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VOL 15—NO. 16 CHICAGO. AUGUST II, 1948 Frederick Agency (Copyright. 194g, Dewa leaf Publishing Ce.l I Not The Type | Earle Theater Quit Over Coin HampTo Flash. At presi time, word wui received from Los Angeles that Sam Armstrong had resigned from the Hollywood office of Frederick Brothers, Re-lights Stage leaving only Bill Woolfenden om the staff there. Chicago—The lid blew off at the Frederick Brothers agency here late last month, with two ot the cop executives Enliven For Name Orks taking a walk after showdowns with B. W. Frederick and a Philadelphia—Name bands will get storm of charges and countercharges about allegedly unpaid another chance to prove their worth — —«alane», borrowed fund«, and a gen at the box office when Warner Brothers eral coin mixup Rumor« of distension re-Ught the stage of their Earle in the organization have been rife for theater, center-city playhouse, after Guess Who???? more than a year alway* previously S. F. Gate keeping it dark lor tw< years. The denied, however, by all of principal* Sioux City, Iowa — Ar* Ka««el, San Francisco— will 4,000-seal house switched to a straight playing a weekend date at Shore concerned. pix policy two years ago when a steady Acre« here recently, tell« about bring live shows back to the Golden Tom Kettering, vice president and diet of name bands failed to justify arriving in a neighboring city to general manager of the agency, and Gate theater here tor the first time in top money shelled out to the music fulfill ii ballroom date and being Herb Pauley, genera) manager of the manv months when he opens September makers, in light of light bo* office met at hi« hotel by four teen-ager«, Chicago office, were the execs who took 8 for a week. The Gate is a second returns. Since then. Frank Palumbo’s who constituted a welcoming com­ powders. Click, a nitery, has been the only mittee. The youthful chairman hope* home to Hamp, he’s played it regularly Kettering, who had been with the local stand providing bands with reg­ fully >uked “Sir, w« have arranged firm for eight years, holds a contract since he started his own hand and ular playing time. The move also a banquet in your honor thi« eve­ which does not expire until the first of usually celebrates his hand-leading an- means a break for the Negro ones, ning. Could you be present ?” Kas- the year and told Down Beat that he niversaries there. whose appearances here have been ael, of course, attended, and after a intends to sue for the balance of the limited to the «ne-night race promotions royal feed the young toastmaster week at the Gate, salary involved. Following his since the Earle darkened its stage announced, “Fellow teen-ager«, we Hamp will make a two-week tour of Hollywood—Johnny Mercer attempt« are honored tonight tv have with Claim* Contract No Good northern and the Pacific the intricacie* of the typewriter with u* one of the country’« finett muti* B W. Frederick, now in charge of northwest up as far as Canada under the etiistancc »1 hi« secretary, Jane Bing Back cians, who, with hi* great band, ha« the Chicago office, says Kettering’s con­ the wing of John A Bur-Ton, east bay become one of our favorite« here in tract is invalid in Chicago, but would promoter. W ilkin Phot» wi» taken at the —Bing Crosby wa re­ our city.” Turning to Art, he beamed be valid in New York or Hollywood Slate* One-Niter« Natonal Songwriters Association con­ newed fur another yeai on the Philco and «aid, “Here he is, in person, The agency, launched in Kansas City sention in Los Angeles where Johnny radio series, with his first platter for Prior to his Gulden Gat< date, Hamp the one and nnly—WOODY HER­ in 1934 now is an Illinois corporation. the new season hitting ABC airwaves will play one niters at the Oakland helped entertain the delegates—but MAN." Pauley, whose resignation does not not with this act. September 29, same time as last year. auditorium August IS and August 26 become effective until August 15, plan* under Bur-Ton's auspices and also date* to return to his former home in Lin­ at Stockton and Salinas on August 16 coln, Neb and resume operation of and 21. the Turnpike casino there, which he Bur-Ten, biggest booker ol name still owns. He, too. holds an । inexpired bands in this area, has the King Cole Ops Try To Cut Prices On contract with the agency which has trio for an August 28 date in Seattle been cancelled by mutual agreement and the following night tn Tacoma and with Pauley accepting a series of notes an August 6 date with 's for money said 'o be due him, tn be band at the Trianon in San Francisco. paid »ff in installments. He also is lining up one niters for Nome Bands To Revive Biz Only Two I.eft louis Jordan later this fall with one date, Christmas night, already set for With Pauley’s departure, only B W New York-—A concentrated Frederick and Jot Musse will be left the Oakland auditorium effort on the part of ballroom is has not been announced, the booker without admissions being cut at all. in the Chicago office, which eno had preparing same for presentation to the “Even with this” it was pointed out, a staff of 22. Sam and Fred Robbins operator« in two sections of operators. “if enough ballroom operators can arc occupying the Frederick offices in the country is being made to Last fall, Sinnott issued a booklet, agree on a $1 plus tax fee, GAC will New York. There is no band depart­ strive to lower guarantees still more ment at present in the Los Angeles Unknown Joins reduce the price* being asked for big Suggestions on How to Promote a Name Band, which was distributed t Thus, percentage privileges will mean branch, with only Bill Woolfenden and neme hendí in the hope of hnngint promoters It received a warm welcome more to bands in the long run." Sam Armstrong on staff, both active in the bucine«« back to prewar level at and built some goodwill for the GAC movie bookings. man, but on the whole, the reactionary L A Frederick, brother of B. W Cole On Bass prewar price«. Another project of the New England band-buying clan snubbed the plan. and co-founder of the agency, is devot­ Hollywood—Joe Comiort, a relatively At the same time, Howard Sinnott, operators is । > get clearance by the head of the General Artists corporation This year, Sinnott made no bones ing himself almost exclusively to real unknown bassist, has joined the Nat Massachusetts legislature to allow Sun­ estate operations in Los Angeles. Four one-nite stand department, is going to about blaming bad business on the day dancing in that state. (king) Cole trio to replace Johnny promoters. He pointed out that those dance bands were in the Frederick bat on the same matter with the same It is felt by the ops that they’re Miller, who gave his two-week notice ballroom operators charging sensible stable at the time of the blowup— goal in view. missing plenty of cash by the taboo to Cole in Salt Lake City. admissions and offering clean, attractive Tommy Carlyn. George Winslow. Ray on Sabbath lerping, particularly in Midwest Follows Up places are doing well. Pearl, and Don Reid. view of the fact that Sunday is the Several months ago, the members of “The die-hards who played Paul Contract Breach, He Say« the Mid-west Ballroom Operators as­ big dance night at Pleasure Beach, Whiteman in ’25 and haven’t changed Kettering claims that failure on the Kay Starr Gets sociation liegan moves in that direction Lake Compouncc, and Bridgeport in their places since, are faring badly,” part of the agency to pay his salary and have been working »n it since. Late neighboring Connecticut he argued. Going directly to several (for a period of 2% months at one last month, they asked Sinnott to visit Own Radio Spot eastern operators, he talked them into time, he says) breached his contract them and sit in on a roundtable dis- seeing things his way, showed them He holds a letter signed by B. W Hollywood Songstnis Kay Starr was eussions. how to improve their grosses. They Frederick acknowledging a loan from •ip it I late last month for her own The booker joined the operators and did. half-hour radio program over ABC, fea­ Changes In him of $1,500. which has been repaid. introduced his plan which calls fur Instrumental tn calling Sinnott into turing her singing, five minutes of chat­ lowering box office price- as, in turn, He states that similar loans were made ter about women in the news, a name the op huddles were Alice McMahon, to the agency by other former em­ the booking office drops th< guarantee Indiinapolis; Roy Hartenstein, Potts­ gal guestar, and the Buzz Adlam band. figures on top bands Beat Staff ployes, including Billy McDonald, Show is on the net Saturdays. 7-7:30 town, Pa. and Joe Barry, Bridgeport, Walter Stauffer, ind Howard Bruce, all pm with a transcribed version airing New England Ton Conn , all well-established operators. Chicago- -Ted Hallock assistant edi­ of whom were paid off before they left, locally over KECA at 10 p.m Following the lead ot the corn belt Must Balance Book* tor of Down Beat since last November, however. At press time. Miss Starr was being ers, the ballroom ops in New England resigned from this position effective July The ultimate goal of Sinnott and the 24 and has returned ti his former home approached for .1 permanent berth on went into action with the same idea in operators being the same—lower prices the Steve Allen CBS program, mind. They too received Sinnott and in Portland, Oregon Ted probably will all around—it seems quite obvious that take up radii work again, as well as his suggestions and are working on the the GAC office must be willing to Jacquet Roxy Date general project. occasional jobbing dates with his drums lower band purchasing prices to balance and will act as correspondent for the New York--Illinois Jacquet takes his Woody, Hamp Slated The New Englanders also have a the sheets. plan on tap to hire bands by the week, Beat in the northwest area. sextet into the Roxy theater with Ed Grand Rapids, Mich.- -The Ramona several promoters pooling funds and A booking office spokesman points Hallock was replaced in the Chicago Sullivan and the Harvest Moon dancers theater here has inaugurated a stage then sharing the attraction by routing out that it has lowered guarantees by office by Chark* Sweningsen, a gradu­ beginning September 9 The booking ihow |»>licy with and it aiound to each hall. some 20 per cent in the last two years ate of the school of journalism at the came after Jacquet scored heavily on Lionel Hampton slated for early appear­ Naturally a band ran br purchased University of Minnesota and a native Sullivan’s television program recently. ances. cheaper hy the week than by the day, of Minneapolis. Chuck has worked for particularly many “B” bands which the last year on the staffs of the Min­ find themselves with frequent open Claude Ready neapolis Star and the W'atertown (S.D.) dates and, in many cases, must pay Public Opinion Sam Donahue Charged! their sidenien pro rata according to Pat Harris, a Beat staffer for nearly the amount of work they can grab two years, will write the Chicago—During Louis Arm* For New Tour Chicago Band On The Cover each week column, which previously came Aimstrong’« recent engagement nt Briefs This buy-by-the-week plan has been Couple of issue* ago we had a Calumet City un elderly woman Honolulu—Claude Thornhill, vaca- from Hallock’s typewriter used with comparative success before picture of Shirley Lloyd and two guest made repeated and somewhat tinning here with his wife, will return but not on as large a scale as pro­ to the States next month, reorganize sidemen cooling off leader Sam Don maudlin request* for Dear Old posed Swings on the buying price of abut with font after hit strenuous Louis finally complied, his band along the Unes of the one he Southland. the band would, in turn be passed La Warren On CBS Suicide Leap number Our current only to hear the request repeated had before breaking up. and go on a on to the patron through lower admis­ tour beginning in October. New York—Fian Warren, femme vo­ rover photo catches Sam right io while the hand wa« playing the sions which, it is hoped, will entice tbe middle of this same number, ao His former vocalists, Fran Warren calist with Claude Thornhill’s ■ rk until number, A companion advised the larger crowds, thus making all con­ you can «ee what all the perspiring and Gene Williams, already working as pest that the lune wa« being played. cerned financially happier , his recent disbandment, launched her is about. This «hot was made at th* “It doesn't sound right,” «he com- a single and a band leader, respectively, Plan Undisclosed career as a solo attraction by replacing Knvoka« club in Washington, D.C. pl.lined “He mu*l have io«* hit will be replaced by a trio or quartet hut the Donahue band now i* at the a> mature Should thi Sinnott plan be adopted, Thornhill has given his bookers, the Patti Clayton on the CBS ndio series. Sing It Again. Miss Clayton left the Pleasure Piet .n Galveston, Texas And run hi* battery down, lady? however, it is doubtful if the ops will William Morris --ffice, the go-ahead to until August 20. take such measures Just what the plan book him for October dates. show for Hollywood NEWS Chicago, August il, 1948 Modern Jump Units Rock San Antonio TELEVISION NEWS Sun Antonio, Texas—In the June issue of a rival publica­ AFM-Studio Talks tion, a fast review of in the southwest was wrapped up. Dallas, Houston, and Oklahoma City are covered, with sad deprecations on the state of hot music in Texas and Oklahoma, especially Taxa*. Thi* traveling cor-« Lock 16 mm. Video respondent didn’t travel far enough will be. He plays both sweet and hot, because San Antonio, Texas, currently and is blessed with an original style. Hollywood -Operator«» and associates of firms established beast* the two best jazz band* in the He also plays , which makes him southwed and two of the belt in the an invaluable musician here to turn out 16 mm. sound movies for television, the only whe¡ countn The Martin band has some terrific field that promises to supply any employment for musicians jazzi read While attending the convention ot the stuff worked out on such tunes as in video for a long time, were more or less resigned to the fact Texas Press association in the Alamo Sunny Side of the Street, Willow City, we spent three nights listening «o Weep for Me, St Louis Blues, and ■4 that it is unlikely the AFM would is C the two six-piece jump units at The other standards of undying popularity permit its members to record for tele­ Tropics and The Tower, and then movies until the new AFM pact with lious attended a Sunday afternoon jam ses­ Both the Johnson and Marfin bands Name Bands the movie industry has been set up at S are set for five or six months at their sion at The Tropics. Cunterences between movie reps and respective spots orati What we heard were two of the best Petrillo on a new sound-track deal lor tenonnen in the business and one of the Get Summer musicians (the present agreement ex­ best six - piece tra de-n jump units pires August 31) were to get under playing. way in either New York ut Chicago in tin. D.C. Spots during thr first or second week of <-mpl this month Broa At The Tropics in downtown S. A we Miami Copa Washington, DC.— is Jowir listened to pianist A J. Johnson s six- Television Important Angle his o pieer featuring Bubba Bright on lentr. inked to tollow Freddie Slack at the One of the vital issues to be settled taver At The Tower there was Fats Martin Dickers For Howard theater for one week on August was the use or otherwise, in television and his six -man aggrrgit.or M irtin pre­ of movies to) which the music is re­ radio 20 with Sarah Aaughan due fur a. week dety sented the all-around best band, playing corded by AFMembers, Movie pro­ starting September 3. theal everything from novelty to the latest ducers know that eventually uni of the Name Bands. Inc, a local organiza­ biggest outlets for pictures will be in bop, all in perfect taste. tion that has been taking advantage of television Johnson's Tropics band is ruing along the dearth oi good music in Washing­ Charl Miami Beach—M u r r a y Weinger, They hope to have an agreement on one main thing, and that’s Bubba ferrer owner of the Copa Cabana has se­ ton, has been booking name dance covering recording with as few strings Bright’s tenor He blows plenty of fran­ to re cured two additional lots adjacent to bands into Chesapeake Beach park dur­ attached to it as possible as far as tic stuff and can cut plenty of the ing the rummer months. big names in modern jazz Johnson’s the site of the fire-destroyed club and television is concerned Petrillo’s atti- band rocks plenty, although without announced that when at signer Norman TD To Open tude un the subject is already well early Bnght it might be just smother band. Bel Geddes completes his sketches, con­ known struction will start on the new spot. comes in for one four, They do a wenaerful iob on such tunes night Friday. Other names due ti fol­ as Groovin’ High, Air Mail Special, Weinger also announced that he is sized considering a name band policy and low are Carmen Cavallaro, Skitch Htn First de.d tor a “remote control“ A fev and Rose Room. that negotiations an- now undei way derson, and Johnny Long. This fall, television broadcast of a danct ork early Out at The Tower, on N. Name Bands, Inc., will move into the was set up here for Spade Cooley's for the services of for the Hollywood—Gloria Grey, who sang If Ch Martin presents a six-piece setup of national guard armory for its winter 17-piece unit as a regular Saturday supper room and the Three Suns fcr recently with Jimmy Grier’*, orchestra his p tenor, alto, , bass, drums, and series. Harry James is due to open evening feature on KTLA starting July the Copa lounge decided to go out as a single, but soon your (same instrumentation as that of the series on October -’4 Broadcast originate-, at the Santa exercised her woman's prerogative and 2. ologis Johnson at The Tropics). You can’t pick The Four Tunes are now at Perruso's Monica ballroom, which Cooley oper­ waite । a weak spot in thii annci Pe-sonat1 in­ joined the Ike Carpenter band as ates. vocalist. after accompanying Savannah Churchill cludes Fats, drums; “Big" Sargent string during her Club Bali appearance a few Coat Shared by Spade throui bass; Juanita Martin piano; Buddy Sinatra Holdover weeks back The Kuehn Brothen It’s understood the cost of th« ex­ Dadman, alto; Eddie Lane Melville, Buddy To Open At and Rita Ann Artiste now supplying pensive venture is being shared by comet, and Scotty Scot on tenor. On Hit Parade the entertainment in the Neptune Room Cooley and KTLA One of the tech­ Fats plays drums and handles vocal Tavern On Green of the Earl restaurant. Jack Ed- nical difficulties is the fact that a video There novelties: Juanita. Fats’ wife, sings Hollywood—Picture work and the wards replaced the Cass Harrison

