Boston Symphony Orchestra Concert Programs, Summer, 1982, Tanglewood

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Yes, if you're lucky! When you plan a Berkshire vacation, you' re apt to hear Sorr\ we're booked" m<|re than once. Simply because tourists value our country charm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their

normal cost. All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge.

Breathe deeply . . . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers.

Don't risk missing a Berkshire summer. my Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed!

The Ponds at Foxhollow . . . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director

Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor

Hundredth Birthday Season, 1981-82

Trustees of the Boston Symphony Orchestra, Inc.

Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer

Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr.

J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey

Trustees Emeriti

Talcott M. Banks, Chairman of the Board Emeritus

Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P. Chapman John T. Noonan John L. Thorndike

Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris General Manager

William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager

Caroline Smedvig Walter D. Hill B.J. Krintzman Director of Director of Director

Promotion Business Affairs of Planning Judith Gordon Theodore A. Vlahos Joseph M. Hobbs Assistant Director Controller Director of Promotion of Arlene Germain Development Marc Solomon Financial Analyst Joyce M. Synder Production Development Coordinator Elizabeth Dunton Coordinator Director of Sales James E. Whitaker Katherine Whitty Hall Manager, Charles Rawson Coordinator of Symphony Hall Manager of Box Office Boston Council

James F. Kiley Anita R. Kurland Richard Ortner Operations Manager, Administrator of Administrator, Tanglewood Youth Activities Berkshire Music Center

Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director of Editorial Print Production Publications Coordinator Coordinator

Mrs. Norman L. Cahners, Che

William J. Poorvu Mrs. William H. Ryan Vice-Chairman Secretary

Charles F. Adams Avram J. Goldberg Mrs. Hanae Mori John Q. Adams Jordan L. Golding Mrs. Stephen V.C. Morris Mrs. Frank G. Allen Haskell R. Gordon E. James Morton David B. Arnold, Jr. Graham Gund Stephen Paine, Sr. Hazen H. Ayer Christian G. Halby John A. Perkins Bruce A. Beal Mrs. R. Douglas Hall III David R. Pokross Mrs. Richard Bennink Francis W. Hatch, Jr. Mrs. Curtis Prout David W. Bernstein Mrs. Richard D. Hill Mrs. Eleanor Radin

Mrs. Edward J. Bertozzi, Jr. Ms. Susan M. Hilles Peter C. Read Peter A. Brooke Mrs. Amory Houghton, Jr. Mrs. Peter van S. Rice

William M. Bulger Richard S. Jackson, Jr. David Rockefeller, Jr. Curtis Buttenheim Mrs. Bela T. Kalman Mrs. George R. Rowland

Julian Cohen Mrs. Louis I. Kane Francis P. Sears Mrs. Nat King Cole Mrs. S. Charles Kasdon Gene Shalit Johns H. Congdon Mrs. F. Corning Kenly, Jr. Donald B. Sinclair William M. Crozier, Jr. Mrs. Gordon F. Kingsley Richard A. Smith Mrs. Lewis S. Dabney Mrs. Carl Koch Ralph Z. Sorenson

Mrs. Michael H. Davis Robert K. Kraft Peter J. Sprague William S. Edgerly Harvey C. Krentzman Ray Stata

Mrs. Alexander Ellis, Jr. Mrs. E. Anthony Kutten Mrs. Edward S. Stimpson

Frank L. Farwell Benjamin H. Lacy Mrs. Arthur I. Strang Kenneth G. Fisher Mrs. James F. Lawrence Mrs. Richard H. Thompson Mrs. John H. Fitzpatrick Mrs. Charles P. Lyman Mark Tishler, Jr. Peter H.B. Frelinghuysen C. Charles Marran Ms. Luise Vosgerchian Paul Fromm Mrs. August R. Meyer Robert A. Wells

Mrs. Thomas J. Galligan, Jr. Edward H. Michaelsen Mrs. Donald Wilson

Mrs. Thomas Gardiner J. William Middendorf II John J. Wilson Paul M. Montrone

MACBETH DIRECTED BY TINA PACKER

July 28-August 29, Tuesday-Sunday, 8 P.M. EDITH WHARTON: AN INTIMATE PORTRAIT DIRECTED BY DENNIS KRAUSNICK Opens Sunday, June 20, Runs Wednesday-Sunday June 23-July 18, 8 P.M. SHAKESPEARE THE NEW YOUNG COMPANY WILL PRESENT UNDER THE THE COMEDY OF ERRORS

STARS In August. Matinees Only, 2 P.M.

For further information, call the Box Office, (413) 637-3353, or write Shakespeare & Company, The Mount, Lenox, Ma. 01240. THE BOSTON SYMPHONY ORCHESTRA- THE SECOND CENTURY BEGINS

Join the Boston Symphony as it celebrates the beginning of the orchestra's second century. Under Music Director Seiji Ozawa, the 1982-83 season offers soloists and conductors with one of the world's most glorious orchestras.

Haydn's Creation/ Bruckner's Symphony No. 8, and Elgar's Dream of

Joining Music Director Ozawa will be BSO Principal Guest Conductor Sir Colin Davis, Kurt Masur, Eugene Ormandy Andre Previn, and BSO Assistant

stein. Soloists will include pianists Murray Perahia, Maurizio Poliini, Peter Serkin, Rudolf Serkin, and Alexis Weissenberg; sopranos Hiidegard Behrens and Jessye Norman; mezzo- soprano Frederka von Stade; tenor Nicolai Gedda; violinist Itzhak Perlman, and eellist Yo-Yo Ma in his BSO debut. *H

lb receive complete program and ticket information, call or write: Symphony Half, Boston, MA 021*5. Tel. (61 7 1 266-1492

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This is a Coach Bag **-^ It is one of twenty-six small, medium and large Shoulder Bags, Pouches, Clutches, Totes, Satchels and Portfolios that we make m ten colors of real Glove Tanned Cowhide. CoacHf Bags are sold in selected stores throughout the country. If you cannot find the one you want in a store near you, you can also order it directly from the Factory. For Catalogue and Store List write or call: Consumer Service, Coach Leatherware, 516 West 34th St., New York City 10001. Tel: (212) 594-3914.

m&w TANGLEWOOD drawing a total of nearly 15,000 people. The Berkshire Festival In the winter of 1936, Mrs. In August 1934, a group of music- Gorham Brooks and Miss Mary loving summer residents of the Aspinwall Tappan offered Berkshires organized a series of Tanglewood, the Tappan family three outdoor concerts at estate, with its buildings and 210 Interlaken, to be given by members acres of lawns and meadows, as a of the New York Philharmonic gift to Koussevitzky and the under the direction of Henry orchestra. The offer was gratefully Hadley. The venture was so accepted, and on 5 August 1937 the successful that the promoters festival's largest crowd so far incorporated the Berkshire assembled under a tent for the first Symphonic Festival and repeated the Tanglewood concert, an all- experiment during the next Beethoven program. summer. At the all-Wagner concert which The Festival Committee then opened the 1937 festival's second invited Serge Koussevitzky and the weekend, rain and thunder twice Boston Symphony Orchestra to take interrupted the performance of the part in the following year's concerts. Rienzi Overture and necessitated the The orchestra's Trustees accepted, omission altogether of the Siegfried and on 13 August 1936 the Boston "Forest Murmurs, " music too delicate >r Symphony gave its first concerts in to be heard through the downpour. the Berkshires (at Holmwood, a At the intermission, Miss Gertrude former Vanderbilt estate, later the Robinson Smith, one of the festival's Center at Foxhollow). The series founders, made a fundraising appeal again consisted of three concerts and for the building of a permanent was given under a large tent, structure. The appeal was fflHeffll

n broadened by means of a printed circular handed out at the two remaining concerts, and within a short time enough money had been raised to begin active planning for a "music pavilion." Eliel Saarinen, the eminent architect selected by Koussevitzky, proposed an elaborate design that went far beyond the immediate m needs of the festival and, more important, went well beyond the budget of $100,000. His second, « simplified plans were still too expensive, and he finally wrote that

if the Trustees insisted on remaining within their budget, they would have "just a shed," which "any builder could accomplish without the aid of an architect." The Trustees then turned to a Stockbridge engineer, Franz, to make njoy Jacob's Pillow's Joseph r further simplifications in Saarinen's / Golden Anniversary in order to lower the cost. Season. plans The building that he erected remains, June 29-September 5 with modifications, to this day; it is Soloists ofthe Royal still called simply "the Shed." The Danish Ballet Shed was inaugurated for the first The Paul Taylor Dance of the 1938 festival. It has Company concert echoed with the music of the Boston Les Grands Ballet Symphony Orchestra every summer Canadiens since, except for the war years 1942- Maria Benitez and has become almost a place of Estampa Flamenca 45, pilgrimage to millions of Cynthia Gregory concertgoers. By 1941, the Theatre- Richard Cragun Concert Hall, the Chamber Music Clive Thompson Dance Hall, and several small studios — all Company part of the Berkshire Music Center, Hi and much, much more. which had begun operations the Forfurther information preceding year — were finished, and write:Jacob's Pillow the festival had so expanded its Box 281G, Lee, activities and its reputation for Massachusetts 01238 excellence that it attracted nearly 413.243.0745 100,000 visitors. Today Tanglewood annually draws close to a quarter of a million The New Jacob's Pillow visitors; in addition to the twenty- four regular concerts of the Boston Symphony, there are weekly HH KM chamber music concerts, "Prelude" concerts and open rehearsals, the Music Center has always been not annual Festival of Contemporary on sheer technique, which students Music, and almost daily concerts by learn with their regular private the gifted young musicians of the teachers, but on making music. Berkshire Music Center. The Boston Although the program has changed Pops performs each summer as well. in some respects over the years, the The season offers not only a vast emphasis is still on ensemble quantity of music but also a vast performance, learning chamber range of musical forms and styles, all music with a group of talented

of it presented with a regard for fellow musicians under the coaching artistic excellence that makes the of a master-musician-teacher. Many festival unique. of the pieces learned this way are performed in the regular student The Berkshire Music Center recitals; each summer brings treasured memories of exciting Tanglewood is much more than a performances by talented pleasant, outdoor, summer concert youngsters beginning a love affair hall; it is also the site of one of the with a great piece of music. most influential centers for Berkshire advanced musical study in the The Music Center United States. Here, the Berkshire Orchestra performs weekly in Music Center, which has been concerts covering the entire maintained by the Boston repertory under the direction of student conductors as well as Symphony Orchestra ever since its establishment under the leadership members of the BMC staff and visitors are in to lead the of Serge Koussevitzky in 1940, who town in its festival concerts. provides a wide range of specialized BSO The training and experience for young quality of this orchestra, put together for a few weeks musicians from all over the world. each The BMC was Koussevitzky's summer, regularly astonishes visitors. It be impossible to pride and joy for the rest of his life. would He assembled an extraordinary list all the distinguished musicians faculty in composition, operatic and who have been part of that annual choral activities, and instrumental corps of young people on the verge performance; he himself taught the of a professional career as most gifted conductors. The school opened formally on 8 July 1940, with speeches (Koussevitzky, alluding to the war then raging in Europe, said, "If ever there was a time to speak of

music, it is now in the New World") and music, the first performance of Randall Thompson's Alleluia for unaccompanied chorus, which had been written for the ceremony and had arrived less than an hour before the event was to begin, but which

made such an impression that it has remained the traditional opening music each summer. The emphasis at the Berkshire Serge Koussevitzky cuh $1111

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^H Honeywell is proud to help sponsor HHi the BSO's concerts, Friday evenings at 9:00 on WCRB 102.5 FM. li P HH Honeywell 1 9*£% MM HHQfefl I instrumentalists, singers, educational programs at conductors, and composers. But it is Tanglewood were extended to worth noting that 18% of the younger students, mostly of high- members of the major orchestras in school age, when Erich Leinsdorf this country have been students at invited the Boston University School the Berkshire Music Center, and for the Arts to become involved with that figure is constantly rising. the Boston Symphony Orchestra's Today there are three principal activities in the Berkshires. Today, programs at the Berkshire Music Boston University, through its Center, each with appropriate Tanglewood Institute, sponsors subdivisions. The Fellowship programs which offer individual and Program provides a demanding ensemble instruction to talented schedule of study and performance younger musicians, with nine for students who have completed separate programs for performers most of their training in music and and composers. who are awarded fellowships to Today, alumni of the Berkshire underwrite their expenses. It Music Center hold important includes courses of study for positions and play a vital role in the instrumentalists, vocalists, musical life of the nation. conductors, and composers. The Tanglewood and the Berkshire Tanglewood Seminars are a series of Music Center, projects with which special instructional programs, this Serge Koussevitzky was involved summer including the Phyllis Curtin until his death, have become a fitting Seminar for Singers, a Listening and shrine to his memory, a living Analysis Seminar, and a Seminar for embodiment of the vital, humanistic Conductors. Beginning in 1966, tradition that was his legacy.

