The Road Ahead the Next Thirty Years of Appalachian Studies Marshall University | Huntington, West Virginia | March 28-30, 2008

Total Page:16

File Type:pdf, Size:1020Kb

The Road Ahead the Next Thirty Years of Appalachian Studies Marshall University | Huntington, West Virginia | March 28-30, 2008 The Road Ahead The Next Thirty Years of Appalachian Studies Marshall University | Huntington, West Virginia | March 28-30, 2008 http://www.appalachianstudies.org CONFERENCE SPONSORS CONFERENCE HIGHLIGHTS • A Town Meeting Planning ASA’s Future • Keynote address by Silas House LEAD SPONSORS • Taking the High Road: Plenary Session & Marshall University Dialogue about MTR & Sustainable Development • Fiddle, Banjo, & Dulcimer playing by some of the University of Kentucky, Appalachian Center best traditional mountain musicians West Virginia Humanities Council • Tunes by an Eastern Kentucky db punk band Appalachian Regional Commission • Youth Speak: The future of the mountains via The Presler Family the media and voices of the youth Marshall University, English Department • 117 topical and interdisciplinary sessions plumbing the very boundaries of Appalachia University of Kentucky, Appalachian Studies Program PROGRAM CONTENTS Welcome to Marshall from Dr. Kopp ................. 2 ASA Committees ................................................ 3 Major Sponsors History of ASA Conferences ............................... 4-5 Exhibitors ............................................................ 5 Berea College, Appalachian Center Program Advertisers .......................................... 5 Marshall University Library Association Howard Dorgan Silent Auction ......................... 6 Marshall University Center for International Exhibitions & Books ........................................... 6 Programs Where Things Are Located ................................ 6 Preconference Activities ..................................... 6 Lincoln Memorial University Conference Overview.......................................... 7 Michael Perry and Heritage Farm ASA Committee Meetings .................................. 7 Southeast Kentucky Community & Technical College Journal of Appalachian Studies ........................ 7 Conference Events and Gatherings ................... 8 Posters & Art ................................................... 8 Sponsors Keynote Speaker.............................................. 8 Appalachian Regional Studies Center, Radford Receptions ........................................................ 8 University ASA Business Meeting .................................... 8 Regional Research Institute, West Virginia University Town Hall Meeting .......................................... 8 Plenary Session ............................................... 8 Graduate Curriculum in Appalachian Studies, Youth Speak ..................................................... 8 East Tennessee State University Book Signings .................................................. 8 Sinclair Community College Entertainment ................................................. 8 Appalachian Journal, Appalachian State University Concurrent Sessions ........................................... 9-20 Maps .................................................................... 21-23 East Tennessee State University, Appalachian Center Advertisers .......................................................... 24-45 Appalachian Center, Eastern Kentucky University Index of Presenters and Conveners .................. 46-47 Graduate Humanities Program, Marshall University Special Thanks to all the units at Marshall who University Press of Kentucky give year-in and year-out to the support of ASA! University of Tennessee Press MU President’s Office University of Illinois Press MU Academic Affairs MU College of Education and Human Services West Virginia University Press MU Libraries University of Kentucky, Anthropology Department MU Graduate School University of Kentucky, Sociology Department MU Graduate School of Education and College of Liberal Arts, Marshall University Professional Development MU College of Liberal Arts ASA STEERING COMMITTEE 2007-2008 The Steering Committee is made up of all elected and appointed officers, the immediate past president, six elected at large members, and ex officio officers. In addition to officers and members of the steering committee, the chairs and members of standing and ad hoc committees are also listed. Elected Officers Appointed Officers Shaunna Scott, President Howard Dorgan, Historian (2003 – 2008) Chad Berry, Immediate Past President Mary Jo Graham, Marshall University Liaison Officer Carol Baugh, Vice President and President Elect Sandra Hayslette, Journal Editor, ex officio Mary Jo Graham, Secretary & Appalink Editor (2006 – Gene Hyde, Website