bbveekly by D»wb Beil Publishing Ca^ In«., 203 North before date effective. Send old address with year sew, Duplicate eopiaa 1939, at tho post office la Chicago, IlUaola, nadar tho Aat of Mareh 8» Wabash, Chicago 1, Illinois. Subscription ratea 85 a year, 88 two years, cannot be sent nnd post office will not forward copies. Circulation 1879. Re-eutered •• soeond dass matter Fabraary 25. 1948. Copyright. Oil three years in advance. Same price te all parts of the world. Special Dept^ 203 North Wabash, Chicago 1, Illinois. Printed ia U.S.A. Reg« 1948, by Down Beai Publishing Co., Ina. Momber et Audit Burean oí ocbool, library rates, 84 a year. Change of address notice must reach ns istered U.S. Patent Office Entered as second class maMer October 6 CirculatiOB 1948 Chicago, August 11, 1948 NEWS DOWN BEAT

ing, and would not take “no” for an answer. He even went so far as to Gene's Itinerary Old First Impression' buy the boys in the band hamburgers New York—Gene Krupa band finishes in order to get better acquainted, its week at the Surf club, Virginia Beach, thinking this close association with Va., tomorrow (12), with a one-niter the sidemen might help get him on as in Pottstown, Pa., following on August Rapp Nixes Neophyte their singer. However after a few days 14; Highland Gardens, Grand Haven, he gave up and pulled stakes. Mich., August 17-21; Wamplers Lake The little guy with the mustache Pavilion. Brooklyn, Mich., 22; Mancusco was Tom Dewey for whom you may theater, Batavia, N. Y., 24-26, and the Warblers Dewey, Day vote on the Republican ticket for the Coliseum, Toronto Exposition, Toronto, QB us presidency come November. Canada, 27-28. Cincinnati—It was back in 1933 that Barney Rapp and his Ten years ago a long lanky gal, a New Englanders were a terrific click at the New Yorker hotel. nice-to-look-at babe, asked Barney Everyone who wanted a job,_a good job, would either contact Rapp for a job as vocalist. After look­ not only did a great job, she ran Rapp or his booker, Phil Tyrell. A little guy with a mustache ing her over and hearing her voice, away with the show. Rapp said “okay sis, you are on Doris was a dancer before becoming walked into Tyrell’s office announc­ What is your name?” She said “Doris Pressure by various groups objecting ing he was a singer and would like Rapp did not overlook anything that a singer, but a broken leg made her Kappelhoff.” Rapp said, “Oh, no, not to the title “Modern Minstrels” caused to have u job singing with Barney. might be good, to consented to bearing change over. Locally she sang with Advised by Tyrell that Rapp was uaing the neophyte. Kappelhoff, that will never do, that Gene Wagner, Jimmy James, Barney NBC to cancel the Lucky Millinder all­ his brother, Barry Wood, the young After the audition, Rapp said he sounds too much like an over-the- Rapp, and at radio station WLW. Negro radio show, planned by Moe vocalist insisted that he at least get a liked the chap’s voice but it was not Rhine name.” So he changed it to Her dad is a local chorus master, Gale and scheduled to hit the airwaves break to try out. After several visits to the type he wanted for his band, and Day—Doris Day. The rest you know, and her mother a singer. Her ex-hus­ on July 14. . . . The ol' left hander, the office, booker Tyrell took the appli­ would therefore continue with his about this great singer who has done band, Al Jordan, is staff trombonist at Joe Sanders, surprised his band by elop­ cant to Rapp and aaked Barney if he brother. so well that Hollywood signed her, WLW, and her son Terry is by this ing to Crown Point, Indiana, with would take time out to listen. Although The little guy with the mustache and in her first picture, Romance On husband, who was with . Yvonne Lawrence. . . . Jack Archer Barry was doing nicely with the band, hung around for a few days still try- The High Seas, with Jack Carson, she —Bud Ebel takes the desk in the William Morris office in Chicago vacated by Pat Lom­ bard. who switches to the New York ice and office of the agency. Her nibs, Georgia list and Gibbs, is readying a by Tei musical comedy show with Dean Martin and Jerry Lewis for a radio spot in the fall. . . . Anne and Howard Dulany, who will move to Florida in October to permit Howard to sing in the clubs, expect a

brother to Mari­ anne and Lisa in January. . . . Gene Austin is in line for the Lum and Abner spot in September. plw«s! Dona Drake, the former band leader who ha« resumed her work on the screen, has had five names. She was born Rita Novella in Mexico City, then changed to Una Vilon to Rita Rio to Ritu Shaw and finally to Dona ■ P on all Drake. . . . The Don Crawford ork, with Marilyn Day and Dick Stein, from the Ohio State campus, is now set at the Deshler-Wallick hotel in Soprani Ampliphonic Columbus. . . . Lee Williams of Omaha SPECIAL has turned his baton over to Al Hud­ and ARTIST MODELS son and will take a leave of absence. Kathleen Quinn, thrush with the Cass Harrison band in Washington, D. C., became Mrs. George F. O’Neill of New York last month. . . . Betty George moved from the St. Moritz roof garden DIC in to the sea breezes on the coast at Atlantic City. . . . The Mark Warnows have agreed on a divorce These Artist Model Soprani Ampliphonics really top the sky in superlative settlement . . . Dimpled Dottie Reid, design, construction, performance. Incorporating the distinguishing Soprani after tinging with Dick Gasparre at features 1) Ampliphonic Reed Blocks. 2) Self-Seating valves, 3) Switch- the Monte Carlo, is now making the operated shutters, they include m addition mechanical advances which Buddy Morrow band stand look awfully stimulate performance, with tonal beauty and power hitherto unachieved. pretty. THE ARTIST No. 24. Full size 120 bass, 41 treble keys. Hand made pro­ Work has started on redecoration of fessional type wood treble keyboard. Fast, light action. Fifteen automatic the Gay Blades (NYC) as home for treble, 9 automatic bass switches. The treble reeds are tuned 2 high, one the new Roseland ballroom. Present Piccolo and one low octave with special resonance chamber. Was $1250. building is coming down to make room New Price $850. for a new show biz center with a 5,000 THE ARTIST No. 16. (Illustrated above) Full size, with 41 professional seat theater and television facilities. type treble keys and 120 bass buttons. Hand made, professional type wood . . . Stomach trouble forced Johnny treble keyboard. Lightning-fast execution assured. Hand made reeds, 3 sets, Vincent out of the band. including Piccolo in the treble. 5 sets in the bass. Nine automatic treble, . Louis Jordan and Ray McKinley and 7 automatic bass switches. Treble reeds tuned one high, one Piccolo, will share the NYC Paramount thea­ and low octave with special resonance chamber. Was $1000. New Price $750. ter stage next month. Dean Hudson and Lady Iris Mount­ I.IDO ... Full Mize 120 baas, 4 seta NAPOLI... Full size 120 bass, 3 sets batten have discovered each other. . . . treble, including piccolo. 5 sets bass treble, 5 sets bass reeds. Five treble, 4 Add namesakes: Jack Rael, manager of reeds. Twelve treble, 7 bass switches. baas switches. Was $550.00. New price, songstress Patti Page, and Jack Rayel, «390.00 Was $750.00. New price, S595.00. assistan' program director of TV sta­ CARDINAL .. .. Full size 120 bass, 4 COLETTA ..Ladies’ size. Full 120 tion WABD in Gotham. . . . Comedy sets treble, 6 seta bass reeds. Eight baas. 3 sets treble, 4 sets bass reeds. vocalist Cass Daley expects the stork. treble, 5 bass switches. Was $675.00 Five treble, 4 bass switches. Shutter Peggy Clark of the warbling sisters New price, $495.00. grill. Was $575.00. New price, $395.00. and Wilbur Schwartz, lead alto with Bob All prices include straps and cases. Finishes are Crosby, have their own heat wave. Jet Black, White Pearl and Maroon PearL Jimmy (B & K) Savage’s quip of the Ancona by Soprani week: “What will they do with all the 8 Models in this Ancona by Soprani line. 48 to 120 bass. New prices $185.00 to left-over liquor in the Panther room of $369.50. All prices include straps and cases. 4 exciting colors. the Sherman’s College Inn?” Answer: MODEL 2-C (Ladies’ model) illustrated, has 37 treble, 96 bass keys. Three sets "They’ll pour it back into the Panther!” treble, 4 sets bass reeds. One treble and one baas switch. $325.00,

12 Bass Sound-Equipped MOTOR COACH BBIDDISL Twenty-five treble Th* Idoal Studont Accordion keys, 12 bass but­ FOR SALE tons, with 2 sets of treble reeds and Bands! Rond showsl Entertainment groups! 4 sets bass reeds. Speakers! Completely rebuilt White Motor Sturdily con­ opi^m Coach ready for your long or short trips. structed of best Beautifully outfitted, roomy for comfort quality materials end plenty of Instrument and luggage in full conven­ space Special appearance platform at tional size. Avail­ mpliphonic rear. New end complete public eddress able in jet black system with generator and built In speak­ These brief facts tell ers. Body rebuilding clone cost *4.006. and black pearl but little about the great finishes. Complete line of Soprani Ampli- sound system cost *4.000. Our client will hould phomes. Write for com­ Oi.oxin el C. O. Conn IM. plete, illustrated litera - uder lease proposition. straps in carrying ture and name of nearest case $75.00. Dealer. Call, Wir«, er Write Tracy-Locke Co., Inc. . Copyright, t Bu««o ef 1307 Pacific Avenue, Dallas. Texaa DOWN BEAT NEWS —FEATURES Chicago, August 11,1948

SWINGIN' THE GOLDEN GATE Kay Opens At Coast Casbah Jock Fixes Te Ni Byrr Bop Concerts turec May Not Be In Bucks, betu Salt Lake City—The little man who WIN has done more toward advancing jazz in can I Salt Lake City than anyone is at it EDS again. Be whiskered Al (Jazzbo) Collins, hear« But S.F. Is Rocking local disc jockey is arranging some ter­ with rific concerts featuring the finest bop As t By RALPH J. GLEASON artists available. Listeners of his air work show are submitting votes for their fa­ the < San Francisco—Maybe it’s the beginning of a trend vorite. Dizzy is leading the present upward in the music business, maybe not . . . but San Fran­ count, pursued by , Sarah cisco is jumping like mad any way you look at it. Dizzy Vaughan, and Kay Starr. Guest per­ formers will be backed by top local Gillespie’s two nights in town contributed something toward footers.