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*Jfo TANGLEWOOD INFORMATION

Ticket information for all Berkshire Festival events may be obtained at the desks at the Main Gate and at the Lion Gate or by calling 413-637-1940. Box office hours are from 10 a.m. until intermission on concert days, otherwise from 10 a.m. to 6 p.m.

Open rehearsals by the Boston Symphony Orchestra are held each Saturday morning at 10:30. Admission charge is $5.00, and the proceeds benefit the orchestra's Pension Fund.

The Lost and Found is in the superintendent's house near the Main Gate. Visitors who find stray property may hand it to any Tanglewood official.

Rest rooms and pay phones may be located on the map opposite.

The First Aid station is near the Main Gate. Physicians expecting calls are asked to leave their names and seat numbers with the guide at the Main Gate.

Limited parking facilities are available for invalids and the physically handicapped. Please ask the parking attendants.

Latecomers will be seated only at the first convenient pause in the program. Those listeners who need to leave before the concert is over are asked to do so between works, and not during the performance.

No smoking, eating, or drinking in the Tanglewood Shed, please. Your cooperation is appreciated.

The use of recording equipment at Tanglewood is forbidden at all times.

Cameras: You are welcome to bring cameras to Tanglewood, but please refrain from taking pictures during the music since the click of shutters, the winding of film, and the flash annoy your neighbors and distract the musicians. We thank you for your understanding and your courtesy.

Refreshments can be obtained in the area west of the Main Gate and at other locations on the grounds. Catering is by William Manewich. Visitors are invited to picnic before concerts.

T-shirts, posters, beach towels, postcards, books, and other souvenirs are on sale in the Glass House next to the Main Gate. Glass House hours are Monday through Saturday from 10 to 4; concert evenings from 6:30 to w one hour after the concert; and Sunday from noon to one hour after the concert. Proceeds help sustain the Boston Symphony concerts at Tanglewood as well as the Berkshire Music Center.

The Tanglewood Music Store, adjacent to the Glass House and operated by the Boston Symphony Orchestra, stocks sheet music and musical supplies, scores, music books, and recordings. Whenever available, records and cassettes will feature the repertory and artists heard at Berkshire Music Festival concerts. The Tanglewood Music Store remains open for half an hour after the conclusion of each concert in the Shed.

BSO courtesy car provided by Hellawell Cadillac-Oldsmobile, Inc., Pittsfield.

Concerts of the Boston Symphony Orchestra and the Berkshire Music Center at Tanglewood are funded in part by the National Endowment for the Arts.

ml HI Seiji Ozawa

Symphony Orchestra. He was music director of the Chicago Symphony's Ravinia Festival for five summers beginning in 1964, and music director for four seasons of the Toronto Symphony Orchestra, a post he relinquished at the end of the 1968-69 season in favor of guest conducting numerous American and European orchestras. Seiji Ozawa first conducted the Boston Symphony in Symphony Hall in January of 1968; he had previously appeared with the

In the fall of 1973, Seiji Ozawa orchestra for four summers at became the thirteenth music Tanglewood, where he became an director of the Boston Symphony artistic director in 1970. In Orchestra sinc'e the orchestra's December of 1970 he began his founding in 1881. inaugural season as conductor and Born in 1935 in Shenyang, China, music director of the San Francisco to Japanese parents, Mr. Ozawa Symphony Orchestra. The music studied both Western and Oriental directorship of the Boston music as a child and later graduated Symphony followed in 1973, and from Tokyo's Toho School of Music Mr. Ozawa resigned his San with first prizes in composition and Francisco position in the spring of conducting. In the fall of 1959 he 1976, serving as music advisor there won first prize at the International for the 1976-77 season. Competition of Orchestra As music director of the Boston Conductors, Besancon, France. Symphony Orchestra, Mr. Ozawa Charles Munch, then music director has strengthened the orchestra's of the Boston Symphony and a judge reputation internationally as well as at the competition, invited him to at home, leading concerts on the Tanglewood for the summer BSO's 1976 European tour and, in following, and he there won the March 1978, on a nine-city tour of Berkshire Music Center's highest Japan. At the invitation of the honor, the Koussevitzky Prize for Chinese government, Mr. Ozawa outstanding student conductor. then spent a week working with the While working with Herbert von Peking Central Philharmonic Karajan in West Berlin, Mr. Ozawa Orchestra; a year later, in March of came to the attention of Leonard 1979, he returned to China with the Bernstein, whom he accompanied on entire Boston Symphony for a the New York Philharmonic's spring significant musical and cultural 1961 Japan tour, and he was made an exchange entailing coaching, study, assistant conductor of that orchestra and discussion sessions with for the 1961-62 season. His first Chinese musicians, as well as professional concert appearance in concert performances. Also in 1979, North America came in January Mr. Ozawa led the orchestra on its 1962 with the San Francisco first tour devoted exclusively to appearances at the major music with Itzhak Perlman. Other recent festivals of Europe. Most recently, recordings with the orchestra Seiji Ozawa and the Boston include, for Philips, Stravinsky's Le Symphony celebrated the Sacre du printemps, Hoist's The Planets, orchestra's hundredth birthday with and Mahler's Symphony No. 8, the a fourteen-city American tour last Symphony of a Thousand; for CBS, a March, and, earlier this season, an Ravel collaboration with mezzo- international tour with concerts in soprano Frederica von Stade and the Japan, France, Germany, Austria, Mendelssohn Violin Concerto with and England. Isaac Stern; and, for Telarc, Vivaldi's Mr. Ozawa pursues an active Four Seasons with violin soloist Joseph international career and appears Silverstein, and music of regularly with the orchestras of Beethoven — the Fifth Symphony, Berlin, Paris, and Japan; his operatic the Egmont Overture, and, with credits include appearances at the soloist Rudolf Serkin, the Fourth and Paris Opera, Salzburg, London's Fifth piano concertos. Mr. Ozawa has Covent Garden, and La Scala in also recorded Roger Sessions's Milan. Mr. Ozawa has won an Pulitzer Prize -winning Concerto for Emmy for the BSO's "Evening at Orchestra and Andrzej Panufnik's Symphony" television series. His Sinfonia Votiva, both works award-winning recordings include commissioned by the Boston

Berlioz's Romeo et Juliette, Symphony Orchestra for its Schoenberg's Gurrelieder, and the centennial, for future release on Berg and Stravinsky violin concertos Hyperion records.

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^H WILL YOU TAKE A SEAT?

The Boston Symphony Orchestra would like to offer M you a permanent place in the Shed at Tanglewood, along with the masters of great music. Your gift of $2,500 will endow your favorite seat so that your name, or that of someone you wish to honor, will be inscribed on a plaque affixed to the chair. This special contribution will insure the enjoyment of BSO concerts at Tanglewood for years to come.

Further, it provides a rare opportunity for a very personal association with the Orchestra. q^H Please, won't you be seated? For further information, please contact the Friends' ran Office, Tanglewood, Lenox, Massachusetts 01240; telephone (413) 637-1600

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Violas Clarinets Burton Fine Harold Wright Charles 5. Dana chair Ann S.M. Banks chair

Patricia McCarty Pasquale Cardillo Mrs. David Stoneman chair Peter Hadcock Eugene Lehner E-flat Clarinet Robert Barnes Bass Clarinet Jerome Lipson Craig Nordstrom Bernard Kadinoff Bassoons Music Directorship endowed by Vincent Mauricci Sherman Walt John Moors Cabot Earl Hedberg Edward A. Taft chair Joseph Pietropaolo SYMPHONY Roland Small BOSTON Michael Zaretsky Matthew Ruggiero ORCHESTRA *Marc Jeanneret 1981/82 *Betty Benthin Contrabassoon Richard Plaster First Violins Cellos Horns Joseph Silverstein Jules Eskin Charles Kavalovski Concertmaster Philip R. Allen chair Charles Munch chair Helen Sagoff Slosberg chair Emanuel Borok Martin Hoherman Roger Kaza Vernon and Marion Alden chair Assistant Concertmaster Daniel Katzen Helen Horner Mclntyre chair Mischa Nieland Richard Sebring Max Hobart Esther 5. and Joseph M. Shapiro chair Richard Mackey Robert L. Beal, and Enid and Bruce A. Beal chair Jerome Patterson Jay Wadenpfuhl Cecylia Arzewski *Robert Ripley Charles Yancich Edward and Bertha C. Rose chair Luis Leguia *Carol Procter Bo Youp Hwang Trumpets John and Dorothy Wilson chair *Ronald Feldman Charles Schlueter *Joel Moerschel Max Winder Roger Louis Voisin chair Jonathan Miller Harry Dickson Andre Come Forrest F. Collier chair *Martha Babcock Timothy Morrison Gottfried Wilfinger Basses Fredy Ostrovsky Trombones Edwin Barker Ronald Barron Leo Panasevich Harold D. Hodgkinson chair j.P. and Mary B. Barger chair Carolyn and George Rowland chair Lawrence Wolfe Norman Bolter Sheldon Rotenberg Joseph Hearne Gordon Hallberg Alfred Schneider Bela Wurtzler *Raymond Sird Tuba Leslie Martin *Ikuko Mizuno Chester Schmitz John Salkowski *Amnon Levy John Barwicki Timpani Second Violins Robert Olson Everett Firth Sylvia Shippen Wells chair Marylou Speaker Churchill t. Fahnestock chair Flutes Percussion Vyacheslav Uritsky Doriot Anthony Dwyer Charles Smith Charlotte and Irving W. Rahb chair Walter Piston chair Arthur Press Ronald Knudsen Fenwick Smith Assistant Timpanist Mr. and Joseph McGauley Mrs. Robert K. Kraft chair Thomas Gauger Leonard Moss Paul Fried Frank Epstein Laszlo Nagy Harp *Michael Vitale Piccolo Ann Hobson Pilot I *Darlene Gray Lois Schaefer Personnel *Ronald Wilkison Evelyn and C. Charles Marran chair Managers William Moyer I *Harvey Seigel Oboes Harry Shapiro *Jerome Rosen Ralph Gomberg *Sheila Fiekowsky Mildred B. Remis chair Librarians *Gerald Elias Wayne Rapier Victor Alpert *Ronan Lefkowitz Alfred Genovese William Shisler *Nancy Bracken James Harper English Horn *Joel Smirnoff Laurence Thorstenberg Stage Manager *Jennie Shames Phyllis Knight Beranek chair Alfred Robison

*Participating in a system of rotated seating within each string section.

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SEUI OZAWA, Conductor

RUDOLF SERKIN, Pianist

TCHAIKOVSKY Symphony No. 6, "Pathetique" BEETHOVEN Piano Concerto No. 3

WEDNESDAY, SEPTEMBER 29, 8:30 PM—SYMPHONY HALL

Friends August 1. Remaining tickets will go on sale September 1. Boston A Brief History of the character of the Symphony Boston Symphony Orchestra was greatly changed in 1918, when Henri Rabaud was engaged as For many years, Civil War veteran, conductor; he was succeeded the philanthropist, and amateur following season by Pierre Monteux. musician Henry Lee Higginson These appointments marked the dreamed of founding a great and beginning of a French-oriented permanent orchestra in his home tradition which would be town of Boston. His vision maintained, even during the approached reality in the spring of Russian- born S erge Koussevitzky's 1881, and on 22 October of that year time, with the employment of many the Boston Symphony Orchestra's French-trained musicians. inaugural concert took place under The Koussevitzky era began in the direction of conductor Georg Henschel. For nearly twenty years, symphony concerts were held in the old Boston Music Hall; Symphony Hall, the orchestra's present home, and one of the world's most highly regarded concert halls, was opened in 1900. Henschel was succeeded by a series of German-born and -trained conductors — Wilhelm Gericke, Arthur Nikisch, Emil Paur, and Max Fiedler — culminating in the appointment of the legendary Karl Muck, who served two tenures as music director, 1906-08 and 1912- 18. Meanwhile, in July 1885, the musicians of the Boston Symphony had given their first "Promenade" concert, offering both music and refreshments, and fulfilling Major Higginson's wish to give "concerts of a lighter kind of music." These concerts, soon to be given in the Henry Lee Higginson springtime and renamed first "Popular" and then "Pops," fast 1924. His extraordinary became a tradition. musicianship and electric personality

During the orchestra's first proved so enduring that he served decades, there were striking moves an unprecedented term of twenty- toward expansion. In 1915, the five years. In 1936, Koussevitzky led orchestra made its first the orchestra's first concerts in the transcontinental trip, playing Berkshires, and a year later he thirteen concerts at the Panama- and the players took up annual Pacific Exposition in San Francisco. summer residence at Tanglewood. Recording, begun with RCA in the Koussevitzky passionately shared pioneering days of 1917, continued Major Higginson's dream of "a good with increasing frequency, as did honest school for musicians," and in radio broadcasts of concerts. The 1940 that dream was realized with Music to your mouth

Lobster pie, crisp native duckling, prime ribs, baked Indian oudding, grasshopper pie. Our learty Yankee fare and libations taste as good as they sound. At The Publick House, traditions of cooking and hospitality go back about as far as symphonic ones. Why, we were feeding hungry travellers before Beethoven had his first birthday! We invite you to partake of dinner en route to Tanglewood, or supper on your way home. We're located only a few minutes (and two centuries) from the Massachusetts Turnpike and 1-86. So break your journey by breaking bread with us. ^-jV^ Buddy Adler Innkeeper n 1 1* 4 f Jkr\T T niblick Kfj^y House

On the Common - Sturbridge, MA (617) 347-3313 Exit 9 Mass. Tpke. or Exit 3 for 1-86.

