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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Contents Index
President’s Welcome Dear Students, On behalf of the entire Marymount Manhattan community, I am delighted to welcome you to our college, a vibrant, close-knit community of intellectually curious and creative students, faculty, and staff in the heart of New York City. The College mission is to prepare a highly diverse student body for socially engaged lives and fulfilling careers. Central to these efforts is the particular attention given to each one of you, our students. Marymount Manhattan provides an intensely personal educational environment in which you will develop your unique path by pursuing your individual interests and passions, while exploring new ideas, new approaches, and new worlds. In the pages of this course catalogue, you will find essential information about the College’s rich and varied curriculum, which I hope will inspire you to explore both widely and deeply. Included is an overview of the programs of study, degree requirements, policies and procedures, and other information that will help you make the most of your Marymount Manhattan experience. Beyond these pages, you will find talented and dedicated faculty members who are eager to help you achieve your educational and professional goals. You will find caring staff members who will do their best to ensure the quality of your undergraduate experience and give you the help and guidance you need to succeed. You will discover academic programs that will transform your ways of thinking and expand your knowledge. You will meet friends and colleagues in our diverse community who will join you on this exciting journey. As you embark on a new academic year, I encourage you to take advantage of the extraordinary opportunities that Marymount Manhattan offers. -
2011 Schedule
2011 SCHEDULE MONDAY, AUGUST 1 • MARLON BRANDO 6:00 AM The Fugitive Kind (’60) 8:15 AM Julius Caesar (’53) 10:30 AM The Chase (’66) 1:00 PM Reflections in a Golden Eye (’67) 3:00 PM The Teahouse of the August Moon (’56) 5:15 PM Guys and Dolls (’55) 8:00 PM The Wild One (’53) 9:30 PM A Streetcar Named Desire (’51) 12:00 AM On the Waterfront (’54) 2:00 AM The Freshman (’90) 4:00 AM The Formula (’80) TUESDAY, AUGUST 2 • PAULETTE GODDARD 6:00 AM Vice Squad (’53) 7:30 AM Dramatic School (’38) 9:00 AM Paris Model (’53) 10:30 AM Nothing But the Truth (’41) 12:15 PM The Crystal Ball (’43) 1:45 PM On Our Merry Way (’48) 3:30 PM Charge of the Lancers (’53) 4:45 PM Second Chorus (’40) 6:30 PM Modern Times (’36) 8:00 PM The Great Dictator (’40) 10:15 PM Reap The Wild Wind (’42) 12:30 AM An Ideal Husband (’47) 2:15 AM The Women (’39) 4:30 AM Pot O’ Gold (’41) WEDNESDAY, AUGUST 3 • BETTE DAVIS 6:00 AM The Working Man (’33) 7:30 AM Stardust: The Bette Davis Story (’05) 9:00 AM Now, Voyager (’42) 11:00 AM Bordertown (’35) 12:45 PM 20,000 Years in Sing Sing (’32) 2:15 PM Juarez (’39) 4:30 PM The Letter (’40) 6:30 PM The Petrified Forest (’36) 8:00 PM The Old Maid (’39) 10:00 PM Jezebel (’38) 12:00 AM The Corn is Green (’45) 2:00 AM The Catered Affair (“56) 3:45 AM John Paul Jones (’59) THURSDAY, AUGUST 4 • RONALD COLMAN 6:00 AM Lucky Partners (’40) 7:45 AM My Life with Caroline (’41) 9:15 AM The White Sister (’23) 11:30 AM Kiki (’26) 1:30 PM Raffles (’30) 2:45 PM The Unholy Garden (’31) 4:15 PM Arrowsmith (’31) 6:15 PM The Prisoner of Zenda (’37) 8:00 -
The Red Book
