Students, Alumni Lobby for State Funding
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Riis's How the Other Half Lives
How the Other Half Lives http://www.cis.yale.edu/amstud/inforev/riis/title.html HOW THE OTHER HALF LIVES The Hypertext Edition STUDIES AMONG THE TENEMENTS OF NEW YORK BY JACOB A. RIIS WITH ILLUSTRATIONS CHIEFLY FROM PHOTOGRAPHS TAKEN BY THE AUTHOR Contents NEW YORK CHARLES SCRIBNER'S SONS 1890 1 of 1 1/18/06 6:25 AM Contents http://www.cis.yale.edu/amstud/inforev/riis/contents.html HOW THE OTHER HALF LIVES CONTENTS. About the Hypertext Edition XII. The Bohemians--Tenement-House Cigarmaking Title Page XIII. The Color Line in New York Preface XIV. The Common Herd List of Illustrations XV. The Problem of the Children Introduction XVI. Waifs of the City's Slums I. Genesis of the Tenements XVII. The Street Arab II. The Awakening XVIII. The Reign of Rum III. The Mixed Crowd XIX. The Harvest of Tare IV. The Down Town Back-Alleys XX. The Working Girls of New York V. The Italian in New York XXI. Pauperism in the Tenements VI. The Bend XXII. The Wrecks and the Waste VII. A Raid on the Stale-Beer Dives XXIII. The Man with the Knife VIII.The Cheap Lodging-Houses XXIV. What Has Been Done IX. Chinatown XXV. How the Case Stands X. Jewtown Appendix XI. The Sweaters of Jewtown 1 of 1 1/18/06 6:25 AM List of Illustrations http://www.cis.yale.edu/amstud/inforev/riis/illustrations.html LIST OF ILLUSTRATIONS. Gotham Court A Black-and-Tan Dive in "Africa" Hell's Kitchen and Sebastopol The Open Door Tenement of 1863, for Twelve Families on Each Flat Bird's Eye View of an East Side Tenement Block Tenement of the Old Style. -
SFX Entertainment
MediaTainment FINANCE Issue No. 23 For Decision-Makers and Strategists Who Value Creativity and Appreciate the Value Creativity Brings to Business www.mediatainmentfinance.com Facebook: MediaTainment Finance; Twitter: @MediatainmentMT; @JayKayMed NEWS … 3-14 film: Pinewood regains Shepperton Studios in £37m buyout; China Star raises HK$134m tv: Viacom buys Channel 5 to take on UK; Hearst pays $81m for AwesomenessTV stake music: 10 highest-earning music stars amass $1.36bn games: Gfinity introduces eSport to UK stock exchange; Vivendi settles $275m lawsuit fashion: Advent seeks IPO for fashion retail giant architecture: Thomas Heatherwick Studios designs London, New York river gardens books/prints: HarperCollins launches New Age imprint; Vox Media raises $46.5m ads/marketing: Dentsu Aegis’ $48m Fetch Media acquisition; Brands embrace new tech sport: UK Premier League rights to top $7bn copyright: US Supreme Court tackles Spider Man toy; IP worth $14.5bn to the Philippines live entertainment: Dalian Wanda’s $1.3bn theme park; global music tours valued $20bn photography/art: Iceland government slashes arts funding FEATURES & REPORTS THE UNSEEN: —the London design studio that is taking fashion and innova- tive creative industries by a storm with a magic fabric that changes colour in response to the invisible substances in our environment. See more on … page 15 SFX Entertainment Inc: — why on earth use stock exchange cash to fi- nance electronic dance music festivals starring DJs with names like Avicii, Deadmau5 and Afrojack ? CEO Robert Sillerman -
Atorina Piccolo,Heather Kohler,Joel Pryor,Janine Fazzolari Punales
Atorina Piccolo Primary Roles: VIP Manager, Artist Relations, Production Coordinator, Able to travel? Yes Company: Independent Contrator Reach out: [email protected] Last Events Worked: Tortuga Music Festival, South By Southwest, Dead & Company Playing in the Sand Based In: Austin, TX Three Event Items I Cannot Live Without:Water, Eyeglasses/Contacts and Live Music Social Media Links and Bio: I am a 24 year old highly motivated individual always ready to try new things. I’ve been living life on edge (freelancing) for 4 years now and not ready to quit yet. My friend always says to me after I describe my travel to gigs as “organized chaos” so it is safe to say that is something I live for. What I love most about what I do is that I love what I do. I live to travel, learn and love. My experience began working VIP programs for tours, then to festivals and now I will work any live event I can get into. Managing VIP Programs and working in Artist