America's Heyday

The warm and gracious traditions of early 19th century New England await your family at historic Old Sturbridge Village. Meet householders and artisans who will share with you a quieter, simpler way of life. Chat with the blacksmith, shoemaker, cooper and potter as they produce dependable wares. Watch the farmer work the rich soil with his oxen. Stroll the Common, explore its homes and a new gallery of antique clocks, and stop by the Tavern for goodly portions of substantial New England fare. Select a reminder of your visit to an earlier America from handmade products in the museum's gift shops. A scenic daytrip. a visit to Old Sturbridge Village is a pleasant family outing. For free color brochures, lodging rates and map. write Public Information, Dept. T, Old Sturbridge Village, Sturbridge, Mass. 01566 or call (617) 347-3362. Old Sturbridge Village

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Mr K the founding at Tanglewood of the time, and its continuing series of Berkshire Music Center, a unique Youth Concerts was initiated. Erich summer music academy for young Leinsdorf began his seven-year term artists. Expansion continued in as music director in 1962. Leinsdorf other areas as well. In 1929 the free presented numerous premieres, Esplanade concerts on the Charles restored many forgotten and River in Boston were inaugurated by neglected works to the repertory, Arthur Fiedler, who had been a and, like his two predecessors, made member of the orchestra since 1915 many recordings for RCA; in and who in 1930 became the addition, many concerts were eighteenth conductor of the Boston televised under his direction. Pops, a post he would hold for half a Leinsdorf was also an energetic century, to be succeeded by John director of the Berkshire Music Williams in 1980. Center, and under his leadership a Charles Munch followed full-tuition fellowship program was Koussevitzky as music director in established. Also during these years, 1949. Munch continued the Boston Symphony Chamber Koussevitzky's practice of players were founded, in 1964; they supporting contemporary are the world's only permanent composers and introduced much chamber ensemble made up of a music from the French repertory to major symphony orchestra's this country. During his tenure, the principal players. orchestra toured abroad for the first William Steinberg succeeded

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SSJiJ Leinsdorf in 1969. He conducted expanded its recording activities to several American and world include releases on the Philips, premieres, made recordings for Telarc, CBS, and Hyperion labels. Deutsche Grammophon and RCA, From its earliest days, the Boston appeared regularly on television, led Symphony Orchestra has stood for the 1971 European tour, and imagination, enterprise, and the directed concerts on the east coast, highest attainable standards. Today, in the south, and in the mid-west. the Boston Symphony Orchestra, Seiji Ozawa, an artistic director of Inc., presents more than 250 the Berkshire Festival since 1970, concerts annually. Attended by a live became the orchestra's thirteenth audience of nearly 1.5 million, the music director in the fall of 1973, orchestra's performances are heard following a year as music advisor. by a vast national and international Mr. Ozawa has continued to solidify audience through the media of radio, the orchestra's reputation at home television, and recordings. Its annual and abroad, and his program of budget has grown from Higginson's centennial commissions — from projected $115,000 to more than Sandor Balassa, Leonard Bernstein, $16 million. Its preeminent position

John Corigliano, Peter Maxwell in the world of music is due not only Davies, John Harbison, Leon to the support of its audiences but Kirchner, Peter Lieberson, Donald also to grants from the federal and Martino, Andrzej Panufnik, Roger state governments, and to the Sessions, Sir Michael Tippett, and generosity of many foundations,

Oily Wilson — on the occasion of the businesses, and individuals. It is an orchestra's hundredth birthday has ensemble that has richly fulfilled reaffirmed the orchestra's Higginson's vision of a great and commitment to new music. Under permanent orchestra in Boston. his direction, the orchestra has also

' 2m

WW "Presidents at Pops" $ succeeds to the tune of 405#000

The Boston Symphony's 1982 "Presidents at Pops" program, which concluded June 15 with a very special evening at Pops, has raised $405,000 for the orchestra. The BSO would like to express thanks and hearty congratulations to the 104 sponsoring companies and program advertisers for making the 1982 "Presidents at Pops" program a resounding success. Businesses take note—the dates for next season's "Presidents at Pops" program have been announced:

Presidents Dinner Monday, May 9, 1983 Presidents at Pops Concert Tuesday, June 14, 1983

Don't miss the opportunity to participate in next year's festivities with John Williams and the Boston Pops as they salute the business community with the 1983 "Presidents at Pops" program.

PRESIDENTS /I To place company reservations, please contact: Chet Krentzman, President, Advanced Management Associates; J. P. Barger, President, Dynatech Corp.; Mai Sherman, Executive Vice President, Zayre Corp.; Vincent O'Reilly, Managing Partner, Coopers & Lybrand; POPS Leo L. Beranek, Chairman, BSO Resources Committee; Lewis Dabney, Trustee, Yankee Publishing Foundation; or Joe Hobbs, Director of Development, Symphony Hall, phone: 266-1492. The following companies participated in the 1982 "Presidents at Pops" program.

ADCO Publishing E.F. Hutton & Co., Inc. Affiliated Publications IBM Corporation Alpha Industries, Inc. Ionics, Inc. American Biltrite, Inc. John Hancock Life Ins. Co. Atlas Oil Corp. Johnson O'Hare Co. Augat, Inc. Jones & Vining, Inc. Bank of New England Kaufman & Co. Barry Wright Corp. Kaye Instruments, Inc. BayBanks, Inc. Kenyon & Eckhardt Bell Manufacturing Co. Kidder Peabody & Co., Inc. Blyth Eastman Paine Webber, Inc. Knapp King-Size Bolt, Beranek & Newman, Inc. Label Art

Boston Consulting Group, Inc. LEA Group I Boston Edison Co. Lee Shops Buckley & Scott Liberty Mutual Ins. Co. Cablevision Systems Marks International Cahners Publishing Co., Inc. Mars Stores, Inc. Cesari & McKenna Microsonics, Inc. Charles River Breeding Laboratories, Inc. Millipore Corp. Commercial Union Assurance Co. Narragansett Capital Corp. Computer Partners, Inc. New England Bancorp. Coopers & Lybrand New Eng. Mutual Life Ins. Co. Country Curtains New Eng. Tel. & Tel. Co. Creative Gourmets Limited Newsome & Co. Cullinane DataBase Systems, Inc. Ocean Spray Cranberries, Inc. Cumberland Farms Food Stores Ogden Food Service Corp. Damon Corporation Peat, Marwick, Mitchell & Co. Daniels Printing Plymouth Rubber Company, Inc. Data Packaging Corp. Pneumo Corp. Digital Equipment Corp. Polaroid Corp. Dynatech Corporation Prime Computer, Inc. Eastern Gas & Fuel Assoc. Raytheon Company Econocorp, Inc. RKO General TV Epsilon Data Management, Inc. Shawmut Bank of Boston The Fair Shaw's Supermarkets The Farm Stand Spencer Companies, Inc. Farrell, Healer & Co. State Street Bank & Trust Co. Fidelity Fund, Inc. The Stop & Shop Companies, Inc. Wm. Filene's & Sons Stride Rite Corp. The First Boston Corp. TA Associates First National of Inc. The Bank Boston TAD Technical, ;*'*: .-'1 GTE Electrical Products Towle Manufacturing Co. Gadsby & Hannah Tucker, Anthony & R.L. Day General Cinema Corp. U.S. Trust Co. Gillette Company Valpey-Fisher Corp. Goodwin Procter & Hoar WBZ-TV Haemonetics Corp. WCVB-TV7 Boston Broadcasters, Inc. Frank B. Hall & Co., Inc. Wang Laboratories, Inc. Hatoff's Wheelabrator-Frye, Inc. Healthco., Inc. J.F. White Contracting Co. Heritage Travel, Inc. Woodstock Corporation Herrick & Smith Zayre Corporation

Houghton Mifflin Co. v-" * TANGLEWOOD YOU CAN TAKE IT WITH YOU

Take home a taste of Tanglewood this summer by visiting the Glass House, Tanglewood's gift shop located by the Main Gate. From Tanglewood t-shirts to the Boston Symphony's centennial poster by American artist Robert Rauschenberg to the newest addition to the BSO family, Tanglewoodie the Raccoon, the Glass House offers a distinctive selection of gifts and souvenirs. The Glass House is open one hour before concerts, during intermissions and one hour after concerts, and weekdays from 10 a.m. to 4 p.m. MasterCharge and Visa credit cards are accepted.

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h to east Macqueen says he saw Mstcguc0n y ""'it <«/>- sight ^the Loch Ness monster

^And Donald Campbell still says he didn't.

The good things in life Wh L< stay that way. BlendedScc' :hWhi Dewar's® never varies. 'SOSUCT OF SCC'i^'"'

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Gilbert Kalish • Eugene Ormandy

Seiji Ozawa • Andre Previn • Gunther Schuller

John Williams • Yehudi Wyner BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor

Saturday, 17 July at 8:30

KURT MASUR conducting

ALL-BEETHOVEN PROGRAM

Music for Goethe's Egmont, Opus 84 Overture Klarchen's song: Die Trommel geriihret

Entr'acte before Act II

Klarchen's song: Freudvoll und leidvoll Entr'acte before Act IV Monologue and Melodrama Victory Symphony SUSANNE MENTZER, mezzo-soprano MAC MORGAN, speaker

INTERMISSION

Symphony No. 7 in A, Opus 92 Poco sostenuto — Vivace Allegretto Presto Allegro con brio

Please do not take pictures during the concert. Flashbulbs, in particular, distract the musicians and other members of the audience.

Please be sure the electronic signal on your watch or pager is switched off during the concert.

Philips, Telarc, CBS, Deutsche Grammophon, and RCA records Baldwin piano

25 Week II

v' v/ X'K 1 1

BOLD «§§> BRILLIANT <§§> BREATHTAKING

BOLD jjr BRILLIANT jg; BREATHTAKING

at the Koussevitzky Arts Center Theater Berkshire Community College Pittsfield, MA

Ticket information: (413)442-1307 Performances: Sat. 3:00 PM & 8:30 PM Sun. 7:30 PM

COPPELIA

July 3 & 4, July 10 & 1 Ticket Prices: REPERTORY CONCERT $9.00 and $8.00 Discounts offered to July 17 & 18, July 24 & 25 children, senior ROMEO & JULIET citizens, and groups

July 31, Aug. 1, 7 & 8

#BTF AUCTIONS CHESTERWGDD AUGUST 21 Open Daily lte*Y\$ for donation or consignment being 10-5

acceded now . Can The Ked Lion Inn, 298-5545 off Rte. 183 to arrange for picKup Stockbridge fch ar\d storage . On consignment item - The 1920s summer estate or 75 7» i* your pocKet-25/o to the Bev-K^^ire Theatre. DANIEL CHESTER FRENCH Of course, gladly accepting Sculptor of the Lincoln Memorial pull donation iten-15 J National Trust tor Historic Preservation

26 NOTES

Ludwig van Beethoven Music for Goethe's Egmont, Opus 84 Symphony No. 7 in A, Opus 92

Ludwig van Beethoven was baptized in Bonn, Germany, on 17 December 17 70 and died in Vienna on 26 March 1827. His Egmont music was commissioned for the Court

Theater in Vienna in October 1809 and was completed by the following spring. Most of the music was first performed in Vienna on 24 May 1810; the overture was added on

15 June. The first American performance of the overture took place in New York in a concert given by Joseph Herrmann as early as 2 April 1825. The orchestral score calls for two flutes and piccolo, two each of oboes, clarinets, and bassoons, four horns, two trumpets, timpani, and strings.

