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Wednesday Evening, February 1, 2012, at 8:30

Keren Ann (Lincoln Center debut)

Nolita Quartet Maxim Moston, Violin Antoine Silverman, Violin Danielle Farina, Viola Anja Wood, Cello

This evening’s program is approximately 75 minutes long and will be performed without intermission.

Major support for Lincoln Center’s American Songbook is provided by Fisher Brothers, In Memory of Richard L. Fisher; and Amy & Joseph Perella. Additional corporate support is provided by Bank of America Merrill Lynch. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center.

The Allen Room, Frederick P. Rose Hall Please make certain your cellular phone, Home of Jazz at Lincoln Center pager, or watch alarm is switched off. 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 2

Lincoln Center

Additional support for American Songbook is Upcoming American Songbook Events provided by The DuBose and Dorothy Heyward in The Allen Room : Memorial Fund, Logicworks, The Shubert Foundation, Jill and Irwin Cohen, The G & A Thursday, February 2, at 8:30 Foundation, Inc., Great Performers Circle, Thurston Moore Chairman’s Council, and Friends of Lincoln Center. Friday, February 3, at 8:30 Public support is provided by the New York State Hello, Gorgeous! Leslie Kritzer Sings Jule Styne Council on the Arts. Saturday, February 4, at 8:30 and 10:30 Artist hospitality is provided by Zabar’s and Gavin Creel & Stephen Oremus Zabars.com . Wednesday, February 8, at 8:30 MetLife is the National Sponsor of Lincoln Center . Bill Callahan

First Republic Bank is the Official Sponsor of the Thursday, February 9, at 8:30 Fashion Lincoln Center Online Experience. tUnE-yArDs

Movado is an Official Sponsor of Lincoln Center . Friday, February 10, at 8:30 Sunday, February 12, at 6:30 United Airlines is the Official Airline of Lincoln Elaine Paige Center . Saturday, February 11, at 8:30 and 10:30 WABC-TV is the Official Broadcast Partner of Laura Benanti Lincoln Center . The Allen Room is located in Frederick P. Rose Hall, William Hill Estate Winery is the Official Wine of Home of Jazz at Lincoln Center. Lincoln Center . For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center Info Request Line at (212) 875-5766 or visit AmericanSongbook.org for complete program information.

We would like to remind you that the sound of coughing and rustling paper might distract the performers and your fellow audience members. In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces, not during the performance. The taking of photographs and the use of recording equipment are not allowed in the building. 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 3

Lincoln Center

Meet the Artists de Rouen, directed by Arthur Nauzyciel, and performed in four different opera houses in France. Lady & Bird released a self-titled I L

E studio album in 2003 and a live recording of A R

S their performance with the Iceland I T

I Symphony Orchestra in 2009. For more M A Keren Ann information, visit kerenann.com.

