DOCSLIB.ORG

Biblical Broadway

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biblical Broadway Please silence all electronic devices during this The Program afternoon’s performance. OVERTURE Stephen Schwartz IN THE BEGINNING … Let There Be (Children of Eden) Stephen Schwartz David Jennings Smith and Storytellers Eve (The Apple Tree) Jerry Bock and Sheldon Harnick Based on “The Diary of Adam and Eve” by Mark Twain Todd Farwell Forbidden Fruit (The Apple Tree) J. Bock and S. Harnick Robert Pruitt In Pursuit of Excellence (Children of Eden) S. Schwartz Carly Noel Black, Gail Novak-Mosites, Mary Randolph Gorgeous (The Apple Tree) J. Bock and S. Harnick Bonnie Bogovich JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT Close Every Door (Joseph) Sir Andrew Lloyd Webber Jonathan McNelis Any Dream Will Do (Joseph) Sir Andrew Lloyd Webber Jonathan McNelis, Carly Noel Black THE GOSPEL ACCORDING TO GODSPELL Turn Back, O Man (Godspell) Stephen Schwartz Mary Randolph, Jonathan McNelis and Storytellers All For the Best (Godspell) Stephen Schwartz Robert Pruitt, Todd Farwell Day by Day (Godspell) Stephen Schwartz Denise Sheffey-Powell and Storytellers Light of the World (Godspell) Stephen Schwartz Storytellers IntermissionIntermission P L E A S E R E T U R N I N F I F T E E N M IN UTES JESUS CHRIST SUPERSTAR Pilate’s Dream (Jesus Christ Superstar) Sir Andrew Lloyd Webber David Jennings Smith I Don’t Know How to Love Him (JCS) Sir Andrew Lloyd Webber Mary Randolph I Believe (The Book of Mormon) Trey Parker and Matt Stone Jonathan McNelis Pie Jesu (Requiem) Sir Andrew Lloyd Webber Carly Noel Black, Gail Novak-Mosites SISTER ACTS Climb Every Mountain (Sound of Music) Rodgers and Hammerstein Carly Noel Black My God (Sister Act) William Smokey Robinson Denise Sheffey-Powell and Lady Storytellers I O NCE WAS LOST Come Sunday (Brown, Beige and Tan) Duke Ellington David Jennings Smith Lost in the Stars (Lost in the Stars) Kurt Weill Todd Farwell Ain’t It Good (Children of Eden) Stephen Schwartz Denise Sheffey-Powell and Company A freewill offering to support concerts such as this will be received as you leave the Chapel this afternoon. Thank you for your support. Friends of Music The second season of ELPC’s Cathedral Concerts presents an exciting lineup of vocal, choral, organ, instrumental, and chamber music offerings. To help support this series of concerts, a Friends of Music has been established at ELPC. All donors will have their names listed in the 2012-2013 series concert programs, unless requested to be anonymous. We are grateful to the following Friends of Music who have helped make this concert possible: Derrick Brashear and Gwendolyn R. Schmidt Bryan and Heather Lawrence John Buckley and Emily Rosenthal Mary J. Lenox Gloria Clark Jan Pressman Mark and Barbara DeWitt Linda L. Sanders Barry and Diane Jackson Seldon and Susan Whitaker George Keiser Frances Wilson Pam Kimmel The Rev. Dr. J. Richard Szeremany William and Nancy Latshaw (in memory of Muriel H. Szeremany) Please prayerfully consider a donation to support the 2012-2013 Cathedral Concerts and then invite some friends to join you for the concerts! For more information on becoming a Friends of Music , please contact Dr. Edward Alan Moore ([email protected]; 412.441.3800 x24). Upcoming Musical Performances A T E A S T L I B E R T Y P RESBYTERIAN C H U R C H Saturday, FEBRUARY 9, 2013 ♦ 5:00 PM Sunday, MARCH 17, 2013 ♦ 4:00 PM Organ Plus Organ Artists Series of Pittsburgh Dr. Ed Moore will be joined by local pianist Nathan This organ recital will be co-sponsored with the Carterette and tenor Joseph Gaines. This free concert is Organ Artists Series of Pittsburgh (OAS). Tickets open to the public, so invite your friends and family to may be purchased through OAS or at the door. join us for this exciting combination of organ, piano, and Visit wwww.oas-series.com for information. voice! Sunday, MAY 5, 2013 ♦ 4:00 PM East End Choral Festival Sunday, MARCH 3, 2013 ♦ 4:00 PM Featuring the combined choirs of ELPC, Shadyside Chamber Music Concert No. 2 Presbyterian, Calvary Episcopal and St. Andrew’s Featuring pianist Rev. Dr. Randy Bush Episcopal Churches! Our guest conductor will be and guest musicians. David Hill from London, conductor of the BBC Singers and the Bach Choir of London. at East Liberty Presbyterian Church presents Biblical Broadway SundaySunday JANUARYJANUARY 27,27, 20132013 4:004:00 PMPM ♦♦ ChapelChapel The ELPC Chancel Choir Section Leaders bring the Great White Way to the East End! JoinJoin usus forfor thisthis FREEFREE concert!concert! 116 South Highland Ave ♦ Pittsburgh, PA 15206 412.441.3800 ♦ www.CathedralOfHope.org .
