DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1982, Tanglewood

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1982, Tanglewood £^/bm*m^f? %**** s^W |^V , II BOSOM SYMPHONY ORCHESTRA SEIJI CZAWA. Music Drector m 1 /* '9- Yes, if you're lucky! When you plan a Berkshire vacation, you' re apt to hear Sorr\ we're booked" m<|re than once. Simply because tourists value our country charm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their normal cost. All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge. Breathe deeply . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers. Don't risk missing a Berkshire summer. my Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed! The Ponds at Foxhollow . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H.A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P. Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D. Hill B.J. Krintzman Director of Director of Director Promotion Business Affairs of Planning Judith Gordon Theodore A. Vlahos Joseph M. Hobbs Assistant Director Controller Director of Promotion of Arlene Germain Development Marc Solomon Financial Analyst Joyce M. Synder Production Development Coordinator Elizabeth Dunton Coordinator Director of Sales James E. Whitaker Katherine Whitty Hall Manager, Charles Rawson Coordinator of Symphony Hall Manager of Box Office Boston Council James F. Kiley Anita R. Kurland Richard Ortner Operations Manager, Administrator of Administrator, Tanglewood Youth Activities Berkshire Music Center Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director of Editorial Print Production Publications Coordinator Coordinator Programs copyright ©1982 Boston Symphony Orchestra, Inc. Cover photo by Walter H. Scott, Stockbridge Board of Overseers of the Boston Symphony Orchestra, Inc. Mrs. Norman L. Cahners, Che William J. Poorvu Mrs. William H. Ryan Vice-Chairman Secretary Charles F. Adams Avram J. Goldberg Mrs. Hanae Mori John Q. Adams Jordan L. Golding Mrs. Stephen V.C. Morris Mrs. Frank G. Allen Haskell R. Gordon E. James Morton David B. Arnold, Jr. Graham Gund Stephen Paine, Sr. Hazen H. Ayer Christian G. Halby John A. Perkins Bruce A. Beal Mrs. R. Douglas Hall III David R. Pokross Mrs. Richard Bennink Francis W. Hatch, Jr. Mrs. Curtis Prout David W. Bernstein Mrs. Richard D. Hill Mrs. Eleanor Radin Mrs. Edward J. Bertozzi, Jr. Ms. Susan M. Hilles Peter C. Read Peter A. Brooke Mrs. Amory Houghton, Jr. Mrs. Peter van S. Rice William M. Bulger Richard S. Jackson, Jr. David Rockefeller, Jr. Curtis Buttenheim Mrs. Bela T. Kalman Mrs. George R. Rowland Julian Cohen Mrs. Louis I. Kane Francis P. Sears Mrs. Nat King Cole Mrs. S. Charles Kasdon Gene Shalit Johns H. Congdon Mrs. F. Corning Kenly, Jr. Donald B. Sinclair William M. Crozier, Jr. Mrs. Gordon F. Kingsley Richard A. Smith Mrs. Lewis S. Dabney Mrs. Carl Koch Ralph Z. Sorenson Mrs. Michael H. Davis Robert K. Kraft Peter J. Sprague William S. Edgerly Harvey C. Krentzman Ray Stata Mrs. Alexander Ellis, Jr. Mrs. E. Anthony Kutten Mrs. Edward S. Stimpson Frank L. Farwell Benjamin H. Lacy Mrs. Arthur I. Strang Kenneth G. Fisher Mrs. James F. Lawrence Mrs. Richard H. Thompson Mrs. John H. Fitzpatrick Mrs. Charles P. Lyman Mark Tishler, Jr. Peter H.B. Frelinghuysen C. Charles Marran Ms. Luise Vosgerchian Paul Fromm Mrs. August R. Meyer Robert A. Wells Mrs. Thomas J. Galligan, Jr. Edward H. Michaelsen Mrs. Donald Wilson Mrs. Thomas Gardiner J. William Middendorf II John J. Wilson Paul M. Montrone MACBETH DIRECTED BY TINA PACKER July 28-August 29, Tuesday-Sunday, 8 P.M. EDITH WHARTON: AN INTIMATE PORTRAIT DIRECTED BY DENNIS KRAUSNICK Opens Sunday, June 20, Runs Wednesday-Sunday June 23-July 18, 8 P.M. SHAKESPEARE THE NEW YOUNG COMPANY WILL PRESENT UNDER THE THE COMEDY OF ERRORS STARS In August. Matinees Only, 2 P.M. For further information, call the Box Office, (413) 637-3353, or write Shakespeare & Company, The Mount, Lenox, Ma. 01240. THE BOSTON SYMPHONY ORCHESTRA- THE SECOND CENTURY BEGINS Join the Boston Symphony as it celebrates the beginning of the orchestra's second century. Under Music Director Seiji