Beethoven began the Symphony No. 7 in the fall of 1811, completed it in the spring of

1812, and led the first public performance in Vienna on 8 December 1813. The first American performance was given by Ureli Corelli Hill with the New York Philharmonic

Society on 18 November 1843. The symphony is scored for pairs of flutes, oboes, clarinets, bassoons, horns, and trumpets, plus timpani and strings.

Goethe completed his historical tragedy Egmont in 1788 while on a tour of Italy. The historical Count Egmont was the most illustrious victim of Spanish tyranny in the sixteenth-century Netherlands when he was treacherously seized by the Duke of Alba and executed in Brussels on

4 June 1568. The character in Goethe's play is considerably romanticized (for one thing, Goethe makes him an eligible bachelor with a youthful sweetheart, while the real Egmont was a middle-aged married man with at least eight children). The play was published before ever being produced on the stage; one of its earliest reviewers was Friedrich von Schiller, later to become a close friend of Goethe's and a major figure in German literature himself. Schiller had written a history of the wars of liberation in the Netherlands, and his review took exception to Goethe's dramatic license, complaining especially that Goethe's characterization of Egmont added nothing to the tragic force of the play. According to Schiller, Goethe's Egmont fails to display the heroic qualities we expect when standing up against the dark forces that engulf him largely because he is so infatuated with Klarchen that he revels in a mood of "foolish confidence."

The play was not performed until 1791, and then it was only a middling success. Goethe himself had changed his dramatic style in the most drastic way from the Shakespearean speed and flexibility, along with the blood -and -thunder Sturm and Drang, of the youthful Gotz von Berlichingen to the classical. lphigenie in Aulis. Egmont to some extent straddled the two styles of Goethe's work and left most viewers displeased in having too much of one influence or the other. Schiller himself arranged the play for theatrical presentation at Goethe's request in 1796, and though the author moaned that he had used "brutal violence" on the original script in making his adaptation, it was Schiller's version that held the stage. Today it is Beethoven's music that keeps Egmont theatrically alive to the extent

27 Week II r

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-:«'. that it is performed at all, and the music projects Egmont to the audience as a far more heroic figure, a leader in the struggle for liberty, than Goethe made him. This comes about largely because of the final scene of Goethe's drama.

Egmont is in prison, awaiting execution. He sees a vision of Freedom, in the likeness of his sweetheart Klarchen, and awakens emboldened to address his countrymen in heroic words before being taken to execution, ending, "And to save all that is dearest to you, fall joyously, as I set you an example." The poet called for music almost throughout this scene, first during Egmont's vision and then breaking in again immediately after his last words as the curtain falls with what Goethe called a "victory symphony." Some twenty years after the writing of the play, Beethoven was commissioned by the Vienna Court Theater to prepare the incidental music called for by Goethe. The production opened on 24 May 1810, but although Beethoven had several months' notice, he had not managed to finish the overture in time; it was added to the performance on 15 June. In Beethoven's reading of the play, he found a dramatic subject that he was in tune with as rarely before or after. Perceiving the conflict between Egmont and Alba as the clash between good and evil, between liberty and tyranny, he produced music of great force.

Johann Wolfgang von Goethe

29 ro»

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i 1 Goethe's play was cast in five acts, so the minimum amount of music BT required would be an overture and four entr'actes. In addition the actress playing Klarchen has two songs to sing. It is, of course, perfectly possible to perform the play without any accompanying instruments and have the actress sing, as if in a folksong style, without instruments. But Beethoven wrote full orchestral parts and a vocal line that requires a real singer (thereby increasing the difficulty of producers who wish to put on Goethe's play with Beethoven's music). In addition, there are a small orchestral tone-poem depicting Klarchen's death and the Melodrama of the final scene. In Beethoven's day the word "melodrama" referred to a scene in a play in which spoken dialogue was accompanied by musical underscoring (and in that sense, just about every film and dramatic television program today is a melodrama; the later sense of the word as a cheap, debased drama overplayed emotionally comes from the misuse of the true Melodrama). The present performance includes the overture, two of the entr'actes, both songs, and the Melodrama and finale. Most of the overture uses no The New School of Music Philadelphia s Orchestra and Ensemble School

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Study at the New School is centered around group playing and around the critical listening which develops from training in chamber ensembles and in a

full orchestra. The curriculum includes not only private instrumental instruction, ear training and music theory and history, but also chamber music coaching, intensive orchestra reading, weekly instrumental seminars, super- vised chamber music reading, orchestra section rehearsals, individual audition preparation and many performance opportunities. Graduates of The New School of Music are presently performing in profes- 1 sional orchestras and chamber ensembles all over the world. I For further information contact: The New School of Music 301 South 21st Street Philadelphia, PA. 19103 1 Phone: (215) T32-3966

30 musical material from the incidental music to the play itself. Its unusually tense and somber thematic material and its overall air of suspense foreshadow the serious issues of the drama to follow but give no hint of its lighter moments. At the very end of the overture, Beethoven suddenly quotes totally new material for his coda — the victory symphony from the end of the play. The brilliant F major peroration, after the sobriety of the main body of the movement, provides a powerful dramatic lift, which Beethoven recalls at the end of the play. In the entr'actes, Beethoven was concerned to provide a careful musical transition from the mood of the act that was ending to the mood appropriate for the beginning of the following act. The songs are intended to characterize the person who sings them, as well as to lend some color and variety to the play. The

Melodrama of the last act, of course, is intended to heighten the emotion of the scene (which in this case includes a dream sequence —

Egmont's vision of Freedom — in pantomime, for which the music is indispensable). And the final measures of the score, the symphony of victory, break in at Egmont's final words to arouse the listener to new heights of heroic enthusiasm.

Die Trommel geriihret

Die Trommel geriihret! The drum roils! Das Pfeifchen gespielt! The fife is played! Mein Liebster gewaffnet My beloved, armed, Dem Haufen befiehlt, commands the troop, Die Lanze hoch fiihret, holds his lance high, Die Leute regieret. and commands the people. Wie klopft mir das Herze! How my heart beats! Wie wallt mir das Blut! How my blood surges!

O hatt ich ein Wamslein, If I only had a doublet Und Hosen und Hut! and hose and a hat!

Ich folgt ihm zum Tor aus I'd follow him out the gate Mit mutigem Schritt, with bold step, Ging durch die Provinzen, I'd go through the provinces, Ging uberall mit. I'd go everywhere with him. Die Feinde schon weichen, The enemy already falters, Wir schiessen darein. we shoot into their midst. Welch Gliick sonder Gleichen What joy without equal Ein Mannsbild zu sein! to be a man!

Freudvoll und leidvoll

Freudvoll Joyful Und leidvoll, and sorrowful, Gedankenvoll sein; thoughtful be; Langen Longing und bangen and fearing In schwebender Pein; in hovering pain; Himmelhoch jauchzend, rejoicing to heaven, Zum Tode betrubt; saddened unto death; Glucklich allein happy alone 1st die Seele, die liebt. is the soul that loves.

Goetht translations by S.L.

31 Week II H*. «?

The first performance of the Seventh Symphony, which took place in Vienna on 8 December 1813 at a charity concert which also included the

premiere of Wellington's Victory in the Battle of Vittoria, Opus 91, was one of the most splendid successes of Beethoven's life. The concert was repeated four days later, at the same benefit prices, and raised a large sum of money for the aid of Austrian and Bavarian troops wounded at the Battle of Hanau. More important from the musical point of view, it marked the real arrival of popular recognition that Beethoven was the greatest living

composer. To tell the truth, it was probably the potboiler Wellington's Victory, which concluded the program, that spurred most of the enthusiasm. Wellington, after all, was allied with the Austrians in opposing Napoleon, and a certain degree of patriotic fervor infected the proceedings; moreover the piece was simply calculated to appeal to a broad general audience more certainly than the lengthy abstract symphony that had opened the concert. Beethoven, of course, knew that the symphony

was the greater work. He called it, in fact, "one of my most excellent works" when writing to Johann Peter Salomon (for whom Haydn had written his symphonies 93-101), asking him to use his good offices with a London publisher to sell a group of his works there. And because of the special popularity of Wellington's Victory (a popularity which was even more likely in England than in Vienna), Beethoven adjusted his prices accordingly: a London publisher would have the "grand symphony" (the Seventh) for thirty ducats, but the Battle Symphony would cost eighty! Those fees do not in any way reflect Beethoven's view (or ours) of the relative merits of the two works; he was simply asking what he thought the market would bear. The new symphony contained difficulties that the violin section declared unperformable during rehearsals; Beethoven persuaded the players to take the music home and practice overnight. The rehearsal the

Where Tanglewood Began*

FOXHOLLOW: the perfect conclusion to a perfect evening, minutes from Tanglewood. While you are still savoring the concert, enjoy an elegant light supper or coffee and pastry — serving hours until 1:00 am. We also feature exotic drinks and live entertainment. No reservations required.

*ln 1923, Margaret Vanderbilt held the first concert on the West Lawn of this magnificent estate.

From Lenox, south on Rte. 7A to Rte. 7, then right at light (7 South), V2 mile to Foxhollow entrance on left.

\«L i'\ £*L BBS V» '/- \-i\iLi.- next day went excellently. The composer Ludwig Spohr, who was playing in the violin section for that performance, has left in his memoirs a description of Beethoven's conducting during the rehearsal — a remarkable enough feat since Beethoven's hearing was by now seriously impaired:

Beethoven had accustomed himself to indicate expression by all manner of singular body movements. So often as a sforzando occurred, he tore his arms, which he had previously crossed upon his breasts, with great vehemence asunder. At piano he crouched down lower and

lower as he desired the degree of softness. If a crescendo then entered

he gradually rose again and at the entrance of the forte jumped into the

air. Sometimes, too, he unconsciously shouted to strengthen the forte.

Spohr realized that Beethoven could no longer hear the quiet passages in his own music. At one point during the rehearsal, Beethoven conducted through a pianissimo hold and got several measures ahead of the orchestra without knowing it.

[He] jumped into the air at the point where according to his

calculation the forte ought to begin. When this did not follow his movement he looked about in a startled way, stared at the orchestra

to see it still playing pianissimo and found his bearings only when the

long-expected forte came and was visible to him. Fortunately this comical incident did not take place at the performance. The extraordinary energy of the Seventh Symphony has generated many interpretations from the critics, among the most famous of which is Wagner's description, "Apotheosis of the Dance." The air of festive jubilation was certainly linked by the first audiences with the victory over Napoleon, but many later writers have spoken of "a bacchic orgy" or "the upsurge of a powerful dionysiac impulse." Even for a composer to whom rhythm is so important a factor in his work, the rhythmic vehemence of this symphony, in all four movements, is striking. At the same time, Beethoven was beginning to exploit far-ranging harmonic schemes as the

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33 1

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framework for his musical architecture. If the Sixth Symphony had been elaborated from the simplest and most immediate harmonic relations — subdominant and dominant — the Seventh draws on more distant keys, borrowed from the scale of the minor mode. The very opening, the most spacious slow introduction that Beethoven ever wrote, moves from the home key of A major through C major and F major, both closely related to A minor, before returning to A for the beginning of the Vivace. That introduction, far more than being simply a neutral foyer serving as an entry to the house, summarizes the architecture of the entire building:

A, C, and F are the harmonic poles around which the symphony is built. Nowhere, not even in the opening movement of the Fifth, does Beethoven stick so single -mindedly to one rhythmic pattern as in the

Vivace of the Seventh. It skips along as rhythmic surface or background

throughout. The slow movement was a sensation from the beginning; it had to be encored at the first two benefit concerts, and during the

nineteenth century it was also frequently used, especially in Paris, as a substitute for the slow movement of the Second Symphony. The dark opening, stating the accompaniment to the entire march theme before the melody itself appears; the hypnotic repetition of a quarter-note and two eighths; the alternation between major and minor, between strings and

winds; the original fusion of march, rondo, and variation forms — all these contribute to the fascination of this movement. The Presto of the third

movement is a headlong rush, broken only slightly by the somewhat slower contrasting Trio. Beethoven brings the Trio around twice and

hints that it* might come for yet a third time (necessitating still one more round of scherzo) before dispelling our qualms with a few sharp closing chords. The closing Allegro con brio brings the symphony to its last and highest pitch of jubilation.

