DOCSLIB.ORG

MARCH 18, 1940 NOTES on the TRANSCRIPTION Gladys Cooper Star

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1939-40 1 THE DIARY OF GLADYS BOLON COOPER BOOK I. SEPT. 3, 1939 --MARCH 18, 1940 NOTES ON THE TRANSCRIPTION Gladys Cooper started her diary on her 40th birthday, and would keep it up for over fifty years until the day before her death on November 19, 1969. The diary was transcribed by Donald B. Cooper, son of Gladys, using the "Multimate" word processing program. The original diaries consist of 46 separate notebooks, which Gladys numbered 1-45. [The 46th book, which related to a trip taken to Arizona and New Orleans, in 1968, is labeled Book 35A.] There also survives a calendar for the year 1987 which contains many short, handwritten entries. All of the original books of the diary remain in Donald's possession. In making this transcription the original diaries have been copied verbatim except that certain abbreviations (such as, for example, "S.S." for "Sunday School," and "Chas." for "Charles" have been extended). In addition, certain explanatory comments, such as adding the full names of individuals, where known, or explaining the context of an entry, have been added in square brackets, i.e. "[...]." There are also a few places where the text is illegible, and this also has been noted, as appropriate. Finally, in a few places, I have typed names or sentences in CAPITAL LETTERS to highlight something or someone of unusual interest. IMMEDIATE MEMBERS OF THE COOPER FAMILY MARY GLADYS BOLON COOPER. (September 3, 1899 -- Nov. 19, 1989) The author of this diary. CHARLES DOLMAN COOPER (May 2, 1899 -- August 26, 1969) CHARLES WILLIAM COOPER(Bill). (August 13, 1924 -- Nov. 23, 1988) DOROTHY JEAN COOPER (KUTCHERA). (March 16, 1928- ) DONALD BOLON COOPER. (August 20, 1931- ) MEMBERS OF THE EXTENDED COOPER FAMILY FANNY EUGENIA DOLMAN COOPER (STEWART), (June 14, 1876-1971). Mother of Charles Cooper and Ralph Cooper, identical twins. Married CHARLES FREDERICK COOPER (July 16, 1875--Feb. 6, 1903) on June 16, 1898. There were no other children from this union. Married JAMES BLAIR STEWART (June 8, 1867-- ) on May 12, 1915. No children from this union, but James Stewart had six (?) children from his first marriage. Fanny was the daughter of SAMUEL FLEMING DOLMAN (June 23, 1833--March 16, 1897), a Union soldier in the Civil War, and EMILY CROW DOLMAN (August 14, 1835--Feb. 26, 1902). The Dolman's were married May 11, 1875. 1939-40 2 ELIZA JANE (JENNIE) DOLMAN (KNOWLES), (1880-1974). Sister of Fanny, aunt of Charles Cooper, husband of CHARLES E. KNOWLES, (Charlie), (1880-1950). No children from this union. RALPH KINGSTON COOPER, (1899-May 31, 1967). Identical twin brother of Charles Cooper, married FRIEDA MARIE PHILLIPS (HUBBARD), (1903- ), and father of JOSEPH FREDERICK COOPER, (1926-1995), BETSY FRANCES COOPER (AZLIN), (1918- ), RALPH KINGSTON COOPER, (King), (1937- ), MARJORIE ANN COOPER (LITTLE), (MINAKAMI), (1935 - ), and LINDA CAROL COOPER (ERICKSON) , (1940— ) Ralph lived on a 900-acre ranch near Buckeye, Arizona, raising variously cotton, citrus, and hogs. He left Harvard University in his sophomore year and moved for health reasons (indications of tuberculosis, which had killed his father, but which Ralph never developed) to the dry climate of Arizona where he met Frieda Phillips. The Charles Cooper family had visited Ralph Cooper and family in the summer of 1939 just before Gladys started her diary in September, 1939. GLADYS BOLON COOPER: BRIEF BIOGRAPHICAL STATEMENT Mary Gladys Bolon Cooper was born on September 3, 1899 in Cumberland, Ohio, the daughter of Dr. WILLIAM K. BOLON (Nov. 5, 1853 -- December 14, 1914), and WILMA HAYES BOLON (March 5, 1865 — February 11, 1925). She was the only child of this union. Her father had previously been married to ANNA HALL; they had one son, AUDLIE, who drowned in the Scioto river (sometime before his father's death in 1914). Gladys attended public schools in Cumberland, Ohio, and college at Denison University in Granville, Ohio, and Muskingum College in New Concord, Ohio without taking a degree. She did earn a Teacher's Certificate, and taught elementary school for a year or two in Cambridge, Ohio. Her interests included baking, canning, crocheting, bridge, and reading. CHARLES DOLMAN COOPER Gladys married Charles Dolman Cooper on June 9, 1923. The families had been acquainted since Charles and Gladys were babies. Charles, and his identical twin brother, Ralph Kingston Cooper, were the only children of Dr. Charles Frederick Cooper, D.D.S. (1874-1903), and Fanny Eugenia Dolman Cooper (later Stewart), (1876-1971). After graduating from The Ohio State University in 1923 with a B.S. in Engineering, Charles accepted a position as Instructor in the Department of Engineering Drawing in 1923, a position he held until his retirement in 1966 with the rank of Full Professor. Charles Cooper served the DEPARTMENT OF ENGINEERING DRAWING [later- Engineering Graphics] for forty-three years, one of the longest periods of faculty service in the history of Ohio State. He was also an active member of the Faculty Club, and Crestview Presbyterian Church. His interests included carpentry, gardening, and bridge. Both Charles and Gladys were loyal Republicans. CHARLES WILLIAM COOPER ("Bill") From this union were born three children, all born in Columbus. 