Newsletter No 27 2018
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2010 Philadelphia Deanery Report
Philadelphia Deanery Report Diocese of Eastern Pennsylvania Annual Assembly, 2010 I begin my second year as Dean of the Philadelphia Deanery with grateful thanks to Almighty God for all the blessings He has bestowed upon our Deanery. In my travels and visitations I have met with many Christ-loving people, both laity and clergy who all work for the glory of God’s Holy Church. Highlights this past year include, but are not limited to the following: We welcome our newest member of the Deanery, Fr. James Weremedic and Matushka Lisa who moved into the Rectory in Wilmington, DE, this fall. Fr. James replaces Fr. Andrew Anderson who is on a leave of absence. Fr. Andrew remains attached to St. Stephen’s Cathedral in Philadelphia during his leave. St. Michael’s Church in Wilmington, Delaware have put their faith in God by moving forward with the construction of a new Parish Hall. This work began under the direction of their former Rector, Fr. Andrew Anderson and continues under the competent leadership of Fr. James Weremedic. The finances for this undertaking are underwritten in a unique way by the Russian Brotherhood Organization, who secured over $500,000 at a very reasonable rate to the parish. It will be their continued faith in God that will bring them to the day when that mortgage will be burned. We pray for God’s blessing on their endeavor. A Blessing of the new hall was held on October 10, with His Beatitude, Metropolitan JONAH, and His Grace, Bishop TIKHON, along with the Rector Fr. -
Our Holy Father RAPHAEL Was Born in Syria in 1860 to Pious Orthodox Parents, Michael Hawaweeny and His Second Wife Mariam
In March of 1907 Saint TIKHON returned to Russia and was replaced by From his youth, Saint RAPHAEL's greatest joy was to serve the Church. When Archbishop PLATON. Once again Saint RAPHAEL was considered for episcopal he came to America, he found his people scattered abroad, and he called them to office in Syria, being nominated to succeed Patriarch GREGORY as Metropolitan of unity. Tripoli in 1908. The Holy Synod of Antioch removed Bishop RAPHAEL's name from He never neglected his flock, traveling throughout America, Canada, and the list of candidates, citing various canons which forbid a bishop being transferred Mexico in search of them so that he might care for them. He kept them from from one city to another. straying into strange pastures and spiritual harm. During 20 years of faithful On the Sunday of Orthodoxy in 1911, Bishop RAPHAEL was honored for his 15 ministry, he nurtured them and helped them to grow. years of pastoral ministry in America. Archbishop PLATON presented him with a At the time of his death, the Syro-Arab Mission had 30 parishes with more silver-covered icon of Christ and praised him for his work. In his humility, Bishop than 25,000 faithful. The Self-Ruled Antiochian Orthodox Christian Archdiocese of RAPHAEL could not understand why he should be honored merely for doing his duty North America now has more than 240 U.S. and Canadian parishes. (Luke 17:10). He considered himself an "unworthy servant," yet he did perfectly Saint RAPHAEL also was a scholar and the author of several books. -
The Synthesis of Jazz and Classical Styles in Three Piano Works of Nikolai Kapustin
THE SYNTHESIS OF JAZZ AND CLASSICAL STYLES IN THREE PIANO WORKS OF NIKOLAI KAPUSTIN __________________________________________________ A monograph Submitted to the Temple University Graduate Board __________________________________________________________ in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS __________________________________________________________ by Tatiana Abramova August 2014 Examining Committee Members: Dr. Charles Abramovic, Advisory Chair, Professor of Piano Harvey Wedeen, Professor of Piano Dr. Cynthia Folio, Professor of Music Studies Richard Oatts, External Member, Professor, Artistic Director of Jazz Studies ABSTRACT The Synthesis of Jazz and Classical Styles in Three Piano Works of Nikolai Kapustin Tatiana Abramova Doctor of Musical Arts Temple University, 2014 Doctoral Advisory Committee Chair: Dr. Charles Abramovic The music of the Russian-Ukrainian composer Nikolai Kapustin is a fascinating synthesis of jazz and classical idioms. Kapustin has explored many existing traditional classical forms in conjunction with jazz. Among his works are: 20 piano sonatas, Suite in the Old Style, Op.28, preludes, etudes, variations, and six piano concerti. The most significant work in this regard is a cycle of 24 Preludes and Fugues, Op. 82, which was completed in 1997. He has also written numerous works for different instrumental ensembles and for orchestra. Well-known artists, such as Steven Osborn and Marc-Andre Hamelin have made a great contribution by recording Kapustin's music with Hyperion, one of the major recording companies. Being a brilliant pianist himself, Nikolai Kapustin has also released numerous recordings of his own music. Nikolai Kapustin was born in 1937 in Ukraine. He started his musical career as a classical pianist. In 1961 he graduated from the Moscow Conservatory, studying with the legendary pedagogue, Professor of Moscow Conservatory Alexander Goldenweiser, one of the greatest founders of the Russian piano school. -
