of the psychological underpinning and the behind its inter-connected movements New Adventures, I’m delighted us who think our own English tongue is turbulent narrative of the Kreutzer Sonata. are as evident in the macro view as on a PRESENTS to be revisiting three much flat in mellifluous inflection (as opposed — Nicholas Cords cellular level. Unequivocally heralding the loved pieces that started things to, say, Mandarin), Janácˇek emphatically complex world of his late period, this work off for us back in the early days. declared on his visit to London in 1926 BTT shows Beethoven grappling with personal that the English language was indeed full Colin Jacobsen demons and spiritual callings practically in Watch with Mother, Town and of melody! Straight from the composer’s BTT started off in my mind as an the same breath as moments of incredible mouth! It is through the curious union investigation into and celebration of autumnal warmth and wry humor. -
CAL PERFORMANCES PRESENTS Matthew Bourne’S Nutcracker! November 26-December 5, 2004 Zellerbach Hall
CAL PERFORMANCES PRESENTS Matthew Bourne’s Nutcracker! November 26-December 5, 2004 Zellerbach Hall Music by Pyotr Ilyich Tchaikovsky Director and Chroeographer Matthew Bourne Designer Anthony Ward Music Director Brett Morris Lighting Designer Howard Harrison Sound Designer Paul Groothius Original Scenario Devisors Matthew Bourne and Martin Duncan Associate Directors Scott Ambler and Etta Murfitt Resident Director Isabel Mortimer Rehearsal Directors Vicky Evans and Neil Penlington Associate Sound Designer Richard Brooker Production Manager Richard Bullimore Company Manager Charles Evans Stage Manager David Curl Deputy Stage Manager Sian Evans Assistant Stage Managers Cat Fiabane and Chris King Physiotherapist Ava Katics MCSPSRP Hair, Wigs and Make-up Consultant Sally Tynan Costume Supervisor Wendy Griffiths Wardrobe Master Francis Ponisi Wigs Mistress Carol Dunne Wardrobe Deputy Rachel Thurley Production Carpenter Dominic Addy Touring Carpenter Tom McEvilly Tour Electrician Stuart Cross Production Electrician Alistair Grant Production Sound Engineer Greg Pink Sound Operator Angela McCluney Cast Samuel Archer, Kerry Biggin, Madelaine Brennan, Ross Carpenter, Gareth Charlton, Annabelle Dalling, Darren Ellis, Vicky Evans, Matt Flint, Adam Galbraith, Paulo Kadow, Rachel Lancaster, James Leece, Michela Meazza, Anjali Mehra, Etta Murfitt, Gemma Payne, Neil Penlington, Lee Smikle, Mikah Smillie, Mireille Tolmer, Mami Tomotani, Hannah Vassallo, Alan Vincent, Shelby Williams, Philip Willingham, Richard Winsor, Matthew Winston, Chihiro Yako This performance -
Wise Children
WISE CHILDREN TEACHING RESOURCES OCTOBER 2018 CONTENTS Cast and Creative Team 3 Old Vic Education The Old Vic The Cut Synopsis 9 London SE1 8NB E [email protected] Themes 13 @oldvictheatre An interview with Emma Rice, Director and Adaptor 15 © The Old Vic, 2018 All information is correct at the time of going to press, but may An interview with Simon Baker, Sound Designer 19 be subject to change Teaching resources An interview with Ian Ross, Musical Director and Composer 21 Compiled by Susie Ferguson Roles and Responsibilities 22 Design James Cunninghame Graham Rehearsal and Production Photography Classroom Activities 23 Manuel Harlan Education & Community Strong Partnerships: Twinning Twelfth Night 26 Head of Education & Community with Wise Children Hannah Fosker Education Manager Euan Borland Bibliography and Further Reading 28 Young Person's Programme Manager Naomi Lawson Education & Community Intern Kate Lawrence-Lunniss Further details of this production can be found at oldvictheatre.com The Old Vic Wise Children teaching resources 2 CAST SAM ARCHER STU BARKER Young Peregrine Band Theatre includes: An Ideal Husband, We Will Rock You, Theatre as composer/musical director includes: Oliver!, Bugsy Malone (West End); Chariots of Fire Brief Encounter (Broadway/West End); A Matter Of (Hampstead/West End); Wonder.land (National Theatre/ Life And Death, Tristan And Yseult (National Theatre); Châtelet Theatre, Paris); Earthquakes in London (National Cymbeline, Don John, The Empress (RSC); Theatre/UK tour); The Soldier’s Tale (Metropolitan