1939-40 3 The first child was Charles William Cooper (August 13, 1924 -- November 23, 1988), who died of Hodgkin’s Disease. Bill, as he was known to the family, married GLORIA BOND (later, VAN DIXON), (October 27, 1924), and they were the parents of GARY LEE COOPER (September 27, 1951), NANCY KAY COOPER (August 27, 1948), COLLEEN COOPER (August 7, 1957), WAYNE ROGER COOPER (October 28, 1958), and KAREN SUE COOPER (GREEN), (February 1, 1960). DOROTHY JEAN COOPER KUTCHERA The second child was Dorothy Jean Cooper (Kutchera), born March 16, 1928, and, as of date of writing (1997) living in Cincinnati, Ohio. Dorothy Jean married RICHARD EMERY KUTCHERA, M.S. (July 26, 1924), and they are the parents of BARBARA JEAN ("B. J.") KUTCHERA (NOVAK) (August 15, 1955), CHARLES ANTHONY KUTCHERA (January 16, 1958), and VALERIE ANN KUTCHERA (HOOPER), (December 14, 1959). DONALD BOLON COOPER The third child, Donald Bolon Cooper, Ph.D., was born August 20, 1931, and like his father was a long-time Professor [The Senior Professor of Latin American History] at Ohio State University [1969 to 1995], and, after retirement from the main campus of Ohio State at Columbus, taught part-time several years longer at the Pontifical College Josephinum, Worthington, Ohio, and The Ohio State University at Newark, Newark, Ohio, where he continued to teach Latin American history. Donald married ELLEN ALBERTA HUTCHINS on September 8, 1957. They are the parents of Dr. JOHN FREDERICK COOPER, M.D. (September 6, 1958), THOMAS GLENN COOPER (November 23, 1961), and LINDA MARIE COOPER, M.S., (CHANNELL), (June 8, 1965). THE FAMILY RESIDENCE AT 393 MIMRING ROAD At the time of the beginning of the diary in September, 1939, Gladys Cooper lived with Charles and their three children at 393 Mimring Road in north Columbus in a neighborhood known as Clintonville. The Coopers had purchased this home new in 1931 for $8,500 just before the birth of Donald. They had previously owned a house on Oakland Avenue not far from Ohio State University. The house on Mimring Road was a large house in a quiet middle-class neighborhood. On the FIRST FLOOR the house had, in front, a sizable living room. In this room, as one entered through the front door, there was a small entry way, which included a closet (which family members called a "clothespress"), and a walnut hat rack with which Charles' maternal grandparents, Samuel and Marie Emma Dolman, had gone to housekeeping in 1875. Within the front room itself there was an upright piano, a small desk, or "secretary," a large, floor model radio, perhaps four feet high, a couch and other furniture. To the back of the house was the dining room, a breakfast room, the kitchen, and a half-bath. On the ground level of the house there was also a large FRONT PORCH, which had a "glider," or a three-seat couch which could move back and forth, much appreciated by the children. There were two silver maple trees in front, and, along the driveway, six large Chinese elm trees, and a hedge which produced small, inedible inky black berries ideally suited for throwing on neighbors’ driveways as a childish Halloween prank. 1939-40 4 The GARAGE was for a single car, but still rather spacious, allowing ample storage, and, in the loft, at the rear, and facing onto the backyard, there was an alcove in the roof where Charles raised fan tail pigeons. I do not recall that these were pets, and they probably were sold to others. Eventually the fan tail pigeons were removed, and those still there were given to the Columbus zoo. On the SECOND FLOOR of the house there were three bedrooms and a full bath. There was also a bookcase at the top of the stairs which contained the 1939 edition of the Encyclopedia Britannica, no doubt an expensive purchase for the Cooper family in those times. Charles and Gladys had the master bedroom, of course, and Dorothy Jean also had her own bedroom. The third bedroom was used for some years by Fanny Dolman Stewart, mother of Charles, who lived with the family for a time, and also, still later, by Jenny Knowles, sister of Fanny, who lived with the family for a shorter period of time. On the THIRD FLOOR there was, once it was finished, a large bedroom, first for Bill and later for Donald, a drafting studio for Charles, and a small sewing room for Gladys. The sewing room contained a beautiful, large oak chest where linens and blankets were stored, and which had been made as a high school wood shop project in 1916 by Charles and his brother, Ralph.
Recommended publications
  • Online Versions of the Handouts Have Color Images & Hot Urls September