— Steven Ledbetter

Stockbridge m " ? Chamber Concerts J 3 n u n • Gershwin Pops a! [VSKto School lul\ 7 aaL Virtuoso Strings ji \\ htMtlvigh lul\ 2a The Romantics TRINITY rf PARISH EPISCOPAL • -4 >-— .it IVsi-io Si hool Aii.ai-i ro Sunday Services: Beethoven

a! Hl.i ni \ rt' Auiiu'.r 1 8:00 A.M. 10:15 A.M. 7:15 P.M. 00 pin Tii'luili (0 pill l. .Mil

- Parish Fair — July 17th 1 I l/AM 111 HAC'.l NAM Mum« l">irvUoi V.O lio\ lo4 Stockbruha' MA O12o2 413-2°8 3Z4o

nnr. 34

nracnUK ARTISTS Bongartz. Engagements with the Halle County, Erfurt, and Leipzig Kurt Masur theaters followed, and in 1955 he became a conductor of the Dresden Philharmonic. From 1958 to 1960 he was general director of music for the Mecklenburg Stage Theater of Schwerin. Mr. Masur has recorded music of Beethoven, Brahms, Bruckner, Mendelssohn, Prokofiev, and Schumann; his recordings are available on the Philips, Deutsche Grammophon, Angel, and Vanguard labels. This summer, in addition to his Boston Symphony appearances at Tanglewood, Mr. Masur makes his debut with the Chicago Symphony Orchestra at the Ravinia Festival.

Kurt Masur, music director of the Leipzig Gewandhaus Orchestra since Susanne Mentzer 1970, made his American debut with that orchestra during the 1974-75 season and, in the years following, appeared with the Cleveland Orchestra, the Toronto Symphony, and the Dallas Symphony. Following his initial Boston Symphony appearances in February of 1980, he went on to conduct the San Francisco Symphony, and he made his New York Philharmonic debut during that orchestra's Romantic Music Festival in June 1981. Boston and New York also heard him in the spring of 1981 when he returned to this country with the Leipzig Gewandhaus Orchestra. Mr. Masur is former conductor of the Leipzig Born in West Virginia, mezzo- Opera, and he has led such famed soprano Susanne Mentzer studied at European orchestras as the Berlin the University of the Pacific and Philharmonic, the Vienna Philhar- then at the Juilliard School, where monic, the New Philharmonia, and she received both her bachelor's and the National Orchestra of Paris. His master's degrees in music. Her credits also include appearances at operatic performances have included the international music festivals of Albina in Rossini's La donna del lago

Prague, Warsaw, and Salzburg. with Houston Grand Opera, the title Born in Silesia, Mr. Masur studied role in the same composer's La piano, then attended the German Cenerentola with Texas Opera Theatre, College of Music in Leipzig, where Suzuki in Madama Butterfly with the he studied conducting with Heinz Brooklyn Opera Society, and featured

35 Ifir roles in productions at the Juilliard conduct the following summer; but School, the Aspen Music Festival, the former BSO music director's BHP and the University of the Pacific. death in June 1951 intervened, and She has appeared on film in Mr. Morgan made his first major Pavarotti's Juilliard School Master appearance with the Boston Sym- Classes, recently rebroadcast in New phony at Tanglewood several yeatrs York over WNET, and as Suzuki in later, in a Koussevitzky memorial the Brooklyn Opera Society's Madama performance of Beethoven's Missa Butterfly in 1980. She has also per- Solemnis under the direction of formed at New York City schools Leonard Bernstein. Since then, he as a member of a solo quartet has made Boston Symphony sponsored by Lincoln Center as part appearances with Charles Munch, of its Lincoln Center Touring Erich Leinsdorf, and Seiji Ozawa; his Programs, and she has participated first appearance as singer-narrator also in the Texas Opera Theater was in Leinsdorf's Tanglewood Residence Program of "informances" performance of Strauss's Le Bourgeois on opera at area schools. On the gentilhomme, and his most recent concert stage, Ms. Mentzer has BSO performance was as narrator performed in the Mozart Requiem for the world premiere performances

and Haydn's Lord Nelson Mass. Her of Theodore Antoniou's Circle of awards include scholarships several Thanatos and Genesis under the years in succession at the Juilliard direction of Seiji Ozawa at School, the Leona Gordon Lowin Symphony Hall in January 1981. Award in Voice, and a 1979 Mr. Morgan has sung with major Liederkranz Competition prize. Her orchestras in the United States and teachers have included Rose Bampton, Canada, appeared frequently with Roy Lazarus, Martin Isepp, Samuel the NBC Opera on television and on Sanders, and Marshall Williamson. tour, and appeared many times with This is her first appearance with the the Boston-based opera companies Boston Symphony Orchestra. of Boris Goldovsky and Sarah Caldwell. He made his New York Mac Morgan City Opera debut in 1951, and he has been heard throughout the United States with many other opera companies, including those of Pitts- burgh, Atlanta, and Miami. In addition, his recital appearances have spanned thirty-five years. Mr. Morgan received his bachelor of music degree from the Eastman School of Music. He was an associate professor of music at the New England Conservatory and in 1962 joined the faculty of Boston University, where (flf*fc! he became a full professor of music and chairman of the vocal depart- In 1950, Mac Morgan sang for Serge ment in 1969, retiring just this year m Koussevitzky, who pronounced him after twenty years of service. This "ready to sing for our vast audience summer, Mr. Morgan continues as a at Tanglewood" and engaged him to faculty member of the Boston sing in Tchaikovsky's Pique Dame, University Tanglewood Institute which Koussevitzky planned to Young Artists Vocal Program.

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2W fl9in HS

Host Robert J. Lurtsema WGBH(89.7fm) Tanglewood offers Tanglewood previews Boston, MA as a regular summertime WFCR(88.5fm) Previews feature of Morningpro musica, Amherst, MA which is broadcast every day from seven until noon. WAMC(90.3fm) Albany, NY Morning pro musica is now heard coast to coast on WVPR(89.5fm) stations of the Public Radio Windsor, VT Cooperative including, in WVPS (107.9 fm) the New York/New Burlington, VT England area: WMEH(90.9fm) Bangor, ME WMEA(90.1fm) Portland, ME

WMEM (106.1 fin) Morning pro musica is made Presque Isle, ME possible in part by a grant from The Talbots. WPBH(90.5fm) Hartford, New Haven, Waterbury, CT Live broadcasts from WNPR (89. 1 fm) Tanglewood on the Eastern Norwich, New London, CT Public Radio Network are made possible by a grant WEVO(89.1fm) from Data General. Concord, NH LESLIE J. GARFIELD & CO., INC. DESIGNER

REAL ESTATE

SALES SPECIALISTS IN MANHATTAN NON- TOWNHOUSES - BROWNSTONES INVESTMENT PROPERTIES DESIGNER

595 Madison Ave.. New York, NY. 10022 (212) 371-8200

Laurie M. Wise

"Manhattan

THE SURPRISING WHITE HART INN

White clapboards, dark shutters, wide porches, towering elms. The classic New England country inn. With some surprising extras. A world famous British tea expert blends our fabulous Sarum teas. A former officer in the Chinese Navy adds a special Oriental dimension to an already-classic menu (fantastic salads, quiche, crepes, home- IL & Ifc NNise baked breads). Innkeeper John Harney holds forth on the events of the day in the congenial Goldsmiths m taproom. Complete facilities for you, your family, your group, in all seasons. ^81 Church St. (413) 637-1589 Reservations suggested. Luncheon Noon to 2 PM. Lenox, Massachusetts 01240 Dinner 6 PM to 9 PM. Fine Dining— Country Store Taproom — Accommodations On the green in Salisbury, Conn. (203)435-2511

\"S THE FRIENDS OF MUSIC AT TANGLEWOOD

more to music. Do something special this year and become I Give something a Friend of Music at Tanglewood. Every contributor is a Friend, but if you give $25 or more, you will receive many benefits that will increase your enjoyment of the Boston Symphony Orchestra's summer concert season. Basic membership is $25 per individual or $35 for immediate family. Note that each membership category automatically entitles its members to the benefits of all preceding categories.

Friend Friends of Music at Tanglewood may attend free concerts $25/$35 performed by students of the Berkshire Music Center, the BSO's distinguished academy for advanced study in music. The fascinating Talks and Walks series, which grows more popular each year, is available to all Friends. These informal talks feature a member of the Boston Symphony or guest artist and are followed by a guided tour of the Tanglewood grounds. Reservations can be made through the Friends' Office. The Boston Symphony's bi-monthly newsletter, BSO, will keep you, as a Friend, informed of all Symphony activities throughout the year.

Donor Donors will receive an advance Tanglewood concert schedule $75 and ticket application form in the early spring, prior to sale to the general public.

Contributor The Tanglewood Tent is a pleasant gathering place where $125 bar service is provided and picnic space is available on concert days. Call the Friends' Office for box supper orders and reservations.

Sponsor Special parking areas located at the Hawthorne Street $175 entrance or the West Street entrance are available to Sponsors for BSO and BMC events.

BUSINESS Business memberships are a vital component of the Friends MEMBERSHIP of Music at Tanglewood program. Business support adds a $200 special dimension of community participation to the Friends. All contributions of $200 or more from Business donors will be recognized in the Tanglewood concert program book.

Associate Associate members may request special ticket assistance at $250 the Box Office. Associates will also receive, on request, a complimentary recording by the Boston Symphony Orchestra.

Patron Pre-concert suppers are available to Patrons on Friday and $500 Saturday evenings at Seranak at a fixed price. Parking for Patrons dining at Seranak will be held by attendants on the Tanglewood grounds.

Guarantor Guarantors will be contributing toward the training of a $1000 young, talented musician at the Berkshire Music Center. A (Fund a Guarantor may wish to be paired with another Guarantor Partial BMC to sponsor jointly one full fellowship. All Guarantors will be Fellowship) invited to attend a special reception at Seranak with fellowship recipients. All Guarantors supporting a partial fellowship at the Berkshire Music Center will be listed in the Tanglewood program at the end of the concert season.

Benefactor Benefactors will be sole sponsors of Berkshire Music Center $1750 Fellowships, helping to underwrite the full cost of an eight- (Fund a week summer study program. All Benefactors will be listed Full BMC in the Tanglewood program and will be invited to attend a Fellowship) special reception at Seranak with their fellowship recipients.

BERKSHIRE A gift of $35,000 will endow a Berkshire Music Center MUSIC Fellowship, providing sustaining support for the program and CENTER enabling one fellowship student each year to study at FELLOWSHIP Tanglewood. For further information, contact Joseph M. ENDOWMENT Hobbs, Director of Development, Symphony Hall, Boston, MA 02115.

1982 Tanglewood Talks & Walks

A stimulating series of five Thursday July 22 Phyllis Curtin lecture-luncheons in the Tanglewood Tent, beginning at 12:15 p.m. and Soprano followed by a guided tour of the Tanglewood Artist-in-Residence Tanglewood grounds. Guest speakers include musicians and July 29 Erich Leinsdorf conductors. Bring a lunch; coffee and tea will be available. Music Director, 1962-1969 For Tent Members (donors of $125 Boston Symphony Orchestra or more), admission is free and reservations may be made two weeks Maurice in advance. Admission for Friends August 5 Abravanel (donors of $25-$124) is $1.00 and Acting Artistic Director reservations may be made one week Berkshire Music Center in advance. Non-member guests of Friends pay $5.00. For reservations, please call the Tanglewood Friends' August 12 Irwin Shainman Office at (413) 637-1600. Professor of Music, General admission to the Williams College Tanglewood Talks & Walks is $5.00; Berkshire Eagle columnist no reservations are accepted.

August 26 John Williams Conductor Boston Pops Orchestra

Friends of Music at Tanglewood Lenox, Massachusetts 01240 (413) 637-1600 9~

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warcerpeterson

rnsiaurani •J church iirMi knot. moMtachumif 01240 413 137 039* 53 WALKER STREET 2^ LENOX. MASS. 01240

Wonderful things occur in this 16th Cen tury Florentine Palazzo. Lunch, dinner andj?ost-Tanglew^odxare 3 of them. I5"|nanklin st Ljznox

i i r»/u»/nav A 10-minute Wa^fejroA^he^ion's Gate r >, Wcmff ffiART STUART7 fine necdlcv/oply. rI OPEN SEVEN DAN'S crafts, gourmet, gifts ON CHURCH STREET HHfel LENOX, MASSACHUSETTS 33 3 Pittsfield- Lenox Road, Lenox, MA WmgL B L Galway Court, Lenox To order call Heavily wooded lots 637-1785 Town water & town sewer Fabulous Picnics New homes for sale At A Moment's Open for your inspection ^Movable Notice For appointment, call JH pickup at rear of "'.;: yamato gilt shop if Itioi, Mtit. 104 main St.. lenox. ma Dick Mullen 637-2580 VWMGL€WOOD^^-4i^ ./^-^^^v^ a? <~7^»'^ fif*\ N^y^r- .M^fStuS^ui i^ft—£W

L«^-1 LENOX 1fli.