Relations are some of my favorite departments. I also have plenty of experience in guest services, transportation and ticketing. I see myself being a producer of festivals/large scale live events one day and would love to work and meet people in operations and production around the world until that happens. Heather Kohler Primary Roles: Management , Box Office Operations, Artist Relations, Hospitality, Staffing Coordinator, Production Assistant, Able to travel? Yes Company: Independent Contrator United States Reach out: [email protected] (615) 977-6717 (615) 977-6717 Last Events Worked: Beyond Wonderland, Life in Color Miami, iiipoints, Dirtybird Campout Based In: Nashville, TN Three Event Items I Cannot Live Without: My Runnur, a good pair of boots, and a great team to work with. -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec. -
The Leases of the Laureion Mines
THE LEASESOF THE LAUREION MINES (PLATES 83-97) D URING the excavation of the Athenian Agora seventy-five fragments of the poletai inscriptions which record the leases of the silver mines at Laureion and the sale of confiscated property have been found. Two have already been published in Hesperia (V, 1936, no. 10, pp. 393-413, and X, 1941, no. 1, pp. 14-27). Eight frag- ments of this same series, all also found in Athens, are published in I.G., IJ2, 1582.-89. These previously published pieces have been included in the numerical series of texts here, which is arranged chronologically in so far as possible, and the data from them included in the index and chart. Amazingly few facts are known about the Laureion mines, so generally, and undoubtedly correctly, believed to have played a very important part in the rise and supremacy of Athens. What revenue did Athens get from them and how and when was this revenue collected? How were they administered? What was the term of the lease? What is the meaning of the different classifications? Who were the men who leased the mines? Any information that can be gained from these new texts is most welcome. It will be limited, by the inscriptions themselves, to the problems of the leases in the fourth century. All generalizations and conclusions are most tentative, based on the limited evidence now available from these very fragmentary texts. One or two rela- tively complete stelai from the third quarter of the fourth century, with dated heading preserved, would provide positive solutions to many questions and quite possibly solutions different from those suggested here. -
1990S POP HITS QUIZ
1990s POP HITS QUIZ ( www.TriviaChamp.com ) 1> Originally, written and recorded by Prince, what female had a hit with the song "Nothing Compares 2 U"? a. Alanis Morissette b. Sinead O'Connor c. Madonna d. Britney Spears 2> Finish the song title to this number one hit for Nirvana, ???? Like Teen Spirit. a. Feels b. Smells c. Looks d. Just 3> Smash Mouth had a mega-hit singing about doing what with the sun? a. Going to b. Looking at c. Walking on d. Shutting out 4> Ray of ?????? was a hit for Madonna. a. Light b. Love c. Sunshine d. Moonlight 5> Once a member of The New Mickey Mouse Club on Disney's cable network, who had a number one hit with "...Baby One More Time"? a. Britney Spears b. Cher c. Whitney Houston d. Mariah Carey 6> Whitney Houston had a number one hit with "I Will Always Love You" in 1992. Who originally wrote and recorded the song? a. Cher b. Mariah Carey c. Dolly Parton d. Pat Benatar 7> What did Cher ask us to do in 1998? a. Give Peace a Chance b. Love c. Believe d. Sing 8> Who released the hit "All I Wanna Do" in 1993? a. Whitney Houston b. Sheryl Crow c. Alanis Morissette d. Gloria Estefan 9> Released in 1992 on their Blood Sugar Sex Magik album, what band released the song, Under the Bridge? a. Smashing Pumpkins b. Red Hot Chilli Peppers c. U2 d. Blackstreet 10> Melissa Etheridge wanted everyone to "Come to my ??????" in 1994? a. -
Awards Lifestyle
