Evan Chandler's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
The 1993 Allegations
The Michael Jackson Allegations The Michael Jackson Allegations An extensive discussion of the 1993 Chandler/Francia allegations, the 2005 Arvizo trial, and a FAQ section v2.1. A PDF version of the website https://themichaeljacksonallegations.com/ 1 The Michael Jackson Allegations Table of Contents Foreword ............................................................................................................................. 3 The 1993 Allegations ...................................................................................... 4 Key players .......................................................................................................................... 5 The Timeline ....................................................................................................................... 6 Michael Jackson’s first accuser – meet the Chandler family! ........................................... 20 Evan Chandler’s “Suspicions” .......................................................................................... 26 Taped phone conversations between Evan Chandler and David Schwartz....................... 36 How Did The Allegations of the Chandlers Emerge? ....................................................... 79 The Use of Sodium Amytal? ............................................................................................. 84 The Chandlers’ Monetary Demands ................................................................................. 87 The Chandler Allegations ................................................................................................. -
The Rules of #Metoo
University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases. -
You Are Not Alone UK.Indd
PROLOGUE 2005 THE BATHROOM MIRROR AT A LITTLE hotel in Santa Maria, California, is fogged with condensation, and there is so much steam from my morning shower that my refl ection is rendered invisible. As I stand at the sink, dripping wet and wrapped in a towel, the opaque glass is now nothing but an inviting canvas of mist on which to log a thought I have been repeating in my head. ‘MICHAEL JACKSON 1,000% INNOCENT’, I daub with my fi nger, ending with a full-stop that I convert into a smiley-face. Believe in the happy ending. I stare at this message and focus on a visualised outcome: victory, justice and vindication. It is 10 March 2005: day 11 of the courthouse circus that sees my brother accused of child molestation. ‘MICHAEL JACKSON 1,000% INNOCENT’, I read again. I continue to stare at the top left corner of the mirror, watching the smiley-face start to run. Transfi xed, I fl ash back to Michael’s bath- room at the Hayvenhurst estate in Encino, outside Los Angeles – his home prior to Neverland – and know that I am mimicking in 2005 what he did in 1982. Back then, in the top left corner of his ix YYouou AArere NNotot AAlone_UK.inddlone_UK.indd ixix 110/08/20110/08/2011 15:0715:07 YOU ARE NOT ALONE mirror, he took a black felt permanent marker – to match the black marble – and scrawled: ‘THRILLER! 100 MILLION SALES … SELL OUT STADIUMS’. Think it, see it, believe it, make it happen. Will it into reality, as taught to us in childhood by our mother, Katherine, and father, Joseph. -
San Fernando Valley Business Journal the Valley 200 July 20, 2020 Table of Contents
THE VALLEY 200THE MOST INFLUENTIAL LEADERS IN THE VALLEY AREA 2020 017_sfvbj_V200_Section Cover.indd 17 7/14/20 1:48 PM 18 SAN FERNANDO VALLEY BUSINESS JOURNAL THE VALLEY 200 JULY 20, 2020 TABLE OF CONTENTS 20 INDEX 38 FINANCE 22 LETTER FROM THE 43 GOVERNMENT EDITOR & PUBLISHER 47 HEALTH CARE 24 ADVISORS 30 BUSINESS 51 ORGANIZATIONS 36 EDUCATION 54 REAL ESTATE We congratulate all the leaders in the Valley 200. Thanks to them, our economy is stronger and our community is better! 018_sfvbj_V200_TOC.indd 18 7/14/20 1:49 PM JULY 20, 2020 SAN FERNANDO VALLEY BUSINESS JOURNAL 19 MEET THE COMPANY THAT’S BEEN IMPROVING BOTTOM LINES SINCE 1991 We bring a new approach to business and personal insurance. One that makes sure you’re not simply protected against liability, but sheltered from risk in the first place. We put decades of experience and know-how to work in helping you avoid expensive claims before they start and then mitigating claims when they do occur. 800-578-8802 POMSASSOC.COM 009-57_sfvbj_fullpages20200720.indd 19 7/13/20 5:13 PM 20 SAN FERNANDO VALLEY BUSINESS JOURNAL THE VALLEY 200 JULY 20, 2020 INDEX PEOPLE K Shafferty, John . 29. Commerce Department . 51 N Kahn, Dan . .28 Shapiro, David . 46 Community Foundation of the Valleys 52. Northeast Valley Health Corp . 50 A Kasendorf, Alexander . 28 Sherman, Brad . 46 Compass Charter Schools . .36 O Adam, Al . .43 Katz, Richard . 28 Simpson, Danone . 42 ConsejoSano . .47 Oschin Partners . 29 Adelstein, Wayne . 24 Khorsand, Vahid . 40 Skeeter, Jane . 35 Cooper Communications Inc . -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Directors Guild of America Creative Rights Handbook 2011 - 2014