What are we? 1 wh at a re we? An Introduction to Boston College and Its Jesuit and Catholic Tradition Center for Ignatian Spirituality Boston College 2009 Ignatius the Pilgrim, by Montserrat Gudiol. 1991 how to use this bo ok This book was written to introduce you to Boston College as a Jesuit and Catholic university. It also explains something of the distinctive spiritual vi - sion that led to the founding of Boston College and that still animates BC today. You will notice right away that this book is laid out in an unusual way. On the right-hand pages a narrative unfolds that first introduces you to the book, then tells you something about Ignatius Loyola, the Jesuit order he founded, and the his - tory of Jesuit education. Then, continuing on the right-hand pages, there is a chapter that presents Ignatian spirituality as a point of view that you might find useful for your personal life and for your work. There is a chapter that examines how Boston College has tried to live out this vision in the nearly 150 years of its history. Finally, there are iii some suggestions about how you might do this at graduates. Graduate students, faculty and admin - BC today. istrative staff who have recently come to work On the left-hand pages you will find a variety of here, alumni, and parents of students may also readings: quotations from writers from different find it useful, but they will have to translate some religious traditions, extracts from significant Je - of the details into language that is appropriate for suit documents, bits of BC history, classic Chris- them. -
English 1 - a English No
SONG LIST FOR MULTMEDIA KARAOKE PLAYER ENGLISH 1 - A ENGLISH NO. TITLE SINGER NO. TITLE SINGER 6624 V 1 2 3 Gloria Estefan 1344 A Dear John Letter Keith Green 2852 10 Guitars Engelbert Humperdinck 8 A Different Beat Boyzone 1240 100 Years Five For Fighting 1625 A Fool Such As I Elvis Presley 2 100% Pure Love Crystal Waters 6791 V A Fool Such As I Elvis Presley 1834 12 Days Of Christmas Ray Conniff 3540 A Friend Keno 3559 18 Life Skid Row 9 A Girl Like You Edwyn Collins 3 19 Hundred And 85 Paul Mccartney 2270 A Girl's Gotta Do Mindy Mccready 3538 1985 Bowling for soup 6658 V A Girl's Gotta Do(What A Girl'... Mindy Mccready 3560 1999 Prince 3567 A Groovy Kind Of Love Wayne Fontana 932 2 Be 3 Philipe Goyon 1345 A Guy Is A Guy Doris Day 5380 2 Be 3 Philipe Goyon 3568 A Hard Day's Night Beatles 5382 2 Be 3 Philipe Goyon 6098 V A Hard Day's Night Beatles 3561 2 Become 1 Spice Girls 3569 A Haze Shade Of Winter Bangles 7042 V 2 Become 1 Spice Girls 3410 A Heart Like Mine Gospel 2858 2 In A Million S Club 7 3570 A Horse With No Name America 3562 2 Times Ann Lee 10 A House Is Not A Home Dionne Warwick 3563 2001 C C Rider Elvis Presley 2271 A House With No Curtains Alan Jackson 2810 214 Rivermaya 7363 V A House With No Curtains Alan Jackson 3539 214 (Improved Version) Rivermaya 3398 A Kind Of Magic Queen 3564 25 Minutes Michael Learns To Rock 11 A Little Bit More Dr Hook 7469 V 25 Minutes Michael Learns To Rock 2272 A Little Bit More Abba 3565 25 Or 6 To 4 Chicago 6484 V A Little Bit Of You Lee Roy Parnell 4 4 + 20 CSN & Y 7393 V A Little Gasoline -
Screwball Comedies: Eine Filmographie, Eine Bibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Screwball Comedies: Eine Filmographie, eine Bibliographie 2003 https://doi.org/10.25969/mediarep/12854 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Screwball Comedies: Eine Filmographie, eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 50). DOI: https://doi.org/10.25969/mediarep/12854. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0050_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0050_03.pdf. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Inhalt: Angel (Engel); USA 1937, Ernst Lubitsch, D: Marle- I. Die Filme (A-Z) ne Dietrich, Herbert Marshall. II. Die Regisseure (A-Z) III. Die Stars (A-Z) Annabel Takes a Tour; USA 1938, Lew Landers, D: IV. Chronologie Jack Oakie, Lucille Ball. V. Bibliographie Another Thin Man (Noch ein dünner Mann; aka: [*] Für Hinweise danke ich Christine Noll Brinckmann, Dünner Mann, dritter Fall); USA 1939, W.S. Van Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz Dyke, D: William Powell, Myrna Loy. -
Economic Effects of Vertical Disintegration: the American Motion Picture Industry, 1945 to 1955