Ozawa, the 1982-83 season offers soloists and conductors with one of the world's most glorious orchestras. Haydn's Creation/ Bruckner's Symphony No. 8, and Elgar's Dream of Joining Music Director Ozawa will be BSO Principal Guest Conductor Sir Colin Davis, Kurt Masur, Eugene Ormandy Andre Previn, and BSO Assistant stein. Soloists will include pianists Murray Perahia, Maurizio Poliini, Peter Serkin, Rudolf Serkin, and Alexis Weissenberg; sopranos Hiidegard Behrens and Jessye Norman; mezzo- soprano Frederka von Stade; tenor Nicolai Gedda; violinist Itzhak Perlman, and eellist Yo-Yo Ma in his BSO debut. *H lb receive complete program and ticket information, call or write: Symphony Half, Boston, MA 021*5. Tel. (61 7 1 266-1492 "^1 BOSTON SYMPHONY ORCHESTRA Sl 1)1 OZAVi'Aw ' Al/,../, .tfT -;•'*m mm irmwmm This is a Coach Bag **-^ It is one of twenty-six small, medium and large Shoulder Bags, Pouches, Clutches, Totes, Satchels and Portfolios that we make m ten colors of real Glove Tanned Cowhide. CoacHf Bags are sold in selected stores throughout the country. If you cannot find the one you want in a store near you, you can also order it directly from the Factory. For Catalogue and Store List write or call: Consumer Service, Coach Leatherware, 516 West 34th St., New York City 10001. Tel: (212) 594-3914. m&w TANGLEWOOD drawing a total of nearly 15,000 people. The Berkshire Festival In the winter of 1936, Mrs. In August 1934, a group of music- Gorham Brooks and Miss Mary loving summer residents of the Aspinwall Tappan offered Berkshires organized a series of Tanglewood, the Tappan family three outdoor concerts at estate, with its buildings and 210 Interlaken, to be given by members acres of lawns and meadows, as a of the New York Philharmonic gift to Koussevitzky and the under the direction of Henry orchestra. The offer was gratefully Hadley. The venture was so accepted, and on 5 August 1937 the successful that the promoters festival's largest crowd so far incorporated the Berkshire assembled under a tent for the first Symphonic Festival and repeated the Tanglewood concert, an all- experiment during the next Beethoven program. summer. At the all-Wagner concert which The Festival Committee then opened the 1937 festival's second invited Serge Koussevitzky and the weekend, rain and thunder twice Boston Symphony Orchestra to take interrupted the performance of the part in the following year's concerts. Rienzi Overture and necessitated the The orchestra's Trustees accepted, omission altogether of the Siegfried and on 13 August 1936 the Boston "Forest Murmurs, " music too delicate >r Symphony gave its first concerts in to be heard through the downpour. the Berkshires (at Holmwood, a At the intermission, Miss Gertrude former Vanderbilt estate, later the Robinson Smith, one of the festival's Center at Foxhollow). The series founders, made a fundraising appeal again consisted of three concerts and for the building of a permanent was given under a large tent, structure. The appeal was fflHeffll n broadened by means of a printed circular handed out at the two remaining concerts, and within a short time enough money had been raised to begin active planning for a "music pavilion." Eliel Saarinen, the eminent architect selected by Koussevitzky, proposed an elaborate design that went far beyond the immediate m needs of the festival and, more important, went well beyond the budget of $100,000. His second, « simplified plans were still too expensive, and he finally wrote that if the Trustees insisted on remaining within their budget, they would have "just a shed," which "any builder could accomplish without the aid of an architect." The Trustees then turned to a Stockbridge engineer, Franz, to make njoy Jacob's Pillow's Joseph r further simplifications in Saarinen's / Golden Anniversary in order to lower the cost. Season. plans The building that he erected remains, June 29-September 5 with modifications, to this day; it is Soloists ofthe Royal still called simply "the Shed." The Danish Ballet Shed was inaugurated for the first The Paul Taylor Dance of the 1938 festival.
