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SHOOT Magazine | October/November 2019 www. SHOOT Chat Room 4 THE ROAD TO OSCAR 4 online.com Hot Locations 14 Chinonye Chukwu Robert Eggers Nisha Ganatra Fall 2019 Cinematographers & Cameras 20 DIR Lulu Wang Marielle Heller ECT 2019 October/November Up-and-Coming ORSSeries 10 Dan Krauss Bong Joon Ho Directors 23 Top Ten Music Tracks Chart 28 Top Ten VFX & Animation Chart 29 Chat Room 31 TO GET CONNECTED FOR YOUR CONSIDERATION OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM NOAH BAUMBACH “NOAH BAUMBACH’S MASTERLY NEW FILM IS HIS BEST YET. This is the work of a fi lmmaker in full command of his powers.” THE HOLLYWOOD REPORTER Full Page Ad NETFLIXGUILDS.COM SHOOT MAGAZINE, COVER 2 ISSUE: ROAD TO OSCAR FEATURE NETFLIX: MARRIAGE STORY PUB DATE: 10/28/19 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” FOR YOUR CONSIDERATION OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM Perspectives The Leading Publication For Film, TV NOAH BAUMBACH & Commercial Production and Post October/November 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 5 www.SHOOTonline.com “ EDITORIAL NOAH BAUMBACH’S MASTERLY NEW FILM IS HIS BEST YET. Publisher & Editorial Director A Story’s Impact Roberta Griefer This is the work of a fi lmmaker in full command of his powers.” 203.227.1699 ext. 701 [email protected] Editor THE HOLLYWOOD REPORTER Robert Goldrich While it may sound As for the impact on Chukwu, she de- kids’ series Mr. Rogers’ Neighborhood. 203.227.1699 ext 702 [email protected] cliché, never underes- scribed the years she spent researching, Asked to reflect on what her biggest ADVERTISING timate the impact of a writing and making Clemency as “a soul- takeaway has been from A Beautiful Day Digital & Print Rates & Information [email protected] story on the storyteller. enriching, transformative experience. My in the Neighborhood, Heller shared, “The 203.227.1699 ext. 701 www.shootonline.com/go/advertise As we enter the current awards season, capacity for empathy and compassion, impact on my life has been greater than Advertising Production much is made of how a film resonates with my understanding of justice and mercy the impact on my work. Living with the Gerald Giannone [email protected] an audience. But there’s also a profound have expanded exponentially. This really Fred Rogers message of love in my head 203.227.1699 ext. 700 influence being felt by those who bring challenged me in every aspect of my life. for this long has been a gift, a reminder to OFFICES us the story, a common thread which runs It taught me not to define people by their stay patient, present and honest. It’s made Main Office 606 Post Road East #650 through many of the Westport, CT 06880 USA 203.227.1699 Fax: 203.571.3355 profiles in this issue’s "Screenwriting is empathy. Directing is empathizing with char- West Directors Series. 203.227.1699 ext 702 acters and pulling out their humanity." --Chinonye Chukwu For example, writ- Print Production er-director Chinonye Chukwu reflected worst possible acts. It helped me to be a me a better mom, hopefully a better leader Jim Theodorou [email protected] on Clemency (Neon), winner of the Grand better writer and director. Screenwriting of the ship when it comes to being a direc- Circulation Jury Award in the U.S. Dramatic competi- is empathy. Directing is empathizing with tor, more conscientious. I’ve always tried to 203.227.1699 ext 4 [email protected] tion at this year’s Sundance Film Festival. characters and pulling out their humanity. be conscientious but now I’m more aware SHOOT Publicity Wire 203.227.1699 ext 700 [email protected] The film looks at capital punishment from This work also taught me to have compas- of what’s important and what’s not. It © 2019 DCA Business Media LLC. All rights reserved. a different perspective--that of the people sion for myself.” helped put life into perspective. Last year I SHOOT and SHOOTonline are registered U.S. trademarks. who are sanctioned to carry out an ex- Similarly director Marielle Heller has was going through awards campaigns (for No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, ecution, most notably in this film a prison been inspired by her soon-to-be-released Can You Ever Forgive Me?) as I was in the electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. warden portrayed by Alfre Woodard. We A Beautiful Day in the Neighborhood process of this Mr. Rogers movie. Anytime Print Issues Subscription Service [email protected] see how the psyche, personal life and spirit (Sony Pictures) starring Tom Hanks as ego would rear its ugly head, I could fall Find PDF Versions of Woodard’s