Keren Ann Zeidel (born March 10, 1974) is a Maxim Moston sound designer, singer, songwriter, com - Maxim Moston (violin) maintains an active poser, producer, and engineer based largely career as a freelance violinist in New York in , , and New York. She has City , performing with numerous orchestras lived and recorded in France and the United and chamber music groups and in States for many years, although she retains Broadway pits. He has performed in many her Dutch and Israeli citizenships. of the world’s cultural capitals as violinist and musical director of Antony and the Keren Ann has released six solo records to Johnsons, as well as in Hal Willner’s bril - date: 101 (2011), Keren Ann (2007), Nolita liant Leonard Cohen tribute, Came So Far (2005), Not Going Anywhere (2003), La dis - for Beauty , featured in the film Leonard parition (2002), and La biographie de Luka Cohen: I’m Your Man . Philipsen (2000). Many of her songs have been performed by internationally acclaimed Mr. Moston’s arrangements can be heard artists, including Henri Salvador, Jane Bir- on numerous albums, from those of his kin, Françoise Hardy, Rosa Passos, Jacky Ter- friends Edison Woods, Ana Silvera , and rasson, Emmanuelle Seigner, and Benjamin Joan as Police Woman to worldwide Biolay. In 2008 she composed, with Tibo releases by Antony and the Johnsons, Javoy, the entire sound design for the Rufus Wainwright, Keren Ann , and Linda European television channel . In April Thompson. His orchestration of William 2011 she collaborated with Questlove of Basinski’s Disintegration Loop 1.1 pre - The Roots for a unique project called the miered at the Metropolitan Museum of Art Philly-Paris Lockdown. on the tenth anniversary of the events of September 11 and was met with glowing Keren Ann’s music has been featured in reviews. Mr. Moston first met Keren Ann in diverse films and television series such as 2004 during her residency at the Living Grey’s Anatomy , Six Feet Under , Big Love , Room and is delighted to continue making and Deux jours à tuer . Her original sound - music with her. track for Benoit Petre’s first feature, Chantal and Friends , included cover ver - Antoine Silverman sions of French oldies from the 1960s. She Antoine Silverman (violin) has recorded, is currently composing the soundtrack for performed, and arranged music for legends ’s next feature film. such as Michael Jackson, Garth Brooks, Moby, Steve Tyrell, Barbra Streisand, Rod Keren Ann is a member of the band Lady & Stewart, Peter Murphy, Ben Folds, the Bird with Bardi Jóhannsson. The duo Dixie Chicks, Sheryl Crow, Lou Reed, recently wrote and composed the opera Audra McDonald, Lenny Kravitz , and count - Red Waters , which was produced by Opéra less others. He has soloed with the Boston 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 4

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Pops and plays regularly with the New York turn of the 19th century up through the pre - City Ballet and Westchester Philharmonic. sent, American Songbook spans all styles He is concertmaster and music coordinator and genres, from the form’s early roots in of the Broadway show Spider-Man: Turn Tin Pan Alley and Broadway to the eclecti - Off the Dark . Mr. Silverman is currently the cism of today’s singer-songwrit ers. American violin soloist for the international tour of Songbook also showcases the outstanding Philip Glass’s opera Einstein on the Beach , interpreters of popular song, including playing the title role of Einstein onstage. established and emerging concert, cabaret, theater, and songwriter performers. Danielle Farina American Songbook presentations include major concert programs in venues around Danielle Farina (viola) enjoys a varied career Lincoln Center. as a soloist, chamber musician, orchestral musician, teacher, and recording artist. Lincoln Center for the Formerly with the Lark Quartet and the Performing Arts, Inc. Elements Quartet, Ms. Farina performs reg - ularly with a number of ensembles in the Lincoln Center for the Performing Arts New York area. She is on the faculty of (LCPA) serves three primary roles: presen - Vassar College, SUNY –Purchase, and The ter of artistic programming, national leader Juilliard School’s pre-college division. in arts and education and community relations, and manager of the Lincoln Anja Wood Center campus. As a presenter of more than 400 events annually, LCPA’s series Anja Wood (cello) has recorded and per - include American Songbook, Great Per- formed with Pearl Jam, Barbra Streisand, formers, Lincoln Center Festival, Lincoln the Dixie Chicks, Rod Stewart, Michael Center Out of Doors, Midsummer Night Jackson , and countless others. She plays Swing, and the White Light and Mostly with the Westchester Philharmonic, and Mozart Festivals. The Emmy Award– was the principal cellist of Sarasota Opera winning Live From Lincoln Center extends Orchestra for five seasons and the assistant Lincoln Center’s reach to millions of principal of Hudson Valley Philharmonic for Americans nationwide. As a leader in arts four years. She currently plays cello for and education and community relations, Spider-Man: Turn Off the Dark on Broadway. LCPA takes a wide range of activities beyond its halls through the Lincoln Center American Songbook Institute, as well as offering arts-related In 1998, Lincoln Center launched American symposia, family programming, and acces - Songbook, dedicated to the celebration of sibility. And as manager of the Lincoln popular American song. Designed to highlight Center campus, LCPA provides support and affirm the creative mastery of America’s and services for the Lincoln Center com - songwriters from their emer gence at the plex and its other resident organizations. 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 5