'The True Orthodox Church of Russia
'The True Orthodox Church of Russia VLADIMIR MOSS For the last 60 years or more, the existence of the True Orthodox Church has been one of the best-kept secrets of Soviet 'reality'. The 'True Orthodox', or 'Catacomb', or 'Tikhonite' Church claims to be the direct descendant of the Russian Orthodox Church as it existed before the revolution and in the first decade after the revolution under Patriarch Tikhon and his successor, the locum tenens of the patriarchal throne, Metropolitan Petr of Krutitsy. In 1927, however, the True Orthodox argue, power in the Russian Church was usurped by one of the senior hierarchs, Metropolitan Sergi of Nizhni Novgorod, who issued a declaration in which he thanked the Soviet state for its great services to Orthodoxy, declared that the Soviet state's joys were the church's joys and its sorrows the church's sorrows, and placed himself in more or less unconditional submission to the atheist state. This declaration was rejected not only by Metropolitan Petr, the lawful head of the Russian Orthodox Church (in prison at that time), but also by most of the senior bishops of the church and a large proportion of the faithful (90 per cent of the parishes in the Urals, for example). The schism thus created was vigQlously exploited and deepened by the KGB, who sent to the camps or shot any bishop or priest who did not accept the declaration of Metropolitan Sergi, and with the active support of Sergi, who denounced his opponents as 'counter-revolutionaries' - the equiva lent of a death sentence in those terrible times. -
St Tikhon's Orthodox Theological Seminary
ACADEMIC BULLETIN 2018-2020 St. Tikhon’s Orthodox Theological Seminary Bulletin, 2018—2020 Table of Contents Message from the Dean. .................................................................... .2 Introduction ........................................................................................... 3 The Seminary: An Overview ............................................................... 6 Admission............................................................................................... 11 Program and Courses of Study ........................................................... 19 The Master of Divinity (M. Div.) Degree Program ................. 19 Clinical Pastoral Educational Certification Program ............... 25 Continuing Education ................................................................. 25 Academic Policies ................................................................................. 27 General Policies and Information ...................................................... 42 Formation ............................................................................................... 52 Field Education ..................................................................................... 55 The Seminary Library ........................................................................... 58 Student Life ............................................................................................ 59 Financial Information ........................................................................... 71 Course Offerings -
Detki V Kletke: the Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry
Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Morse, Ainsley. 2016. Detki v kletke: The Childlike Aesthetic in Soviet Children's Literature and Unofficial Poetry. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493521 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry A dissertation presented by Ainsley Elizabeth Morse to The Department of Slavic Languages and Literatures in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Slavic Languages and Literatures Harvard University Cambridge, Massachusetts April 2016 © 2016 – Ainsley Elizabeth Morse. All rights reserved. Dissertation Advisor: Professor Stephanie Sandler Ainsley Elizabeth Morse Detki v kletke: The Childlike Aesthetic in Soviet Children’s Literature and Unofficial Poetry Abstract Since its inception in 1918, Soviet children’s literature was acclaimed as innovative and exciting, often in contrast to other official Soviet literary production. Indeed, avant-garde artists worked in this genre for the entire Soviet period, although they had fallen out of official favor by the 1930s. This dissertation explores the relationship between the childlike aesthetic as expressed in Soviet children’s literature, the early Russian avant-garde and later post-war unofficial poetry. -
Lyubov Orlova: Stalinism’S Shining Star,’ Senses of Cinema, Issue 23: the Female Actor, December 2002