Working Papers No. 149/10 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 . Gregory Mead Silver © Gregory Mead Silver, LSE November 2010 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0) 20 7955 7860 Fax: +44 (0) 20 7955 7730 Economic Effects of Vertical Disintegration: The American Motion Picture Industry, 1945 to 1955 Gregory Mead Silver Abstract In 1948, the United States Supreme Court declared the operations of eight of the nation’s largest motion picture studios in violation of the 1890 Sherman Antitrust Act.1The decision ordered them to disintegrate their producer-distributor roles from cinemas. The Court believed this would promote competitive practices in a hitherto uncompetitive industry. However, these desired benefits were not entirely reached. Instead, by leading the Hollywood studio system to collapse, the Court also distorted the supply- chain for motion pictures. This work utilizes Coasian analyses of transaction costs to show that institutional integration was an efficient structure for the motion picture industry. It explores the motives to integrate and the benefits it garnered. Having laid this groundwork, it then assesses the effects theatre divorcement had on the industry and offers plausible counterfactuals had the studios remained intact after 1948. 1 Introduction There has been much conjecture over the effects that government intervention can have on industry. The case examined here is the intervention of the United States Judiciary on the American motion picture industry in the late 1940s. Since 1890, the year Congress signed the Sherman Antitrust Act into law, the government has served as the self- imposed overseer that assures the proper functioning of competitive markets. -
Biracial" People in Film 1903-2015 Charles Lawrence Gray Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects In Plain Sight: Changing Representations of "Biracial" People in Film 1903-2015 Charles Lawrence Gray Marquette University Recommended Citation Gray, Charles Lawrence, "In Plain Sight: Changing Representations of "Biracial" People in Film 1903-2015" (2016). Dissertations (2009 -). 682. http://epublications.marquette.edu/dissertations_mu/682 IN PLAIN SIGHT: CHANGING REPRESENTATIONS OF “BIRACIAL” PEOPLE IN FILM 1903-2015 by Charles L. Gray, B.F.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, In Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy (Educational Policy and Leadership) Milwaukee, Wisconsin December 2016 ABSTRACT IN PLAIN SIGHT: CHANGING REPRESENTATIONS OF “BIRACIAL” PEOPLE IN FILM 1903-2015 Charles L. Gray, B.F.A., M.A. Marquette University, 2016 Rooted in slavery, the United States in both law and custom has a long history of adhering to the one drop rule–the stipulation that any amount of African ancestry constitutes an individual as black. Given this history, decidedly mixed race people have been subjected to a number of degrading stereotypes. In examining the three broad themes of the tragic mulatto, racial passing, and racelessness in cinema, this dissertation asks to what extent film representations of mixed race characters have had the capacity to educate audiences beyond stereotypes. Although a number of film scholars and critics have analyzed mixed race characters in American cinema, there is no treatment spanning the last century that comprehensively analyzes each film’s capacity to diminish racism. i ACKNOWLEDGMENTS Charles L. -
Metro-Goldwyn-Mayer Architectural Set Plans PASC.0024
