Nixon in China MAO PAT I … I … I Dream Yes, Dick

Total Page:16

File Type:pdf, Size:1020Kb

Nixon in China MAO PAT I … I … I Dream Yes, Dick 669022-24 bk Adams 7/8/09 10:34 Page 32 CHIANG CH’ING NIXON ! Peking watches the stars, I was “Nick.” AMERICAN OPERA CLASSICS Nanking sleeps naked. Murderers I must have told you that. Stretch out in doorways in Shanghai. Christ, it was beautiful. I swapped MAO Spam for hamburger meat and roped As we ride eastwards to Peking In a few men to rig a stand. I shut my eyes and, listening CHIANG CH’ING (lontano) John Hard, hear the old harmonium We should go underground. We left behind. The revolution must not end. CHIANG CH’ING NIXON ADAMS Chungking’s old-fashioned armory They called it “Nick’s Snack Shack.” I found Lies undefended. Yenan rests The smell of burgers on the grill Like a wise virgin. Made strong men cry. Nixon in China MAO PAT I … I … I dream Yes, Dick. That schools of small transparent fish CHIANG CH’ING, MAO (lontano) Orth • Kanyova • Hammons • Heller • Dahl Race down a shallow river. The revolution must not end. CHIANG CH’ING NIXON Yuan • Malde • Simson • DeDominici All the coasts Now, Bougainville Are clear, and all the oceans still Was a refueling stop … Colorado Symphony Orchestra • Opera Colorado Chorus As we ride eastwards… PAT CHOU I know. Marin Alsop … to Peking Each fighter pilot that came through MAO Got a free burger and a beer. We recoil from victory and all its works. NIXON What do you think of that, Karl Marx? Done to a turn; [medium-rare,] Speak up! Rare, medium, well-done, anything [CHIANG CH’ING You say. The Customer is King. Hush.] Sorry, we’re low on relish. Drinks? PAT This is my way of saying thanks. @ You won at poker. CHOU NIXON # I am old and I cannot sleep I sure did. Forever, like the young, nor hope I had a system. Five card stud That death will be a novelty Taught me a lot about mankind. But endless wakefulness when I Speak softly and don’t show your hand Put down my work and go to bed. Became my motto. How much of what we did was good? PAT Everything seems to move beyond Tell me more. Our remedy. Come, heal this wound. NIXON At this hour nothing can be done. Well, the Pacific theater Just before dawn the birds begin, Was not much to write home about. The warblers who prefer the dark, PAT The cage-birds answering. To work! Yes, dear. I think you told me that. Outside this room the chill of grace I read it while I did my hair Lies heavy on the morning grass. And put it in my stocking drawer With all the others. 3 CDs 8.669022-24 32 669022-24 bk Adams 7/8/09 10:34 Page 2 John Saved from our decays PAT Admire that perfect skeleton, Did it dear? CHOU NIXON ADAMS No one I killed, but those I saw I began to take in all the sights. (b. 1947) Starved to death. PAT MAO You’ve always suffered terribly Those veins, that skin like cellophane. From nervous perspiration. Nixon in China Take them and press them in a book. NIXON Dare we behave as if the meek Picture a thousand coconuts Opera in Three Acts Will mark the places of the wise? Like mandrills’ heads or native masks, CHOU Milk oozing from their broken husks, Only they can tell The flooded rib of a palm frond Libretto by Alice Goodman (b. 1958) How the land lies, where the pitfall Where several centipedes had drowned, Was excavated, the mines laid … Unsanded wood that smelled like meat … Richard Nixon . Robert Orth CHIANG CH’ING Jesus, it grabbed you by the throat. The masses stride ahead of us. PAT Pat Nixon . Maria Kanyova We follow: Wonder what I was doing then? MAO Dressing up as if you’d walk in. Henry Kissinger . Thomas Hammons The instant before bombs explodes At any moment. Mao Tse-tung . Marc Heller Intricate struggles coexist CHIANG CH’ING Within an entity, embraced (When they took off their coats and hung Madame Mao (Chiang Ch’ing) . Tracy Dahl Till they ignite. Them over branches, and the pick CHIANG CH’ING Scraped the eroded ground, I shook Chou En-lai . Chen-Ye Yuan 9 I can keep still, With pure excitement.) 1st Secretary (Nancy T’ang) . Melissa Malde I can say nothing for a while, NIXON While the sparks die high in the air The war was dislocated. 