Load more

Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • CCM-Summer 2015.Pdf
    A Story worth Singing About Micheal Castaldo By Natasha Barbieri Micheal Castaldo is not just your their father soon after he was settled. average classical crossover tenor. Despite being a long way from his When we spoke I was struck by his native country Micheal grew up very knowledge of music, culture and his much saturated in the Italian culture. own ancestry. He is someone committed to embracing his entire “Toronto is the sixth largest Italian history and sharing his story in a very speaking city in the world,” he says. authentic way. “I was born in the “There are four ‘little Italy’s’… I was region of Calabria Italy, which is the constantly surrounded by Italian tip of the toe of the Italian peninsula,” neighbors and the Italian radio he says at the beginning of our station was on all the time. There was interview. He describes it as the final TV, tons of publications, festivals and frontier of Italian tourism. “It’s a street fairs.” He remembers speaking poor region so many of the Italian at home and maintaining a Calabrians ended up immigrating to close relationship with his family look for work and a better life. Many back in Italy. “My mother tongue was moved either to northern Italy, still a big part of me based on my northern Europe, Canada, the USA or environment and upbringing.” Australia.” He describes his father as Micheal feels that Canada was the ‘nomad’ of the family, a man who especially embracing of multi-cultural risked the unknown to settle in backgrounds which encouraged him Toronto, Canada and begin a new not only to remain true to his roots life.
    [Show full text]
  • Circular Mailei
    .- MORNING ENTERPRISEr -- :WEDNESDAYr JTmE25rl913- HONOR MEMORY OF BEECHER his life, the principal public observ- this year.- - After six months . of dry ances were held, but there was scarce- weather, however, the change is a A Plea of Guilty. "RED ROUND-U- P" crops NEW YORK, June 24. The univer- ly a Congregational church or society welcome one. All are in the memory - of in this section which did not devote best of condition and little damage is rellowship m A GRAFTED sal regard in which the head- Henry Ward Beecher is held was giv- some time to the memory of the man expected from floods. Grea t IS BIG SUCCESS en expression hroughout this section whose sermons and writings touched way is being made by the lumbermen - TREE country today by the common heart of humanity. who are taking full advantage of the Advertisement of the exercises swollen streams to get mahogany and commemorating the one hundredth other logs on their way to the ports. Merchants and manufacturers anniversary o fthe famous preacher's Heavy Rains in Guatemala. year Connecticut, the ancestral The cut of precious woods this have certain articles they wi3h The last meeting of the Congrega- By ELIZABETH WEED birth. In is very heavy. to sell. In ordsr to sell them tion Brotherhood,- - which took the home of the Beecher family, and in GUATEMALA CITY, June 24. Un- Round-up,- " Brooklyn, where Mr. Beecher spent so usually heavy downpours have mark- they advertise. form of a "Red given in - years- -- season Enterprise classified ads pay. 7'That is their business," you the church parlors Tuesday evening, Farmer Perks was very proud of an many of the most important of ed the opening of the rainy say; "they are doing it to bene- was one of most enjoyable gather- apple tree grew beside front ' the that the fit themselves.
    [Show full text]
  • November 13 – the Best of Broadway
    November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • Mousical Trivia
    Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw.