BEGINNING SEPT. 27th KUWAIT.

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Terry Gets Show The Life We Lead master number i* provided fur each THE HOT BOX artist, along with a separate number New York- -Pat Terry, former Bobby New York—One of the tougher for each of his records in chronological Byrne vocalist, and more recently fea­ chore* of music max writers is keeping sequence. tured at the Roxy theater here has tabs on changes in band personnels, Delaunay was aided by almost every­ been signed to do his own show over noting up to date lineups in t ach issue. Delaunay Discography, one interested in jazz history Editing nan who WIN'S Called Broadway Showcase, it Thi* isn’t exactly a cinch, as witness the was done by George Avakian and ig jazz in can be heard from 7:45 p.m to 8 p.m. case of trumpeter Louis Mucd. As Walter E Schnapp who worked with is at it EDST, five days weekly. He's also Down Beat pre** time neared, Louis’ Mickey Goldsen’s Criterion Music cor- ) Collins, heaid on the WIPX television show was listed as playing with Lennie Lewis' poration preparing tome ter­ with Stan Shaw on Wednesday night. band but, by publication date, had 15-Year Work, Awaited manuscript for publication. nest bop As though this weren’t enough- he's switched to George Paxton, only to be Every Jazz Record his air working on a Universal short during rehearsing with Gem Williams’ ork by By GEORGE HOEFER The complete work lists every jazz their fa- the day. the time the paper hit the streets. record mad«' in the past 24 yean and present Jazz fans and collectors eagerly arc awaiting the New is divided into two sections. J uz from ne, Sarah Hot Discography by Charles Delaunay. This tome covering the beginning to 1930 comprises the aest per­ 15 years of research by the French discophile is due out this first part which subdivided into cate top local summer. gories such as the New Orhans school, ... ord* with personnel* and dates of re­ the Chicago period, etc ne ate at stated to be the standard directory cording. Involved are 5,000 musician* Within each category, the records are to returns of recorded jazz, the new ditcog boast* and 250 different *. A new listed alphabetically by artists. The sec­ * ill be a ond section covers a complete catalogue of jazz discs made from 1930 to 1947, the pop- arranged alphabetically by artists. be fol­ Each disc is given by title, label, cata­ s and his logue number, master number, and in­ w-est and cludes a comprehensive personnel and is former date of recording. Foreign jazz waxings also are listed. )oug Boll ALL The 600 page* of jazz record infor­ but their mation is enclosed in a cloth-bound, rry Julies hard-cover volume, and sells for $6 g and the truments. MISCELLANEOUS: Jazz on the lly Reese TIME Radio by Arthur Seidler ran be heard on FM in the Chicago area Program comes over station WLEY-FM (107.1 megacycles) on Thursdays, 7:30 to 8 p. m. HITS Bob McCormick, postoffice box 843. Houston Texas, writes that Orin Black­ stone (Index to Jazz compiler) has appointed him to act as editor of tbe Harry James section of thi Index He is also working on a biography of Jame* Wishes holders of large James collec­ tions to contact him Specifically inter­ ested in James on Varsity, Hit, and Elite labels. TRUMPET ICornHI and Piano Work on Oliver Biog Confanti Walter C. Allen, 1822 W 7th Street, Brooklyn 23, N. Y. advises he is work­ BODY AND SOUL LIMEHOUSE BLUES ing on a biography and discography of DANCING TAMBOURINE■ JALOUSIE the late King Oliver to be pubh-hed in INDIAN LOVE CALL NIGHT AND DAY booklet form by thr Record Changer. L'AMOUR-TOUJOURS L'AMOUR Jimmie Green, Chicago band leader, is now program director of Consumers Aid Chicago The organization furnishes music to all the Jewel store* in the Chicago area through a sound CLARINET and Piano system. Contants COLLECTOR’S CATALOGUE: Len Chambers >78 Karangahape Road, NIGHT AND DAY INDIAN LOVE CALL Auckland, New Zealand, has many V- L'AMOUR TOUJOURS I AMOUR DANCING TAMBOURINE discs, including Ellingtons, that be JALOUSIE BODY AND SOUL wishes to trade for current releases in DANCING IN THE DARR America. THE Rolf Anderson, IS Pilgatan, Malmo, NEW Sweden, desires to correspond with an Hollywood— All tor one and one for all. Hats, we mean. In this esse American on bop. Rolf b a musician. UNED Alto and Piano the basket-type heed covering rests on the pretty noggins of the Andrew* Sisters, Maxene, Patti and Las erne The gals (list have sailed for England, R E Harris 127 Bradley Road, Confenfs where they have an engagement at the London Palladium Luton, Bedfordshire, England, wants LIMEHOUSE BLUES DANCING TAMBOURINE to interchange British records by Jack JUST A MEMORY JALOUSIE Parnell, Ray EUinton. etc., for Amer­ BODY AND SOUL NIGHT AND DAY ican discs. INDIAN LOVE CALL Terry Patchett 79 Oxford Road, Burnley, Lancaster, England, desires a pen pal in the with whom discus* with a LeM nee TROMBONE and Piano Doesn’t care for large white bands Contanti Michael Sparke, 24 Maxwell Road, BEGIN THE BEGUINE NIGHT AND DAY Little Hampton, Sussex, England, wishes JALOUSIE BODY AND SOUL to contact an American swing fan will­ ing to exchange American records for THE BIRTH OF THE BLUES INMAN LOVE (ALL CHARUS DELAUNAY’S British discs I KISS YOUR MAHD MADAME Tony Wortnald. 43 Rosemont street, Punchbowl, Sydney, Australia, would like to find an American jazz corres­ NEW HOT pondent who appreciates jazz from DISCOGRAPHY King Oliver to New York—Vera Miltun heralded some 15 years ago as “the dumbest blonde on Broadway,” and currently the estranged wife of Dixieland trum­ ORDER TODAY! ORDER TODAY! peter Wild Bill Davison, was arrested DISCODE for possessing and smoking marijuana and will be brought to trial September Kelly Goodman '* 28. She has been separated from her husband for several years. Miss Milton is not a musician. MUSICAL INSTRUMENT EXCHANGE, Inc. (WRY JAZZ tlCOID MADS IN THE PAST 20 112 W 48th St, Now York 19, N. Y. YEARS WILL BE FOUND IN THIS REMARKABLE BOOK I AN INDISPENSABLE REFERENCE GUIDE Enclosed find $ FOR EVERY JAZZ FAN, MUSICIAN, RECORD rHOW MUCH ALL TIME HITS Folios checked below. SHOP COLLECTOR, ANO RADIO ANNOUNCER IS A GOOD REEO WORTH □ TRUMPET and HANO Wctth our Down Beat ods for □ ALTO SAX Md HANO the answer The greatest reeds ever mode will he avail Name ORDER TODAY' Address

