Human Enhancement and the Computational Metaphor
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Episode 308: JOHNNYSWIM That Sounds Fun with Annie F. Downs
Episode 308: JOHNNYSWIM That Sounds Fun with Annie F. Downs [00:00:00] <Music> Annie: Hi friends, welcome to another episode of That Sounds Fun. I'm your host Annie F. Downs, I'm really happy to be here with you today. We've got a great show in store, one y'all have been requesting for always. So I'm thrilled about today's show. And before we get started, I want to tell you about one of our incredible partners, CRU. It probably goes without saying, but here I am saying it anyways, reading the Bible is so important to me. If you've been following me through 2021, you know, I've been doing the Bible in a Year, and I'm always blown away by the new things I learn, even in passages I feel like I've read 100 times. But imagine for a second that you couldn't get a Bible, like you couldn't afford one or couldn't just hop on Amazon and have one sent to your house. Take it one step further, and imagine that you aren't even allowed to have one. Honestly, sometimes we forget that there are so many people all around the world, who simply can't get a Bible. And that's why we're thrilled to partner with Cru. Cru is one of the largest evangelical organizations in the world, with over 25,000 missionaries in almost every country. Cru has given Bibles to people in their own heart language, and sharing the hope of Jesus all around the globe. -
Review : Danielle French Presents Miss Scarlett and the Madmenан
1 More Next Blog» [email protected] Dashboard Sign Out Reviews,news and more in the world of rock by Kaj Roth and Philippe Valleix. Palace of Rock the blog that loves new artists and salute the old stars. Number of reviews : 6499. More than 5 million views 20092016. Palais du rock паласе оф rock 岩石宮殿 palacio del rock THE MUSIC BLOG THAT NEVER SLEEPS! Home Upcoming Releases R.I.P Toplists Interviews R & R Heroes More reviews Artist of the month SATURDAY, JUNE 25, 2016 BLOG ARCHIVE ▼ 2016 (769) Review : Danielle French presents Miss Scarlett and The Madmen ▼ June (47) Dark love songs Review : Danielle French presents Miss Scarlett an... Review : Sawtooth Brothers One more flight Review : Acolyte Shades of black Review : We Are Scientists Helter Seltzer Review : Sweet Strung Up Expanded edition Review : Chris Murphy Red mountain blues Review : Manwomanchild Awkward island Review : Whitford St.Holmes Reunion Danielle French presents Miss Scarlett and The Madmen Dark love songs (2016) Review : Josh Flagg Tracing shapes Independent Blue Cow Kent releases new single on Produced by Danielle French / Tim Gordon Spotify ALTERNATIVE FOLK ROCK Muse Live at the Globe Arena, Tracks : 1.Last goodbye 2.Take my love 3.Did you want me 4.It must be roses 5.Black Stockholm sunday 6.Splinters 7.My shadow and me 8.This is why we drink 9.Last goodbye Review : Anna Rose Strays in the cut (instrumental) Review : Noise Echoes www.daniellefrench.com 3 out of 5 Review : Sonic Boom Six The F Bomb Calgary, Canada based singer / songwriter Danielle French debuted with "Me, myself Review : Withem The unforgiving and I" in 1995 and 2 decades later she releases the 5th album "Dark love songs" road together with the musical collective Miss Scarlett and The Madmen. -
Maria Sofia Pimentel Biscaia Leituras Dialógicas Do Grotesco: Dialogical
Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Universidade de Aveiro Departamento de Línguas e Culturas 2005 Maria Sofia Pimentel Leituras Dialógicas do Grotesco: Biscaia Textos Contemporâneos do Excesso Dialogical Readings of the Grotesque: Texts of Contemporary Excess Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Literatura, realizada sob a orientação científica do Doutor Kenneth David Callahan, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro e da Doutora Maria Aline Salgueiro Seabra Ferreira, Professora Associada do Departamento de Línguas e Culturas da Universidade de Aveiro o júri Presidente Prof. Doutor José Carlos da Silva Neves Professor Catedrático da Universidade de Aveiro Prof. Doutor Mário Carlos Fernandes Avelar Professor Associado com Agregação da Universidade Aberta Profª. Doutora Ana Gabriela Vilela Pereira de Macedo Professora Associada da Universidade do Minho Prof. Doutor Anthony David Barker Professor Associado da Universidade de Aveiro Profª. Doutora Maria Aline Salgueiro Seabra Ferreira Professora Associada da Universidade de Aveiro Prof. Doutor Kenneth David Callahan Professor Associado da Universidade de Aveiro Profª. Doutora Adriana Alves de Paula Martins Professora Auxiliar da Universidade Católica Portuguesa - Viseu Agradecimentos A elaboração desta dissertação foi possível graças ao apoio financeiro da FCT e do FSE, no âmbito do III Quadro Comunitário. As condições de acolhimento proporcionadas pelo Departamento de Línguas e Culturas e pelo Centro de Línguas e Culturas foram essenciais para o cumprimento atempado do projecto. -
