Entertainment Ecw Press North American Sales Kit
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
Wwe Network Announces Programming
For Immediate Release WWE® NETWORK ANNOUNCES PROGRAMMING LINEUP STAMFORD, Conn., February 19, 2014 – WWE Network, the first-ever 24/7 streaming network, has unveiled its programming lineup, which is highlighted by WrestleMania® 30 on Sunday, April 6 at 7 pm ET live from the Mercedes-Benz Superdome in New Orleans. In addition, for the first time ever, the WWE Hall of Fame Induction Ceremony will air live in its entirety on Saturday, April 5 at 9 pm ET on WWE Network. This year’s current inductees include The Ultimate Warrior, Jake “The Snake” Roberts and Lita. A one-hour special will also air on USA Network on Monday, April 7, immediately following Monday Night Raw®. WWE Network will officially launch on Monday, February 24 at 9 am ET and fans will instantly have access to live programming and the most comprehensive WWE video-on- demand library upon signing up exclusively at WWE.com. WWE Network will be available through the WWE App on TV via connected devices including Roku streaming devices, Sony PlayStation® 3, Sony PlayStation® 4 and Xbox 360. WWE Network will also be available through the WWE App on iOS devices, including Apple iPad and iPhone, Amazon’s Kindle Fire devices and Android devices, as well as on desktops and laptops via WWE.com. The programming line-up on WWE Network includes: WrestleMania 30 WWE’s pop-culture extravaganza, WrestleMania 30, will air live on Sunday, April 6 at 7 pm ET from New Orleans. More than 70,000 fans from all 50 states and more than 30 countries are expected to converge on the Mercedes-Benz Superdome with millions more watching around the world. -
Claims Department 27
Vice is doing a series of documentaries about the heavier aspects of the history of Pro Wrestling called The Dark Side of the Ring. These docs are taking a look at tragedies in the wrestling, and there are quite a few to choose from. The first one they released, and one of the finest true crime docs if you like the human side instead of the hard core investigative side, is about Bruiser Brody. And thus, having finished watching it, I realized I’d never done an issue dedicated to him. This issue, more than any other Claims Department I’ve ever done, will be the story of what it means to be a genius, to live in a world that has rules that are not those of the outside world. This is a story of an American who was a giant star in Japan, partly because he had so much trouble getting along with promoters in the US. This issue tells the story of a man who was an incredibly brawler, who bled in so many matches, who helped re-define what brawling was in an era when wrestling was completely being redefined. He was also an amazing wres- tler, could go on the ground , work a match that would make you believe he was a former Olympian. In short, it is the story of a man who was a master of his craft, and a man who knew he was a master of his craft. Yes, it has a tragic ending. In other news, I’m happy to report that the Boys are turning 4 shortly, and that’s a good thing! JP is reading. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Wwe Network Expands Throughout South East Asia
For Immediate Release WWE® NETWORK EXPANDS THROUGHOUT SOUTH EAST ASIA TO INCLUDE THAILAND AND THE PHILIPPINES STAMFORD, Conn., March 2, 2016 – Beginning today, fans in Thailand and Philippines can order WWE Network online by going to WWENetwork.com and receive their first month of service free. WWE Network in Thailand and Philippines will cost $9.99 USD per month, with no commitment and the ability to cancel any time. Subscribers will have access to the U.S. English language version of WWE Network and get all 12 WWE pay-per-view events at no additional cost including WWE’s biggest event of the year, WrestleMania, as well as 24/7 scheduled programming and the most comprehensive video-on-demand library with more than 4,700 hours of content, including Raw® and SmackDown® re-airs, and every WWE, WCW™ and ECW™ pay- per-view. WWE Network is available now in Thailand and Philippines on desktop, laptop and mobile devices. It will become available through Apple TV, Amazon Fire TV, Sony PlayStation 3, Sony PlayStation 4, Xbox One, Xbox 360, Roku and Smart TVs in time for WrestleMania 32. “WWE is committed to the global growth of our brand,” said George Barrios, WWE Chief Strategy & Financial Officer. “We are thrilled to offer WWE Network to our fans in Thailand and Philippines in time for our biggest event of the year, WrestleMania.” In addition to the 12 live WWE pay-per-view events, WWE Network original programming in 2016 includes: The Edge & Christian Show That Totally Reeks of Awesomeness – A half- hour variety show starring the talented duo, Edge and Christian that will take a look back at all the highs and lows of sports entertainment, while offering a unique and humor filled perspective to the WWE Universe. -
British Bulldogs, Behind SIGNATURE MOVE: F5 Rolled Into One Mass of Humanity