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Lincoln Center Programming Department Jane Moss, Ehrenkranz Artistic Director Hanako Yamaguchi, Director, Music Programming Jon Nakagawa, Director, Contemporary Programming Lisa Takemoto, Production Manager Bill Bragin, Director, Public Programming Kate Monaghan, Associate Director, Programming Charles Cermele, Producer, Contemporary Programming Jill Sternheimer, Associate Producer, Public Programming Mauricio Lomelin, Associate Producer, Contemporary Programming Ann Crews Melton, House Program Coordinator Regina Grande, Assistant to the Artistic Director Julia Lin, Programming Associate

For American Songbook Matt Berman, Lighting Design Scott Stauffer, Sound Design 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 6

UPCOMING EVENTS JAZZ AT LINCOLN CENTER FREDERICK P. R OSE HALL

JANUARY 2012 Dianne Reeves February 24-25, 8pm IRENE DIAMOND EDUCATION CENTER Among the reasons Dianne Reeves has been at the top of the jazz world for over two decades is her fearlessness Swing University to explore new directions. This performance is no exception, as she unveils a reconfigured ensemble, Whether you are new to the music or seek to deepen your which at various times will feature two guitars, African knowledge, Swing University offers students of all ages a folk instruments, banjo, and mandolin. The added chance to learn about jazz from musicians and scholars. attraction of a newly-arranged repertoire of traditional The Swing University Winter Term includes Lennie’s Americana, roots, and classic blues is sure to make this Listening Lessons with pianist Connie Crothers; Jazz one of the more highly anticipated shows of the season. 101, Jazz 201 and Jazz 301 with JALC Curator Phil Free pre-concert discussion nightly at 7pm. Schaap; Wes Montgomery with bassist Dr. Larry Ridley; Free pre-concert music in the Atrium provided by Peter and Ornette Coleman with historian Ben Young. Reardon-Anderson. Single tickets available. Please visit jalc.org/swingu or call 212-258-9922 for THE ALLEN ROOM more information. John Hammond & John Mayall FEBRUARY 2012 February 16-17, 7:30pm & 9:30pm John Hammond has been a blues fixture for decades ROSE THEATER and recently joined hallowed company as an inductee into the Blues Hall of Fame in 2011. The soulful Family Concert: What is Improvisation? GRAMMY® winner is the consummate triple threat musician (on vocals, guitar, and harmonica) whose February 11, 1pm & 3pm roots-driven blues has influenced countless musicians, Drummer Matt Wilson and his Arts & Crafts ensemble from Jimi Hendrix to Bob Dylan. Literally and figura- will lead audiences through an interactive, hour-long tively Sir John Mayall is British blues royalty who hired program on the most fundamental and revolutionary among others Eric Clapton, Jack Bruce, and Mick component of jazz: improvisation. With infectious Fleetwood back in the 1960s. At 78, he is an ageless exuberance, Wilson and company will explore how wonder who plays with the same intensity today as he jazz musicians communicate with their instruments did when he first blazed a blues path around the world. and invent music in the moment. Free pre-concert music in the Atrium provided by Bryan Free pre-concert educational activities, 12:15 pm & 2:15 pm. Carter, Friday only. Stan Kenton Centennial Jazz Meets Flamenco February 17–18, 8pm February 24-25, 7:30pm & 9:30pm Jazz in the 1950s oscillated between cool, hot, and At first glance, jazz and flamenco may not appear to hard bop. But none of those labels satisfied Stan have a common musical ancestry. But beneath the sur- Kenton, who instead called his jazz “progressive.” In face, both share a common root born out of the tradi- the 1940s he had a hit-making big band before he tional music and dance forms of West Africa. In this introduced the jazz world to his 40-piece orchestra, outstanding double bill, multitalented jazz guitarist which featured such jazz stars as Lee Konitz. In this cel- Doug Wamble and flamenco guitar virtuoso Niño ebration of Kenton’s Centennial, Konitz joins the Jazz Josele will lead their respective ensembles through this at Lincoln Center Orchestra with Wynton Marsalis as rich interconnected musical territory. The two groups they revisit the time when one jazz musician knew will also join forces to perform new music composed by exactly where he was going: strictly forward. Wamble especially for this concert. Featuring bassist Free pre-concert discussion nightly at 7pm. John Benitez, percussionist Horatio “El Negro” Hernandez, flamenco dancer Juan De Juan, and tap dancer Jason Samuels Smith. Free pre-concert music in the Atrium provided by Peter Reardon-Anderson.