2nd Secretary . Julie Simson The sun moves on. Nothing I fear PAT Has ever harmed me, why should you? Go on, dear. 3rd Secretary . Jennifer DeDominici Marshal your forces, I’ll lie low Don’t let me interrupt. The drought has made me thin and strong. NIXON When they took off their coats and hung Hold a shell Them over branches, and the pick Up to your ear. Guadalcanal Opera Colorado Chorus Scraped the eroded ground, I shook Sounds distant, roughly like the sea. With pure excitement. CHOU Douglas Kinney Frost, Chorus Master CHIANG CH’ING The east is red; 0 (I can keep still, As we ride eastwards to Peking Colorado Symphony Orchestra I can say nothing for a while, Preoccupied with our last long While the sparks die high in the air Triumphal march, the early light The sun moves on. Nothing I fear Embalms each soldier on the route. Marin Alsop Has ever harmed me, why should you?) MAO NIXON As they advance we melt away After that … Into the underbrush; we strike PAT While they’re asleep, a single spark A penny for your thoughts. Sets them alight. Cast the net wide NIXON And draw it in. The sweat had soaked my uniform, [MAO [My hair dripped down my forehead …] Well said!] 8.669022-24 2 31 8.669022-24 669022-24 bk Adams 7/8/09 10:34 Page 30 In Yenan we were just boys. CHIANG CH’ING CD 1 66:22 Once we had roast chicken with peppers. MAO MAO Revolution is a boys’ game. And a light film of dust settled on each plate. Act I, Scene 1 CHOU Your few subjectivist mistakes I have grown old Only confirm Mythology’s eternal charm; And done no more work than a child. Roused from a state of seeming rest 1 Beginning (Orchestra) 2:46 NIXON Its landscape offers up the ghost... 2 “Soldiers of Heaven Hold the Sky” (Chorus) 2:45 There was so much I couldn’t tell. CHIANG CH’ING 3 “The People Are the Heroes Now” (Chorus) 2:51 PAT Small lizards basked among the rocks, Such as? Warm as your hand. 4 Landing of the Spirit of ’76 (Orchestra) 2:34 NIXON MAO 5 “Your Flight Was Smooth, I Hope?” (Chou, Nixon) 1:25 5 Sitting around the radio An ancient tactical retreat, 6 “News Has a Kind of Mystery” (Nixon, Chou, Kissinger, Chorus) 7:29 With the enlisted men, I knew Retrenched in the inanimate. My time had come. The signal cleared These things were men. Transmitting nothing like a word. NIXON Act I, Scene 2 There was a cross round one guy’s neck. 7 When I woke up I noticed that. I dimly realized the Jap PAT Bombers had given us a miss … 7 Beginning (Mao, Nixon, Chou, Kissinger, Secretaries) 4:19 You told me, Dick. [It was the weather I suppose.] 8 “You Know We’ll Meet with Your Confrère, The Democratic Candidate” (Mao, Nixon, Kissinger) 2:40 NIXON PAT 9 “You’ve Said That There’s a Certain Well-known Tree” (Chou, Nixon, Mao, Kissinger, Secretaries) 2:48 The corrugated metal roof Thank heaven for that. Shook in the rain. The men were safe. NIXON 0 “Founders Come First, then Profiteers” (Mao, Secretaries, Nixon, Chou, Kissinger) 7:25 I said goodbye to you then, Pat. Then I went out. ! “We No Longer Need Confucius” (Mao, Secretaries) 3:10 PAT Already it was getting hot, @ “Like the Ming Tombs” (Nixon, Secretaries, Mao, Chou) 5:34 Did you? A cloud of steam rose from the base NIXON Just like a Roman sacrifice. Then I began to wait. PAT Act I, Scene 3 The rain seeped in under the door. I never doubted you’d come back. The lights went out. I always knew. PAT NIXON # Beginning (Nixon, Pat, Chou, Kissinger, Chorus) 6:32 You told me, dear. I felt so weak $ “Ladies and Gentlemen, Comrades and Friends” (Chou, Chorus, Pat, Kissinger) 7:00 NIXON With disappointment and relief % “Mr. Premier, Distinguished Guests” (Nixon, Chorus) 2:48 That was the time I should have died. Everything seemed larger than life. MAO CHOU ^ Cheers! (Chorus, Nixon, Chou, Pat, Kissinger) 4:16 6 Let us examine what you did. 8 I have no offspring. In my dreams We led a quiet life, we grew The peasants with their hundred names, CD 2 51:04 Stronger, we walked behind the plow, Unnamed children and nameless wives And as we worked year after year Deaden my footsteps like dead leaves; The yellow dust that filled the air MAO Act II, Scene 1 Softened the Buddha’s well-known face Your few subjectivist mistakes And made him seem like one of us. Only confirm Mythology’s eternal charm; CHIANG CH’ING Roused from a state of seeming rest 1 Beginning (Pat) 3:49 We ate wild apricots. Its landscape offers up the ghost 2 “Look Down at the Earth” (Chorus, Pat, Secretaries) 5:51 CHOU An ancient tactical retreat, 3 “This Is Prophetic!” (Pat) 7:58 The taste is still in my mouth. Retrenched in the inanimate.