Dina Iordanova, ‘Lyubov Orlova: Stalinism’s Shining Star,’ Senses of Cinema, Issue 23: The Female Actor, December 2002. Available: https://www.sensesofcinema.com/2002/the-female-actor/orlova/ Lyubov Orlova: Stalinism’s Shining Star Dina Iordanova Issue 23 A Lyubov Orlova filmography appears at the bottom of this article. A misguided assumption about Soviet cinema, which still persists, is that it’s a national cinema mostly comprised of depressing war dramas in which popular genres were neglected and even suppressed. This is certainly not the picture of Soviet cinema I remember when, 1 growing up in 1960s Bulgaria, I could enjoy a fair share of popular films, like the Soviet action-adventure Neulovimyye mstiteli/The Elusive Avengers (1966) or Yuri Nikulin’s superb comedies, all playing in theatres alongside the comedies of Louis de Funès or Raj Kapoor’s ever-popular weepy Awara/The Vagabond (1951). A highlight was Eldar Ryazanov’s musical, Karnavalnaya noch/Carnival Night (1956), with Lyudmila Gurchenko’s unforgettable dancing and singing. Made several years before I was even born, Carnival Night was so popular that by the time I started watching movies it was still regularly playing in theatres as well as being shown on television. Here, a buoyant and beautiful Lydmila Gurchenko leads a group of amateur actors to undermine the plans of the Culture Ministry and its boring leadership in order to turn a New Year’s Eve celebration into an exciting vibrant extravaganza, with confetti, sparklers and crackers. It was only later, in my teenage years when I started visiting the Sofia Cinémathèque, that I realized how Carnival Night in many aspects replicated Grigoriy Aleksandrov’s musical extravaganzas of the 1930s. -
New National and Regional Vascular Plant Records, 3 Alla V
Botanica Pacifica. A journal of plant science and conservation. 2021. 10(1): 85–108 DOI: 10.17581/bp.2021.10110 Findings to the flora of Russia and adjacent countries: New national and regional vascular plant records, 3 Alla V. Verkhozina1*, Roman Yu. Biryukov2, Elena S. Bogdanova3, Victoria V. Bondareva3, Dmitry V. Chernykh2,4, Nikolay V. Dorofeev1, Vladimir I. Dorofeyev5, Alexandr L. Ebel6,7, Petr G. Efimov5, Andrey N. Efremov8, Andrey S. Erst6,7, Alexander V. Fateryga9, Natalia 10,11 12 4,6 1 Siberian Institute of Plant Physiology and S. Gamova , Valerii A. Glazunov , Polina D. Gudkova , Inom J. Biochemistry SB RAS, Irkutsk, Russia Juramurodov13,14,15, Olga А. Kapitonova16,17, Alexey A. Kechaykin4, 2 Institute for Water and Environmental Anatoliy A. Khapugin18,19, Petr A. Kosachev20, Ludmila I. Krupkina5, Problems SB RAS, Barnaul, Russia 21 18 15,22 3 Mariia A. Kulagina , Igor V. Kuzmin , Lian Lian , Guljamilya A. Institute of Ecology of the Volga River 23 23 24 Basin – Branch of Samara Federal Research Koychubekova , Georgy A. Lazkov , Alexander N. Luferov , Olga Scientific Center RAS, Togliatti, Russia A. Mochalova25, Ramazan A. Murtazaliev26,27, Viktor N. Nesterov3, 4 Altai State University, Barnaul, Russia Svetlana A. Nikolaenko12, Lyubov A. Novikova28, Svetlana V. Ovchin- 5 Komarov Botanical Institute RAS, nikova7, Nataliya V. Plikina29, Sergey V. Saksonov†, Stepan A. Sena- St. Petersburg, Russia tor30, Tatyana B. Silaeva31, Guzyalya F. Suleymanova32, Hang Sun14, 6 National Research Tomsk State University, Dmitry V. Tarasov1, Komiljon Sh. Tojibaev13, Vladimir M. Vasjukov3, Tomsk, Russia 15,22 7 2,33 7 Wei Wang , Evgenii G. Zibzeev , Dmitry V. -
The Russian Orthodox Church As Reflected in Orthodox and Atheist Publications in the Soviet Union
Occasional Papers on Religion in Eastern Europe Volume 3 Issue 2 Article 2 2-1983 The Russian Orthodox Church as Reflected in Orthodox and Atheist Publications in the Soviet Union Alf Johansen Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Johansen, Alf (1983) "The Russian Orthodox Church as Reflected in Orthodox and Atheist Publications in the Soviet Union," Occasional Papers on Religion in Eastern Europe: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.georgefox.edu/ree/vol3/iss2/2 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. THE RUSSIAN ORTHODOX CHURCH AS REFLECTED IN ORTHODOX AND ATHEIST PUBLICATIONS IN THE SOVIET UNION By Alf Johansen Alf Johansen , a Lutheran pastor from Logstor, Denmark, is a specialist on the Orthodox Churches . He wrote the article on the Bulgarian Orthodox Church in OPREE Vol . 1, No . 7 (December , 1981). He wrote a book on the Russian Orthodox Church in Danish in 1950, and one entitled Theological Study in the Russian and Bulgarian Orthodox Churches under Communist Rule (London : The Faith Press, 1963). In addition he has written a few articles on Romanian , Russian , and Bulgarian Orthodox Churches in the Journal of Ecumenical Studies as well as articles in Diakonia. He has worked extensively with the typescripts of licentiates ' and masters ' theses of Russian Orthodox authors , una va ilable to the general public. -
LUISA MILLER Opera Company Stages Verdi’S Seldom-Performed Melodrama Saturday
