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Boston Symphony Orchestra Concert Programs, Season 57,1937-1938

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Boston Symphony Orchestra Concert Programs, Season 57,1937-1938 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 FIFTY-SEVENTH SEASON, 1937-1938 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burk. COPYRIGHT, 1938, BY BOSTON SYMPHONY ORCHESTRA, hlC. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Bentley W. Warren President Henry B. Sawyer Vice-President Ernest B. Dane Treasurer Allston Burr M. A. De Wolfe Howe Henry B. Cabot Roger I. Lee Ernest B. Dane Richard C. Paine Alvan T. Fuller Henry B. Sawyer N. Penrose Hallowell Edward A. Taft Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [ 1061 ] . Old Colony Trust Company 17 COURT STREET, BOSTON The principal business of this company is 1 Investment of funds and management of property for living persons. 2. Carrying out the provisions of the last will and testament of deceased persons. Our officers would welcome a chance to dis- cuss with you either form of service. Allied with The First National Bank a/' Boston [ 1062] SYMPHONIANA A Beethoven Collection "La Met" and Hoknsai A BEETHOVEN COLLECTION A collection of drawings and prints of Beethoven may be seen in the First Balcony Gallery through the courtesy of Mr. Donald B. Willson, Mr. Boaz Piller and The Harvard Musical Asso- ciation. Haydn, Albrechtsberger and Salieri are included as Beethoven's prin- cipal teachers. With the further excep- tion of William Strasser's etching of the composer's birthplace, Beethoven himself is the constant subject of the collection. There exist some 245 exercises in strict counterpoint written by Beethoven during his lessons with Haydn. Of these Haydn corrected 42. Naturally dissatis- fied with such lack of attention, Bee- thoven worked secretly with other mas- ters, and upon the pretext of Haydn's visit to England in 1794 he placed him- self under the distinguished writer on musical theory Johann Georg Albrechts- berger. Some time later he availed him- self of Salieri's kindness in criticizing works by young composers without The new Spring creations are remuneration. The engraving of Al- so tempting you'll gladly brechtsberger is by Johann Neidl who succumb, so drop in and also made the print of Beethoven at banish "ole man winter". the age of thirty which hangs half-way down the right-hand wall. Both engrav- Top: Black or blue perforated ings are after drawings by Gandolf suede, calf accents. SI 3.75. Stainhauser. Center: Black gabardine, patent Among the other prints is the famous trim, or blue with calf. Si 5. 75. engraving of 1814 by Blasius Hofel Bottom: Black or blue gabardine after the contemporary crayon drawing with petforated suede. $13.75. by Louis Letronne. This is Beethoven in the first decade of the Nineteenth Century. The silhouette of the sixteen- year-old composer, the lithograph by T H AY E R Stephan Decker (Vienna, 1824) and the rare print after an ink drawing of the composer walking are all contemporary Mc NEIL likenesses. A reproduction of the ink 414 Boylston Street sketch in one of the cases possesses the added interest of its owner. It was pre- 47 Temple Place [ 10633 sented to the Harvard Musical Asso- ciation by Alexander W. Thayer, author of the monumental biography of Beethoven. A reproduction of the painting by J. C. Stieler of the composer with a score of the Missa Solemnis in his hand may be seen in the cases with two different engravings after it. The paint- ing made for the Boston Music Hail after Joseph Mahler's contemporary canvas is also to be seen. Two dry-points by Arthur William Heintzelman, a wood-cut by Soulas and a charcoal drawing of Beethoven's death mask by Newton Loud may be men- tioned among the more recent interpre- tations. The great number of contem- porary engravings published by such firms as Artaria and Company — Bee- thoven's printers — indicate how large must have been the demand for pictures af the composer. Contemporary artists still find the high forehead, the vision- ary and perceiving eyes, the storm- tossed mane of genius engaging subjects for the pencil. 