    Online Versions of the Handouts Have Color Images & Hot Urls September

    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
  • Cha -Cha In. June

    Cha -Cha In. June

    Cha -Cha London. Singer, Boston Opera, Metropolitan Opera Co.. Ince productions. Pictures include "The Loot Battalion." 1917-22; actor, such productions as Wild Duck. Beyond Double Alibi, Fugitive From Justice, others. the Horizon," "Mourning Becomes Electra," The Eternal Recent Pictures: Captain Tugboat Annie, Jungle Captive, Road, "Outward Bound." Director of short producs., Fox The October Man. Film; associate editor, Fox Movietone News; European pro- duction editor, Fox Movietone News; Editor, Pathe Topics. CHANDLER GEORGE: Actor. b. Waukegan, In. June March of Time Industrial Div. In 1940, collaborated on 40, 1902; e. Ill. U. In vaudeville as "George Chandler animation "World in Flames," Par. the Musical Nut. In 1929 en screen in Tenderfoot Thrillers; pictures include: Pretty Baby, This Woman Is Dangerous, CHAMBERS, GORDON A.: b. Rochester, N. Y., May Meet Me at the Fair. Ham Christian Andersen, Island la 30, 1905; e. St. Lawrence U., B.Sc. 1926. Employed in the Sky, Rails into Laramie, High and the Mighty, Steel Eastman Kodak Co. continuously since graduation, in Cage, Apache Ambush, Girl Rush. Research Laboratories (Rochester) 1926-9, in m.p. film dept. (Hollywood) 1929-42; on leave for duty In U.S.N.R. CHANDLER, LANE: Actor. r. n. Lane Oakes. b. Culbert- 1942-5, disch. 1952; m.p. film dept. Rochester 1945, chief son, Mont.. June 4, 1899. Without previous acting experience. mgr m,p, film dept., 1960. appeared in number of silent prod. Pictures Include: Follow the Boys, Men on Her Mind. CHAM IE, ALFRED P.: Attorney, e. U.C.L.A.-A.B.. Saratoga Trunk, Casanova Brown, Great Mike, Laura, The Harvard Law School, L.L.B.; U.
  • Clothing Terms from Around the World