W£ PAT POSTAGE ORDER TODAY! ORDER TODAY! DOWN BEAT HOLLYWOOD NEWS Chicago, August 11,1948 Chi<

MOVIE MUSIC Dale In Clover Over Token Horvath Trio L< Pulls Diners J. Dorsey Band Slightly Toledo, Ohio—It’s repeat business for the Carl Horvath trio, which last week completed an extended eight week en­ gagement at the new Chevron room of Frai the Willard hotel. The smooth little Slighted In Music Man aggregation has upped the room's at­ —so much that Ethel Miller, Gro' resident hotel manager immediately By CHARLES EMGE hit p signed up the boys from October 25 using until into 1949. lag w Hollywood—The movie business gives the music business Leader Horvath plays organ, while its most recent light going-over in an unpretentious Monogram brother Louis handles rhythm instru­ a pre ments, string bass and novelty props. him i feature entitled Music Man, the picture featuring Jimmy Third member of the group is Johnny Tht Dorsy and his new band, on which we carried some news Hunt, on tenor. crowd briefs while it was in production under# ------The boys hope to get home to South bet we the title of Manhattan Folk Song, or director Eddie Kay, who. by the way, is Bend. Ind., for a vacation before filling task i something like that. seen in person as the conduct' r in tbe an engagement in Cleveland next in sc The difference between this type of stage show rehearsal sequence. Jimmy is month. likeab picture and the expensive, elaborate kind himself—easy-going and unconcerned— Centennial Terrace open-air dance only known as an ‘“A" production, especially in his acting bits. Hollywood—Dale Evant, right, admire* the silver cigsret box given her spot near Sylvania, Ohio, is having its for I where filmusicals are concerned, is well Felice Fluffed st her recent guest appearance on the army’s Sound Off program. June Hutton biggest «eason this year according to । Fischi illustrated by the fact that this one was A musician who could have contribut­ of the Pied Pipers, and chanter Arno Tanney look on. Dale, who ia Mrs. Roy owner Tom McCullough. This year tunes planned, shot, edited, and released in ed a great deal more to the musical Rogers and an actress and singer in cowboy epics, wears a blouse appropriately less time than is usually spent in con­ Tom broke the season into 15 weeks, fare than he was permitted is Capitol’s adorned with drawings of horses. Lai ference on what to leave in and what engaged a top band for each full week. Ernie Felice, who can do some very the C to take out of a so-called major pro­ Ray McKinley opens Friday (August interesting things with an accordion. 13) followed by Dean Hudson, Bernie isting duction. However, he was limited to a brief attractions. instead of microphones once in a while, you keep that^K^BMMMoa Unlike pictures sound-tracked here is the brother of screen actress Angela. Cummins and Bob Strong. more appearance apparently aimed at con­ Hotel situation in tributing “Italian” atmosphere to a under AFM-studio pact (expiring Au­ Twin brother Bruce is a violinist. —Irvin Edelstein party at Mama Russo's home. gust 31), these pictures will be available .-J-./ It's still not tpo bad a picture. The for television purposes. (Production of kids who go for these things will like filmusicals in dollar-hungry Europe is . . . pu' it—but the same kids would go for a lot something for AFM tops to figure on this type buckHE^ more music—especially authentic music if they hold out for a “no-television" i rnrid time and^FSh —by Jimmy Dorsey, members of his clause in new pact now under negotia­ budge1 jMjJ band, and soloists like Ernie Felice. Why tion.) you’ll u n 11 s ’ . n JyyF ■ not give it to them? Guitarist Ramez Idriss and pianist why it I George Tibbles, radio musicians who tear holes in this^',^^ A ' hit the big money with their Woody movie at its many^Oxk t Woodpecker Song, figure they won’t weak points. ■ have to go back to their radio jobs The story of Music Otarlie when the fall season opens. Agent Man is one that is Mitchell Gertz will have them set on not incredible in the music business; in studio song writing pacts. fact, it has its basis in more than one Vibe star Johnny White and clarinet­ real-life legend, the most notable of ist , backed by rhythm which is that concerning those most section, will be heard (but not seen) famous of all quarreling collaborators. in cafe sequence in MGM's forthcoming Gilbert and Sullivan, who were not on picture Julia Misbehaves, doing what speaking terms during much of the time is believed to be first sample of pro­ they turned out thei. must successful (Letter* of inquiry and comment on gressive jazz to find its way into a motion picture musicians should be movie score, a melody by Music Direc­ operettas. (Why hasn't Hollywood made addressed to Charles Emje, 1038 W. a stab at that story while biografilms 65th St., Lo* Angele*. 44). tor Adolph Deutsch arranged by Andre of musical figures have been getting Previn, who took time off from his own such a big play?) Kay Starr, who, backed by Benny chores as music director on Sun in the In Music Man, the tune tinkers who Carter’s excellent combo, is drawing Morning to work on this bit “for the can't get along together are brothers, top business at Casbah club here dur­ fun of it.” Andre also will be heard in the lyricist Phil (Brito) Russo and com­ ing worst nitery slump since prewar solo piano part. (Hope this thing isn’t poser Freddie (Stewart)) Russo, whose period, has been set for prominent sing­ cut out before picture is released.) bickering turns into a split when the ing role in Columbia’s disc jockey pic. Edgar Lansbury, the young cello affair is complicated by rivalry over a Make Believe Ballroom. Kay was first player who recently made his debut girl (June Preisser). of several music “name stars” under with the Santa Monica symphony Only after each of the brothers has consideration to get on the dotted line. comprised mainly of top-rank studio failed in trying to work without the Flick's starting date now set for Sep- musicians who like to have the ex­ other do they Team that (according to tember 1—which may be significant, perience of playing for an audience this picture, anyway) the words are just for August 31 marks expiration of all as important as the music and vice AFM-studio music contracts. EXTRA PAY... versa. Ava Disguises Songs Pop Up Screen star Ava Gardner, bop en­ Into this story setup it was relatively thusiast, was spotted at Dizzy’s Pasa­ Our Error! easy to insert songs (by Brito and EXTRA JOBS dena auditorium concert despite her Stewart). The Russo brothers, like all In the July 14 issue of Down song writers who can (or can’t) sing, are effort to disguise herself as just one of Beat, under a San Francisco date­ only too willing to sing their own songs. the kids with a Sloppy Joe sweater line, Mickey Calhoun’s column By audience reaction, Brito’s best is (what? no dark glasses?). stated that the former Music Box For pianists who double on Accordiana Bella, Bella Marie, an Italian extrac­ She was escorted by Paramount there had opened as the new Blanco's tion. Stewart’s topper is a , Little screen writer Les Koenig, jazzophile Cotton Club under Negro manage­ Man, You’ve Had a Busy Day, sung by whose association with the idiom goes ment The owner and manager, a baby, yes. Of the new songs. Shy back to his days at Yale in the period Barney Deazy, not colored, states Accordiana is the "keyboard” that’s pay­ when Marshall Stearns was promoting that he i* operating the spot. We Ann. by Dorsey pianist Arnold Ross ing off for more and more pianists every day and Stewart, seemed to register best. the United Hot Clubs of America. regret the general mixup of fact*. Dona Drake, the onetime gal band Band Somewhat Slighted — in extra earnings, extra jobs. It’s the Big things were planned for the new leader who, after several years of small Jimmy Dorsey band in this picture—or parts in movies, rang the bell with her perfect "double!” Bass chord fingering is simple that's what Jimmy thought. By Holly­ performance in Another Part of the wood habit, the band didn’t come out Forest, drew a top role in WB's The to learn ... treble is the same as piano. too badly. It gets a good featured spot Girl from Jones Beach, in which she in the inevitable cafe sequence doing an will share top billing with Ronald You can be playing in no time at all! Try a new original, The Frog, highlighted by Reagan and Virginia Mayo. Dona's Jimmy’s solos on alto and clarinet, nom de baton was Rita Rio. Accordiana today... only professional which still sound good to me. Ambassador Films, Inc., one of many The band, with strings added, also independents to enter movie field here accordion with exclusive Excelsior easy-to-play appears as backing for Phil Brito in the recently, is planning to produce musical Bella. Bella Marie number, though the shorts in Austria which will feature the features. Priced from 8395 with case. music in this sequence was recorded by Vienna Philharmonic orchestra, Vienna the Monogram staff ork under music Boys choir and other European musical CORRESPONDENCE l Look for the OR AT STUDIO EXCELSIOR NAMEPLATE MUSICIAN’S HEADQUARTERS fV¡SX mutMan obotiM be able fo arrange. Thera's ona attached to the back ÍN NEW YORK IS...... A few of the hundreds off arrangers of every genuine Accordiana, who stediod with Otto Cosana> most copied accordion in the Arranger— . „..Lionel Hampton world. It's your assurance of BECAUSE — we’re authorized agents for Leonard love...... Dean Hudson exclusive Excelsior features Herb Quigley... .Andre Kostelonotx Alvino Rey...... Alvino Rey For name of nearest dealer and Turk Van lake ...... Charlie Barnet descriptive folder, write Buddy Wood...... Faul Whiteman Excelsior Accordions, Ine. 333 , New York 14 Voicing tho MODERN DANCE ORCHESTRA fl 50 Examples). $4.00 Course In Modem Harmony (Complete)...... Course In Modern Donee Armnplnp (Complete)...... «« Course in Modem Counterpoint PHU SAPIENZA (Woodwind») JACK WOLP (PercuMion) (Completo) ...... —• accordiana PRODUCT OF EXCELSIOR Và* MUSICAL INSTRUMENT EXCHANGE INC. OTTO CESANA 29 W 57th St , N» w York 19. N Y Pinza 5-1250 1948 Chicago, August 11, 1948 LOS ANGELES NEWS DOWN BEAT

open at the Cai-Neva lodge August 27. He starts a country-circling tour in Laine Does More Than on the sunset vine September. . . . Lou Larkin says Stan­ dard transcriptions is sending out feel­ ers for a lengthy series of tunes on their platters by singer Kay Starr, come Just Open The Grove Cagey Ops Pull Biz the Petrillo okay. . . . Xavier Cugat test for opened Monday at the Aragon. Ocean >t week Park, where he will settle until Septem­ xk en- Hollywood—A year on the road has done wonders for ber 12. .. . Red Ingle is currently at oom of Frankie Laine. the Zamboanga for indef run. . . . a little The singer came home last month, opened at the Cocoanut From Downtown Bistros Miguelito Valdes goes into the El Paseo, Grove of the Ambassador hotel, and proved that he is worth Santa Barbara, August 18. . . . Dorothy Miller, By EDDIE RONAN Shay yesterday opened her four-week sdiately hi« place in the mutieal «un. Laine,' run at the Coconut Grove. >ber 25 using the tame voice he'* been cbam- had heard of Frankie before signing him. was amazed by the singer's pulling Hope Cleanup Seen in* with for tome 10 year«, displayed Hollywood—The only business in town is being done on power. Don't look for the Les Brown band , while * presentation know-how that marked the southside. With a couple of exceptiqns, three clubs on instru- Used to strictly hotel-styled bands the southside are doing the majority of name-talent business or even Jerry Colona on the new Bob props. him a* ■ sure »ucce«». and talent, Benton hardly could believe Hope show come fall. Reports are out Johnny The big guy endeared himself to the his cash register. He also is amazed by in this territory. Last month they boasted such names as Kay that the show will have a complete crowd with his friendly, informal, Laine's informality. On the jammed ------Starr, Herb Jeffrie«, Nellie Lutcher, housecleaning. . . . is back ■nd the Page Cavanaugh trio. The in town taking the sun at his Santa » South between-number c h a 11 e r—a difficult Saturday night following opening. backed by the Shep Fields band. Band bistro« are the Red Feather, the Ca*- Monica beach home after his midwest : filling task for anyone but the most schooled Frankie squeezed in at Benton’s table, has changed some from the old rippling bah, and the Melodee. Through smart tour. He broke up his group.. . . Ginny I next in so big a room. Frankie, in his gave him a whack on the back and a rhythm and all-reeds style, having likeable, man-to-fan approach, won not big smile and Mid' “Makin’ a buck added brass and stuck for the most booking and eagey exploitation, the Young, wife of Alan Young and for­ only a big mitt for himself, but also tonight, eh, kid?” part to straight dance presentation. ops of these elubs have drawn most merly a member of Four Chicks and a dance for his -accompaniest, Car) Fields showcases a promising boy vo­ of the trade of the central Hollywood Chuck vocal team, has organized a new ring it* Feature Favorite* Fischer and the defiers of the various ■nd Lo« Angele« downtown areas. group for her hubby’s air show. Group ling to Laine featured the tunes now asso- calist, Bob Johnston, brother of former tunes he sang. dated with him, including River St. Stan Kenton vocalist Gene Howard. includes Sue Allen, Faye Reiter, Ginny s year Reese, Lee Gotch, and Miss Young. weeks, He Didn’t Just Open Marie, That’s My Desire, We'll Be Zito One-Niter Ziggy Elman takes his new band into Laine did more than just open at Together Again, Baby That Ain't Right, the Palladium Au­ Crew hasn't been named yet. J week. Laine does a one-niter August 14, at Singer Beryl Davis is attending sum­ August the Cocoanut Grove. He broke all ex­ Shine, Sunny Side of the Street, Baby Balboa with the Jimmy Zito band, gust 17 with the isting records since the war—pulling in AU the Time, Black and Blue, I’m in Pied Pipers as an mer courses of the adult educational Bernie and follows with two weeks at the department at Hollywood high and is more than 3,000 patrons the first week. the Mood for Love, and others. Palomar supper club, Vancouver, B.C., extra attraction. ... Hotel operator, Al Benton, who never Singer, with Fischer on piano, was Comic disc jockey studying typing and shorthand. . . . delitein then back for a week at the Million Bourne's Mike Gould has lined up the Dollar theater with the Ike Carpenter Jim Hawthorne takes a step upstairs TV shows as regular contacts. Plugger band, opening August 31. will treat the video stations as any Frankie goes into the Fairmont hotel, this month when he goes in the ABC other music outlet. San Francisco, September 21, marking A gang of gal vocalists will sub for the third big hotel he’s played on his net. He moves his the Andrews Sisters on the Club 15 western trek, first being the Chase hotel, airer while the sisters are fulfilling their St. Lotiis, before coming in to the horns and gimmie- hogans to KECA engagement at the London Palladium. Ambassador—a big step for a guy who Tee-off last week was handled by Doris only a year ago was singing for peanuts [from KXLA where he started the Day with Evelyn Knight coming in this at the now shuttered Morocco. week followed by Helen Forrest August —ron Eddie comedy caper three years ago. . . . Ivan Scott combo is at 17 and 19; , August 24 the Bel-Air Bay club for the summer. and 26; Dorothy Shay, August 31 and September 2, and Ilene Woods, Septem­ Ozzie-Harriet Return ber 7 and 9. The Andrews will return Joe Zucca, operator of the Meadow- to the show September 13. Hollywood—Gradqgtes of the dance ■brook, has requested Local 47 to lift * * * band world. Ozzie Nelson and wife the blacklist laid on the dancery five Harriet Hilliard, bring their comedy months ago when Harry Schooler, then Vocalist Jen Sullavan had a baby girl situation radio series back to the air­ associated with Zucca, inaugurated a last month. . . . Frank Wooley has 12 waves on NBC, October 3, returning nonunion policy. The local referred more weeks at Vivien Laird's in Long to the time period which first gained Zucca’s request to the national head­ Beach. , . . Clover records is getting out them prominence, 6:30 p.m., EST, quarters, for the Meadowbrook had its first release with Collins and Sandy’s Sundays. been put on a national unfair status. Duo-Boogie backed by Midnight Rhap­ . . . Former Wayne King vocalist, Ger­ sody. . . . Formerly of Jazz at tht trude Marsh, recently sued the Club Philharmonic, Martha Gleiser is now Bingo in Los Vegas for $500,000, charg­ handling special exploitation for the Two Deuces ing the joint's bartender and waitress stage show Separate Rooms now at the served her knockout drops in a drink. Beaux Arts theater. . . . The Ike Car­ New York—The Arthur Godfrey . . . Vocalist Lee Wiley last month penter band has signed vocalist Gloria radio show is becoming • bit un­ crushed the index finger of her right Grey, formerly with Jimmy Grier and usual in more way* than one. The hand in a door, necessitating amputa­ Glen Henry. . . . Clarinetist Johnny bos* has hi* eccentricitie*, such a* tion of tbe digit. . . . Schmidt, formerly with the Johnny eliminating commercial announce* White quartet, is leading his own combo ment* and voicing unorthodox ob­ Heidt Take* Offspring* at Billy Berg's. servations. But his accompanying Horace Heidt has taken his 16-year- musicians have gone off the deep old twin boys on the road with him end in an entirely different depart­ this summer to give the lads a look-see Rogers Into Frontier ment. into the operation of the business. . . . The Archie Bieber boys are on After an unsuccessful stand as a disc Las Vegas—Dick Rogers, former pic­ a “twin kick.” First it was guitarist jockey, Martin Block sold his Encino ture star, band leader, and vocalist, Remo Palmieri, who drew a double­ home, packed his bags, and checked out opened at the Last Frontier here, hav­ header from the stork. Now, clari­ for New York where radio pastures ing organized a trio to work with Jane netist Johnny Mince has drawn ■ look greener. and Betty Keene a la Kay Thompson pair, too. Spike Jones comes back from his and the Williams boys. Rogers plays Honolulu honeymoon this month to piano in the group. Another musician who has gone far with his HOLTON Trumpet is Mack Sutton, now leading hi*