Chair 2008) Kristin Kant, Finance and Development Committee Chair Stephanie Keener, Treasurer (2005 – 2008) Cassie Robinson, Scholarship Committee Chair Chris Green, Program Chairperson Mary Thomas, Executive Director, ex officio Lawrence Dukes, Vice Chair/Program Chair Elect Shannon Wilson, Archivist, ex officio At Large Members, Elected, Class of 2006 – 2008 At Large Members, Elected, Class of 2007 – 2009 Anthony Harkins Amelia Kirby Renee Scott Pamela Twiss Deanna Tribe Veronica Womack 2008 PROGRAM Donna Sue Groves e-Appalachia Award ASA HEADQUARTERS, COMMITTEE Fred Hay Gene Hyde, Chair MARSHALL Chris Green, Program Chair Terry Kessinger UNIVERSITY Daniel Holbrook, Local Shaunna Scott, ex officio Jake Spadaro Mary Thomas, Executive Arrangements Chair Mary Thomas, ex officio Documentary Award Director Shirley Stewart Burns Jack Wright, Chair Fei Wang, Assistant John Richards Website Committee Yuxing Cao, GA Lora Smith Gene Hyde, Chair Long-Range Planning Thanh Nguyen, GA Jason Burns Committee Tung Nguyen, GA Past Program Committee Mary Jo Graham, ex officio Roberta Herrin, Co-chair Natalie Adkins, Intern Chair Derek Mullins Deanna Tribe, Co-chair Kathie Shiba Phil Obermiller Chad Berry, ex officio COLLABORATIONS Boyd Shearer, Website Marie Cirillo Berea College/ASA Manager Ashley Cochrane Weatherford Award STANDING Linda Spatig, ex officio Steve Fisher Non-fiction: COMMITTEES Mary Thomas, ex officio Nina Gregg, Facilitator Berea College Committee Wilburn Hayden Members: Finance and Sandra Hayslette Dykeman Stokely Development Committee AD HOC Phil Obermiller Susan Weatherford Kristin Kant, Chair COMMITTEES Erik Tuttle ASA Committee Members: Becky Bailey Shaunna Scott, ex officio John Alexander Williams, Chad Berry ASA-Black Belt Chair Sandra Hayslette Committee Richard Couto EDITORIAL STAFF: Stephanie Keener Sokoya Finch, Chair David Whisnant JOURNAL OF Terry Kessinger G. Frank Bills APPALACHIAN STUDIES John Nemeth Steve Fisher Fiction and Poetry Philip Obermiller Rosalind Harris Sandra Hayslette, Editor Berea College Committee Edwina Pendarvis Veronica Womack Linda Spatig, Associate Members: Cassie Robinson Editor George Brosi, Chair Mary Thomas, ex officio AWARDS COMMITTEE Mary Thomas, Executive Warren J. Carson William Schumann, Chair Director (Managing Marianne Worthington Membership Committee Editor) ASA Committee Members: Ann Rathbun, Chair Carl A. Ross Student Katherine Ledford, Book Sandra Ballard Cassie Robinson Paper Award Review Editor Renee Scott William Schumann, Chair Jo. B. Brown, Bibliographer HOWARD DORGAN Pamela Twiss Kris Clifford, Copyeditor SILENT AUCTION Cratis D. Williams/James Suzanna Stephens, Layout Proceeds benefit the ASA Nomination Committee S. Brown Service Award Editor Scholarship Fund. Carol Baugh, Chair Emily Satterwhite, Chair Ryan Sarver, Intern Carol Baugh, Chair Theresa Burchett Philis Alvic Amelia Kirby Helen M. Lewis ASA NEWSLETTER: Donna Sue Groves Community Service APPALINK Deanna Tribe Scholarship Committee Award Mary Jo Graham, Editor Grace Edwards Cassie Robinson, Chair Patricia Beaver, Chair Mary Thomas, Managing Gordon Simmons Carol Baugh, ex officio Editor Chad Berry ABOUT THE APPALACHIAN STUDIES ASSOCIATION: 1987 – 2008 DATE PRESIDENT LOCATION PROGRAM CHAIR 2007 - 2008 Shaunna Scott Marshall University, Huntington, WV Chris Green The Road Ahead: The Next Thirty Years of Appalachian Studies 2006 - 2007 Chad Berry Maryville College, Maryville, TN Kathie Shiba Celebrating an Organization and a Region: Piecing the Appalachian Experience (The 30th Anniversary of ASA) 2005 - 2006 Phillip Obermiller Sinclair Community College, Dayton, OH Thomas Wagner Both Ends of the Road: Making the Appalachian Connection 2004 - 2005 Melinda B. Wagner Radford University, Radford, VA Parks Lanier Vital Words and Vital Actions: Partnerships to Build a Healthy Place 2003 - 2004 Thomas S. Plaut Cherokee High School, Cherokee, NC Carol Boggess Building A Healthy Region: From Historical Trauma to Hope and Healing 2002 - 2003 Gordon McKinney Eastern Kentucky University, Richmond, KY Alan Banks Building a Healthy Region: Environment, Culture, Community 2001 - 2002 Helen M. Lewis Unicoi State Park, Helen, GA Patricia Beaver Voices from the Margins—Living on the Fringe 2000 - 2001 Sally Ward Maggard Snowshoe Mountain Resort, Pocahontas County, WV Sandra Barney Standing on a Mountain: Looking to the Future 1999 - 2000 James B. Lloyd University of Tennessee, Knoxville, TN Jane Woodside Regional Stewardship for a Millennium: Integrating Cultural, Social, and Scientific Development in Appalachia 1998 - 1999 Stephen L. Fisher Southwest Virginia Center for Higher Education, Tal Stanley Abingdon, VA The Power of Place and the Struggle for Justice: Appalachia at Century’s Turn 1997 - 1998 Howard Dorgan Appalachian State University, Boone, NC Susan Keefe Building Sustainable Mountain Communities: Tradition and Change 1996 - 1997 Dwight B. Billings Ft. Mitchell, KY Kate Black & Urban Appalachia Shaunna Scott 1995 - 1996 John C. Inscoe Unicoi State Park, Helen, GA Curtis