Load more

Recommended publications
  • The Amadeus Quartet
    The Uuive ·cal Society The Presents The Amadeus Quartet NORBERT BRAININ, Violinist PETER SCHIDLOF, Violist SIEGMUND NISSEL, Violinist MARTIN LOVETT, Cellist THURSDAY EVENING, APRIL 6, 1978, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet in B-flat major, K. 458 ("Hunting") MOZART Allegro vivace assai Menuetto: moderato Adagio Allegro assai Quartet No.2 in C major, Op. 36 BRITTEN Allegro colmo senza rigore Vivace Chacony: sostenuto, molto piu andante, molto piu adagio INTERMISSION Quartet in F major, Op. 96 ("American") DVORAK Allegro rna non troppo Lento Molto vivace Vivace rna non troppo Deutsche Grammophon, Angel, and Westminster Records. Watch for alLnlJ"ltliCement next week of the new 1978-1979 Chamber Arts Series, part of next season's International Presentations marking the 100th year of the University Musical Society. Eighth Concert Fifteenth Annual Chamber Arts Series Complete Programs 4121 About the Artists England's internationally famous Amadeus Quartet has become one of America's favorite chamber music ensembles since its United States debut in 1952. Although their home base is in London, only one member of the Quartet, Martin Lovett, is a native Englishman. His colleagues, Norbert Brainin, Siegmund Nissel, and Peter Schidlof, are Austrian-born and received their early training in Vienna. To escape the oppressive Nazi regime, the families moved to England in 1938. In spite of such parallel events, they did not meet until 1941 when all four boys, employed in various war factories, were pursuing their music studies under Max Rostal. Thus began the association which led to the iormation of a permanent quartet, with their first public appearance in 1948.
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • Marshall University Music Department Presents
    Marshall University Marshall Digital Scholar All Performances Performance Collection Fall 11-7-2008 Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano Michiko Otaki Štĕpán Graffe Lukáš Bednařik Lukáš Cybulski Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Otaki, Michiko; Graffe, Štĕpán; Bednařik, Lukáš; and Cybulski, Lukáš, "Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano" (2008). All Performances. 752. http://mds.marshall.edu/music_perf/752 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. DEPARTMENT of MUSIC Program String Quartet in g min.or, Franz Joseph Haydn op. 74, no. 3 ("Rider") (1732-1809) Allegro moderate MUSIC Largo assai Menuetto: Allegretto Finale: Allegro con brio presents the Quintet for Piano and Strings Robert Schumann Music Alive Series in E-flat major, op. 44 (1810-1856) Allegro brillante In modo d'una marcia GRAFFE STRING QUARTET Scherzo: Molto vivace Stepan Graffe, violin Allegro ma non troppo Lukas Bednarik, violin Lukas Cybulski, viola Michiko Otaki, piano Michal Hreno, violoncello with Michiko Otaki, piano Friday, November 7, 2008 Exclusive Management for the First Presbyterian Church GRAFFE QUARTET and MICHIKO OTAKI: 12:00 p.m.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola
    [Show full text]
  • Digital Booklet Porgy & Bess
    71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010
    BOSTON SYM PHONY ORCHESTRA ,v IB 2009-2010 SEASON WEEK 24 James Levine Music Director | Bernard Haitink : Conductor Emeritus Seiji Ozawa i Music Director Laureate W&Imm&f/; MmmsmBBBm Silk twill scarves. Boston 320 Boylston Street (617) 482-8707 Hermes.com HERMES PARIS & VERMES, L/FEAS A*^ Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 THIS WEEK'S PROGRAM Notes on the Program 33 Richard Strauss 41 Mozart Violin Concerto No. 5 51 Mozart Symphony No. 35, "Haffner' 57 To Read and Hear More... Guest Artists 61 Bernard Haitink 63 Leonidas Kavakos 66 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY ELIZABETH SEITZ OF THE BOSTON CONSERVATORY, program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org WHAT DO YOU PACK FOR A TRIP TO THE AFTERLIFE? fccfeucO I c < K C <$ << ict <><5Q & n?fe 1 I Iff til 1 DIG DEEPER AT •* - THE SECRETS OF TOMB 10A '». EGYPT 2000 BC MUSEUM OF FINE ARTS, BOSTON NOW THROUGH JUNE 27, 2010 ^V'&p BOSTON WWW.MFA.ORG «S£ ** o \V The exhibition is supported by Major funding is provided by Additional support >>!• . .INSTITUTE of for the exhibition is The Calderwood Charitable Foundation. ••••Iv MuseunriandLibr Bankof America provided by •*.•••; SERVIC *&• Above: Front side panel of outer coffin of Djehutynakht (detail), Egyptian, Middle Kingdom, late Dynasty n-early Dynasty 12, 2010-1961 BC.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    "£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 84,1964-1965
    £uJ&$4 -/ X) %r r BOSTON Iff SYMPHONY ORCHES FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 i \A\ ^fe*' ^s H EIGHTY-FOURTH SEASON 1964-1965 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfully invite your inquiry i . , ... CHARLES H. WATKINS CO. & /obRION, RUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description 542-1250 EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk Copyright, 1965, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin The Rev. Theodore P. Ferris Rt.