Recommended publications
  • Doctor Atomic
    John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J.
    [Show full text]
  • Doctor Atomic
    What to Expect from doctor atomic Opera has alwayS dealt with larger-than-life Emotions and scenarios. But in recent decades, composers have used the power of THE WORK DOCTOR ATOMIC opera to investigate society and ethical responsibility on a grander scale. Music by John Adams With one of the first American operas of the 21st century, composer John Adams took up just such an investigation. His Doctor Atomic explores a Libretto by Peter Sellars, adapted from original sources momentous episode in modern history: the invention and detonation of First performed on October 1, 2005, the first atomic bomb. The opera centers on Dr. J. Robert Oppenheimer, in San Francisco the brilliant physicist who oversaw the Manhattan Project, the govern- ment project to develop atomic weaponry. Scientists and soldiers were New PRODUCTION secretly stationed in Los Alamos, New Mexico, for the duration of World Alan Gilbert, Conductor War II; Doctor Atomic focuses on the days and hours leading up to the first Penny Woolcock, Production test of the bomb on July 16, 1945. In his memoir Hallelujah Junction, the American composer writes, “The Julian Crouch, Set Designer manipulation of the atom, the unleashing of that formerly inaccessible Catherine Zuber, Costume Designer source of densely concentrated energy, was the great mythological tale Brian MacDevitt, Lighting Designer of our time.” As with all mythological tales, this one has a complex and Andrew Dawson, Choreographer fascinating hero at its center. Not just a scientist, Oppenheimer was a Leo Warner and Mark Grimmer for Fifty supremely cultured man of literature, music, and art. He was conflicted Nine Productions, Video Designers about his creation and exquisitely aware of the potential for devastation Mark Grey, Sound Designer he had a hand in designing.
    [Show full text]
  • Motion Film File Title Listing
    Richard Nixon Presidential Library and Museum (714) 983 9120 ◦ http://www.nixonlibrary.gov ◦ [email protected] MOTION FILM FILE ● MFF-001 "On Guard for America: Nixon for U.S. Senator TV Spot #1" (1950) One of a series of six: On Guard for America", TV Campaign spots. Features Richard M. Nixon speaking from his office" Participants: Richard M. Nixon Original Format: 16mm film Film. Original source type: MPPCA. Cross Reference: MVF 47 (two versions: 15 min and 30 min);. DVD reference copy available ● MFF-002 "On Guard For America: Nixon for U.S. Senator TV Spot #2" (1950) One of a series of six "On Guard for America", TV campaign spots. Features Richard Nixon speaking from his office Participants: Richard M. Nixon Original Format: 16mm film Film. Original source type: MPPCA. DVD reference copy available ● MFF-003 "On Guard For America: Nixon for U.S. Senator TV Spot #3" (1950) One of a series of six "On Guard for America", TV campaign spots. Features Richard Nixon speaking from his office. Participants: Richard M. Nixon Original Format: 16mm film Film. Original source type: MPPCA. DVD reference copy available Monday, August 06, 2018 Page 1 of 202 Richard Nixon Presidential Library and Museum (714) 983 9120 ◦ http://www.nixonlibrary.gov ◦ [email protected] MOTION FILM FILE ● MFF-004 "On Guard For America: Nixon for U.S. Senator TV Spot #4" (1950) One of a series of six "On Guard for America", TV campaign spots. Features Richard Nixon speaking from his office. Participants: Richard M. Nixon Original Format: 16mm film Film. Original source type: MPPCA.