    Clothing Terms from Around the World

    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
  • Dress Like a Pilgrim a Procurement Guide by Mayflower Guard

    Dress Like a Pilgrim a Procurement Guide by Mayflower Guard

    DRESS LIKE A PILGRIM A Procurement Guide SEPTEMBER 29, 2018 THE MAYFLOWER GUARD General Society of Mayflower Descendants Dress Like a Pilgrim A Procurement Guide By Mayflower Guard As James Baker, noted Pilgrim historian, points out in his recent article in the Mayflower Journal 1 there is a major image problem associated with what clothing and apparel Pilgrims wore. The image of black clothing, buckles and blunderbusses persist in the public mind. To overcome this misperception and to assist in this effort to change public perceptions, the donning of appropriate garments representing what the Pilgrims actually wore should be a major objective for the commemoration of the 1 Baker, James W., Pilgrim Images III, Mayflower Journal Vol. 2, No. 1 [2017], pp 7-19 1 400th anniversary of the arrival of the Mayflower. We the Mayflower descendants need to Dress Like a Pilgrim and wear Pilgrim Appropriate Apparel (PAA). So, what did Pilgrim men and women wear? Fabrics In 17th Century England and in the Netherlands, there were two basic fabrics that were used for clothing, wool and linen. There was combination of wool and linen know has fustian corduroy that was also used, however finding this fabric today is almost impossible. Cotton while available was very rare and very expensive in the early 17th century. Colors We know that the Pilgrims wore a variety of colors in their clothing from probate records where the color of various clothing items were mentioned including the colors violet, blue, green.1,2 The color red was also listed. However, the reds that were used in the early 17th century were more of a brick red and a matter red which is a little more orange in nature than modern reds.
  • European-Womens-Short-Cloaks-Of

    European-Womens-Short-Cloaks-Of

    Introduction to European Women’s Short Cloaks of the 16th and Early 17th Centuries Annaka Poznanska Dragon’s Laire Scholar 2021 mka: Anita Taylor [email protected] 206.369.2231 EUROPEAN WOMEN’S 16TH AND 17TH CENTURY SHORT CLOAKS 2 Abstract The purpose of this paper is to introduce the short cloak as worn by 16th and early 17th century women. The paper begins with a brief history of the short cloak prior to the 16th century. It continues with an overview of short cloaks by selected geographic region, comparing visual characteristics from period art and period tailor’s patterns, for both women and men. This paper does not contain information about ecclesiastical cloaks or other cloak-like vestments worn by priests, nuns, and other members of religious orders during this time period. EUROPEAN WOMEN’S 16TH AND 17TH CENTURY SHORT CLOAKS 3 Introduction My goal for this research was to learn about women’s short cloaks in this time period, and to start adding them to my SCA wardrobe. I was inspired by a class that I took: Master Charles de Bourbon’s Fur Master Class, as well as my desire to reproduce this stunning Hungarian 16th century silk fur-lined short cloak and matching gown. Figure 1: Hungarian 16th century fur-lined cloak with matching gown. EUROPEAN WOMEN’S 16TH AND 17TH CENTURY SHORT CLOAKS 4 A Brief History of the Short Cloak from Prehistoric Times through the 15th Century People in the European medieval world believed that the beginning of human existence, and the beginning of clothing, takes place in the Biblical account of God creating the first outer clothes for Adam and Eve from animal skins.
  • Passion for Fashion (103) Lot