MEMBERS: David Heath (formerly known as Gangrel) BRODUS THE BROOD Edge & Christian, Matt & Jeff Hardy B BRITISH CLAY In 1998, a mystical force appeared in World Wrestling B HT: 6’7” WT: 375 lbs. Entertainment. Led by the David Heath, known in FROM: Planet Funk WWE as Gangrel, Edge & Christian BULLDOGS SIGNATURE MOVE: What the Funk? often entered into WWE events rising from underground surrounded by a circle of ames. They 1960 MEMBERS: Davey Boy Smith, Dynamite Kid As the only living, breathing, rompin’, crept to the ring as their leader sipped blood from his - COMBINED WT: 471 lbs. FROM: England stompin’, Funkasaurus in captivity, chalice and spit it out at the crowd. They often Brodus Clay brings a dangerous participated in bizarre rituals, intimidating and combination of domination and funk -69 frightening the weak. 2010 TITLE HISTORY with him each time he enters the ring. WORLD TAG TEAM Defeated Brutus Beefcake & Greg With the beautiful Naomi and Cameron Opponents were viewed as enemies from another CHAMPIONS Valentine on April 7, 1986 dancing at the big man’s side, it’s nearly world and often victims to their bloodbaths, which impossible not to smile when Clay occurred when the lights in the arena went out and a ▲ ▲ Behind the perfect combination of speed and power, the British makes his way to the ring. red light appeared. When the light came back the Bulldogs became one of the most popular tag teams of their time. victim was laying in the ring covered in blood. In early Clay’s opponents, however, have very Originally competing in promotions throughout Canada and Japan, 1999, they joined Undertaker’s Ministry of Darkness. -
By Kevin Blake
by Kevinby Matt Blake Scheff [ Intentionally Left Blank ] by Matt Scheff Consultant: Dr. Mike Lano Pro Wrestling Writer, Photographer, and Radio Host Credits Cover and Title Page, © Jonathan Bachman/AP Images for WWE; TOC, © Mike Lano Photography; 4, © Mike Lano Photography; 5, © Zuma Press/Alamy; 6, © Zuma Press/ Alamy; 7, © Zuma Press/Alamy; 8, © MarclSchauer/Shutterstock; 9, © Reporter & Farmer; 10, © Ken Wolter/Shutterstock; 11, © Bill Greenblatt/UPI Photo Service/ Newscom; 12, © Alexandre Pona/City Files/Icon SMI/Newscom; 13, © Zuma Press/ Alamy; 14, © Mike Lano Photography; 15, © Jim Mone/AP Images; 16, © Darryl Dennis/AP Images; 17, © Eric Jamison/AP Images; 18, © Matt Roberts/Zuma Press/Newscom; 19, © Matt Roberts/Zuma Press/Newscom; 20, © Matt Roberts/Zuma Press/Icon Sportswire; 21, © Mike Lano Photography; 22T, © George Napolitano/Retna Ltd./Corbis; 22B, © Mike Lano Photography. Publisher: Kenn Goin Senior Editor: Joyce Tavolacci Creative Director: Spencer Brinker Photo Researcher: Chrös McDougall Design: Debrah Kaiser Library of Congress Cataloging-in-Publication Data in process at time of publication (2015) Library of Congress Control Number: 2014037331 ISBN-13: 978-1-62724-550-0 Copyright © 2015 Bearport Publishing Company, Inc. All rights reserved. No part of this publication may be reproduced in whole or in part, stored in any retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. For more information, write to Bearport Publishing Company, Inc., 45 West 21st Street, Suite 3B, New York, New York 10010. Printed in the United States of America. 10 9 8 7 6 5 4 3 2 1 Contents Brock Versus Rock ................... -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
Wrestlemania X8
The Power of The Punch WRESTLEMANIA X8 Recently, William Regal had introduced a new, devastating knockout blow he called “The Power of the Punch.” While he wanted TORONTO SKYDOME — TORONTO, ONTARIO, CANADA the world to think it was his strength that levelled opponents, fans knew it was the brass knuckles that Regal secretly wore. Former ECW Superstar Rob Van Dam would have to contend March 17 ANNOUNCERS SPECIAL FIELD CORRESPONDENTS Jerry “The King” Lawler Jonathan Coachman with Regal’s rule breaking when he challenged Jim Ross Lillian Garcia Regal for the Intercontinental Championship in 2002 Michael Cole SPANISH ANNOUNCERS the opening match of WrestleMania X8. Carlos Cabrera SPECIAL MUSICAL GUESTS Regal wasted no time trying to use his secret Attendance Hugo Savinovich Drowning Pool Saliva weapon to quickly end the match, but Van RING ANNOUNCER Howard Finkel Dam managed to kick the knuckles out of 68,237 Regal’s hands and out of the ring. The two traded moves and countermoves, but RVD’s unique brand of offense slowly gave him Event Card the advantage. Regal rolled out of the ring DDP vs Christian UNDISPUTED CHAMPIONSHIP MATCH NO DISQUALIFICATION MATCH to retrieve his brass knuckles. The referee Christian had been on a bit of a losing streak since starting his singles career. Rather than take his defeats in n Triple H def. Chris Jericho (Champion) w/ Stephanie McMahon to become n Undertaker def. “Nature Boy” Ric Flair spotted the object and seized it. Not to be stride, he’d been throwing temper tantrums. Eternal optimist Diamond Dallas Page helped Christian get back on new Champion deterred, Regal had a second pair hidden in the winning path.