own orchestra. He previously played with Irving JUST OUT A WORLD Fields at 's Park Central Hotel, MUSICAL COMEDY OF INFORMATION EDITION Walter Powell, Garry Nottingham, Ina Ray Hutton AT YOUR FINGERTIPS and Chris Gross. You've alto heard him over COVERS THE WHOLE NEW radio station WINS. FIELD OF POPULAR MUSIC Regular 50c Edition You'll be hearing more about Mack Sutton, one also available Harry Salter, of many prominent musicians who depend on the Director of ABC’s One reference book you can't afford fo be without! brilliant tone, power and fast action of the No. 48 “Stop the Music” THE NEW REVISED AND SUPPLEMENTED EDITION OF Sunday night program, HOITON Trumpet. When you try this championship says: STANDARD DANCE MUSIC GUIDE A classified and alphabetical lilt of the belt and molt popular itandard instrument yourself, you'll know why . . “You have done a wonderful Foxtrots, Waltzei, Showtunet, Rumbai, etc., with Original Keys & Starting job for the whole profession. Notei — Over 5,000 Titlei, 100 Clauificationi, 300 Shows. 64 pages. « « « No musical director should be A LIST OF THE BEST IN LATIN-AMERICAN MUSIC OVER 250 OF THE MOST POPULAR MELODIC • AUTHENTIC without one.” BOLEROS, GUARACHAS, RUMBAS, SAMBAS, TANGOS, ETC. fs TO * * * A LIST OF OVER 300 TOP SHOWS WITH THEIR HIT TUNES, YEARS, . KEYS AND STARTING NOTES. INCLUDING THE SONG HISTORIES OF FAVORITE COMPOSERS A. RAY DE VITA « « « FRANK HOITON • CO 1 50 Knickerbocker Ave,, ’ SONG HITS THROUGH THE YEARS" . . . THE OUTSTANDING SONGS OF EACH YEAR FROM THE GAY-NINETIES TO THE PRESENT DAY 3M N Church Strml, Etkhurn, WH Brooklyn 6. N Y « « « Enclosed is $...... "Handy Key Chart” for Determining the Corresponding Key« and Notei d«al«r in my locolity, and tand informa­ for Concert, Eb and Bb Instruments tion on tho following: which send me; ...... copies of the New Stan­ □ No. 48 Trumpet □ Other instromontt SIXTY-FOUR PAGES OF VALUABLE INFORMATION dard Dance Guide. $1.00 A COPY NAME ...... FRANK HOLTON SCO. Name ... — SEND FOR YOUR COPY TODAY — 314 N. CHURCH STRUT ADDRESS Address ILKHORN, WIS. A. RAY DE VITA—Dept. D 8. CITV, STATE City __ State. 150 KNICKERBOCKER AVENUE BROOKLYN h. NEW YORK 19 DOWN BEAT EDITORIAL Chicago, August 11,1948 Chi

cessful. CHORDS AND DISCORDS Of course everyone is aware that con­ structive criticism is helpful, and neces­ sary in order to keep abreast with prog­ ressive trends, in any line, and individual Applause And Applesauce (Modulate to page 12) 203 NORTH WABASH, CHICAGO I, ILL—ANDOVER 1412 GLENN BURRS, PablUhor NED E. WILLIAMS, Editor For Disc Digger Herrick

BUSINESS DEPARTMENT Des Plames Bl sical. As such. I have been looking for ED W. PARO. Advertising Manager MARY LOSSIN. Aadlter To the Editors: a record columnist such as Tom Herrick ALLEN REST, Naw York Adv. Rep. ROY R SCHUBERT, Ciro Mgr. I enjoyed Lionel Hampton s Detea for many years—a man who is not an record ot Rockin’ In Rhythm im­ extremist, a just man to musicians who EDITORIAL DEPARTMENT mensely That is, until I read your re­ play the music and people who buy it Chicago Sta*: Hollywood Sta*: view of the same. Now I realize* that I on recoreis In my opinion, Toin is the JACK LUAN CHUCK SWENINGSEN EDDIE RONAN was wrung. Had I know n that this was best and I am certain many others join DOROTHY BROWN PAT HARRIS CHARLES EMGE “vaudeville style jazz” I would have me in eagerly reading Dingin’ the Discs 127« Sixth Ava. 203 N. Wabash 1222 N Wilco» Ava. never invest* d ’Qc in this “motherless because we know it is written with fair Chicago 1, IH. Hollywood 38, Call«. disc.” Instead. I may have spent thr ntss and authority. —Sam Brooks (Nrcto 7-41 JI Andover 1412 Hillside 0477 money a little more wisely and bought NEW NUMBERS BABBITT- A son, Christopher Bruce, the Vaughn Monroe record that your Baldwin. L. I., N. Y. Cawtrlbatari' Toot Horrich, G—rge Hs«*«l Micha«) Irvin, Sharon Pnasa tc Mr in<> have become suc- July 12. in Palm Springs. Dad ib always have lilted to believe that press agents are something vibist; mother is dancer. more than just a necessary’ evil. A good pres* agent should be given at the conservatory by Dizzy Gillespie. We have no TIED NOTES not only an asset to his client, but also just what the name record of his hiring any of the halls; perhap» you have mis­ ALBAM HOYT—Manny Atbam, ar­ ranger, and Nancy Hoyt, singer, July itself implies, an agent of the press, supplying editors and understood and have written to the wrong school.’* 4, in New York. BAKERCARLTON—Jimmy Baker, columnists with information and facts about his client or Or listened to the wrong press agent, Dean Holmes? band trader and Sue Carlton, model, clients, as the case may be. Item: We didn’t print this one, either, and don’t intend to, July 21, in Hollywood. CALLE'-UER-F LETCHER William We regret to state that some of the more activ c lads in the except in this editorial. Again the indomitable Joe Bostic, this F Callender musician of Littleton, time attempting to land the name of his brother, Earl Bostic, N H., and Constance H. Fletcher, current field of publicity seem to be doing their level best to recently in Kittery, Me. change our mind about the precepts stated above, as well as in the news columns with a story that a holdup man, in Wash­ CAR,STO STEFFENS—Lou Caristo, pianist, and Elly Steffens, August I, about their own integrity. So many such flagrantly phony ington, D. C., robbed the band leader of two suitcases filled in New York w ith phonograph records, all of them Bostic’s current pop disc, JACOBSEN-CAPELL—Lee Jacobsen instances have come to our attention of late that we intend to and Barbara Caped, KFAC music name names and stories right here in an effort to halt this natch. librarian, July 11. in L< s Angeles. MAGUIRE-GRAZER- Ma. Maguire, damaging fakery. BUT: Although Joe writes that the incident was reported leader ot the Harmony Rangers and to police, again superintendent Bryant, of Washington, D. G., head of the Quaker record company, Item: DOWN BEAT carried on page 1 of the July 14 and Lee Grazer, July 10-, in Phila writes that there is no record of such a report in the files! delphia. issue a photo of singer Sarah Vaughan and her pet Boxer, with O'NEILL-QUINN - Georg« O’Neill a story that the dog was eating steaks since he routed two We’ve got other fakes chalked up against Joe and others. and Kathleen Quinn, band singer, July A story that the Ravens, a quartet, would headline an all­ 14. in Washington holdup men who attempted to rob Sarah and her husband, PALMER LAWStN—Joe Fulmer, George Treadwell, in Washington, D. G. Jim McCarthy, a Negro television show over the new station WPIX in New saxophonist with Tex Beneke ork, ana York, denied by Frank Young, publicity director of tho sta­ Jackie Lawion, July 17 in New York press agent, had released his “news” story, and gave DOWN Bride sings under name of Vicki BEAT an actual date for the alleged happening. tion, after checking with the program director who “never ^SCH WARTZ-STRELITZ — Georg heard of the Ravens.” Another yarn that Frank Johnson, jazz Schwarts, band Mader known as BUT: A letter dated June 18 from Robert S. Bryant, critic and editor of TEMPO magazine in Australia, would Georg«* Graham and Annette Strelltc. assistant superintendent of the metropolitan police department June 20 in Boston present Cootie Williams in concerts down under in December, STEVENS-FRANK—Bob Stevens, in Washington, D. CL, states: “In reply to your letter inquiring band leader, und Janet Frank. July denied by editor Johnson himself, who has “not ev en heard of 10 in Milwaukee. as to whether or not we have had reported to us the holdup of a rumor of such concerts being contemplated here!’’ Sarah Vaughan and her husband, George Treadwell, about If these short-sighted and unimaginative (and we use that FINAL BAR June 7 or you arc advised that if these people suffered an BOARDWELL—T n r 1 (Curley) last term advisedly, because their efforts to create “news” Boardwell, 62 night club entertainer, attempted robberyr, they did not report it to the police depart­ are frankly puerile) praise agents can’t absorb and practice July 8 in Hollywood. ment under names given above.” FENTON—Lewis Fenton, singer, some of the ethics which should be associated with their pro­ recently in Bridgeport Conn. MAAS—Rober* Maas, 47 Belgian Item: DOWN BEAT didn’t carry this story (we are fession, perhaps their clients, who pay good money for this cellist with the Paganini string quar­ starting to catch wise), but we have at hand a press release tet, recently in Oakland. Calif. kind of cheap misrepresentation, should become publicity-wise PARNELL—Paul Parnell, composer from Joe Bostic of the Gale agency, stating that the New and explain to their hirelings that it ain’t smart to try to and musical director, July 7 In Indl- England conservatory of music in Boston has installed a deceive the press! PULASKI—Jack Pulaski 66, d*an “progressive” jazz chair, and that Dizzy Gillespie, as part of if Variety staffer?. July 17 in New Even a press agent of the current crop should be able to York. the labratory (die spelling is Joe’s) work, would be the first of deduce that any editor, after being fed such utterly phony SCOBELL—Mark Scobell, 48, for­ a string of jazz luminaries to explain be-bop to the students mer plants’ and ballroom muuaicer, trash as this, naturally will relegate to the most convenient July 18 in Wagner, S. D. with “interpretive talks and demonstrations.” SHEPPARD—Bonnie Sheppard, 14, waste basket ALL of the subsequent press releases (and some night club entertainer, recently in BUT: Malcolm 11. Holmes, dean of the conservatory, of them might be true) relating to that particular press agent Minnesota. STERLING—Dolly Sterling, singer, writes: “I am sorry to say that I know of no lectures to be and/or his CLIENT! July 17 in Chicago. | REEDS GILBERT by Eddie Ronan |

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WORLD'S DOWN BEAT SHARON PEASE Chicago, August 11,1948