    Passion for Fashion (103) Lot

    Passion for Fashion (103) Mon, 20th Nov 2017 GMT/BST Lot 101 Estimate: £40000 - £60000 + Fees A rare crimson velvet jerkin, circa 1610-25, short-waisted with slight graduation to front, the shoulder wings and hem with tabbed edges adorned with wine silk and gold thread plaited braid, the graduated stand collar interlined with heavy buckram, the main jerkin interlined with natural un-bleached linen, curved back seams and two lines of braid to the back, silver-gilt wrapped acorn shaped buttons, the hem tabs and collar lined in crimson silk, chest 102cm, 42in; together with purpose-made mount (2) An additional 5% VAT is payable on the hammer price, this can be refunded if proof of export outside the EU is provided within 6 months of the sale date. Provenance: The Helen Larson Private Collection Published: The Journal of the Costume Society, no 5, 1971, 'A Study of Three Jerkins' by Janet Arnold - the renowned scholar of early dress. Few specimens of late 16th or early 17th century costume survive. The jerkin as a garment was worn to protect the rich doublet worn below, and to provide extra warmth or protection. Utilitarian or military examples were made in leather - but this example in the finest Italian velvet must have belonged to a man of great wealth and importance. The shortness of the waist and slightly curved silhouette served to emphasise the well-rounded belly of its owner - a desirable fashionable attribute in the early 17th century. Records suggest that the piece was acquired by Helen Larson from a dealer in Connecticut in 1968 but no earlier provenance has been found..
  • Scena Del Film "Tre Donne Di Casanova" - Regia Sam Wood - 1944 - Attori Gary Cooper, Frank Morgan E Teresa Wright

    Scena Del Film "Tre Donne Di Casanova" - Regia Sam Wood - 1944 - Attori Gary Cooper, Frank Morgan E Teresa Wright

    SIRBeC scheda AFRLIMM - IMM-PV250-0001449 Scena del film "Tre donne di Casanova" - regia Sam Wood - 1944 - attori Gary Cooper, Frank Morgan e Teresa Wright Wood, Sam Link risorsa: https://www.lombardiabeniculturali.it/fotografie/schede/IMM-PV250-0001449/ Scheda SIRBeC: https://www.lombardiabeniculturali.it/fotografie/schede-complete/IMM-PV250-0001449/ SIRBeC scheda AFRLIMM - IMM-PV250-0001449 CODICI Unità operativa: PV250 Numero scheda: 1449 Codice scheda: IMM-PV250-0001449 Visibilità scheda: 3 Utilizzo scheda per diffusione: 03 Tipo di scheda: AFRLIMM SOGGETTO SOGGETTO Indicazioni sul soggetto Gary Cooper (Casanova Cass Brown) con Teresa Wright (Isabel Drury) e Frank Morgan (Mr. Ferris) in un giardino, seduta in poltrona un'anziana attrice e intorno altri attori Identificazione Scena del film "Tre donne di Casanova" - regia Sam Wood - 1944 - attori Gary Cooper, Frank Morgan e Teresa Wright Nomi [1 / 3]: Cooper, Gary Nomi [2 / 3]: Morgan, Frank Nomi [3 / 3]: Wright, Teresa CLASSIFICAZIONE [1 / 2] Altra classificazione: fiction / scena di genere CLASSIFICAZIONE [2 / 2] Altra classificazione: ritratto THESAURUS [1 / 3] Descrittore: esterni THESAURUS [2 / 3] Descrittore: abbigliamento THESAURUS [3 / 3] Descrittore: arredamento LUOGO E DATA DELLA RIPRESA LOCALIZZAZIONE Pagina 2/11 SIRBeC scheda AFRLIMM - IMM-PV250-0001449 Stato: Stati Uniti d'America Occasione: Scena del film "Tre donne di Casanova" (Casanova Brown) - regia Sam Wood - 1944 DATAZIONE GENERICA Secolo: XX DATAZIONE SPECIFICA Da: 1944 Validità: post A: 1944 Validità: ante DEFINIZIONE
  • Introduction to Late Sixteenth Century Men's Clothing