    [Show full text]
  • ST. LOUIS SYMPHONY DAVID ROBERTSON, CONDUCTOR Wednesday, March 29, 2017, at 7:30Pm Foellinger Great Hall PROGRAM ST
    ST. LOUIS SYMPHONY DAVID ROBERTSON, CONDUCTOR Wednesday, March 29, 2017, at 7:30pm Foellinger Great Hall PROGRAM ST. LOUIS SYMPHONY David Robertson, music director and conductor John Adams The Chairman Dances, Foxtrot for Orchestra (1985) (b. 1947) Aaron Copland Appalachian Spring, Ballet Suite for Orchestra (1944) (1900–1990) 20-minute intermission Ludwig van Beethoven Symphony No. 7 in A major, op. 92 (1812) (1770–1827) Poco sostenuto; Vivace Allegretto Presto; Assai meno Allegro con brio 2 THANK YOU TO THE SPONSORS OF THIS PERFORMANCE GIVING OF ACT THE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. Krannert Center honors the memory of Endowed Underwriters Marilyn Pflederer Zimmerman & Vernon K. Zimmerman. Their lasting investment in the performing arts and our community will allow future generations to experience world-class performances such as this one. * Krannert Center gratefully acknowledges the continued generosity of Endowed Sponsors Mary & Kenneth Andersen. With their previous sponsorships, they demonstrate their dedication to sharing beautiful and significant cultural events with our community. *PHOTO CREDIT: ILLINI STUDIO 3 * * JAMES ECONOMY HELEN & DANIEL RICHARDS Special Support of Classical Music Twenty-Seven Previous Sponsorships * * THE ACT OF GIVING OF ACT THE PEGGY MADDEN & MARY SCHULER & RICHARD PHILLIPS STEPHEN SLIGAR Fourteen Previous Sponsorships Five Previous Sponsorships Two Current Sponsorships
    [Show full text]
  • AHR Forum the Rise and Fall of an International Counterculture, 1960–1975
    AHR Forum The Rise and Fall of an International Counterculture, 1960–1975 JEREMI SURI IN THE FEMININE MYSTIQUE—BETTY FRIEDAN’S 1963 attack on domesticity—the au- thor describes how she “gradually, without seeing it clearly for quite a while . came to realize that something is very wrong with the way American women are trying to live their lives today.”1 Despite the outward appearance of wealth and contentment, Friedan argued that the Cold War was killing happiness. Women, in particular, faced strong public pressures to conform with a family image that emphasized a finely manicured suburban home, pampered children, and an ever-present “housewife her- oine.”2 This was the asserted core of the good American life. This was the cradle of freedom. This was, in the words of Adlai Stevenson, the “assignment” for “wives and mothers”: “Western marriage and motherhood are yet another instance of the emer- gence of individual freedom in our Western society. Their basis is the recognition in women as well as men of the primacy of personality and individuality.”3 Friedan disagreed, and she was not alone. Surveys, interviews, and observations revealed that countless women suffered from a problem that had no name within the standard lexicon of society at the time. They had achieved the “good life,” and yet they felt unfulfilled. Friedan quoted one particularly articulate young mother: I’ve tried everything women are supposed to do—hobbies, gardening, pickling, canning, being very social with my neighbors, joining committees, running PTA teas. I can do it all, and I like it, but it doesn’t leave you anything to think about—any feeling of who you are.
    [Show full text]
  • Richard Nixon's ''Checkers'' Speech, 1952
    Richard Nixon's ''Checkers'' Speech, 1952 September 23, 1952 My fellow Americans: I come before you tonight as a candidate for the Vice Presidency and as a man whose honesty and integrity have been questioned. The usual political thing to do when charges are made against you is to either ignore them or to deny them without giving details. I believe we've had enough of that in the United States, particularly with the present Administration in Washington D.C. To me the office of the Vice Presidency of the United States is a great office, and I feel that the people have got to have confidence in the integrity of the men who run for that office and who might obtain it. I have a theory, too, that the best and only answer to a smear or to an honest misunderstanding of the facts is to tell the truth. And that's why I'm here tonight. I want to tell you my side of the case. I am sure that you have read the charge and you've heard it that I, Senator Nixon, took $18,000 from a group of my supporters. Now, was that wrong? And let me say that it was wrong-I'm saying, incidentally, that it was wrong and not just illegal. Because it isn't a question of whether it was legal or illegal, that isn't enough. The question is, was it morally wrong? I say that it was morally wrong if any of that $18,000 went to Senator Nixon for my personal use.