Recommended publications
  • The Applachian Mountain Dulcimer: Examining the Creation of an “American Tradition”
    CFA MU 755, Boston University Steve Eulberg The Applachian Mountain Dulcimer: Examining the Creation of an “American Tradition” In a nation composed dominantly of immigrants, or people who are not “from” here, one can expect the cultural heritage in general, and the musical heritage in particular, to be based on the many strands of immigrant tradition. At some point, however, that which was brought from the old country begins to “belong” to the children of the immigrants, who pass this heritage on to their children. These strands are the woof that is woven into the warp of the new land—a process that continues until the tradition rightly belongs to the new setting as well. This is the case for the Applachian Mountain (or fretted, lap, plucked, strummed1) dulcimer. This instrument has been called by some “The Original American Folk Instrument.”2 Because other instruments have also laid claim to this appellation (most notably the banjo), this paper will explore whether or not it deserves such a name by describing the dulcimer, exploring its antecedent instruments, or “cousins”, tracing its construction and use by some people associated with the dulcimer, and examining samples of the music played on the instrument from 3 distinct periods of its use in the 20th century. What is the dulcimer? The Appalachian Mountain Dulcimer3 consists of a diatonic fretboard which is mounted on top of a soundbox. It is generally strung with three or four strings arranged in a pattern of three (with one pair of strings doubled and close together, to be played as one.) Its strings are strummed or plucked either with the fingers or a plectrum while the other hand is fretting the strings at different frets using either fingers or a wooden stick called a “noter.” The shape of the body or soundbox varies from hourglass, boat, diamond and lozenge, to teardrop and rectangular box style.
    [Show full text]
  • The Consequences of Appalachian Representation in Pop Culture
    University of Kentucky UKnowledge Theses and Dissertations--English English 2017 STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE Chelsea L. Brislin University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.252 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Brislin, Chelsea L., "STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE" (2017). Theses and Dissertations--English. 59. https://uknowledge.uky.edu/english_etds/59 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Pervasive Dialectal Perceptions in Education Contributing to Language Dedialectalization: Appalachian, a Case Study a Dissertati
    Pervasive Dialectal Perceptions in Education Contributing to Language Dedialectalization: Appalachian, a Case Study A Dissertation Presented to The Faculty of the Education Department Carson-Newman University in Partial Fulfillment of the Requirements of the Degree Doctorate of Education By Nola Carrie Queen Isobe May 2016 Committee: Dr. Deborah Hayes, Dr. Mark Brock, and Dr. Patrick M. Taylor (Advisor) i ii Copyrighted by Nola Carrie Queen Isobe 2016 iii iv Abstract Pervasive Dialectal Perceptions in Education Contributing to Language Dedialectalization: Appalachian a Case Study Nola Carrie Queen Isobe School of Education, Carson Newman College May 2016 Appalachian English is a dialect of American Standard English. It is spoken in much of North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Pennsylvania. There is concern that this dialect could follow the path of dedialectalization through cultural unacceptance, generational changes, and saturation of newcomers to the area. Society views speaking proper English, the standard dialect, the route for much of the rural areas inhabitants to take to achieve better jobs and find social acceptance and a successful life. Society’s social view of an uneducated people speaking the Appalachian dialect prompts teachers to change students’ dialect to help them ensure success in school and society at large. Could teachers in fact hold perceptions of students that are accelerating the dedialectalization of the Appalachian dialect? This study will shed some light on the perceptions that educators have in regards to dialects, specifically the Appalachian dialect. v List of Figures and Tables FIGURE 1: Appalachian Regional Commission Map of Appalachia……………………….. 1 FIGURE 2: Robert Delany Map of American English……………………………………… 140 FIGURE 3: Summary of Dialect Samples Graph………………………………..…………..