    Introduction to Late Sixteenth Century Men's Clothing

    INTRODUCTION TO Late Sixteenth Century Men’s Clothing 1570-1600 HUGO, JONKHEER VAN HARLO [email protected] First Printing c Clothiers’ Seminar 2018 INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 2 Today’s Goal • Introduce the many options in styles, cuts, and decorations of the clothes gentlemen wore in western Europe, c.1570-1600 • Share resources to learn more • Not: teach anybody to pattern or sew a damn thing. INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 3 In Other Words: You want garb options? We got your garb options right here. (Suck it, Anglo-Saxons.) INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 4 Your Lecturer History nerd. Research monkey. Not a tailor. Don’t give him fabric. Hugo has brought his late sixteenth century interests into the SCA and, for good or bad, decided to double down on his focus by fully embracing the quite- silly clothing of the era. INTRO TO LATE SIXTEENTH CENTURY MEN’S CLOTHING 5 Agenda • Foundational Assumptions Disclaimer: This is a lot of content to • The Gentleman’s Wardrobe work through in fifty-five • Doublets & the Upper Body minutes. • Ruffs & Cuffs It’s likely we’ll either speed through some sections or not • Breeches get all the way to the end. • Legs & Feet • Headwear • Outerwear • Decoration & Construction • Resources FOUNDATIONAL ASSUMPTIONS FOUNDATIONAL ASSUMPTIONS 7 You will look ridiculous. Embrace that shit. It’s awesome. FOUNDATIONAL ASSUMPTIONS 8 You’ll learn to like the bizarre fashion. Really. I’ve gotten used to the era’s sartorial excesses and idiosyncrasies. Where before I would have gone, “WTF?,” now I appreciate.
  • The Details of English Fashions of the Sixteenth Century: Men's Clothing

    The Details of English Fashions of the Sixteenth Century: Men's Clothing

    The Details of English Fashions of the Sixteenth Century: Men’s Clothing Examined by Decade by Margaret Roe Also published online at http://www.margaretroedesigns.com/fashions.html © 2010 1 Overview 1500s Shirts, cuffs and collars The shirt of the 1500s was full in the body, gathered into the neckline, sometimes with a narrow collar and sometimes into a scoop-neckline. The sleeves are unseen, but are probably either gathered into a small cuff or simply hemmed. Blackwork is not yet seen at the edges of men's shirts. Breeches Breeches of this decade continued to be the joined hose and codpiece of the fifteenth century. Doublets and jerkins Both doublets and jerkins are worn at this time. The doublet usually had a narrow standing collar, no more than 1" high, whereas the jerkin had a low, round neckline. Both had long skirts, extending to the knees, and both were simplify trimmed. Sleeves Sleeves are often difficult to see under the overgown, but appear to be of two common styles: either narrow but loose sleeves, or narrow to just above the elbow and full to the shoulder, possibly stuffed or padded to maintain a full shape. Sleeves usually matched the doublet or jerkin and were probably sewn into it. Over garments Finally, overgowns are seen in most portraits. These gowns fall either to mid-calf or to the ankles. They most often have very full, long sleeves, but occasionally, the sleeves are only elbow-length or are turned back over the elbows. The collar is turned back around the neck to reveal a different colored lining, which was sometimes fur.
  • List of Shows Master Collection

    List of Shows Master Collection

    Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\
  • 03 March 2015

    03 March 2015

    March 2015 240 North 100 East Logan, Utah 84321 HOURS: 9:00 A.M. – 4:00 P.M. Monday—Friday PHONE: (435)755-1720 FAX: (435)752-9513 www.cachecounty.org/senior Visit us on Facebook: Directors Message Cache County Senior Cizens Center I found a statement the other day by Confucius which stated: “It does not matter how slowly you go as long as you do not stop.” Each of us have our own trials and things that we need to deal with. How we deal with them is March 4 @ 9:00 am what makes the difference in our life. Moving in a positive forward direc- Commodities pickup tion will determine what our end result is. It doesn’t matter the speed in *Are you concerned someone which we go just that we are moving. There is a you love or care about may be story of a frog who was hopping around a farm- the victim of abuse? Don’t be yard, when it decided to investigate the barn. Being silent. Call 1-800-371-7897 somewhat careless, and maybe a little too curious, *Lunch and Learn* he ended up falling into a pail half-filled with fresh milk. March 13 —Name That Tune As he swam about attempting to reach the top of with Dianne Hardy the pail, he found that the sides of the pail were too March 17 —Music with DJ high and steep to reach. He tried to stretch his back legs to push off the bot- March 27 —Foot Health tom of the pail but found it too deep.
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.