    [Show full text]
  • Building Cold War Warriors: Socialization of the Final Cold War Generation
    BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
    [Show full text]
  • On Nixon, 25 on Kissinger, and More Than 600 on Mao
    Nixon and Kissinger: Partners in Powers Nixon and Mao: The Week that Changed the World Roundtable Review Reviewed Works: Robert Dallek. Nixon and Kissinger: Partners in Power. New York: Harper Collins, 2007. 740 pp. $32.50. ISBN-13: 978-0060722302 (hardcover). Margaret MacMillan. Nixon and Mao: The Week that Changed the World. New York: Random House, 2007. 404 pp. $27.95. ISBN-13: 978-1-4000- 6127-3 (hardcover). [Previously published in Canada as Nixon in China: The Week that Changed the World and in the UK as Seize the Hour: When Nixon Met Mao.]. Roundtable Editor: David A. Welch Reviewers: Jussi M. Hanhimäki, Jeffrey Kimball, Lorenz Lüthi, Yafeng Xia Stable URL: http://www.h-net.org/~diplo/roundtables/PDF/NixonKissingerMao-Roundtable.pdf Your use of this H-Diplo roundtable review indicates your acceptance of the H-Net copyright policies, and terms of condition and use. The following is a plain language summary of these policies: You may redistribute and reprint this work under the following conditions: Attribution: You must include full and accurate attribution to the author(s), web location, date of publication, H-Diplo, and H-Net: Humanities and Social Sciences Online. Nonprofit and education purposes only. You may not use this work for commercial purposes. For any reuse or distribution, you must make clear to others the license terms of this work. Enquiries about any other uses of this material should be directed tothe H-Diplo editorial staff at h- [email protected]. H-Net’s copyright policy is available at http://www.h-net.org/about/intellectualproperty.php .
    [Show full text]
  • A Season of Thrilling Intrigue and Grand Spectacle –
    A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents.
    [Show full text]
  • The Systematic Identification and Articulation of Content Standards and Benchmarks. Update. INSTITUTION Mid-Continent Regional Educational Lab., Aurora, CO
    DOCUMENT RESUME ED 403 308 TM 026 040 AUTHOR Kendall, John S.; Marzano, Robert J. TITLE The Systematic Identification and Articulation of Content Standards and Benchmarks. Update. INSTITUTION Mid-Continent Regional Educational Lab., Aurora, CO. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE Mar 95 CONTRACT RP91002005 NOTE 598p. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) Reports Descriptive (141) EDRS PRICE MF03/PC24 Plus Postage. DESCRIPTORS Art; *Course Content; *Educational Improvement; Elementary Secondary Education; Geography Instruction; Health Education; History Instruction; *Identification; Language Arts; Mathematics Education; Science Education; *Standards; Thinking Skills IDENTIFIERS *Benchmarking; *Subject Content Knowledge ABSTRACT The project described in this paper addresses the major issues surrounding content standards, provides a model for their identification, and applies this model to identify standards and benchmarks in subject areas. This update includes a revision of content standards and benchmarks published in, earlier updates and the synthesis and identification of standards in new areas. Standards and benchmarks are provided for science, mathematics, history, geography, the arts, the language arts, and health. Also included are standards in thinking and reasoning and an analysis and description of knowledge and skills considered important for the workplace. Following an introduction, the second section presents an overview of the current efforts towards standards in each of these subject areas. Section 3 describes the technical and conceptual differences that have been apparent in the standards movement and the model adopted for this study. Section 4 presents key questions that should be addressed by schools and districts interested in a standards-based strategy.
    [Show full text]
  • 2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
    seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public.
    [Show full text]
  • 2021 Competition Program
    Preliminaries: Saturday, March 6, 2021 The Preliminaries will be held for competitors and judges only. Finals: Saturday, March 20, 2021 Live-Streamed Event - 1-5 p.m. The objective of the Denver Lyric Opera Guild is the encouragement and support of young singers and the continuing education of members in the appreciation and knowledge of opera. For more information on DLOG Membership and Member Events www.denverlyricoperaguild.org Denver Lyric Opera Guild Denver Lyric Opera Guild is a non-profit membership organization of over 180 members. DLOG was founded in 1965 to help support the Denver Lyric Opera Company. The opera company was forced to close in 1968, but the Guild pursued other programs in keeping with its purpose to encourage and support young singers and provide continuing education to the members in the appreciation and knowledge of opera. Competition for Colorado Singers In 1984, the Guild inaugurated its signature event, the Competition for Colorado Singers, to support singers ages 23-32 in pursuing their operatic careers. Since then, the Guild has awarded over $850,000 to Competition winners. Hundreds of young singers have successfully launched their operatic and musical careers since winning the Competition. Grants The Guild provides grants to Colorado’s colleges and universities for vocal scholarships, and to apprentice opera programs. Over the years, these grants have totaled over $812,000 from the earnings on our endowment. Grants are given to the voice performance programs at Colorado State University, Metro State University of Denver, University of Colorado, University of Denver, University of Northern Colorado, and young artist apprentice programs of Central City Opera, Opera Colorado, Opera Fort Collins, and Opera Theatre of the Rockies in Colorado Springs.
    [Show full text]