    [Show full text]
  • Southern Appalachian Dulcimer Association January-March 2020 Newsletter
    Southern Appalachian Dulcimer Association January-March 2020 Newsletter _______________________________________________________________________ President: Rob Angus: [email protected] (205) 987-7976 1st Vice President: Carolyn Rials: [email protected] Home (205) 491-1890 Cell (205) 602-8285 nd 2 Vice President: Bob Sutton: [email protected] Home (205) 668-0659 Cell (205) 919-2564. Treasurer: Brenda Hickey: [email protected] Cell (205) 616-4489 Secretary: Sherry Knight: [email protected] Cell (985) 516-2745 Festival Chair & Public Relations: Dawn Wilson: [email protected] Cell (205) 516-2854 Newsletter Editor: Ken Waites: [email protected] Cell (205) 601-2485 WEB PAGE: http://sdulcimer.wordpress.com Facebook page: Southern Appalachian - check out our Facebook page for pictures from our festival & gatherings, as well as meeting notices and links to events. If you cannot find our Facebook page, please send an e-mail to Dawn Wilson and she will try to friend you. SADA's You-Tube page: http://www.youtube.com/user/SouthernAppDulcimer MONTHLY MEETINGS SADA monthly meetings are held the second Saturday of the month, except for May and December, beginning at 11 AM. Jamming is followed by a business meeting, potluck lunch, and more jamming until 2 PM. Our location is Lake Crest Presbyterian Church, 560 Lake Crest Parkway in Hoover. Address for Lake Crest Presbyterian Church: 560 Lake Crest Parkway, Hoover, AL 35226 Directions to Lake Crest Presbyterian Church: Driving south from Trussville on I-459, take exit 10 at the Grove Shopping Center. Turn right onto John Hawkins Parkway (Alabama Highway 150) towards Bessemer. Drive 0.7 mile and turn right onto Lake Crest Drive.
    [Show full text]
  • Appalachian Dulcimer
    Musical 6 Instruments Though you may fret me, yet you cannot play upon me. - William Shakespeare, Hamlet, 1601 [overleaf] The mountain dulcimer in its most familiar form. Musical Instruments I 203 APPALACHIAN DULCIMER There is something daunting to the novice about making stringed instru- ments. They look hard to do, but you can make a dulcimer, particularly if you can borrow one to copy. You will do well to copy one that you like, but if you prefer, you can follow the dimensions 1 give here and end up with another one like the one I borrowed. The process I describe should adapt to any design. If you have a good guitar shop nearby, you can usually arrange to get hold of a dulcimer for long enough to copy it, and you can buy strings, fretwire, and even pegs. This leaves you with eight or fewer pieces of wood to shape and glue together into a box that sings. Any good instrument begins with good wood that has been given enough time to dry. You may even cut a tree with the instrument in mind. Split pieces for the sides, head, and fretboard from a green walnut log, thin them down, and put them away. Salvage an old poplar board from a hog pen to use for the face and back. Clean it up and bring it inside to dry. It all starts with good wood, you add the drying, and then you shape all the parts and glue them together. Start the head (called the scroll if you use the traditional snailshell carv- ing) by sawing its outline from a 1 Winch-thick piece of walnut (or maple or whatever hardwood you wish).
    [Show full text]
  • The Place of Music, Race and Gender in Producing Appalachian Space
    University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.
    [Show full text]
  • Thomas Subaru Hyundai Stage
    THOMAS AUTOMOTIVE STAGE- SATURDAY, SEPT. 18, FSU UPPER QUAD 10:30 AM Church Folk Church Folk is an acoustic folk trio based out of Cumberland, MD. They sing about life, love, and loss. Some songs are short reflections on life, others are observations on events or explorations of theology and faith. While each member writes in a different style, Church Folk is always working to create music that is a candid look into their lives. The goal is never about making the "best" or most complicated music, it's about making music that is honest and attainable. 11:10 AM The Time Travelers Primarily based out of Hampshire County, W.Va., the Time Travelers are keeping folk traditions alive through their powerful rendering of some of the most traditional tunes, songs and coal-mining ballads of the Appalachian region. The group brings three-part harmony alive. 11:50 AM Pete Hobbie and Dakota Karper Pete Hobbie and Dakota Karper are a father- daughter duo who embrace the heritage and traditions of Oldtime Appalachian Music. Pete began playing music as a child, and in his teen years picked up the guitar. Through a lifetime of musical experiences he has been influenced by rock, blues, Cajun, classical music and so much more. The Hobbie home was always filled with music. When Dakota was 8 years old he gifted her first fiddle. Now as an adult Dakota has continued to pursue music and has opened her own folk music school in Capon Bridge, WV called ‘The Cat and The Fiddle’ where Pete is now learning to play the fiddle as well.