    [Show full text]
  • New Mexico Lobo, Volume 056, No 67, 3/30/1954." 56, 67 (1954)
    University of New Mexico UNM Digital Repository 1954 The aiD ly Lobo 1951 - 1960 3-30-1954 New Mexico Lobo, Volume 056, No 67, 3/30/ 1954 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1954 Recommended Citation University of New Mexico. "New Mexico Lobo, Volume 056, No 67, 3/30/1954." 56, 67 (1954). https://digitalrepository.unm.edu/ daily_lobo_1954/29 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1951 - 1960 at UNM Digital Repository. It has been accepted for inclusion in 1954 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. '''-::::--''i~' !!!!I!!!!!!"!!,,2!!!!J~,",,.!!!!~!I!!"_!!!!I«!!II_!!!"_!!!,,_!!!!!S!!!!!2!!!!!A!!!!,,,"!!',,,_!!!!. £Q!!!!." ,!!!!,_"!!'_!!!! ..!!!!!!!I!S"!!!!,_!!!!.,,,!!!!:e::~._~_!!!!l.=,,,,,.,,,, ="_"'~""',.""n""••.",,_.,,, __ ::===. ='~"'k""",,,=.=,,,,=_.,_.~_~_,,,.·,,,,_ .. _,,, , I ~, the sake of fighting. Deborllh KeJ;r lin her movie set aud "sta$d heck. abal)dons her hitherto regllI and News . .• ling" hili! former lllve. )fiss Winters .J>tM'N GEMS proper. characterizations til appear Continued from page 1 , said" Th1,!rsday ,Elhe" was Borry , •• The ooginning Ilf as the"lu$h" sweater-clad and ,un· she had mill~ed him. the end. ' haPpy Army wife whose chance WOJ:k9rll, general economic condition ••• One Star EW: Amllur wjth her husband's first Ber­ of country ••. at the same news EXIcoLoB conference expressed himself as be. The BaltimoJ:e Orioles, with a gellnt turns into something unex­ ing opposed t(l anyone "sitting' in WIlJl ,,10-lost 5 record so :(ar ill thl) "The Voieeof a Great Southwestern University" pected but underf!tandable.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1981
    For 109 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 109 years later the Boston University School of Music is still doing what it does best. Performance • Music Education • History and Literature • Theory and Composition music history and literature strings brass (cont.) * Emanuel Borok, violin Karol Berger Charles A. Lewis, Jr., trumpet John Daverio Madeline Foley, chamber music * David Ohanian, French horn * violin John Hasson Gerald Gelbloom, Samuel Pilaflan, tuba * Murray Lefkowitz Max Hobart, violin * Harry Shapiro, French horn * Sheveloff Bernard Kadinoff, viola * Rolf Smedvig, trumpet Joel Endel Kalam, chamber music + Roger Vbisin, trumpet theory and composition * Eugene Lehner, chamber music * Charles Yancich, French horn Theodore Antoniou Carol Lieberman, violin percussion John Crotty * Leslie Martin, string bass * Thomas Gauger David Del Tredici George Neikrug, cello * Charles Smith Wilbur D. Fullbright * Mischa Nieland, cello John Goodman Leslie Parnas, cello harp Mark Kroll +Henry Portnoi, string bass Lucile Lawrence Joyce Mekeel + Roger Shermont, violin guitar and lute Marjorie Merryman * Joseph Silverstein, violin Thomas E. Greene, guitar Malloy Miller Roman Totenberg, violin Robert Strizich, lute Robert Sirota Walter Trampler, viola piano Jan Wissmiiller * Winder, violin Max Luis Batlle * Lawrence Wolfe, string bass Maria Clodes music education +
    [Show full text]