Sandel: Equality is the key to the common good, Page B3 The Chautauquan Daily One Dollar Chautauqua, New York The Official Newspaper of Chautauqua Institution | Weekend Edition July 9 & 10, 2011 Volume CXXXV, Issue 13 LUISA MILLER Opera Company stages Verdi’s seldom-performed melodrama Saturday Josh Cooper | Staff Writer Photo | Ellie Haugsby ex, rivalry, secret identities, extor- tion, poisonings, sword fights and murder. Sound like a typical evening in Chautauqua? SThese may not be normal occurrences in this placid town, but Saturday is an excep- tion, as the melodrama of Giuseppe Verdi’s Luisa Miller explodes across the Amphithe- ater stage in operatic proportions. For one night only, the Chautauqua Opera Company will stage this rarely performed oeuvre of the 19th-century Italian composer. Verdi’s melodramma tragico in tre atti, as the librettist describes it, was first heard in Naples in 1849. It is based on the play of Friedrich von Schil- ler, “Kabale und Liebe,” which, loosely translated, means “Politics and Passion.” The story is full of over-the-top drama. Jay Lesenger, the Chautauqua Opera Com- pany’s artistic/general director, said the size of the story fits the size of the stage. “It’s larger than life,” Lesenger said. “I think that’s great for the Amphitheater because it’s a larger-than-life venue.” The Drama The scene is Tyrol, in what we now know as Austria, in the 1700s. Luisa is the daughter of a soldier, and she is in love with a man who the town knows as Carlo, but who is really Rodolfo, the son of the powerful Count Walter. -
Russia Table of Contents • High Court
Table of Contents • High court fixes strict requirements on evangelism • New World Translation remains banned in Russia • A Proxy for the Kremlin: The Russian Orthodox Church • Property sell-offs, alternative service denials follow Jehovah's Witness ban • Orthodox sect-fighter riles Hindus • Russian law enforcement descends on Jehovah's Witnesses' property • Court sets deadline for trial of Danish Jehovah's Witness • Falsified "evidence" helped convictions? • Jehovah’s Witnesses appeal banning of Bible translation • Russia court authorises seizure of outlawed sect children • Oryol District Court extends the pretrial detention of Dennis Christensen for another three months • Misuse of anti-extremism in October 2017 • Supreme Court threatens parental rights of, for example, Jehovah's Witnesses • Muslim prisoner of conscience tortured • “Beware: Sects” campaign in the dock at the European Court • Controversial dissolution of the Russian Orthodox Free Church • Occupied S. Ossetia bans Jehovah’s Witnesses as ‘extremist’ • Religious freedom in Russia: 28 members of the CoE Parliamentary Assembly sign a common declaration • FECRIS vice president stands behind the Orthodox Church against non- Orthodox minorities • Russian pastor flees religious persecution to seek asylum in Germany • Jehovah’s Witness Bible, Jewish, Christian, Muslim books banned • Danish Jehovah’s Witness loses in court again • After Jehovah’s Witnesses ban, Russia takes on Scientology with controversial arrests • Foreign Jehovah’s Witness kept in custody in Orel • Human Rights -
ACLS Annual Report 2005-2007 Excerpt
excerpted from American Council of Learned Societies Annual Report for the years 2006-2007 and 2006-2005. 2007 FELLOWS AND GRANTEES O F T he American COUncil of Learned Societies Funded by the ACLS ACLS FELLOWSHIP PROGRAM Fellowship Endowment LILA ABU-LUGHOD, Professor, Anthropology and Women’s Studies, Columbia University Do Muslim Women Have Rights? An Anthropologist’s View of the Debates about Muslim Women’s Human Rights in the Context of the “Clash of Civilizations” ENRIQUE DesMOND ARIAS, Assistant Professor, Political Science, City University of New York, John Jay College Democracy and the Privatization of Violence in Rio de Janeiro: An Ethnographic Study of Politics and Conflict in the Three Neighborhoods JANINE G. BARCHAS, Associate Professor, English Literature, University of Texas, Austin Heroes and Villains of Grubstreet: Edmund Curll, Samuel Richardson, and the Eighteenth-Century Book Trade GIOVANNA BeNADUSI, Associate Professor, European History, University of South Florida Visions of the Social Order: Women’s Last Wills, Notaries, and the State in Baroque Tuscany AVIVA BeN-UR, Associate Professor, Jewish History, University of Massachusetts, Amherst Professor Ben-Ur has been designated an ACLS/SSRC/NEH International and Area Studies Fellow.* Jewish Identity in a Slave Society: Suriname, 1660–1863 ReNAte BlUMENfelD-KOSINskI, Professor, French Literature, University of Pittsburgh The Dream World of Philippe de Mézières (1327–1405): Politics and Spirituality in the Late Middle Ages CLIffORD BOB, Associate Professor, Political Science, Duquesne University Globalizing the Right Wing: Conservative Activism and World Politics SUSAN LeslIE BOYNTON, Associate Professor, Historical Musicology, Columbia University Silent Music: Medieval Ritual and the Construction of History in Eighteenth-Century Spain WIllIAM C.