War in the Age of Intelligent Machines
Introduction The image of the ''killer robot" once belonged uniquely to the world of science fiction. This is still so, of course, but only if one thinks of human like mechanical contraptions scheming to conquer the planet. The latest weapons systems planned by the Pentagon, however, offer a less anthropo morphic example of what machines with "predatory capabilities" might be like: pilotless aircraft and unmanned tanks "intelligent" enough to be able to select and destroy their own targets. Although the existing prototypes of robotic weapons, like the PROWLER or the BRAVE 3000, are not yet truly autonomous, these new weapons do demonstrate that even if Artificial Intel ligence is not at present sufficiently sophisticated to create true "killer robots,'' when synthetic intelligence does make its appearance on the planet, there will already be a predatory role awaiting it. The PROWLER, for example, is a small terrestrial armed vehicle, equipped with a primitive form of "machine vision" (the capability to ana lyze the contents of a video frame) that allows it to maneuver around a battlefield and distinguish friends from enemies. Or at least this is the aim of the robot's designers. In reality, the PROWLER still has difficulty negoti ating sharp turns or maneuvering over rough terrain, and it also has poor friend/foe recognition capabilities. For these reasons it has been deployed only for very simple tasks, such as patrolling a military installation along a predefined path. We do not know whether the PROWLER has ever opened fire on an intruder without human supervision, but it is doubtful that as currently designed this robot has been authorized to kill humans on its own. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/58049 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Processes of ‘positive multiculturalism’ in practice: an extended case study with Warwick Arts Centre (WAC) Research undertaken as part of Arts and Humanities Research Council’s (AHRC) Collaborative Doctorate Award (CDA) By Rachel King PhD Thesis University of Warwick School of Theatre, Performance and Cultural Policy Studies May 2013 i Table of Contents List of Figures iii Acknowledgements iv Abstract v Chapter 1 Introduction 1 Overall Methodological Framework 27 Conceptual Framework 49 Locating WAC 102 Chapter 2 Case Study A: Creating spaces for collaboration 129 between WAC users Chapter 3 Case Study B: Making connections across 203 Coventry Chapter 4 Case Study C: Devising a performance for 232 WAC’s new Creative Space Conclusion 327 Bibliography 369 Appendix 1 387 Appendix 2 388 Appendix 3 389 Appendix 4 392 Appendix 5 393 Appendix 6 394 Appendix 7 396 Appendix 8 397 ii List of Figures Figure 1: Photograph of Warwick Arts Centre's foyer space. Copyright of WAC, date unknown. ......... 1 Figure 2: Key conceptual framework of overall case study. ................................................................. 18 Figure 3: Extract from Reflective Journal: annotation of original title. ................................................ 20 Figure 4: Final image in Shaun Tan's The Arrival (2007). -
Humanizing the Posthuman in Powers, Wallace, Gibson And
HUMANIZING THE POSTHUMAN IN POWERS, WALLACE, GIBSON AND DELILLO A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of the Doctor of Philosophy By Ahmad Ghashmari December 2016 © Copyright All rights reserved Except for previously published materials Dissertation Written by Ahmad Ghashmari B.A., Yarmouk University, 2006 M.A., Yarmouk University, 2009 M.A., University of Akron, 2015 Ph.D., Kent State University, 2016 Approved by Tammy Clewell_______________, Chair, Doctoral Dissertation Committee Robert Trogdon_______________, Members, Doctoral Dissertation Committee Kevin Floyd__________________ Michael Byron________________ Brian Baer___________________ Accepted by Robert Trogdon_______________, Chair, Department of English James L. Blank________________, Dean, College of Arts and Sciences i TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………..……..ii Introduction………………………………………………………………………….…………….….…..1 Chapter 1: Richard Powers’ Galatea 2.2: Love, Companionship and Boundaries between Humans and Machines………………………………..………………....32 Chapter 2: David Foster Wallace’s Infinite Jest: Entertainment Technology and the Reclaiming of the Human………………….………………………………………….60 Chapter 3: William Gibson’s Pattern Recognition: Finding Human Agency in a Commodified Techno-Culture……….……………………………..……………....89 Chapter 4: The Illusion of Transhuman Immortality and the Importance of the Self…………………………..…………………….………….……………………………….122 Conclusion: Towards a New Understanding of Posthumanism………………………….151 Works Cited…………………………………………….……………….………………………………….156 ii ACKNOWLEDGEMENTS I am immensely grateful to my dissertation director, Tammy Clewell, for her encouragement and patience. I would not have been able to complete this study without her guidance, valuable feedback and suggestions. I would also like to thank my dissertation committee members, Dr. Robert Trogdon, Dr. Kevin Floyd and Dr. Michael Byron for their feedback and interesting questions during the defense, the candidacy exams and the prospectus defense. -