http://oac.cdlib.org/findaid/ark:/13030/c8639s1s No online items Finding Aid for the Metro-Goldwyn-Mayer Architectural Set Plans PASC.0024 Finding aid prepared by Arts Special Collections staff, pre-1999; machine-readable finding aid created by Julie L. Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated 2021 August 16. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections PASC.0024 1 Contributing Institution: UCLA Library Special Collections Title: Metro-Goldwyn-Mayer architectural set plans Creator: Metro-Goldwyn-Mayer Identifier/Call Number: PASC.0024 Physical Description: 148.0 Linear Feet(354 boxes) Date (inclusive): 1917-1950 Abstract: During its peak years Metro-Goldwyn-Meyer (MGM) lineup included many of the most creative artists, technicians, and stars in the film industry. The collection consists of original architectural designs, sketches, and blueprint set plans for MGM motion picture productions. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materias are in English. Restrictions on Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision -
WARNER ARCHIVE DVD COLLECTION – Informal Collection List As of Fall 2016
WARNER ARCHIVE DVD COLLECTION – informal collection list as of Fall 2016. For updated information or to arrange viewing, please e-mail [email protected]. INV # Title DVD8925 2 WEEKS IN ANOTHER TOWN [1962] DVD7519 20,000 YEARS IN SING SING [1933] DVD9691 24 HOURS TO KILL [1965] DVD12768 25TH HOUR, THE [1967] DVD7301 3 SAILORS AND A GIRL [1953] DVD8754 -30- [1959] DVD13086 42ND STREET [1933] DVD10749 5 TIME CHAMPION [2012] DVD9877 7 FACES OF DR. LAO [1963] DVD9174 ABBOTT AND COSTELLO MEET CAPTAIN KIDD [1952] DVD7192 ABDICATION, THE [1974] DVD7206 ABE LINCOLN IN ILLINOIS [1940] DVD13775 ABOUT FACE [1951] DVD7171 ABOVE AND BEYOND [1952] DVD7934 ABOVE SUSPICION [1943] DVD12782 ACCIDENTAL TOURIST, THE [1988] DVD11803 ACCURSED!, THE [1958] DVD12335 ACE OF ACES [1933] DVD9781 ACROSS THE WIDE MISSOURI [1951] DVD7520 ACROSS TO SINGAPORE [1928] DVD13779 ACT ONE [1963] DVD7201 ACTRESS, THE [1953] DVD10743 ADA [1961] DVD8764 ADAM’S WOMAN [1969] DVD9634 ADVANCE TO THE REAR [1963] DVD9780 ADVENTURE [1945] DVD13044 ADVENTURE IN BALTIMORE [1949] DVD11843 ADVENTURERS [1970] DVD7191 ADVENTURES OF HUCKLEBERRY FINN, THE [1939] DVD12758 ADVENTURES OF HUCKLEBERRY FINN, THE [1960] DVD12639 ADVENTURES OF MARCO POLO, THE [1938] DVD7216 ADVENTURES OF MARK TWAIN, THE [1944] DVD7743 ADVENTURES OF ONE ESKIMO, THE [2009] DVD12475 ADVENTURES OF SEBASTIAN COLE, THE [1999] DVD11919 ADVENTURES OF SUPERBOY, THE [THE COMPLETE FOURTH SEASON] [DISC 1 OF 3] DVD11920 ADVENTURES OF SUPERBOY, THE [THE COMPLETE FOURTH SEASON] [DISC 2 OF 3] DVD11921 ADVENTURES OF SUPERBOY, THE -
LMGA Summer 2015
SUMMER 2015 The Official Magazine of the Location Managers Guild of America SUMMER 2015 / IN THIS ISSUE VOLUME 3 / ISSUE 3 4 32 EDITORS’ DESK The Authentic Character of 6 Osceola Refetoff LETTER FROM THE PRESIDENT 8 CONTRIBUTORS Photo by Osceola Refetoff Osceola by Photo 36 MR. DARRELMANN’S Wild Ride: Berlin 12 IN THE NEWS • Madrid in Focus 50 • NY Union Update MARTINI SHOT • Fantasia in Chile 20 33° 21' 3" N / 115° 43' 47" W • LMGA Elections IN MY CITY • Comic-Con: Location, A Knight in Montreal Location, Location • Sheri Davis on the Move • Emmert at Outfest 42 PORTUGAL Profile in Pictures João Alves ON THE COVER 26 Artistic photo of the Salton 16 DRONES: Sea from location scout CAREER FOCUS Rewriting the Narrative Osceola Refetoff. Rick Schuler of Cinema Photo by Osceola Refetoff LMGA COMPASS | Summer 2015 • 3 FROM THE “Pull a thread here and you’ll find it’s attached to the rest of the world.” —NADEEM ASLAM “I live my life in widening circles EDITORS’ that reach out across the world.” —RAINER MARIA RILKE Connectivity. This current issue of the LMGA Compass seems to have chosen its own topic. DESK Portugal, Chile, Berlin, Atlanta, Montreal, Madrid, New York, Los Angeles … our members live and work around the world. Once isolated, living and working in our own geographic areas, we now work in a global environment made smaller every day by technology, the Internet and social media. Interdependence. No matter the geographic distance between us, the essential work remains the same. We share a passion for the creativity and camaraderie of our chosen profession.