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THE LEMON TREE 102 MAIN STREET LENOX, MASSACHUSETTS 01240 GIFTS • ACCESSORIES • APPAREL incredible yarns * creative desi3ms * * fabulous hand Knit sweaters * * 83 church street lenox (413) 637- 09OO y

a /The Village.

(wifts from simple to simply elegant -|r; 0'>"j-oo2O -*©!&$

VILLAGE SHOPPING CENTRE LFNOX. MASSACHUSETTS 01 240 after concert menu and drinks

Telephone: 413-637-3083 Hours: Won. - Sal. 9:30-5:30 l6 CHURCH STREET, LENOX, VIASS. 0124O

x new * antique LOS GflTOS at Walker House • 74 Walker St . Lenox MA 01240 413/637-1271 and original

jc r i 7£^_ Absolutely Gorgeous clothing, arts and CLOTHING {» /£-~\j J/X\ crafts from Mexico and all Latin America ' *\ Just Delightful gifts for lovers of cats & JEWELRY Utterly Irresistible antiques from an earlier, more innocent America for men • women and children Wv Open Wednesdays through Sundays 10 am to 5 p m * 76 CHURCH ST., LENOX • 637-0088 r* T 2>ee$ .1 £>ip«rtmtrtt£t*rtf H -h "£tru 3liitu \1e»trri»H" - ^luiu 3far (tobny" Chu^hl?Str€er wy^^v0^ JJHettB anb ^omen's CAFE An American Bistro HP Jntant e toear ano gtrta 69 CHURCH STREET LENOX, MASSACHUSETTS 413 • 637 • 2745 9 18 Hlnlkrr £t.. truox, 3flA. 01210 k LUNCH • DINNER • SUNDAY BRUNCH J

M n Ss CROSBY'S THE GOURMET FOOD SHOP

STARTERS QUICHE, SMOKED SALMON PATE, HOUSE PATE, CHICKEN LIVER PATE WITH BRANDY, PATE DE CAMPAGNE, CRUDITE/TAPIENADE, PROSCIUTTO AND MELON, ANTIPASTO, SALMON MOUSSE WITH DILL SAUCE, PUREE OF WHITE BEANS WITH TAHINI, BROOK TROUT WITH HORSERADISH SAUCE, MARINATED SHRIMP, HAM MOUSSE, SOUPS TOMATO AND DILL, CREAM OF WATERCRESS, BORSCHT, GAZPACHO, BLACK BEAN, SORREL, LENTIL, SPINACH, PEPPER AND LEEKS, CONSOMME, ZUCCHINI, CARROT, VICHYSSOISE, CREAM OF TOMATO, MUSHROOM A LA OLGA SALADS CURRIED CHICKEN WITH GRAPES, NEW POTATO, ORIENTAL CHICKEN, TOMATO, WILD RICE AND PIGNOLI, ZITI, TUNA AND WHITE BEAN, RATATOULLE, BASIL AND FLAGEOLET, COLD PASTA WITH ANCHOVIES AND BLACK OLTVES,

TORTELLINI AND BLACK FOREST HAM, CARROTS WITH THYME, LOBSTER , CRAB, LEEKS VINAIGRETTE, MUSHROOMS a' LA'GRECQUE, WHITE BEANS WITH CAVIAR, STUFFED TOMATOES, ROBIN'S GINGER CHICKEN, ENTREES BAKED HAM, CHICKEN CURRY, LASAGNA, VEAL TONNATO, BAKED FISH IN CRUMBS. SWEDISH MEAT BALLS, PORK WITH GREEN PEPPER MAYONNAISE, FILET OF BEEF, VEAL MARENGO, STUFFED ONION, ZUCCHINI OR PEPPER, FRIED CHICKEN, ROAST BEEF, COQ AU VIN, SOLE STUFFED WITH CRAB MEAT, BEEF BURGUNDY, CHICKEN KIEV, STUFFED CHICKEN BREAST, VEAL ORLOFF, ^^S^> DESSERTS

PECAN PIE, PROFITEROLES, OLD FASHION CHOCOLATE LAYER CAKE, LEMON MOUSSE, BRANDIED FRUIT SALAD, CHOCOLATE TORTE, CHEESE CAKE, COOKIES, RUGULACH, POACHED PEARS IN RED WINE, CHOCOLATE MOUSSE, LEMON SQUARES, BROWNIES, APPLE TURNOVER, WE HAVE A SELECTION OF OVER SIXTY IMPORTED AND DOMESTIC CHEESES

62 CHURCH STREET LENOX, MASS. 01240 TELEPHONE 637-3396 OPEN SEVEN DAYS

933 Experience the pleasures of our palace.

Bellefontaine of the Berkshires. Just two picturesque miles from Tanglewood there awaits perhaps the most unique, and surely the most enchanting atmosphere for an after The Executive Committee concert cocktail, light supper or dessert. Our Tanglewood Council of the grassy outdoor Terrace Bar promises casual Boston Symphony Orchestra graciousness. Victorian wicker invites you to

sit and sip in our open-air Breezeway. While the palatial Library captures the essence of Mr. Richard S. Jackson, Jr. another era. So, whatever your pleasure, Mr. Robert A. Wells experience it in the elegance only a palace Co-Chairmen can offer. 91KembleSt.,Lenox,MA 637-2170 Mr. and Mrs. Raymond Boyer Community Affairs

€ BELLEFONTAINE ))= Mrs. Samuel Boxer Talks and Walks

Mrs. John M. Bradley Boston/Tanglewood Liaision

Mrs. Kelton Burbank Nominating Committee

Mr. John Davidson Secretary/Treasurer

Mr. Joseph Duffy Sales and Information

Dr. and Mrs. Craig Fischer Benefits

Mr. John Kittredge Nominating Committee

Mrs. Karl Lipsky Fellowship Students

Ms. Julia Polk Fellowship Students

Mrs. James Garivaltis Tanglewood/Boston Liaison

Mrs. William H. Ryan Seranak w Mr. Leon Siegel Business I Mrs. Peter Sprague Student Affairs

Mrs. Roger Voisin Talks & Walks

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PK* mmBSmMmL. is HI $£959 HI I I I ^^ ^^h>h-

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i ' mm The following businesses have helped support Tanglewood by contributing $200 or more to the Business Friends of Tanglewood in 1982. Without their support, you would not be enjoying this concert. We encourage you to patronize the following businesses in appreciation of their commitment to Tanglewood. LeonL.Siegel Berkshire Corporate Chairman

(Please note that the following list includes names submitted by 11 June 1982 and will be updated later this summer.)

Auto Dealers Pittsfield Supply Company Manex Machinery Street Corporation Central Berkshire New 501 North 108 Car Dealers Associates Pittsfield, MA Box Lebanon, P.O. Box 926 New NY Industry Pittsfield, MA Sprague Electric Company ALNASCO 87 Marshall Street Camps Route 41 North Adams, MA Camp Greylock for Boys Pittsfield, MA Walden Printing Company Becker, MA Argil Electronics, Ltd. 63 Orange Avenue 50 West 17th Street Walden, NY New York City Energy Insurance The Berkshire Gas Beloit Corporation Berkshire Life Insurance Company Jones Division South Street Co. Pittsfield, MA 401 Dalton, MA 700 South Street Lipton Energy Pittsfield, MA 458 South Street Berkshire Paper Company, Inc. Bradford, Brownlow & Pittsfield, MA River Street Associates Berkshire Common Finance Great Barrington, MA Pittsfield, MA C.T. Brigham Company City Savings Bank Paper Products Colt Insurance Co., Inc. 116 North Street 1561 East Street 101 South Street Pittsfield, MA Pittsfield, MA Pittsfield, MA First Albany Corporation Clark-Aiken Ernest Sagalyn Berkshire Common Lee, MA 120 South Street Pittsfield, MA Pittsfield, MA Coca-Cola Bottling Lee National Bank Company of Harsch Realty & Insurance 76 Park Street Northampton 111 North Street Lee, MA 366 King Street Williamstown, MA Lenox National Bank Northampton, MA McCormick & Toole Lenox, MA Crane and Company, Inc./ Insurance Agency, Inc. Lenox Savings Bank Byron Weston Company 397 North Street Lenox, MA Dalton, MA Pittsfield, MA Pittsfield Cooperative Bank Damon Corporation Wheeler & Taylor, Inc. 70 South Street 300 Second Avenue Stockbridge, Pittsfield, MA Needham Heights, MA Great Barrington & Williamstown National Sheffield, MA Kelly-Dietrich, Inc. Bank 1265 East Street Williamstown, Medical MA Pittsfield, MA Berkshire Orthopedic Lee Lime Corporation Home Supplies Associates, Inc. Lee, MA Dettinger Lumber 41 Wahconah Street Lipton Steel and Metal Company, Inc. Pittsfield, MA Products, Inc. 24 Warren Terrace Kochman, 458 South Street Jeffrey DDS Pittsfield, MA 745 Fifth Ave. Suite 1218 Pittsfield, MA Dresser-Hull Company New York City 60 Railroad Street Lee, MA

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i The 14th Annual NEW ENGLAND BACH FESTIVAL

Blanche Honegger Moyse, Artistic Director

Arleen Auger, soprano Lorna Myers, mezzo-soprano Seth McCoy, tenor * Jan Opalach, bass Edward Carroll, trumpet Allan Vogel, oboe "Musical Offering" chamber ensemble

Blanche Moyse Chorale The Bach Festival Orchestra

September 29-October 20, 1982

For program and ticket information write

The Brattleboro Music Center, 15 Walnut Street,

Brattleboro, Vermont 05301

or call the Festival office, 802/257-4523

nSff

As featured in the "New Lenox - York Times", -"Stripped §| Stockbndge - route 7 - Pine" country furniture south to Sheffield - turn ;

is beautiful! Twin Fires right on Berkshire j | Antiques has the largest i School rd. - 3 miles to

display of country ; Twin Fires. English Pine. f Open Daily 10-5

? <**&wIPix& -ew&to^^ berkshire school rd. & route 41 Sheffield, mass. (413) 229-8307 Professional Photo Shop Hickey-Birches Funeral 81 East Street Home Howland and Sheppard, P.C. Pittsfield, MA 33 South Street A Professional Barrington, Corporation Seven Arts Antiques Great MA 358 North Street Stockbridge, MA Pincus, Ohrenstein, Bizar, P.O. Box 770 D'Alessandro & Amherst, MA Where to Stay Solomon One Citicorp Center Gateways Inn and 153 E. 53rd Street Realtors Restaurant New York City Evergreen Realty 71 Walker Street 140 South Street Lenox, MA Pittsfield News Company 27 Reed Street Pittsfield, MA Laurel Hill Motel Pittsfield, MA 170 Laurel Street Services Lee, MA Research and Action, Inc. Ill Fifth Avenue Business Services for The Morgan House New York City Medicine, Inc. 33 Main Street 69 Federal Street Lee, MA Shapiro & Sons, Inc. Pittsfield, 341 Ashland Street MA The Ponds at Foxhollow North Adams, MA Route 7 Where to Eat Lenox, MA The Studley Press, Inc. 151 East Housatonic Street Gateways Inn and Quincy Lodge Dalton, MA Restaurant 19 Stockbridge Road 71 Walker Street Lenox, MA Syms Clothing, Inc. Lenox, MA 300 Chubb Avenue The Red Lion Inn Lyndhurst, New Jersey The Morgan House Stockbridge, MA 33 Main Street Tervakoski USA, Inc. The Village Inn Lee, MA PO Box 737 16 Church Street Lenox, MA The River House Lenox, MA 123 Water Street Wallach & Shepard The Williams Inn Route 43 Associates, Inc. on the Village Green Williamstown, MA 3 Wallis Court Williamstown, MA The Village Inn Lexington, MA Windflower Inn 16 Church Street Route 23 Lenox, MA Great Barrington, MA Windflower Inn Yankee Motor Lodge Inn Route 23 Pittsfield-Lenox Road Great Barrington, MA Lenox, MA Where to Shop Other Besse-Clarke Abdallah's Market 273 North Street Elm Street Pittsfield, MA Stockbridge, MA Country Curtains Berkshire Broadcasting Main Street Co., Inc. Stockbridge, MA North Adams, MA England Brothers Berkshire Christian North Street College Pittsfield, MA Lenox, MA Kay-Bee Toy and Hobby Butler Wholesale Products Shops, Inc. Pleasant Street Route 102 Adams, MA Lee, MA Butternut Basin Ski Area The Lemon Tree Great Barrington, MA 102 Main Street Lenox, MA Cain, Hibbard and Myers 184 North Street Merchant Du Vin Corporation Pittsfield, MA Lenox, MA J. Gerber Company 855 Avenue of the Americas New York City HBBBI