'LA MER" AND HOKUSAI The three symphonic sketches which Debussy collectively entitled "La Mer" will be given at these concerts next week. On the cover of the score is re- produced a section of Hokusai's great print entitled "In the waves off Kama- gawa." Debussy was a collector of Japanese prints, and the concentrated great Wave on his score can be taken STYLE-CONTROL CLEANSING of as symbolic of the closeness of his im- Coats from $1* Top pressionistic methods to the Japanese Ladies' Suits . from $1.25* print-makers' viewpoint. An accurate Daytime -Street Dresses from $1.25* reproduction of the print from which DYED: Navy, Black, Poppy Red or Ritz Blue from $2.75. the composer took his Wave may be Gallery. You can rely on seen in the First Balcony Hokusai, and his contemporary Hiro- shige, are perhaps the best known in the West of all the Oriental print- LewanaosJ, makers. Certainly Hokusai, with his CLEANSERS LAUNDERERS brilliant and sharply defined technique, DYERS FUR STORAGE created a manner quite his own out of For Service 'At 'Your 'Door call which he eagerly MIDdlesex 8500 the art of the past, studied. His work is a synthesis of older [ 1064 ] Chinese and Japanese print-making, specifically designed for the purposes of the color woodblock. Born in 1760, he died in 1849. To his AMERICAN ART landscape sets entitled "Waterfalls," ASSOCIATION "Bridges," "Flowers," and "Flowers and Bridges," he added a greater set, com- ANDERSON pleted in 1829, entitled "Thirty-six GALLERIES • INC. views of Fuji," of which our Wave is one of the most notable. The signature (MITCHELL KENNERLEY, President) in the upper left-hand corner of the print reads "Hokusai Aratame Iitsu FIFTY-SEVENTH STREET Hitsu," which tells us that Hokusai AND MADISON AVENUE drew (literally "brushed") this after NEW YORK, N. Y. changing his name to Iitsu, indicating that this particular print was finished T about 1820. Exhibition from April 16 AMERICAN, ENGLISH AND CONTINENTAL LAMER FURNITURE Important Tapestries Oriental Rugs Georgian Silver and Sheffield Plate Porcelains and Decorative Objects Collected by the late MUSA BENCE LIGGETT Sold by order of LOUIS K. LIGGETT Chestnut Hill • Boston, Mass. Lawrence Binyon and O'Brien Sex- With property of other owners ton, writing on the Fuji series in their book on Japanese color prints, sum up as Sold by Their Order follows: "Hokusai again and again rises to the grandeur of simplicity, and in TO BE SOLD BY AUCTION the culminating pages of this series an- FRIDAY AND SATURDAY swers the elemental in nature with an AFTERNOONS, APRIL 22, 23 elemental power in himself. The Red at 2 o'clock Fuji in clear weather against a sky barred white and blue; the Fuji above ILLUSTRATED CATALOGUE the Lightning; and the deep-sea Wave FIFTY CENTS POSTPAID toppling over the men rowing in their • fragile boat; these, by common consent, are the greatest prints of the thirty-six, Sales conducted by and are among the great landscape de- Mr. A. N. BADE AND signs of the world. But even if these Mr.E. HAROLD THOMPSON be abstracted, what a number of mem- orable designs remain!" [ 1065 ] OUjanMrr & (Ho. Tremont and West Streets Soft, Pretty and Feminine . Twin Print Which Veils a Dotted Crepe Slip with Dotted Chiffon #25 In Wedswood blue or navy with new oval polka dots this dress is definitely an afternoon fashion. Women are delighted with the softness that shirrings bring to the bodice and the longer lines pleats give to the slashed skirt with Redingote effect. Half sizes 16* to 24* Third Floor [ 1066] F1FTY-SEVENTH SEASON, NINETEEN HUNDRED THIRTY-SEVEN and THIRTY-EIGHT Twenty-third Programme FRIDAY AFTERNOON, April 22, at 2:30 o'clock SATURDAY EVENING, April 23, at 8:15 o'clock Beethoven Symphony No. 4 in B-flat major, Op. 60 I. Adagio; Allegro vivace II. Adagio III. Allegro vivace; Trio: Un poco meno allegro IV. Finale: Allegro, ma non troppo Sowerby Concerto for Organ and Orchestra, in C major I. Vigorously and moderately fast II. Slowly and wistfully III. Boldly, moderately fast (First performances) INTERMISSION Schumann Symphony in B-flat, No. 1. Op. 38 I. Andante un poco maestoso; Allegro molto vivace II. Larghetto III. Scherzo: Molto vivace. Trio I: Molto piu vivace. Trio II IV. Allegro animato e grazioso SOLOIST E. POWER BIGGS This programme will end about 4:30 on Friday Afternoon, 10:15 o'clock on Saturday Evening 1 10673 ! . JORDA^MARSH CO A SPECIAL PRESENTATION! J^. C. <=%. Q/iatox RECORD PLAYER AND RECORD VALUE . $31.95 TOTAL VALUE- ALL FOR 4> \ 5 R. C. A. Victor Record Player .... $14.95 Converts your radio into an all-electric phonograph, A new thrill for music lovers Choice of Victor Records $9.00 Choose ANY Victor records from our complete selection to the value of $9.00. Victor Record Society Membership . $6.00 Membership entitles you to receive Victor record dividends to the amount of membership fee, $6. If you buy $15 worth of records you receive a dividend of $1.50 in records, etc. Victor Record Society Review $2.00 A monthly publication of musical articles and news. Keeps you posted on the newest recordings. Music Center . Second Floor . Annex [ 1068 ] — SYMPHONY IN B-FLAT MAJOR NO. 4, Op. 60 By Ludwig van Beethoven Born at Bonn, December i6(?), 1770; died at Vienna, March 26, 1827 This symphony was completed in 1806 and dedicated to the Count Franz von Oppersdorf.
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