for 1| years. In Hollywood, economic situations necessitated more varied ac­ WittwerShows tivities. He taught piano for Sam Mc­ Kee, acted as accompanist for vocal coach “Doc” Humprey, worked nu­ %N» Sweet—Get It merous solo stints and Later was asso­ Jazz Purists' ciated with bands fronted by Kid Ory, Sioux City, Iowa—The trend in music Wingy Manone. and Zutty Singleton. for the dancers of this tri-state area is The accompanying example of DISCORDS definitely turning to sweet. Tom Archer, Johnny's solo styling is the third 16- king of ballroom operators in this terri­ (Jumped from Page 10) 88 Technique measure chorus and final two-measure tory, has grasped the mode and is giv­ tag from his previously mentioned re­ dislike or derision cannot be construed ing his customers what they want. Tom cording of the traditional rag Ragged as criticism. brought into Shore Acres, Sioux City— By Sharon A. Peat« But Right (Jazz Man No. 18). The It goes without saying that those and Arkota, Sioux Falls, on successive principal characteristics of this refresh­ musicians who have become wealthy weekends, Art Kassel. Don Ragon Chuck Many of the nation's talented, well- ing. listenable, danceable ragtime mu­ have done so because they have pleased Foster, and Henry Busse—all of whom schooled musicians lean toward the sic are: solid, on the beat accents inter­ the general public. As such, it seems did good business and satisfied cus­ “school” of “Jazz Purists.” Some are spersed with frequent syncopation, even only proper that the music profession tomers, which proves the dancing public employed in situations requiring the balance between hands with a counter- should have some code of professional in Iowa, Nebraska, and South Dakota frequent use of the more technically melodic value in duo form, basic har­ ethics as regards criticism. is still looking to Archer's ballrooms complex current idioms. Still, their per­ monic sequences with stress on the Upon receipt of this letter. I am cer­ for entertainment. sonal musical satisfaction is derived wheel of fifth resolution of dominant tain to be classified by you as being a Tex To Arrive chiefly from the New Orleans style. sevenths, and. the diminished chord “square,” and I do not believe that you Tex Beneke journeys into this terri­ Representative of this group is sandwiched between two tonic chords. would publish anything that is diamet­ tory for a date August 19 at the Arkota Johnny Wittwer who is currently ap­ The most effective method of improv­ rically opposed to your editorial view­ ballroom here. Eddie Schima, general pearing with Lu Watters' Yerba Buena Johnny Wittwer ing ones ability to perform the accent point ; however, your publication is manager of Archer ballrooms, took over Jazz band at Hambone Kelly's in San patterns and balanced voicings is breezy, newsy, and interesting. the reins at Shore Acres, while man­ Francisco—a combination devoted ex­ always seriously interested in dance through careful analysis of the accom­ —K. Budweiser Smith Jr. ager George Crow took a well-earned clusively to rendition of jazz music. music and devoted considerable time to panying printed notation while listening (Ed. Note: What do you mean, “dia­ vacation. Eddie, in the big band biz a Jazz Man records recently has released experimentation. My early efforts were to the recorded example. metrically?" The BEAT it never afraid few years back, used to blow one of the six sides featuring Johnny's jazz piano most influenced by Albert Ammons. to criticize top performer* who, it be­ (Ed. Note: Mall for Sharon Pease lieve*, are just coasting on their hottest trumpets in the country—and solos—Ragged But Right and Aunt should be sent to his teaching studios. Pete Johnson, and . . laurel*.) still does. He hits C above high C reg­ Hagar^ Blues, Ragtime Nightingale, Later I became intrigued with Dixie­ Suite 715, Lyon A Healy Bldg., Chi­ cago 4, III.) ularly to prove it. with Bill Bailey, Ace in the Hole, and land music and the work of Jelly Roil On an extended run at the Lakeshore Two Kinds of People. Morton.” Inn, Stevens, S. D., is the Ken Granning Picked Out Melodies Rapid City, S. D. combo. Personnel includes: Hubert Wittwer, now 28 years old, is a Worked On Campus Kaye Tracks Flick Te the Editors: Polly, trumpet; Willie Gaul, ex-Bob native of Seattle, Wash. His musical While in college, he worked with Just finished reading the July 14 issue Chester, and Buddy Morrow, tenor; talent became apparent during early numerous campus groups. And event­ New York—Sammy Kaye and his of the Beat and enjoyed it very much. Dale Ausman, piano, and Ken Granning, childhood when, of his own accord, he ually met a group of fellows who. like orchestra are recording sound track Especially Tom Herrick's record review former Bernie Cummins drummer, who began picking out and imitating melo­ himself, were interested in Dixieland for the film, I’m The You In The s (which, incidentally, gets better and leads the foursome. piai dies he heard from player piano .rolls. music. Johnny says, “We got together USA., a community sing short saluting better every time). I’ve always enjoyed Don Ragon’s band moves into Shore His intrinsic interest in music was stim- regularly to play Tin Roof Blues, Hm America’s youth. The reel will be shown reading Down Beat, Metronome, and Acres for a one-niter August 29; the mu ulatAl by an ideal musical home en­ Ballin' the Jack, and other Dixieland in theaters throughout the country dur­ various other magazines on music. . . . annual Sioux City policeman’s ball. vironment—both parents being profi­ perennials. I usually played piano but ing September, National Youth Month, To be frank, I've always favored Metro­ Wayne Riley has replaced Chuck Teulle cient pianists. occasionally doubled on trombone—in and is being produced by the motion nome over Down Beat, but today it's in the Ragon crew. Six of the nine side­ Johnny's formal musical training a rough, untutored style.” picture industry in cooperation with the the other way around. I believe in giv­ men with Ragon are from Pittsburgh, began when he was 12 and later was Since leaving school Wittwer has anti-juvenile delinquency conference. All ing credit where credit is due, and peo­ although the unit is not originally from continued at the University of Wash­ divided his time between Seattle and facilities for production of the film, as ple like Ellington, Basie, Kenton, Dizzy, that city. ington where he majored in music. Hollywood. In Seattle, he worked with well as the services of Kaye and his Sinatra, Vaughan. Jeffries, Fitzgerald, Owen Back Home Recalling this period he says.” I was various groups and had his own band men, are being furnished gratis. Armstrong, and Holiday certainly de­ Artie Owen, alto sax and fluteman, serve credit, tremendously. Let’s keep up formerly with Lloyd Shaffer's Supper the good work . . . and the hindmost to Club organization and with the CBS Mediam Tempo Guy Lombardo, Sammy Kaye, Bing studio band under Raymond Scott, has trem. gva Crosby, Vaughn Monroe, and the like. returned te his home town, Sioux City, Dan------because of illness. Art has taken up a legit business and is now operating an air conditioning agency here. He still finds time, after hours, to sit in on a few society club dates with Fill-In On Safranski the local band headed by Johnny Koch New York —Boh Hatch To the Editors: After reading the profiles of the Stan Kenton personnel in your last issue of B.C. Gets With It Down Beat (July 14), I thought you Vancouver, B. C.—Looks like a busy might be interested in some additional time ahead for musical minded localites, 8V* facts concerning h i s bassist, Eddie as future dates include a one-week Safranski. stand at the Strand theater for Okla« Bom in Poland in 1919. his name is homa which began August 9. and Char­ Eric Edward Safranski. His home is in lie Bamet due in for a one-niter the Pittsburgh, Pa. Has married but is now same week. Palomar supper club boasts divorced. His three-year-old daughter's the booking of the King Cole Trio, name is Erika. He played violin with opening August 30, and Frankie Laine, the Pittsburgh Symphony. A great guy, the Mills Brothers, and Ink Spots to but probably the most forgetful in the follow at later dates. business. —Joe Engels —Marke Paise LOCKIE'S Offer these fine used and Like Now INSTRUMENTS At BARGAIN PRICES

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Dave Rivera solos slightly, finishing the and the instrument records more clean­ side. Ensemble blends sounds more like ly. Lover is taken at almost its common­ the BG sextet sides for Columbia than place super sonic tempo. In spots, Baba- anything, if you loved that sound and Symbol Key sin and Mills have different ideas as to instrumentation as we did. Judy gives exactly where the beat is. Dodo’s piano bassist Sid Weiss and drummer Cozy JI JI Tops is melodious, fresh. (Dial 1025) I in music Cole the intro. Ensemble is quiet, te area is smooth, with Hank’s first solo bar mak­ III Tasty Dink’* Good Time Music n Archer, ing you swear it’s Benny. Otherwise this I I Tepid III Yeah Man thi» terri- side falls into the Kirby mould. (Na­ I Tedious I Rag Bag Rag id is giv- tional 9047) ant. Tom On Yeah, pianist-vocalist Dink John­ son sounded so much like Morton that ix City- ’ Pennies successive with Buddy Tate we thought either we or AM records >n. Chuck 11 If I Had You had found an unknown master. Yeah 11 Love Is The Sweetest Thing I J Biowin' for Snake is a little like Jelly Roll’s Mamie’s of whom I J Good Morning Judge fied cus- With so many fine improvisors, why Blue*. Though many may attack our ng public did Red choose to devote the first We recognized two names: Tate and claim that Johnson is possibly as great Ii Dakota chorus of Had to arranged ensemble trumpeter Emmett Berry. Following a as Morton (because his piano technique work? We tired of drummer Frankie too-intricate eight to open Biowin’, Tate is not quite comparable to Ferdinand’s), ballrooms Ed. Note: Tom Herrick ia on hi« Stewart's pipes and Kai Winding’s sure­ Carlson playing nothing else but half­ tries to warm-up, is interrupted by we defend our statement on the grounds vacation and the record review« footed trombone instrumentally. Three tempos are combined—Afro, four-four, open high-hat, behind everyone. Don trombone (Ted Donnelly) on the same that we would rather see a live than for thi« i*«ue of Down Beat were Lodice solos first, sounding more like mission. Rest of the side is Buddy's. He dead musician acclaimed any day. Dink this terri­ written by Ted Hallock, a«*i»tant double-time—to produce at least a dif­ ferent bop showcase for Ventura’s ob­ Bud Freeman than the old So What screams; trumpet and trombone likewise plays piano and drams, and sings on ne Arkota editor, a« hi« parting critical effort behind him, etc. Everyone reads nicely, Rag, which is not a good side. His tubs i, general before returning to bi« home in vious artistry . . . not to sell short our TD sideman. Also ex-Dorsey, clarinetist Heinie Beau follows, with Red next . . but forgets about making the end pro­ here would net him a job with anyone’s took over Oregon to take up radio work boy Kai; to us the greatest. Same lets playing as simply as possible. Not very duct spirited. Judge probably aims for bugle corps. (American Music 523) lile man- again. Herrick will resume bi« CVs badly-recorded, sloppily disciplined exciting for those who’ve hoarded Red’s rice sales Piano opens with four, lyrics ell-earned evaluation of the new platter* in big band handle backing. ’s score is pleasing. Flaws are forgotten immortal Brunswick» Different men on take the standard 12, followed by a Charlie Parker Quartet and biz a the August 25 i**ue muted Berry, whose style never changes me of the when Charles blows. (National 9048) Lovo, but the same idea. Red blows the J I This Is Always first, staying strictly with the melody. . . . a welcome relief from bop that JIJ Ds wey Square ntry—and doesn’t come off. (Supreme 1504) gh C reg- Hank D’Amico Heinie blows nine notes, clinks, does his Pianist Duke Jordan opens Dewey best into ensemble under Red out with quarter-note triplets which make 111 Hank’s Pranks (Capitol 15150) Joe Liggins Lakeshore COMBO JAZZ III Juke Box Judy you think you’re listening to a 6/4 time Granning I Poll’Em intro, with drummer Max Roach answer­ D’Amico still sounds like the excellent I Sweet and Lovely : Hubert studio clarinetist he is. Though BG too Bull Moose Jackson ing the question “how obtuse can you I, ex-Bob Charlie Ventura is very sure of himself, Benny has the III Moose On The Loose More boogie piano on Roll. Ensemble get?” Miles Davis’ trumpet is that of a tv, tenor; JI 11 East Of Sues feeling that Hank doesn't, yet most cer­ 11 Memphis Gai work sounds like Louis Jordan, no bet­ quiet Dizzy. Charlie must have dropped Granning, III ¡’ll Never Be The Same tainly Henry is most like Goodman in Don’t know who the sidemen are, but ter or worse. Trite rifling, shuffle rhythm into the Russell recording studio by imer, who Suez, an original by Charlie and every other respect. Clean playing, never do know that Jackson's combo could and a honking tenor add up to nothing. accident. Different personnel on Always, pianist Lou Stein, features not the in bad taste, Frankie Newton plays a amount to much if it would lay off the Sweet’s opening tenor bars (James ’s piano sounding like a nto Shore “you’ll astound your friends” teacher’s tenorist's current group, but, to us, the few Cootie-ish bars in Hank’s, with Don overdone riffs it overdoes on Moose. Jackson) bode well, Willie Jackson’s t 29; the alto follows, but the incongruity of example, behind Earl Coleman’s vocal. much stronger unit, blending Buddy Byaa allowed a good sixteen. Pianist Shaky tenor solo, but good sax section an’s ball, blend, all of which build to a band-horn Liggins’ mickey piano kills that spark, Coleman, incidentally, sounds as though ick Teulle duel which comes off in better styles too. This combo, multiplied by ten he was freshly cut with a slash knife. nine side- than some of Jacquet's similar efforts. million, equals the status of music to­ You can practically trace a melody * day- (Exclusive 41.) *ittsburgh, Gal almost falls into the Louis Jordan throughout Parker's chorus 1 Gamer off­ »ally from What [very R.C groove, but doesn’t . . . due to good beats eight and Coleman bleeds to death. alto, tenor, and trumpet bits before Paul Bascomb (Dial 1019) Jackson's vocal. Can’t say much for the It I Rock and Roll fluteman, Should Know! leader's singing. (MGM 10234) ’s Supper 11 Two Ton Tessie Dexter Gordon Quartet the CBS Actually these are vocal sides—more Charlie Parker All-Stars Scott, has Red Lincoln’s Madcaps blues—but we’d rather forget the voice 1I Bikini ioux City, 111 Hot Dog (Manhattan Paul) and dwell on tenor- III Stupendous III Beverly man Bascomb’s too-few tidbits, the Bikini is all Gordon’s, with rhythm ness and is III Low, Short and Squatty good bop scoring, and someone’s fine section of three (Red Callender, bass; ing agency TRANSCRIPTION NEEDLE III Glory of Love piano. (Manor 1137) Chuck Thompson, drums'; Jimmy Bunn, hours, to 100‘ SHADOWGRAPHED Leon Eason scats Dog, with vocal and piano). It doesn’t stand up to anything iates with ensemble yelling almost obscured by an Teddy Wilson Trio cut by in England, nny Koch. eager beaver tubster whose bop cymbal 111 As Time Goes By even considering the difference in vein*. Job Hatch and off-beat bass drum are so loud I I I Whispering Reverse, Stupendous, throws a great Needles are best for valuable they’re practically untrue. A great beat, Teddy is nostalgic on Time, just like group of bopsters together (McGhee, records Each Actone is Shad- in spite of the drummer, with good Dooley Wilson. Kay Penton sings it bet­ Lamond, Gray, Martnarosa, Callender, tenor and trumpet bits. Who are these ter than Bergman. An odd surface whis­ Kessel). Rhythm section is delightful, ke a busy men? Though he sounds like Peanuts tle on this side sounds like Lauren but then Lamond is finis to us anyway. Holland on Dog, Eason sings a horrible Bacalling for Bogey. Bass and drams Dodo plays a few excellent bars; Mc­ 1 localités, ballad on the Slipover, Beverly, which one-week might as well not hie there. Whispering Ghee doesn’t clink once, and Gray’s solo flows Real star is Kessel, from whom for Oki«- restricts sidemen to organ chords, except smacks of BG-three days, save that Bill too little has been heard. His harmless and Char- for a superlative final trumpet eight, Purnell’s brushes aren't as loud as which sounds, clinker and all, like Louis. 16 bars are the most genuine of the lot. -niter the radio stations und transcrip- Gene’s. Again ’s bass is lost. Barney Kessel is a genius. (Dial 1022) lub boasts Sugar Payne opens Squatty vocally, and Wilson’s taste is impeccable. This is capably, after which an interestingly ?ole Trio, Naf« In tho Shadowgraph Proeott, ooch Record Collectors everywhere1 good history, and a not-much-changed kic Laine, noodlo it magni fiad ÎQOfTÂlW^ind «hado wad quiet tenor duel, Buckner-like piano, “after” if you have collected the “be­ Quintet Spots to agoinit a teaM outline of A Product ol and vocal out. Glory, the standard, at fore” sides. (Musicraft 580) If it deviato« more than a h an up tempo. Sugar shouts meaning- III Humoresquo .0002 to .0015 inchou i diKOrdtd. III Stormy Weather ■rke Paise lessly, but tenor, and piano choruses make the side very worthwhile. These Dodo Marmerosa Trio These two sides were recorded hi H. W. ACTON INC. are good recordings, worthy of a place III Lover France on December 12 of last year. in anyone’s collection. (Whirlaway 75-3, I I Dary Departs Critic Hugues Panassie supervised tho 370 Seventh Avenue, I York 1, N. Y. Since 1 892 75-2) Bassist Harry Babasin plays cello on dates, and French sidemen Jacquas three sides. Jackie Mills plays his usually Dieval,piano ; J. J. Tilche, guitar; r excellent brand of drams. Dodo, who Lucien Simoens, bass, and Armand MoB- first gassed us during the Raeburn days netti, drums, participate . . . you may two years ago, should lend his talents to recall seeing their names in one of some needy band . . . there are so many. Emest Borneman’s recent stories from There’s a slight difficulty with this rec­ abroad. Everyone’s a bit timid, as if ord . . . nothing realty amiss . . . just waiting for Panassie to say “now.” Byas that thé labels for the right tunes are sticks pretty close to the melody on on the wrong sides. D*ry is a Mar- Humoresque to avoid frightening tbe marosa invention, with a smattering of neophytes. His improvisation sound* Tommy Todd’s ideas Hearing a cello, tremendously like Hawk’s on things the rather than bass solo is interesting . . . (Modulate to Pare 14)