12 Established 1961 Lifestyle Awards Tuesday, March 16, 2021 In this handout photo US singer Beyonce accepts the Best In this handout photo Megan Thee Stallion, winner of the In this handout photo (from left) Laura Sisk, Jack Antonoff, Taylor Swift, Aaron Dessner, and Jonathan Low, winners of the Rap Performance award for “Savage” onstage during the Best Rap Performance and Best Rap Song awards for Album of the Year award for ‘Folklore.’ 63rd Annual Grammy Awards at Los Angeles Convention ‘Savage’ and the Best New Artist award, poses in the media Center. — AFP photos room. omen won every major Grammy to make sad music to feel like it mat- at Sunday’s history-making gala, tered,” she said. “And I’m just so grateful Wa joyful night for music’s biggest and so honored because happiness is stars after a devastating year for the something we all deserve and need in industry, with Beyonce, Megan Thee our lives.” Stallion and Taylor Swift triumphing at the Brittany Howard-known for fronting the socially distanced event anchored by band Alabama Shakes-won Best Rock electrifying performances. It was a monu- Song, as Fiona Apple scored two awards mental night for Beyonce, who broke the for her album “Fetch The Bolt Cutters,” record for most career wins by a female which many critics hailed as a master- artist with 28. Swift became the first piece. Though most of the rock fields woman to win the coveted Album of the were unprecedentedly dominated by Year prize three times, this year for “folk- women, The Strokes won for Best Rock lore,” the first of her twin quarantine Album for “The New Abnormal,” their first releases. -
Record of the Year 2009-2010
THE CONNECTICUT AGRICULTURAL EXPERIMENT STATION Record of the Year 2009-2010 The Connecticut Agricultural Experiment Station, founded in 1875, was the first state agricultural experiment station in the United States. The Station has laboratories, offices, and greenhouses at 123 Huntington Street, New Haven 06511, Lockwood Farm for experiments on Evergreen Avenue in Hamden 06518, the Valley Laboratory and farm on Cook Hill Road, Windsor 06095, and a research center in Griswold and Voluntown (on Sheldon Road). Station research is conducted by members of the following departments: Analytical Chemistry, Biochemistry and Genetics, Entomology, Forestry and Horticulture, Environmental Sciences, and Plant Pathology and Ecology. The Station is chartered by the Connecticut General Statutes to experiment with plants and their pests, insects, soil and water and to perform analyses. 2 The Connecticut Agricultural Experiment Station | Record of the Year 2009-2010 TABLE OF CONTENTS INTRODUCTION 5 BOARD OF CONTROL 6 STATION STAFF 7 PLANT SCIENCE DAY 10 EVENTS HELD AT STATION 13 Lockwood Lecture – Dr. Clive A. Edwards 13 Lockwood Lecture – Dr. Kevin T. Smith 13 Farm to Chef Program 13 Sigma Xi Poster Conference 14 CGGA-CAES-UCONN Diagnostics Workshop 14 Governor Rell visits the Station 14 EVENTS HELD AT VALLEY LABORATORY 14 Twilight Meeting of CT Christmas Tree Growers 14 Nursery an Landscape Research Tour 15 Biological Control Workshop 15 EVENTS HELD AT LOCKWOOD FARM 15 Soils Workshop 15 2009 Green Expo 16 Congresswoman Rosa DeLauro Visits Lockwood Farm -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 8, 2021 Page 1 of 29 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top •Country Morgan Albums Wallen’s chart dated April 18. In itsLeads first week (ending AprilHot 9), it 100 for 8th Week, earned‘Dangerous’ 46,000 equivalent Hits album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingEighth to Nielsen Week at Music/MRC No. Data. The Weeknd’sand total Country ‘Blinding Airplay No. 1 as “Catch” (BigLights’ Machine Label Group) ascends Southside1 on Billboard marks 200 Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart andAlbums fourth Chart top 10. It follows freshman LP Marks a Year in TopYoung’s first 10 of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • New Annenberg vember 2014 and reigned for nine weeks. To date, BY GARY TRUST followed with the multiweek No. 1s “In Case You MontevalloStudy hasShows earned ‘No 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionMeaningful’ in album Changesales. -
CHARLES R. SMITH, JR. Story & Libretto