    [Show full text]
  • The Tree for the Forest: Eco-Typology and the Tree of Life
    THE TREE FOR THE FOREST: ECO-TYPOLOGY AND THE TREE OF LIFE IN JOHN MILTON’S PARADISE LOST A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY BY BRADLEY P. SPAULDING DISSERTATION ADVISOR: DR. FRANK FELSENSTEIN BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2013 For my beloved, Laura. You made this possible. Thank you. And for Hannah and Adam, Let’s go to Disney! ii TABLE OF CONTENTS Chapter 1: Eco-typology and the Tree of Life in Milton’s Paradise Lost, 1-28 Chapter 2: The Matthew Bible, Eco-typology and the Tree of Life in Milton’s Eden, 29- 68 Chapter 3: The Geneva Bible, Eco-typology and the ‘Fruit of the Living Word’ in Paradise Lost, 69-116 Chapter 4: Speed’s “Genealogies,” the King James Bible, and the ‘Seed of Grace’ in the Later Books of Paradise Lost, 117-155 Chapter 5: Conclusion, 156-161 Works Cited: 162-179 End Notes iii TABLE OF FIGURES Chapter 1 Fig. 1.1 George Wither. “Ill. XXXV, book 1.” A Collection of Emblemes Ancient and Modern. (1635). pg. 28 Chapter 2 Fig. 2.1. Title Page. Matthew Bible. (1537). pg. 66 Fig. 2.2. Detail of Lignum vitae from Macklin Bible. (1800). pg. 67 Fig. 2.3. Title Page. King James Bible. (1611). pg. 68 Chapter 3 Fig. 3.1. Frontispiece to Genesis. Geneva Bible. (1583). pg. 116 Chapter 4 Fig. 4.1. John Speed. “Genealogies of the Holy Spirit.” A2. (1610). pg. 154 Fig. 4.2. John Speed. “Genealogies of the Holy Spirit.” 2.
    [Show full text]
  • Advent Lessons & Carols
    Advent Lessons & Carols sunday, november 27, 2016 4:00 pm Washington National Cathedral advent lessons and carols Welcome to Washington National Cathedral and this Service of Advent Lessons and Carols. Advent is a season of both quiet reflection and joyful expectation. This service is intended to be a time of spiritual preparation, as we watch and wait for the coming of the Kingdom of God. Through our experience of sacred Word and music, the story of the coming of Christ gradually unfolds and deepens our understanding of God’s message of love and redemption. The liturgy itself embodies the sense of Advent movement — through the choir’s processions and in the increasingly powerful prophecies and promises of Holy Scripture. May these words and this music propel you quietly toward the true joy of Christmas. service participants The Reverend Canon Jan Naylor Cope The Reverend Canon Kelly Brown Douglas The Reverend Canon Rosemarie Logan Duncan The Reverend Andrew K. Barnett Boys Cathedral Choir 2 organ voluntary Wachet auf, ruft uns die Stimme, BWV 645 Johann Sebastian Bach (1685-1750) introit The truth sent from above Ralph Vaughan Williams (1872-1958) This is the truth sent from above, the truth of God, the God of love. Therefore don’t turn me from your door, but hearken all both rich and poor. The first thing which I do relate is that God did man create; the next thing which to you I’ll tell woman was made with man to dwell. Thus we were heirs to endless woes, till God the Lord did interpose; and so a promise soon did run that he would redeem us by his Son.