DIRECTORS GUILD OF AMERICA CREATIVE RIGHTS HANDBOOK 2011 - 2014 Los Angeles, CA (310) 289-2000 New York, NY (212) 581-0370 Chicago, IL (312) 644-5050 www.dga.org Taylor Hackford, President • Jay D. Roth, National Executive Director Dear Colleague, As Co-Chairs of the DGA Creative Rights Committee, we spend a lot of time talking to Directors about their Theatrical Creative Rights work problems. Often we nd that trouble begins with Committee TABLE OF CONTENTS those who are unclear about or unaware of creative Jonathan Mostow Steven Soderbergh rights protections they already have as members of the Co-Chair Co-Chair Directors Guild of America. David Ayer Taylor Hackford Donald Petrie CREATIVE RIGHTS CHECKLISTS Some DGA Directors have voiced frustration over Michael Bay John Lee Hancock Sam Raimi Checklists of DGA Directors’ creative rights, practices in the editing room; they did not know John Carpenter Curtis Hanson Brett Ratner codied in this handbook that the DGA Basic Agreement protects them from .…..................….…….…….…….…….….3 interference when they are preparing their cut. Some omas Carter Mary Lambert Jay Roach television Directors have expressed concern about being Martha Coolidge Jonathan Lynn Tom Shadyac excluded from the looping and dubbing process; they Wes Craven Michael Mann Brad Silberling were unaware that they, like feature Directors, have SUMMARY OF CREATIVE RIGHTS Andy Davis Frank Marshall Penelope Spheeris the right to participate in both. And many Directors A summary of a Director’s creative rights did not realize that, because they are Guild members, Roger Donaldson McG Betty omas under the Directors Guild of America Basic they have a right to additional cutting time if necessary David Fincher E. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Brett Ratner
SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films. -
Amazon Studios Hopes for Common Ground Pilot That Is in the Works
14 SUNDAY, MARCH 17, 2019 Emilia Paris Clarke Jackson Kate Middleton & Paris Jackson says it’s ‘not her James Gunn Emilia Clarke role’ to defend dad Michael amid re-hired for molestation allegations ‘Guardians of the share a special Los Angeles connection Galaxy 3’ Los Angeles aris Jackson, daughter of Michael Jackson, clapped back at everybody who shamed her for not publicly defending her late father following sexual onths after Holly- Pmolestation allegations against him. Mwood filmmaker Finally addressing the issue nearly two weeks after the James Gunn was fired release of the HBO documentary ‘Leaving Neverland’, Paris from the ‘Guardians of firmly asserted that it is in no way her role to defend Mi- the Galaxy’ franchise, the Announc- chael. director is returning to ing Clarke’s new role, the Earlier this month, HBO aired the documentary ti- the Marvel Nursing Now Twitter account tled ‘Leaving Neverland’ which details allegations of Cinematic Lon- wrote, “We are delighted to sexual abuse committed by the late King of Pop. The Universe. don announce our first ever film stirred controversy, drawing mixed reactions from Disney #NursingNow Ambassador, the public. The late singer’s family criticised the film, has fi - ate Mid- @emiliaclarke, an incredible while, many fans and supporters of Jackson staged nally re- dleton actress and global nursing protests against the broadcast of the documentary. hired him Kand Emilia Clarke share champion.” However, Paris remained quiet and did not voice as director of James Gunn a common goal, as both women In a statement, the her opinion regarding the documentary. Breaking ‘Guardians of are working with Nursing Now Game of Thrones star re- her silence, Paris, on Friday, tweeted, “There’s the Galaxy’ Volume 3. -
European Premiere of Fisher Stevens' and Leonardo Dicaprio's BEFORE
European Premiere of Fisher Stevens’ and Leonardo DiCaprio’s BEFORE THE FLOOD added to BFI London Film Festival line-up The 60th BFI London Film Festival in partnership with American Express® confirms the European Premiere of BEFORE THE FLOOD from filmmakers Fisher Stevens and Leonardo DiCaprio, as a Special Presentation programme addition presented on Saturday 15 October at the Odeon Leicester Square. From Academy Award®-winning filmmaker Fisher Stevens and Academy Award-winning actor, environmental activist and U.N. Messenger of Peace Leonardo DiCaprio, BEFORE THE FLOOD is a riveting account of the dramatic changes now occurring around the world due to climate change, as well as the actions we as individuals and as a society can take to prevent catastrophic disruption of life on our planet. The film follows DiCaprio as he travels to five continents and the Arctic speaking to scientists, world leaders, activists and local residents to gain a deeper understanding of this complex issue and investigate concrete solutions to the most pressing environmental challenge of our time. Fisher Stevens, director says: “We can no longer turn a blind eye to the issue of climate change; we are at a crucial moment where if we don’t act now, we will forever pay the price. I’m looking forward to sharing BEFORE THE FLOOD with the BFI London Film Festival this October. London is one of the greatest cities in the world and my hope is that this film provides a global wakeup call about our inevitable fate should we fail to act." Clare Stewart, Director BFI London Film Festival, says: “We are thrilled to be presenting the European premiere of BEFORE THE FLOOD, a film that is both an urgent and illuminating update on climate change and a passionate clarion call from Leonardo DiCaprio and Fisher Stevens.” National Geographic presents with Ratpac Documentary Films an Appian Way production in association with Insurgent docs and Diamond docs.