VfGc I

•\^^t;. SHOP AND DINE n&St Stockbridge

<& VIETNAMESE RESTAURANT

Delicious steaks, hamburger platters, French Vietnamese cooking, a delicious barbecued ribs, outdoor cookouts, chefs contrast to ordinary meals, featuring such specials and home-made desserts. Serving dishes as lemon chicken, egg rolls and international beers, wines, cocktails and happy pancake. Serving beers and wines. cappuccino. 413/232-8565 413/232-4204

IlCavatievf

Delicious hearty cooking, wholesome country breakfasts, overstuffed sandwiches and quiche, Mid-Eastern specialties. Serving beers and wines. 413/232-8582

Exquisite Country French cuisine served >••*:'*• in the beautiful surroundings of a Provincial country inn and garden. Vintage wine cellar, cocktails. Comfortable country inn, rooms and suites available. Men's and Women's Quality Clothing Le PETIT POIS Train Station 141 North Street at the WESTBR1DGE INN West Stockbridge, MA Pittsfield, MA MHgH HE April 56 ^ENSBORQ(^ EXTREME COOKERY

A Store for the Serious Cook. Carrying the unusual and Quality Gourmet items. Wines, Spirits & Party Store Main Street Large selection of wines and spirits, West Stockbridge, MA 01266 international beers and ales. Haagen-Dazs 413-232-7082 ice cream, picnic and party snacks. Mfljn ^ 413/232-8522 Lakeville, CT 06039 203-435-2623 wflMKB&fil Wh£k&

mm 1 mm [

mm «T STOREHOUSE PUSWC4BTC N HISTORIC MARKET VILLAGE

If you're searching for country fun and collectibles, West Stockbridge, Massachusetts is a 0§ natural place to look. This restored Village is m located in the scenic Berkshire Mountains between Boston and New York, only minutes from Tanglewood, Norman Rockwell Museum, Hancock Shaker Village and theatres. There you'll find handmade jewelry, stained glass, Shaker furniture and pottery, and you can meet and watch these artisans

•?- at work. You can find such unusual items as collectibles from the thirties and forties as well as heirlooms and antiques. Cooking enthusiasts can stock up on kitchen wares, fruits, vegetables, herbs, spices, syrups and extracts. ry~ Harvey, the Chocolate Rabbit, guards a gnome- like toy house where bakers make candies, chocolates and pastries. The shop-keepers and ftrS artisans search the countryside to bring you the best vKl« p 5 of America's designers — and the best buys. One- of-a-kinds and exclusives, hard-to-find nostalgia and things you're not likely to find anywhere else. Enjoy the river balconies and dining terraces, the Art Park and sculpture, the Pedlar wagons and picnic places — in a setting of Music and the Arts. wfe§t Stoehbridge

s» £fc1

Tanglewood SHAKER COMMUNITY Tradition INDUSTRIES Our outdoor Courtyard HANCOCK SHAKER VILLAGE — colorfully abounding with Impatient plants- Three miles west of Pittsfield, serves luncheons, Route 20 dinners, snacks and Handcrafted Museum Quality drinks. Our indoor Lion's Den features sandwiches, Shaker Furniture drinks and live entertainment.

Both are open till 1 a.m. Phone: Showroom & workshops open seven 413-298-5545. Route 7, Stockbndge, days a week, 10 A.M. -4 P.M. in Massachusetts. Since 1773. 1910 Barn at the Village. lM The Red Lion Inn

SOUTH MOUNTAIN ANGEL HOUSE CONCERTS DESIGNS i-iira i Wing Chairs from $395. Pittsfield, Massachusetts Special: 66" Country 64th Season of Chamber Music Chippendale, Heart-Back, or Sheraton July 31, Tokyo String Quartet sofa $565. Greeff, Schumacher, Aug. 14, Empire Brass Quintet Waverly fabrics. Send $1.50 for sales capsule and fabric Aug. 28, Steinhardt, Eskin, Kalish samples to: Angel House

Sept. 5, Beaux Arts Trio Designs. R F.D. 1 Box 1 Dept. Y6. Route 148, Sept. 25, American String Quartet BROOKFIELD Ma 01506 Oct. 10, Guarneri String Quartet Open Mon., Wed.-Sun At the 1731 Saltbox. Tel 617- For Brochure and Ticket Information Write 867-2517 Seven miles north South Mountain Concerts Box 23 of Old Strubndge Village.

Pittsfield, Massachusetts 01202 The Colonial Design Specialists Box Office 413 442-2106 Ma., Pa., N.Y., Ar., Me., Tx., Ca., N.H., Mi.

An exciting collection of contemporary American craftwork and Japanese art. YAMATO HOUSE 104 Main St Lenox, MA YAMATO

"" JULY AT TANGLEWOOD

Sunday, 4 July Sunday, 11 July at 2:30 FOURTH-OF-JULY SPECIAL BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, conductor Afternoon events beginning at 2:30 TANGLEWOOD FESTIVAL CHORUS, 8:30 p.m.: JOHN OLIVER, conductor "LENA HORNE: THE LADY AND HER MARY WESTBROOK-GEHA, MUSIC" mezzo-soprano S. MARK ALIAPOULIOS, baritone Monday, 5 July ALL-STRAVINSKY PROGRAM Afternoon events beginning at 2:30 Fireworks 8:30 p.m.; Requiem canticles "LENA HORNE: THE LADY AND HER The Firebird (complete ballet) MUSIC" Thursday, 15 July at 8:30 Thursday, 8 July at 8:30 VERMEER QUARTET ALFRED BRENDEL, piano Music of Haydn, Britten, and Mendelssohn Music of Beethoven, Haydn, and Schubert Friday, 16 July at 7 Prelude) Friday, 9 July at 7 (Weekend (Weekend Prelude) RAFAEL DRUIAN, violin Members of the BOSTON SYMPHONY MALCOLM FRAGER, piano ORCHESTRA Beethoven violin sonatas Beethoven Septet, Opus 20 Friday, 16 July at 9 Friday, 9 July at 9 BOSTON SYMPHONY ORCHESTRA THE SERGE AND OLGA KOUSSEVITZKY EUGENE ORMANDY, conductor MEMORIAL CONCERT JOSEPH SILVERSTEIN, violin BOSTON SYMPHONY ORCHESTRA ALL-BEETHOVEN PROGRAM SEIJI OZAWA, conductor Overture to The Creatures of Prometheus ROBERTA ALEXANDER, soprano Symphony No. 4 MAUREEN FORRESTER, contralto Violin Concerto JAMES McCRACKEN, tenor VICTOR VON HALEM, bass Saturday, 17 July at 8:30 TANGLEWOOD FESTIVAL CHORUS, BOSTON SYMPHONY ORCHESTRA JOHN OLIVER, conductor KURT MASUR, conductor SESSIONS SUSANNE MENTZER, mezzo-soprano Concerto for Orchestra (commissioned MAC MORGAN, speaker by the Boston Symphony Orchestra ALL-BEETHOVEN PROGRAM for its centennial) Music for Goethe's Egmont BEETHOVEN Symphony No. 7 Symphony No. 9 Sunday, 18 July at 2:30 Saturday, 10 July at 8:30 BOSTON SYMPHONY ORCHESTRA BOSTON SYMPHONY ORCHESTRA KURT MASUR, conductor SEIJI OZAWA, conductor MALCOLM FRAGER, piano ALFRED BRENDEL, piano ALL-BEETHOVEN PROGRAM BRAHMS Symphony No. 1 Serenade No. 1 Piano Concerto No. 4 MOZART Leonore Overture No. 2 Piano Concerto No. 20 in D minor, K.466 WAGNER Overture to Tannhauser •ix!

Km.

"»" TT-^S^ftflr <£>'*>• ^ ^ r^i am- X

and 9*a6ulou& tWabAi&nb fei *9 ttta $

A complete source for China, Glass, Dinnerware, Clocks, Candles, Lamps, Lighting Fixtures, Baskets & Pottery, Woodenware, Pewter, Brass & Copper, Door Stops, Hitching Posts, Weathervanes, Braided & 1 Hooked Rugs, Woven Coverlets, Place Mats & Table Linens, Gourmet Cookware, Colonial Hardware, Franklin Stoves, Andirons & Fireplace OPEN Equipment, Pictures, Wall Hangings, Mechanical Banks, Unique EVERY DAY i Toys, Exciting Imports, Decorative Accessories, Documentary Fabrics Daily 9-5:30 & Wallpapers, Upholstered & Early American Furniture, Authorized Sundays 10-5 "Colonial Williamsburg" and "Museum Collection" Reproductions, CHOOSE FROM OVER Authentic Americana and distinctive Country Clothes 30,000 ITEMS FABULOUS FASHIONS FINE FURNITURE v « X

Recapture Yesteryear s Yankee Nostalgia at Aunt Abigail's (Attic SIT V Seth & Jed's Country Store EXCLUSIVE COUNTRY CLOTHES f Berkshire Headquarters for all of McArthur's Smokehouse Staples 4

Gourmet Foods Papeteries Finest Soaps Home Baked Goods As featured J«* 4 weekly in Maple Products NEWMDRKER Aged Cheddar Cheese * j. Till Our Famous Fresh Ground {Jltd. $1 Ginger Molasses Cookies Peanut Butter f Old Fashioned Candy ^dîm Coffee 3 Jams and Jellies êa ** Ongoing Clearance ¥* 4Hsi?^ 13 Imported Delicacies SffsTSJyJSL Honey Herbs and Spices Apothecary Jars Miniatures mesjitme&s mass a Preserves Water Driven Stone Ground Flour VISIT OUR m FASHION BARN I BARGAIN DISPLAYING x 3? discontinued âtofog &¥tf/e± 30% OFF & MORE X &

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Remember, you haven't seen the Berhshires if you haven't seen JENIFER HOUSE!

9* Thursday, 22 July at 8:30 Thursday, 29 July at 8:30 JEAN-PIERRE RAMPAL, flute JOSEPH SILVERSTEIN, violin John Steele Ritter, piano Gilbert Kalish, piano Music of Mozart, Schubert, Hummel, Music of Schubert, Stravinsky, Hindemith, Czerny, Taki, Tashiro, Miyagi, and Borne Paganini, and Wieniawski

Friday, 23 July at 7 Friday, 30 July at 7 (Weekend Prelude) (Weekend Prelude) ANDRE-MICHEL SCHUB, piano URSULA OPPENS and Music of Beethoven and Liszt GILBERT KALISH, pianists Program to include Stravinsky's Le Sacre du printemps (two-piano version) Friday, 23 July at 9 BOSTON SYMPHONY ORCHESTRA Friday, 30 July at 9 KURT MASUR, conductor JEAN-PIERRE RAMPAL, flute BOSTON SYMPHONY ORCHESTRA WOMEN of the TANGLEWOOD ERICH LEINSDORF, conductor FESTIVAL CHORUS, EMANUEL AX, piano JOHN OLIVER, conductor SCHUBERT BOSTON BOY CHOIR, Symphony No. 7 (old No. 8) THEODORE MARIER, director in B minor, Unfinished CIMAROSA LISZT Overture to 11 giorno felice Piano Concerto No. 1 MOZART STRAVINSKY Flute Concerto No. 2 in D, K.314 Le Sacre du printemps LISZT Dante Symphony Saturday, 31 July at 8:30 BOSTON SYMPHONY ORCHESTRA Saturday, 24 July at 8:30 ERICH LEINSDORF, conductor BOSTON SYMPHONY ORCHESTRA EMANUEL AX, piano HIROSHI WAKASUGI, conductor STRAVINSKY ANDRE-MICHEL SCHUB, piano The Song of the Nightingale STRAVINSKY LISZT Scherzo fantastique Piano Concerto No. 2 Capriccio for piano and orchestra SCHUBERT BERLIOZ Symphony No. 8 (old No. 9) in C, The Great Symphonie fantastique

Sunday, 25 July at 2:30 BOSTON SYMPHONY ORCHESTRA Momiji KURT MASUR, conductor TANGLEWOOD FESTIVAL CHORUS, JOHN OLIVER, conductor Gallery BENITA VALENTE, soprano Original 19th & 20th I KATHERINE CIESINSKI, mezzo-soprano Century Japanese JOHN GILMORE, tenor Woodblock Prints. JOHN CHEEK, bass-baritone Hiroshige / Kunisada STRAVINSKY Kuniyoshi / Toyokuni Choral Variations on Vom Himmel hoch Yoshitoshi/Hasui Mass Yoshida /other artists HAYDN An intimate gallery in a restored Hew England Lord Nelson Mass farmhouse on Seekonk Road, in Great Barrington. Please call for directions and appointment. (413) 528-4865 Programs subject to change.