character is impacted. Fred Rogers, the beloved host of the PBS back on Mr. Rogers’ Neighborhood.” and order issues backissues.SHOOTonline.com SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 606 POV By Steven Holleran Post Road East, #650, Westport, CT 06880. Printed periodicals postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) Read Before Rolling SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. Capturing “the per- tion? West Virginia Amish country. This seconds. In a conflagration of hell fire, I Brand New[s] weekly ePub is published Wednesdays. SHOOT Screenwork published Mondays. fect shot” is a danger- was an off-the-books shoot to Skatetopia, finally had my answer. Chasing the perfect www.shootonline.com/subscribe ous quest. High-speed a nihilistic skateboard commune. First shot--was going to kill me. chases, heavy machin- visual? Naked bodies orgying in the mud. Why go to such lengths for the cause SHOOT is printed in the U.S.A. ery, and enough high voltage electricity Then a dog ran by, a firecracker tied to its of capturing a perfect shot? The answer is to fry a city block aside, there’s plenty of tail as an old car exploded into flames. that the quest for the perfect shot makes pitfalls. The biggest enemy? It’s the lure of Out of nowhere, kids in tree houses you a modern day explorer. With a camera the immortal image. The Sir Galahad-like yelled “Shoot the camera!” and roman in hand, the world is an open book. It’s desire to get the ideal shot pushes many to candles zipped towards us. For a mo- the opportunity to create a transcendent SHOOT is a member of: immerse the camera and themselves into ment I laughed. I was shooting them and image that can help thousands, even mil- some of the darkest situations. I would they were shooting me. Then a beer can lions see a new perspective. For all the know. I’ve almost lost my life for a nirva- clocked me in the jaw. Spitting blood, a chaos behind the lens, the stories told na-worthy shot. Here’s a dissection of my familiar question bubbled up. “What was through them far outweighs it. It’s how Follow SHOOT via hashtag #SHOOTONLINE at: near misses and why, despite the dangers, the cost of the perfect shot?” On Netflix’s humankind still communicates. We reflect I’m still shooting. doc-series Fire Chasers, I got my answer. on the unknown, and then we shoot and First up? Cleveland’s Puerto Rican fes- Trapped in a California ravine facing we share. Through that process we make tival. Helming my debut feature, I climbed the steamrolling front of the Blue Cut more sense of a mysterious world and per- Cover photo credits for The Road To Oscar (l-r): Jojo Rabbit the platform of a carnival carousel for wildfire, towering flames smoked across haps a better place. And that my friend, is DP Mihai Malaimare, Fox Searchlight; Rupert Goold (l) and Renee Zellweger on the set of Judy, photo by David slo-mo shots. Before I could roll, a gang our safety zone. The sneak attack fire worth the price. Dangerous or not, that’s Hindley/LD Entertainment, Roadside Attractions; The Two charged the crowd. Guns appeared and encircled us in a pig pen. Visibility crept why I keep chasing the perfect shot. Popes DP Cesar Charlone, Netflix. Cinematographers & Cameras: DP Natasha Braier (l) and Alma Har'el on Honey shots rang out. Panic set in and instead of down to a few inches and breathable oxy- DP Steven Holleran's credits include Boy, Amazon Studios. Up-and-Coming Dirs. (l-r) Tom Cruise, Glenn Clements & James Corden, photo by Terence shooting a movie, we were in one. Next gen disappeared. We peered helplessly as The Obituary of Tunde Johnson which re- Patrick. Chat Room: The Report, Amazon Studios. obstacle on this quest for visual perfec- our nearby production vehicle melted in cently premiered at the Toronto Film Fest. NETFLIXGUILDS.COM October/November 2019 SHOOT 3 SHOOT MAGAZINE, COVER 2 ISSUE: ROAD TO OSCAR FEATURE NETFLIX: MARRIAGE STORY PUB DATE: 10/28/19 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” ROAD TO OSCAR “COLORFUL AND EXTRAVAGANT TO BEHOLD” JUSTIN CHANG, LOS ANGELES TIMES Director, DP, Production Designer POVs Insights into Judy, The Two Popes, Ford v Ferrari, Jojo Rabbit, Once Upon a Time...in Hindley/courtesy David by Photo of LD Entertainment & Roadside Attractions Photo courtesyPhoto of Netflix Hollywood Hindley/courtesy David by Photo of Roadside Attractions By Robert Goldrich, The Road To Oscar Series, Part 2 Photo courtesy of Fox Searchlight courtesyPhoto of Fox Photo Kimberley of 20th CenturyPhoto French/courtesy Fox courtesyPhoto of Sony-Columbia Pictures All the world’s a stage.
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