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ful bell shape) each constructed THE CONSERVATORY OF MODERN MUSIC of one continuous piece. "STERLING" MARK IN 5 5 2 ATLANTIC AVENUE • BROOKLYN 17, N.Y Ulster 5-3749 • INSTRUMENT TIE LIFTON MFC. COIPIIATIOM CASES IS WW IS«* stesti NSW row. N. », RECORD REVIEWS Chicago, August 11,1948

category. Monroe and Moon Maids, in is gargled in a manner thax would no albeit with beat. Miss Harper would on spite of the band’s trying to interpret doubt please patron* of London’s Strand well ringing in a bistro authorized by its Lilliputian bop phrasing sincerely, Palace dining room Passion is moaned, law to seat n>> more than four persons. sing right on the beat, not a dotted The July 14 issue (p. 5; contains gets more limpid by the bar (Musicraft (Columbia 38229) sixteenth one way or the othet. Monroe a photo of the Chet Robie trio, 583) fa a ham the band is in u for loot. the cutline under which incorrectly Little Miss Cornshucka Readers who want either cf these sides identifies ’ 'het’s bassist as “Jim­ J J J He's Funny That Way are on their own. (Victor 20-2957) my Aron.” Bassman’s given name J J J Keep Your Hund ire Your Heart is Sammy. VOCAL J J lathe Rain Tommy Tucker J J Comshuchs Bluet J J Let Her Go Here’s the girl we raved about in our J J KMe Kiile but rssentdiv the *.imt van* eihuiui; Bear cut m Hillard. Switzerland, and Gene Austin column not too Ion* ago Tommy’s band boy place« a metro­ band vocal A smooth side. Wiper is a With Lee Poul who should be heard but not seen, until France during the '30s, with foreign aide nome on the piano sets it in motion, novelty, much like Butterfield’« Steam­ ■sen Dieval inserts a careful block chord J JI My Blue Heaven she abandons the totaHy foolish toe-in- and off goes the Tucker Troupe Ad­ roller. Gaillard » Cement Mixer. Tony J J J Keep A Knockin' rend act which some cigar-smoking joker titre and there, tries to pull thr tempt mittedly Go is more a “killer” than the sings, in that “I have a hernia, what do 31 a bit during the dosing bars of Heaven was the first to sell over a undoubtedly inveigled her into adopting. run of this band's art ... there's trump­ you have?" voice (Columbia 38233) million copies. For our dough, theft’s She sings like mad . . . could probably amoresque. Jacques’ intro to Stormy, ets in mutes, and an astonishinglv good ■nd background work, possess a delicacy nu muon why Universal shi iildn t ped­ cut anybody around with coaching and tenor solo, all built around Kerwin Art Mooney dle a few more hundred thousand of emphasizes on singing period. We shrink ore sometimes think belongs only to Con- Somerville's (he should change that tiretatals More power to Panassie. If he J J J Chillicothe, Ohio this new Austin version—it’s that nos­ trom the memory of having seen Funny name) vocal. Trombones “doo-wah” in JJ J There's Music lu the Land talgic, well sung and played Paul i* of dramatized while sung Even so, it's b a fig, then we consider it an honor hats, tom-toms thump, vocalists war- to wear the leaf from his tree. (Dial Ohio gets everybody in the act’ full couree, no deterrent. His guitar much wonderful, all-vocal, with an under, xvhoop their challenge to the Sammy more effectively accompinies than Gene’s standing unit (the Blenders) )for back­ M23) i Kaye tribe and paper hats probably band vocal, the Galli Sisters, bu* no glockenspiel A modern Mooney here, piano . at least nowadays. Kids should ing. Heart demonstrates what Lutcher ■be und during the in-person rendition buy it for Les’ performance, and their would like to do. Rain is distorted a | of Kiile. Same good tenor, though with “doits.” a boogie high-hat beat and everything Music simmers down, elders for Gene's homey vocal. Knockin’ bit too much, not being an outstanding Columbia 38247) uses (larinrt kc ttd: and trombone sounds like Burl Ives, also like the melody to begin with. Blues is just BAND JAZZ doo-wahs, a la Miller. Rud Bret - «ing* Austin who's due for a comeback soon. that, but not what Cornshuck.« does George Paxton This is a good dance band. (MGM It isn’t fair to boon Four Leaf Clover best. (De Luxe 3186, 3178* J J This Is The Moment 10230) and ignore Gene (Universal 100) Erskine Hawkins J J Win Or Lose This category fits Paxton’s crew more Barclay Allen J Sad Eyes IJ Green Eyet J Feelin' Low perfectly than almost any other unit. Movies They play for dancing, with no attempt J J Barclay’s Boogie J J J J At the Rodeo Laura Hashington sings- Eves. Gabe’s to embellish plain pops foolishly Tempos A few more lessons from James P thin-toned hom opens it Laura slurs That-a-girl, Lorry! Keep trying It Both tunes, from Two Guys from change on tie, intonation is good, Pax­ and Barclay would have b>und this re­ may happen some day. Worry, backed Texas, are musical comedy versions of from word to word as ably as she does ton’s trombone satisfactory. Dick Mer­ view under the Combo Jazz heading. from in-key to out-of-key Trumpets by Russ Garda, opens beautifully, with Home On the Range. Beatrice squeals rick sings both sides without pretense Boogie is that but played as a mickey French horn and gypsy violin These her way through Rodeo, With sixteenth squeal twice a trombone choir falters its (MGM 102381 pianist plays boogie i. e., Jack Fina. homble-out-of-tunc way through organ scores are to Raine what Buddy Baker’s notes galore liehind her. The Kay F rankie Carle Guitarist gets a few bars, are to Jeffries—often better than the vibrato is as wide as Pulaski Skyway, chords behind a pleasant tenor Gabe almost completely overshadowed by squeals again (in a mute this time) and Frankie Carle vocals. Worry couldn’t be more inti­ but we don't care During a clever J J That Five O'Clock Feeling Allen’s rolling (?) bass You’ll never mate Flipover, Remember, loses Lorry's monologue, on the Rodeo side, Beatrice Laura ends it . . in more ways than want for melody on Green. In the best five. Feelin’ spotlights a moody alto, a J J1 Don’t Want To Meet Any low notes ifi .bad intonation. Otherwise, proves that as a comedienne she could More People Eddie Duchm tradition, it’s a quiet it’s something Martha Tilton’s been do­ slew tempo Gabe playing a written solo rhumba with same guitar, and other ta mute and piano (Avery Parrish’) Nan Wright warbles Feeling. Backing ing for a long time Lorry pronounces two rhythm playing jawbones or some­ iVictor 20-2963' 'always) Carle’s piano “the,” before a vowel, as “thu.” Don’t When in DETROIT work For jukes in small night spots or thing (Capitol 15141) they have vocal coaches on the coast? kids' clubs, this is a good pairing Other­ (Coast 8042) Brinf Your wise it’s just one of too, too many bis­ Shep Fields Instrument Trouble* to cuits of grooved shellac Carle’s daugh­ J J W here Flamingos Fly Toni Harper J J J Mist Ou the Moon DANCE ter, Marjorie Hughes, sings the reverse. With Eddie Beal Sextet IVAN C. KAY Meet, which didn't do anything but Not a gurgle in a carload! Mist opens J J Candy Store Blurs bore us. (Columbia 38203) with the Ink Spots' favorite guitar intro J J Dolly’s Lullaby DETROIT HOME OF Tex Beneke set to piano. It tries to be “far away,” with trumpets in hats behind On the With bad advice, 11-year-old Miss SELMER and BACH J J JI Don't Care If it Karn* All Blue Barron Harper could have lowered her pitch, Trail piano staccai violins then Our Repair Department Night J Ev’ry Day I Love You clapped hands, and threatened Rose becomes maudlin until a bank of strings Can't Be Beat J J J Hauherin’ I Somebody Else’s Picture Murphy’s career Fortunately, *he hasn't.1 restores the “twilight on the sage motif, Ram* rolling saxes stac Ato brass in­ What we would like to know is who COMPLETE LINE OF REEDS augmented cleverly by accordion Sensible singing, though too breathy.' terjections Garry Stevens' bobby-sox- introduces the tune on Blue’s discs? Beal s unit backs well Candy’s few i AND ACCESSORIES which John Steinbeck couldn't have used cfaid voice and Tex' tenor add up to not Who is it that sings or talks the identi­ clarinet bars are excellent. Reverse, with | to better adv antage. Vocalist Bob John­ one real whit of deviation from Glenn's fying bar (a la Kyser. Kaye), in that toy shop scoring, is a lullaby of «orts, ■ Stone tries his hand at getting those original, and mechanical idea. Final 16 anemic baritone. Charlie Fisher sings damn flamingos to wing their weary bus could have been transcribed as is Day more on the beat than Vaughn. if way home to Hialeah And fart- no fro» any MUI. i Bluebird Beneke and that’s possible Intro to Picture sounds better than be - tonsilled compatriots. The Tone Heard Hound the World the M. nhght Se-enaders chirp Hanker­ like any given eight men, gassed to the (Musicraft 581) in', with lot* of “do-do-doohs” from the hilt, harmonizing at Dinty’s until vocal group, and Texas vibrato from Clyde Burke’s pleasant tenor enters the Texas Last chorus displays the product picture Then Mickey anif th» whole Mi^uelito Valdes THE HAYNES FLUTE J la Tampa of some score»'* fairly fertile imagina­ Mouse family take over. (MGM 10237) Wrought by Hand, in Silver, Gold and tion, plus a few tenor bars which prove J Loca Passion that the maestro has improve*’ as * Tom Spinobu We would probably be nowhere south horn man. (Victor 20-2956) I Out Of A Monuhcarr of the border except south of it The I Bobby Sox Bounce language we don’t know, th - music we Freddie Slack J Love Is Ou a Holiday don’t dig If this is that “exciting' Afro- A Period Instrument lor Home and Concert Hall J1 Kitten Ou The Keys J Suing a Lullaby Cuban rhythm we’ve been hearing J J Steal Away Easy, Baby Rainy Saturday afternoon stuff Studio screamed about, our excitement buds must have long ago been eaten away by Key* could be classed “novelty.” Very band sound, though not even that spirit­ an overdose of Guy Lombardo Tampa tittle band, mostly Freddie's imitation of ed Hope the sidemen have lieen paid, how Ze r Confrey would do it *«day. ’cause that should be about all the AFM 108 Massachusetts Ave. Boston. Mass. witfi rolling bans Charlo*'.e Btackb.'rn will get out of these side*,. Henry King atog* Babs, subordinating Slack’s 8£ to piano, a like - a - hundred - others vocal a few bridge bars on celeste Miss B. group. and dull scoring The day when rings cutely phrases behind the beat, people bought discs for the novelty of hot docmi do a thing Lain, <>r Holiday hearing ther on “that young Tom Edi­ haven't before. (Capital 15155) son’s device” is finis, Isn’t there a “zero" rating Tom? New Freddy Martir vocal­ Vaughn Monroe ist, Merv Griffin, sings Love, like an J Ev’ry Day / Love You mtxprnen««d Russ Columbo. Why did MIDWESTERN CONSERVATORY J There's Musie lu The Land they let this band out of the lobby of whatever hotel they've been playing in? We could Dever fuHy understand (Black A White 866, 867) Tom’s «eeming aversion to this band . . . until we were given the assignment MUSIC gf listening carefully to the unit, a Tony Pastor pnup whid needs no careful li.