    [Show full text]
  • S051516 Evelyn Mahon
    Williams College Department of Music Evelyn Mahon '18, alto Stephen Sondheim '50 “Love, I Hear”, from A Funny Thing Happened on the Way to the Forum Jerry Bock/ Sheldon Harnick “Dear Friend”, from She Loves Me Tom Lehrer “Poisoning Pigeons in the Park” by Tom Lehrer Stephen Sondheim “On the Steps of the Palace”, from Into the Woods Leonard Bernstein “Some other Time”, from On the Town Stephen Sondheim “Moments in the Woods”, from Into the Woods Andrew Lloyd Weber “Don't Cry for Me, Argentina”, from Evita Stephen Sondheim “Children and Art”, from Sunday in the Park with George Stephen Sondheim “Loving You”, from Passion Manuel Miranda “Burn”, from Hamilton Stephen Sondheim “The Miller's Son”, from A Little Night Music Jerry Bock/ Sheldon Harnick “A trip to the Library”, from She Loves Me Joe Darion/ Mitch Leigh “What Does he Want of Me”, from Man of LaMancha Joe Darion/MItch Leigh “Aldonza”, from Man of LaMancha Jerry Bock/Sheldon Harnick “Tonight at 8”, from She Loves Me Stephen Sondheim “Could I leave you?”, from Follies Stephen Sondheim “Send in the clowns”, from A little Night Music Jason Robert Brown “Still hurting”, from The Last Five Years Marcy Heisler/ Zina Goldrich Taylor the Latte Boy Kurt Weill “Pirate Jenny”, from The Threepenny Opera Joseph Kosma/ Jacques Prevert Autumn leaves LinManuel Miranda Breathe Larry Grossman/Hal Hackady “Mama, a Rainbow”, from Minnie’s Boys Sunday, May 15, 2016 2:00 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Evelyn Mahon '18 is a Theatre/Statistics double major from Williamstown, MA.
    [Show full text]
  • BACK by POPULAR DEMAND Performances Begin January 2-6
    Wednesday, September 19, 2018 Contact: Molly Sommerhalder For Immediate Release Phone: 414-273-7121 x399 Email: [email protected] National Tour Press Contact: Meghan Kastenholz “THE BEST MUSICAL OF THIS CENTURY. Heaven on Broadway! A celebration of the privilege of living inside that improbable paradise called a musical comedy.” Ben Brantley, THE NEW YORK TIMES BACK BY POPULAR DEMAND Performances Begin January 2-6, 2019 at the Marcus Center Public On Sale September 28 Back by popular demand, THE BOOK OF MORMON, which played a record breaking one week run in 2016 returns to Milwaukee for a limited engagement January 2-6, 2019 at the Marcus Center. Single tickets will go on sale Friday, September 28 at 10:00 am. Tickets will be available at the Marcus Center box office (929 North Water Street, Downtown Milwaukee), all Ticketmaster outlets, by visiting MarcusCenter.org, or by calling 414-273-7206. Group orders of 10 or more may be placed NOW by calling 414-273-7121 x210 or x213. This engagement comes to Milwaukee as part of the Associated Bank Broadway at the Marcus Center and Broadway Across America-Milwaukee series. THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of the landmark animated series, “South Park.” Tony Award-winner Lopez is co-creator of the long-running hit musical comedy, Avenue Q. The musical is choreographed by Tony Award-winner Casey Nicholaw (Mean Girls, Aladdin, Monty Python’s Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.
    [Show full text]
  • For Immediate Release: May 12
    For Immediate Release National Tour Press Contact: Meghan Kastenholz Local Press Contact: Haley Sheram BRAVE Public Relations 404.233.3993 [email protected] “THE BEST MUSICAL OF THIS CENTURY. Heaven on Broadway! A celebration of the privilege of living inside that improbable paradise called a musical comedy.” Ben Brantley, THE NEW YORK TIMES BACK BY POPULAR DEMAND Performances begin July 17 at the Fox Theatre Tickets go on sale Sunday, March 25 ATLANTA (March 12, 2018) – Back by popular demand, THE BOOK OF MORMON, which played a record breaking two week return engagement in 2014, as well as in 2016, returns to Atlanta for a limited run, July 17-22 at the Fox Theatre as an option to the Fifth Third Bank Broadway in Atlanta 2017/2018 season. Single tickets will go on sale Sunday, March 25. Tickets go on sale Sunday, March 25. Tickets start at $33.50 and are available by visiting FoxTheatre.org by calling 1-855-285-8499 or visiting the Fox Theatre Box Office (660 Peachtree St NE, Atlanta, GA 30308). Group orders of 10 or more may be placed by calling 404-881-2000. Performance schedule, prices and cast are subject to change without notice. For more information, please visit BookofMormonTheMusical.com or BroadwayInAtlanta.com. THE BOOK OF MORMON will play at Atlanta’s Fox Theatre July 17-22. The performance schedule is as follows: Tuesday-Thursday 7:30 p.m. Friday 8 p.m. Saturday 2 p.m., 8 p.m. Sunday 1 p.m., 6:30 p.m. THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone.
    [Show full text]