Our missions is: • to create new operas that enchant, challenge, and inspire our diverse global community & encourage new ways of seeing our world; • to make opera relevant to our 21st century world, nation, and communities We do this: • by engaging new audiences & new generations in the process and the performance of the opera; • by partnering with producers and community organizations to extend our reach both within and far outside the walls of the opera house. Opera was first created as a theatrical form for the people. Our mission is to help keep it that way. Ardea Arts, Inc. is a not-for-profit 501(c)(3) corporation. All donations are tax-deductible to the full extent allowed by law. [email protected] // 463 BROOME ST, NEW YORK, NY 10013 // TEL 212.431.7039 ARDEAARTS.COM WWW.ARDEAARTS.COM/BOUNCE Promo Pack: www.artistecard.com/bounce Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com ABOUT THE SHOW BOUNCE Promo Kit: www.artistecard.com/bounce “...a new form of Opera and a cast of wonderful young people...” From an Audience Member at our March Presentation 2017 Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com CREDITS BOUNCE THE BASKETBALL OPERA Concept & Direction: Grethe Barrett Holby Story & Libretto: Charles R. Smith, Jr. Lead Composer: Glen Roven Additional Music: Tomás Doncker Basketball EDM Tracks: Ansel Elgort aka DJ Ansolo Co-Producer & Conductor: Everett McCorvey Location: Basketball courts or large flexible theatrical space. -
Hosting an Electronic Dance Music Festival Is All About Strategy and Execution
Hosting an electronic dance music festival is all about strategy and execution. BY JASON HENSEL My first electronic dance music experience took place in a small, warehouse space called Club Industry. Located in Deep Ellum in Dallas, the venue was like a miniature version of the raves that would become popular in the mid-1990s. As my friends and I danced to the thump thump thump of industrial techno, laser lights shot across the room and dry ice bellowed between our legs. It was our great escape from the daily grind of high school life. Looking at today’s electronic dance music (EDM) festivals, it’s easy to see that the only change is one of size. Instead of 100 people dancing in a small room, there are tens of thou- sands of dancers in a large venue or under an open sky. The EDM business is worth $4 billion worldwide. Its highest paid DJs make $115 million collectively. The festivals draw predominately male crowds, and ticket sales are six times higher than other events such as sporting or performing arts. In December 2013, the Kay Baily Hutchinson Convention Center Dallas played host to Lights All Night, an EDM festival featuring Deadmau5, Icona Pop, and Major Lazer, among oth- ers. The event drew 40,000 guests over the two days. Planning for the event started in January 2013, and safety and security was one of the first items on the agenda. “The vetting process begins with an understanding of the event logistics and timeframe,” said Al Rojas, assistant director of the convention center. -
Top 200 North American Tours
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 199.4 Taylor Swift 111.54 43,600 1,787,597 4,863,210 41/62 Messina Touring Group 2 116.4 Kenny Chesney 85.37 24,343 1,363,190 2,078,212 56/59 Dale Morris & Associates 3 114.9 Garth Brooks 64.47 77,488 1,782,224 4,995,652 23/120 Bob Doyle & Associates 4 109.7 The Rolling Stones 174.50 44,910 628,733 7,836,716 14/14 AEG Live 5 82.2 Kevin Hart 73.00 10,331 1,126,027 754,128 109/137 APA 6 76.2 U2 117.10 65,058 650,582 7,618,638 10/36 Live Nation Global Touring 7 72.3 One Direction 79.82 39,372 905,546 3,142,728 23/24 Creative Artists Agency 8 71.5 Luke Bryan 55.48 23,866 1,288,752 1,324,074 54/72 WME 9 69.9 Billy Joel 106.47 36,473 656,522 3,883,333 18/29 Artist Group International 10 69.0 Shania Twain 98.13 10,818 703,148 1,061,538 65/69 Creative Artists Agency 11 67.3 Fleetwood Mac 125.36 13,094 536,853 1,641,463 41/42 Creative Artists Agency 12 58.0 Juan Gabriel 100.71 10,284 575,911 1,035,714 56/72 God Is Music SA de CV 13 53.8 AC/DC 90.43 42,464 594,500 3,839,923 14/14 Creative Artists Agency 14 52.2 Grateful Dead - “Fare Thee Well” 144.32 180,967 361,933 26,116,207 2/5 Peter Shapiro 15 47.8 Trans-Siberian Orchestra 57.19 13,709 836,258 783,969 61/102 WME 16 45.2 Zac Brown Band 52.69 18,662 858,458 983,238 46/52 Creative Artists Agency 17 44.5 Cirque du Soleil - “Kurios” 87.82 16,364 507,281 1,437,076 31/274 Cirque du Soleil 18 44.0 Maroon 5 84.22 16,853 522,441 1,419,355 31/34 Creative Artists Agency 19 43.7 Madonna 142.50