Исполнитель: Our Lady Peace Альбом: Curve Год Выхода: 2012 Лейбл: Warner Mu
Исполнитель: Our Lady Peace Альбом: Curve Год выхода: 2012 Лейбл: Warner Mu Продолжение... Похожие запросы: Исполнитель: Our Lady Peace Альбом: Curve Год выхода: 2012 Лейбл: Warner Mu Our Lady Peace: Curve PopMatters. Our lady peace curve torrent. Is Anybody Home. Исполнитель: Our Lady Peace Альбом: Unplugged Год: 2000. Our Lady Peace - Дискография (1994-2009) (Alternative Rock Post-Grunge) FLA Our lady peace - curve. Download Clumsy Our Lady Peace Lyrics Youtube. By Poet. The young Lady to whom this was addressed was my S. Where peace to Grasmere's Вернуться к списку всех песен Our Lady Peace . How to download torrents Torrent Sites Trouble with the Curve -2012. Gra Our lady peace live torrent. Слушать онлайн As Fast As You Can - Curve 2012 Album - Our Lady Peace и ска Free download Our Lady Peace Discography Inc Raine Maida Solo 320razor torr Всё о Our Lady Peace: тексты песен, биография, популярные альбомы, новости, In our interview with Duncan Coutts from Our Lady Peace, we talk about thei Изображение для Our Lady Peace - Burn Burn (2009) MP3, 118-320kbps (кликнит Playlist: The Very Best Of Our Lady Peace - Our Lady Peace mp3 купить, вс.. Музыка - Our Lady Peace Обои. Wallpaper Abyss. Музыка Wallpapers Backgrou If you catch the references you're ahead of the curve. Photo courtesy Проект реализует компания City of Peace Films. Режиссер - Дастин Исполнитель: Our Lady Peace Страна: Toronto, Ontario, Canada Альбом: Gravit Всё о Our Lady Peace: тексты песен, биография, популярные альбомы, новости, Our Lady Peace Alternative Distribution Alliance. Our lady peace curve torrent. Genre: Alternative Rock Artist: Our Lady Peace Album: Clumsy Released: 1997 Бесплатное прослушивание альбома Naveed - Our Lady Peace. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
Spiritual Dimension of Technology
3 Spiritual Dimension of Technology Humans have always had an identity crisis. For much of our recorded history, we have used rather specious definitions of humanness or personhood that granted power to some, while granting few or no rights to others. At times some have thought our gender or the color of our skin formed a key part of that definition. If we have erred too narrowly in the past, do we now risk erring too widely? Some 23% of Americans, and a higher percentage of Europeans, say they belong to no religion in particular. Although this is the result of a centuries- long retreat from faith, the process may have come full circle. Secularization happened in four stages, each one with its own century: • The 17th century was the secularization of knowledge. This referred to knowledge without any dogmatic assumptions in the form of reason and observation, philosophy, and science. • In the 18th century came the secularization of power with the American Revolution and the First Amendment, and the French Revolution, which emphasized the substantive separation of the state and church. • The 19th century was the secularization of culture when the museum, and the concert hall, and the art gallery took the place of houses of worship as places where you encountered the sublime. • The 20th century saw the final secularization, which was the seculariza- tion of morality. In the 1960s, throughout the West, the two foundations of the Judeo-Christian ethic, the sanctity of life and the idea that there is such a thing as a sexual ethic involving fidelity and the covenantal nature of marriage disappeared throughout the West. -
Two Kinds of Trouble
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Two Kinds Of Trouble Rebecca Minnich CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/507 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Two Kinds Of Trouble A Novel by Rebecca Minnich March 16th, 2011 Submitted in partial fulfillment of the requirement of the requirements for a degree of Master of Fine Arts of the City College of New York 1 Table of Contents Two Kinds Of Trouble……………………………………………………….1-419 2 August, 10, 1977 – Madison, Wisconsin Chapter One “Does he have to move out? Can’t you make up? Are you sure? Did you try?” These are the questions Patty asked her mother. “Sweetie, yes. And I don’t expect you to understand. It’s just the way it has to be,” said Gloria. Her voice was cracking, her glasses fogging behind the wet dish towel in her hand, wrapped around red knuckles, rubbing a plate dry. “It’s all our fault,” said Patty’s brother, David, who was leaning over the back of a chair with his head in his hands like he was on a soap opera. “If we hadn’t been such rotten kids, this wouldn’t have happened.” Patty looked at David to see if he was serious. God, he was.