< tuning J J J Indian Love Call to. As usual both sides are really all J J Windshield Wiper Fine AH* Bldg weal . . a band geared to back­ Yep. it’s the eiohow The CUP MUTE designed by and For lip muscles, transposition, for I* top brasi men in tne country AND TROMBONE It’s that sharp looking red and white range, tangoing, fingering, on jot—thiii you've seen on the inute BY CHARLES COLIN ADVANCED DANCE STUDIES racks of the name band brass sec­ tions.— Perfect intonation—a tone (Foaran teacher and authority) that’s really clear and easy blowing —no muffled or low tones. PLAY LIP FLEXIBILITIES rhythm* free* Boogie to Woltz. WITH THE BENT Gel a Stonellaed See your deale* or ordei direct (use 100 ORIGINAL WARMUPS tho coupon below)—Send for illus­ trated *atnlcp in color of America's Two of thn country's outstanding percussionists—TEACHING Excallant wormeps for developing finest orcheatiii equipment. MELODIOUS (oality, extending range.______Humes A Bern Mfa C«>• Ine. DRUMS—VIBRAHARP—XYLOPHONE—MARIMBA & RHYTH­ FUNDAMENTALS 525 W. 76th St., Bide. S Fer Trumpet For Trcmtsni CHARLES COLIN Chicago, lllimuls MICAL PERMUTATIONS. 111-C Wes« 48«h S’ Plea e ship ( ) Stone Lined Cup A baiic beginner’s book also for UtdER Mutes subject to refund if dto at- COACHING: RADIO—THEATER—CLASSICAL AND SOUTH training in Iranipov'ien .TOCAY! Is fled *alabl< condition within 10 days Remittance * .. . euclo id. AMERICAN PERCUSSION. □ Trampet □ Trombone □ Check Hete Far Free Illaxt rated Catalog REGISTRATION FOR FALL SEMESTER SEPTEMBER 6TH THRU Name ...... Address ...... 11 TH. SCHOOL STARTS SEPTEMBER 13TH. Stau Chicago, August 11, 1948 RECORD REVIEWS DOWN BEAT is 1,1948 scare Miss Lillie and/or Minerva Pious, Lanin’s Troubadours and know* it. As tnib, and even some Spanish figures. On the composer. Buddy Tate’s tenor cuts jutshine* warmth Mercer R Co are evidently interested in reviving Linings would do if *he departed the vocal fold, Columbia a single, Two-Ton is better, but sings CI' om, 'la Sims see* how close she can through occasionally, finally gets eight a hayride opus if there ever was one, orized by forbid. Cowboy poke* fun at hoss Red'* with feeling. You might even sus­ come to Billie, which b not very. If breathy ban all its own, which prove r persons. opera*, maybe not a* succinctly u would pect Red’* was an unissued master, cut you collect imitators, thb is for you. that Tate, playing quietly, can sound which Weston scores t.'tchingly and Dwight Fisk< but cleverly nevertheless in 1919, until Baker’s barrelhouse piano (De Luxe 1113) like Hawk any day. Jay McShann’s Maggie sing* commercially. It doeanY (Columbia 38232) says no Side even has a Shuffle-Off-to- piano and Frank Sleet’s bop alto pre­ seem possible that one Capitol back­ ucke Buffalo ending. Flame, a ballad, is not Bob Hayward rede Jimmy on Frogomure. More blues ground could be better (or worse) than (Jonnie Haines-Alan Dale as good, even the flutes don’t help it. / ; J Till You Decide hawking, but we Wuiild rather have any other (they’re all lik< rich fudge), Baker's forte is “ha-ha’’ music. (Mer­ heard the instrumentalists alone but DeVol’s work behind Margaret on ■r Hran J J Darktown Strutters’ Ball JI Pick Up Polka J J Little Boy Blues cury 5151) (Supreme 1505) Midnight cuts Paul’s direction on th* Hayward sounds so much like Sinatra flipover. The tocalist must have liked Dale sounds like a Mercer - Disnny it scares you, and Allen Schrader's Laura. So did the tune’s compose«. >ut in our Kaye merger on the intro to Darktown T-Bone Walker backgrounds so much like Dave Bar­ Dorothy Shay (Capitol 15146) . the one Ray Bloch’s Swing Eight Dixie* the J JI Midnight Bluet bour, ditto. The Twin-Tones suffer from JIS Makin' Love, Mountain Style background like Larry Clinton, during seen, until . ; ; Plain Old Dawn Home Bluet a typical vocal gro'ip fault; harmony III Finishing School Was the Finish Martha Tilton sh tor-in­ the ’hot dog” era. Label credits Sy Midnight 1* a fine side Clever piano predominates, rather than melody. De­ of Mr Oliver with having written special ’’pat­ cide blends clary guitar and accordion, ; ; On The Waterfall king joker bell chords, “authentic" T-Bone guitar, Dorothy's trouble, too (which has yet JI Where Flamingos Fly adopting, ’ ter.’’ sung to off-beat interjections Cun- and arty tenor noodling, behind Walk­ a la Dave, with lush strings to boot. to manifest itself, well admit) is with probably nie solos on the reverse, Little. She’s er's blues-shout Though miking almost You expect Gene Kelly to warble Polka material. When clever lyricists run out Strings tremble to simulate condi­ :hing and still a fiery little singer. (Signature lets fellow instrumentalists drown out from the way the intro comes on, in of double - entendre, double - take, and tions at Niagaia, and Martha display* a Wc shrink 15197) the leader, T-Bone’s too clever . . . and MGM style It's not too good, however parody, there’s a diance hillbilly Shay svelte tone which you may prefer to her Even so. Hayward should hit the top first work with Goodman. This am vn Funny Muriel Adams louder than they are, combined. Mid­ may have to locate that mountain hide­ n so. it’s night lists Ted Buckner, trumpet, which soon. (Black & White 864) away about which she’s always singing Waterfall, which is far more gooey in under­ With Laurence Keyes Quartet surprises us, who always thought he wa* where love flows unfettered, and every­ than its flipover, Flamingos, though thr I for back­ J Crasy About That Man an altoist Jelly Roll would have liked Frankie Laine one has a good, simple immoral time pairing is notable for being one of thr J A waiting My Time with You t Lutcher Plain, with its rhumba rhythm-blues J , Ah, But It Happens Mitch Ayres backs. (Columbia 38238) slushiest nature studies yet. (Capital istorted a We can’t believe that (a) small rec­ framework Either our phonograph b 15149) ord companies are actually selling thb A ‘Sneak preview” side, this, therefore utstandinir shot or Billy Hndnott's usually excellent no record number, not any idea as to ia is just trash and making a profit; (b) consum­ bass is lost in the cutting. Cab could Rose Maric Grown Prince Waterford ers are actually paying the asking price. what it will be coupled with. Laine I1 Cheap Tomatoes ucks doe* have lifted his current Manana routine sings this turkey (I know that's the J J Strange Woman’s Boogie This girl sings like Sarah Sarah, how­ from the Spanish dialogue sequence on j J I Nellie Paid the Mortgage J J L.A. Blues ever, does not sing like Mt»- Adams word we use, Tom) well. If you’re try- Plain. (Black * White 127) ing for a cocktail conquest, you’ll like Tomatoes, on a L-A kick, b made Boogie b shouted by the thin-voiced Backing trio plays as the Ink Spots better than zero by Van Alexander’s would if they could. (Apollo 1114) it. (Mercury 5158) Prince, one of whose discs was banned Bob Houston sextet (so that’s why Jack Mason is recently in Memphis . , . which map writing more stocks lately). Rose Marie Andy Russell I ! I’d Love to Live in Loveland Dec Parker be the musical equivalent of being would do well as tht third act in an stifled by Boston’s literary censom. J J I Kiss Your Hand. Madame J J Ou the Waterfall J 7 hat's the Way He Does It eight-act stage bill. Usual bad dialect, uy* from IJ Just for Now Ex-Miller penner Bill Finnegan ।con- I My Curly Headed Baby Good tenor, rough piano slipshod re­ but clever clary-trumpet unison backing cording Piano la more interesting ao crsions of ducts Love. His backings sound like the Reverse Nellie, is Stephen Leacock's What can you say about them? They The Miniatures back Dee, but don't Blue* Lyrics are four-beat calyps«, ice squeal* really Rood mickey work of the '20s Hiram Hayseed set to music. Could be all start as dance band . I rummers, turn play anything, except for a 'lightly dif­ and not too inventive. (Capitol 46132) i sixteenth (Everett Hoaglund Orville Knapp etc.) much, much funnier than it b. Should The Kay to singing click, go to Hollywood, and ferent version of one of Nat Cole’* stay there. Half haven't four per cent of As the label says, Bob Houston “sing*” guitar-piano unison thing-, on Doe*. get it on the jukes though (Mercury । Skyway, —like he was splitting a palate to get 5152) Don Reid a clever the persona] appeal of Frankie Laine, or Pianist would like to sound like Buddy one-tenth the voice of Jeffries If you that Como effect Houstons sincerity b Greco who doesn't want to tound like J Love Is A Dangerout Game e, Beatrice nil. He’d probably love to live in love­ J Just A Girl That Men Forget she could like the Nash doggerel about “deflower­ King Cole Baby b a song. Dee sings it. Savannah Ghurchill ing young owls,” you 11 love (or already land likr we'd jump at a Siberian vaca­ (Mercurv 5149) Love is about as hazardous a contaat do) the Andy Russell ilk. Madam* b tion. Radio conductor Jerry Scar* han­ Four Tunes is n good dean game of darts the wag delightful bear-rug music, lushly (is that dles direction for Waterfall and Hou*- J17 Time Out for Tears Reid telb it vocally Surfaces, even the word we use, Tom?) backed Dean ton is the Mme iMGM 10227' Anne Vincent 11 All My Dreams National's vinylite review release*. UR Elliott band, behind Andy on Just, I You Call Everybody Dorit. I Confess horrible Basil Fomcen’s band should hr struggles to make itself as unobtrusive Sylvia Sims J Blue Bird Polia J Don’t Knew playing Glinka at some joint named » to a* possible. (Capitol 15135) Dartin’ opens with a half-time version J Someday the Balalaika . . . and probably ir J J Close Your Eyet of the intro to Hora Staccato, b sung I Want ta Cry Reid’s publicity handout we'd like te by Mercury ’s Dorothy Shay at a shuffle Dick (Two-Ton) Baker Sylvia treats a melody like Sarah or Savannah *ings Teer* simply, effec­ check ... the guy b a fool to be re­ tempo. Polka is better forgotten, having • J Red's Bu