1 ;*fl • liTa ERKSHIRE MUSIC CENTER IS OUR INVESTMENT IN THE FUTURE —Boston Symphony OF OUR ART." Music Director, Seiji Ozawa

For Seiji Ozawa, a summer spent 22 years ago as a student at the Berkshire Music Center was the catalyst for his professional careen Founded in 1940, the Berkshire Music Center represented the fulfillment of Serge Koussevitzky's vision of what a summer music festival should comprise. Today, the BMC continues as this country's preeminent academy for advanced musical study and performance, administered and financed by a symphony orchestra. Under Artistic Director Gunther Schuller, the BMC offers young instrumentalists, singers, conductors, and composers an incomparable eight'week musical program from which they graduate as seasoned musicians. The BMC's alumni include conductors Claudio Abbado, Leonard Bernstein, Luciano Berio, and Zubin Mehta; singers Sherrill Milnes, Leontyne Price, and Shirley Verrett; and composers as diverse as Burt Bacharach and Lukas Foss. Currently more than 18 percent of all musicians in this country's major symphony orchestras and 35 percent of all principal players in those orchestras have attended the BMC. Since the principal criterion for admission to the BMC is musical, not financial, the BMC necessarily operates at a substantial loss to the BSO each year. Please show your support for this remarkable resource by making a contribution to the Berkshire Music Center and to the future of music itself.

Please make checks payable to the Boston Symphony Orchestra and mail to the Friends' Office, Tanglewood, Lenox, Mass. 01240. For further information, please contact Joseph Hobbs in the Friends' Office at Tanglewood, or call (413) 637-1600. THE BERKSHIRE MUSIC CENTER AT TANGLEWOOD 1982 Concert Schedule

Monday, 5 July at 11:00 a.m. Wednesday, 28 July at 8:30 p.m. Berkshire Music Center Young Artists Orchestra and Chorus Opening Exercises Leonard Atherton conducting (admission free) Program to include Haydn St. Bernardi Mass (Heiligmesse) Sunday, 11 July at 8:30 p.m. Berkshire Music Center Orchestra Saturday, 31 July through Joseph Silverstein conducting Wednesday 4 August Haydn Symphony No. 102 FESTIVAL OF Stravinsky Symphony in Three CONTEMPORARY MUSIC Movements Saturday, 31 July Ravel Daphnis and Chide, Suite No. 2 — Festival Preview at 1:30 p.m. Tuesday, 13 July at 8:30 p.m. (Tanglewood Tent)

Chamber Music— Fellows — Concert I at 2:30 p.m. Sunday, 1 August at 8:30 p.m. Wednesday, 14 July at 8:30 p.m. Concert II Chamber Music— Young Artists — Monday, 2 August at 8:30 p.m. Saturday, 17 July at 2:30 p.m. — Concert III Berkshire Music Center Orchestra Tuesday, 3 August at 8:30 p.m. Otmar Suitner and — Concert IV Conducting Fellows conducting Wednesday, 4 August at 8:30 p.m. Program to include — Concert V Schubert Symphony No. 8 (old No. 9) 1 at 10:00 in C, The Great Sunday, August a.m. Chamber Music— Fellows Sunday, 18 July at 10:00 a.m. Chamber Music— Fellows Saturday, 7 August at 2:30 p.m. Chamber Music— Young Artists Sunday, 18 July at 8:30 p.m. Vocal Recital — Fellows Sunday, 8 August at 10:00 a.m. Chamber Music— Fellows Monday, 19 July at 8:30 p.m. Chamber Music— Young Artists Sunday, 8 August at 8:30 p.m. Chamber Music— Young Artists Tuesday, 20 July at 8:30 p.m. Vocal Recital — Fellows Monday, 9 August at 8:30 p.m. Wednesday, 21 July at 8:30 p.m. Vocal Recital — Fellows Young Artists Orchestra Tuesday, 10 August at 8:30 p.m. Victor Yampolsky conducting Chamber Music — Fellows Weber Overture to Oberon Wednesday, 11 August at 8:30 p.m. Britten Young Person's Guide to the Orchestra Berkshire Music Center Orchestra Tchaikovsky Symphony No. 3, Polish Andre Previn and Saturday, 24 July at 2:30 p.m. Conducting Fellows conducting Chamber Music— Young Artists Program to include Sunday, 25 July at 10:00 a.m. Shostakovich Symphony No. 5 Chamber Music— Fellows Saturday, 14 August at 2:30 p.m. Sunday, 25 July at 8:30 p.m. Young Artists Orchestra Vocal Recital — Fellows Alan Baiter conducting Music of Beethoven, Haydn, and Bartok Monday, 26 July at 8:30 p.m. Chamber Music— Young Artists Sunday, 15 August at 10:00 a.m. Chamber Music— Fellows Tuesday, 27 July at 8:30 p.m. Berkshire Music Center Orchestra Sunday, 15 August at 8:30 p.m. Erich Leinsdorf and Vocal Recital — Fellows Conducting Fellows conducting Tuesday, 17 August at 8:30 p.m. Program to include final scene Chamber Music— Young Artists from Strauss's Der Rosenkavalier

.4 i*

.• m ^1 For rates and information on advertising in the Boston Symphony, Boston Pops, and Tanglewood program books please contact:

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Wednesday, 18 August at 8:30 p.m. Berkshire Music Center Orchestra Gustav Meier and Conducting Fellows conducting Program to include Dvorak Symphony No. 9, New World

Saturday, 21 August at 2:30 p.m. Young Artists Orchestra Victor Yampolsky conducting Beethoven Leonore Overture No. Stravinsky The Fairy's Kiss Mussorgsky /Ravel Pictures at an Exhibition

Sunday, 22 August at 10:00 a.m. Chamber Music— Fellows Sunday, 22 August at 8:30 p.m. Vocal Recital — Fellows Monday, 23 August at 8:30 p.m. Chamber Music— Fellows Wednesday, 25 August at 8:30 p.m. Berkshire Music Center Orchestra Conducting Fellows conducting Program to be announced

Friday, 27 August TANGLEWOOD ON PARADE (Afternoon events beginning at 2:30, Schedule subject to change. followed by gala orchestra concert at 9; Current information Berkshire Festival ticket required) available each week at the Tanglewood Main Gate. Saturday, 28 August at 2:30 Young Artists Chorus conducting Leonard Atherton Except where noted, admission Program to be announced is by a $4 donation at the gate, Sunday, 29 August at 10:00 a.m. or by Friends of Music at Chamber Music — Fellows Tanglewood season membership.

Programs designated "Fellows" events are performed by members of the Berkshire Music Center's Fellowship Program for advanced young performers 18 years of age and older. The Berkshire Music Center Orchestra is comprised of members of the Fellowship Program.

Programs designated "Young Artists" events are performed by members of the Boston University Tanglewood Institute's Young Artists Instrumental and Vocal Programs for high-school age musicians.

"Tanglewood on Parade" is a day-long series of concert performances and other events highlighting the entire spectrum of Tanglewood performance activities, including the Berkshire Music Center Fellowship Program, the Boston University Tanglewood Institute's Young Artists Program, and the Boston Symphony Orchestra itself. "Tanglewood on Parade" is presented as a benefit for the Berkshire Music Center and concludes with a gala concert at 9:00 p.m. featuring the Boston Symphony Orchestra, the Berkshire Music Center Orchestra, the Young Artists Orchestra, conductors Seiji Ozawa, John Williams, and Joseph Silverstein, and pianist Peter Serkin. Berkshire Festival tickets are required and are available at the Tanglewood box office.

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Hall Jordan Hall Sun., Dec. 26 at 8 Symphony THE BRANDENBURG Boston Boston CONCERTOS Fri., Nov. 5 at 8 Sun., Oct. 10 at 8 Pro Arte Chamber Orchestra of Boston MAURICE ANDRE & KYUNG-WHA CHUNG Emanuel Borok, Guest Conductor ORCHESTRE First Boston recital by celebrated Thurs., Ian. 13 at 8 PHILHARMONIQUE Korean violinist. MARILYN HORNE Sat., Jan. 22 at 8 DE FRANCE* Sat., Jan. 22 at 8 Marc Soustrot, Conductor MARILYN HORNE SCOTTISH CHAMBER Maurice Andre, Trumpet Fri., April 22 at 8 Bernard Soustrot, Trumpet ORCHESTRA BERLIOZ 'Benvenuto Cellini' Overture AMADEUS QUARTET Sharon Robinson, Cellist DUKAS Sorcerer's Apprentice Norbert Brainin, Violin Jaime Laredo, Violinist & Conductor ALBINONI Concerto for two trumpets Siegmund Nissel, Violin ARRIAGA Symphony in D HUMMEL Concerto in E flat for trumpet Peter Schidlof, Viola FAURE Elegie for Cello. Op. 24 SAINT-SAENS Symphony/ No. 3 Organ Martin Lovett, Cello TCHAIKOVSKY Variations on a 35th Anniversary Rococo Theme for Cello, Op. 33 Fri., Jan. 21 at 8 Quartets of Mozart, Britten, Beethoven MOZART, Vi'o/i>i Concerto No. 3 in G SCOTTISH CHAMBER MOZART Symphony No. 35 Haffner' ORCHESTRA Mechanics Hall Thurs., Feb. 3 at 8 Sharon Robinson, Cellist Worcester MINNESOTA ORCHESTRA Jaime Laredo, Violinist & Conductor Sun., Sept. 26 at 2 Garrick Ohlsson, Pianist ARRIAGA Symphony in D Neville Marriner, Conductor FAURE Elegiefor Cello & Orchestra SLOVAK CHAMBER MOZART Overture to the Variations on a TCHAIKOVSKY ORCHESTRA Marriage of Figaro Rococo Theme for Cello. Op. 33 Featuring Vivaldi's The Four Seasons GRIEG Piano Concerto in A minor MOZART Violin Concerto No. 3 in G Sat., BRAHMS Symphony No. 2 MOZART Symphony No. 35 'Haffner' Oct. 2 at 8 ITZHAK PERLMAN Sat., Feb. 19 at 8 Fri., Feb. 4 at 8 MINNESOTA ORCHESTRA Violinist in Recital. PINCHAS & EUGENIA Garrick Ohlsson, Pianist Fri., Oct. 8 at 8 ZUKERMAN Neville Marriner, Conductor KYUNG-WHA CHUNG Violinist & Flutist in Recital. MOZART Overture to the Marriage Celebrated Korean violinist in recital. Thurs., Mar. 10 at 8 of Figaro JAMES GRIEG Piano Concerto in A Minor Thurs., Oct. 21 at 8 GALWAY BRAHMS Symphony No. 2 YO-YO MA With the New Irish Chamber Orchestra Fri., Feb. 25 at 8 Only area recital by the brilliant cellist. Wed., Mar. 16 at 8 SHERRILL MILNES Thurs., Nov. 4 at 8 THE CHIEFTAINS World's foremost operatic baritone MAURICE ANDRE & St. Patrick's Eve Special with Ireland's top band. in first Boston recital. ORCHESTRE folk Fri., Mar. at Fri., March 18 at 8 PHILHARMONIQUE 18 8 STAATSKAPELLE DE FRANCE ACADEMY OF ST. DRESDEN* Marc Soustrot, Conductor MARTIN-IN-THE-FIELDS Herbert Blomstedt, Conductor Maurice Andre, Trumpet Iona Brown, Director Bernard Soustrot, Trumpet ZIMMERMAN Sinfoma Come Un Fri., Mar. 25 at 8 Grande La>}iente PROKOFIEV Suite from 'Romeo & Juliet' STRAUSS Death and Transfiguration ALBINONI Concerto for two trumpets ISAAC STERN BEETHOVEN Symphony No. 3'Eroica BELLINI Concerto in E flat for trumpet Master Violinist in Recital. SAlNT-SAENSSymphonyNo.3'Organ' Sun., April 10 at 7:30 Sun., April 24 at 3 Tribute to Sir Benjamin Britten Mon., Nov. 29 at 8 AMADEUS QUARTET WAR REQUIEM, Op. 66 LOS ANGELES 35th Anniversary Quartets of Mozart, Britten, Beethoven John Oliver Chorale PHILHARMONIC Boston Boy Choir, Carlo Maria Giulini, Conductor Sun., May 15 at 3 Theodore Marier, Director DVORAK Symphony No. 8 GUARNERI STRING Civic Symphony Orchestra of Boston HAYDN Trumpet Concerto in E flat Max Hobart, Music Director STRAVINSKY Suite from The Firebird' QUARTET Soloists to be announced. Quartets of Haydn, Brahms, Debussy Thurs., Dec. 9 at 8 Conductor: JOHN OLIVER Special guest of honor: Sir Peter Pears THE WAVERLY CONSORT 'The Christmas Story' *lst Boston appearance. Programs subject to change.

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