Except where noted, all venues are located in Frederick P. Rose Hall, Home of Jazz at Lincoln Center, Broadway at 60th Street. Tickets: $10-$120 To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jalc.org/groups. For more information about our education programs, visit jalc.org/education. For Swing University and WeBop Enrollment: 212-258-9922. Find us on Facebook, Twitter, YouTube, and Foursquare. 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 7

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UPCOMING EVENTS

FREDERICK P.ROSE HALL HOME OF JAZZ AT LINCOLN CENTER

FEBRUARY 2012 Rene Marie: Valentine Swing with Kevin Bales, Kevin Hamilton, Quentin Baxter February 14-19 Victor Goines Quartet 7:30pm & 9:30pm, plus 11:30pm on Fri & Sat with Aaron Diehl, Yashushi Nakamura, and After Hours: Brianna Thomas & Music for Late Marion Felder Night Lovers January 31-February 5 (Feb 14: Special rates apply. Second set begins at 10pm.) 7:30pm & 9:30pm, plus 11:30pm on Fri & Sat After Hours: Dezron Douglas Trio Eric Reed & The University of Wyoming Jazz Ensemble Michael Rodriguez Quintet February 20 with Alan Broadbent, Adam Larson, Kiyoshi Kitagawa, 7:30pm & 9:30pm and Rodney Green February 6 Cyrus Chestnut Quartet 7:30pm & 9:30pm with Stacy Dillard, Dezron Douglas, and Neal Smith February 21-26 Charles McPherson/Tom Harrell Quintet 7:30pm & 9:30pm, plus 11:30pm on Fri & Sat Bebop Is The Future After Hours: Melissa Aldana Quintet February 7-12 7:30pm & 9:30pm The Rhythm Road: American Music Abroad Presents After Hours: Brandi Disterheft & Company Dennis Luxion/Michael Raynor Quartet (Jazz) 12:30pm The Rhythm Road: American Music Abroad Presents Legacy (Hip Hop) 2:30pm The Ari Roland Quartet (Jazz), 12:30pm February 25 Mountain Quickstep (Bluegrass) 2:30pm Free Admission (Seating is first come, first served. No February 11 tickets required.) Free Admission (Seating is first come, first served. No tickets required.) Robert Rodriguez Trio with Matt Brewer and Marcus Gilmore Monday Nights with WBGO February 27 Ulysses Owens Quartet 7:30pm & 9:30pm with Christian McBride, Christian Sands, and Nicholas Payton Matt Wilson Arts & Crafts Quartet February 13* with Terell Stafford, Gary Versace, and Martin Wind 7:30pm & 9:30pm February 28-March 4 *$30 Cover Charge 7:30pm & 9:30pm, plus 11:30pm on Fri & Sat After Hours: Juilliard Jazz Ensemble

In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change. Dizzy’s Club Coca-Cola is located in Frederick P. Rose Hall, Home of Jazz at Lincoln Center, Broadway at 60th Street, 5th Floor, New York. Reservations: 212-258-9595/9795 or jalc.org/dccc; Group Reservations: 212-258-9580 or jalc.org/dccc/groups. Nightly sets at 7:30pm & 9:30pm plus an 11:30pm set on Fridays & Saturdays. After Hours sets occur Tuesday–Saturday after the last artist set. Cover Charge: $20-$35. Special rates for students with valid student ID. Full dinner available at each set. 50% off late-night cover charge at Dizzy’s Club Coca-Cola for Rose Theater and The Allen Room concert attendees. Must present valid ticket stub. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Allen Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift certificates now available. Find us on Facebook, Twitter, YouTube, and Foursquare. 02-01 Keren Ann:GP 1/23/12 9:35 AM Page 8