    [Show full text]
  • Southern Appalachian Dulcimer Association
    Southern Appalachian Dulcimer Association AprilApril----JuneJune 2012017777 Newsletter _____________________________________________________________________________________________________________________________________________________________________ _______________________ President: Lavelle Wright: [email protected] (205) 515-8565 1st Vice President: Frank Smelley: [email protected] nd 2 Vice Presiden t: Isabelle Sexton : [email protected] Treasurer: Joyce Clark: [email protected] (205) 568-2552 Secretary: Polly Vaughan: [email protected] (205) 956-0276 Festival Chair & public relations: Dawn Wilson : [email protected] (205) 678-8743 WEB PAGE: SADA web page is http://sdulcimer.wordpress.com Facebook page: Southern Appalachian - check out our Facebook page for pictures from our festival & gatherings, as well as meeting notices and links to events. If you can’t find our Facebook page, please send an e-mail to Dawn Wilson and she will try to friend you. SADA's You-Tube page: http://www.youtube.com/user/SouthernAppDulcimer Address for Bethlehem Methodist Church is: 1491 Allison- Bonnett Memorial Dr. Hueytown, AL Directions to Bethlehem Methodist Church are: From I-59 at Exit 115, turn on to ramp towards Allison-Bonnett Memorial Dr. Bethlehem Methodist Church is on the right just across the RR tracks To enter go to the left side of the church (off Tin Mill Rd), pass the handicap ramp, and enter the basement door before the concrete steps. Area SADA Practice groups besides the monthly meeting: Shelby Strummers: Meet at Camp Branch Methodist Church on 123 Camp Branch Rd. in Alabaster, every other Tuesday of each month. Jams begin at noon and last until 2 pm. Call Sallie and Bob Sutton on 205-668-0659 for directions and current practice times, since occasionally the group plays at nursing homes or is canceled due to church activities or other scheduling conflicts.
    [Show full text]
  • Library of Congress Medium of Performance Terms for Music
    A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭.
    [Show full text]
  • By Silas House
    Morehead State University’s The Little Company Presents This is My Heart for You by Silas House Study Guide Authors Dramaturgy Research Andrea Cox, Rebecca Earehart, Caleb Lunsford, Dylan Stacy, Cassidy Stearman Format and Design Rebecca Earehart- Graphic Designer Curriculum Research and Lesson Plan Alyssa Francis, Dylan Stacy The Little Company Staff Octavia Biggs - The Little Company Director Corinne Campagna - The Little Company Tour Coordinator The Little Company Morehead State University 106 Baird Music Hall Morehead KY 40351 606-783-2545 www.moreheadstate.edu/thelittlecompany www.facebook.com/The-Little-Company 2 Table of Contents This is My Heart for You........................................................4 About the Author...................................................................5 Note from the Playwright......................................................7 Director’s Note.....................................................................12 Designer Notes.....................................................................15 History of Kudzu..................................................................18 Religion in Kentucky............................................................19 Kentucky Authors.................................................................20 Social Media and Bullying....................................................21 Appalachia............................................................................22 L.G.B.T. History....................................................................23
    [Show full text]
  • MF 111 Folksongs in February Collection
    MF 111 Folksongs in February Collection Northeast Archives of Folklore and Oral History Number of accessions: 1 Dates when interviews were conducted: 1977 Finding aides: 8 page index Access restrictions: none Description: NA2596 David Mallett, David Ingraham, Charlie Nevells, Larry Kaplan, Edward D. “Sandy” Ives, Kendall Morse, Margaret MacArthur, Norman Kennedy, Louis and Sally Killen, Yodeling Slim Clark, Charlotte Cormier, Sparky Rucker, Sandy and Caroline Paton, Hazel Dickens, Tim Woodbridge, Joe Hickerson, Debby McClatchy, Gordon Bok, Sean Corcoran, Bill Shute and Lisa Null, by Maine Folklife Center, February, 1977, Orono, Maine. Tape: 8 reels (ca. 15 hrs.) Accession consists of 8 tape reels containing recordings of a folk music concert program called “Folksongs in February” held at the University of Maine in February, 1977. Accession includes 8 black & white contact sheets of 35 mm photos of the performances. Individual frames are unnumbered at the time of accessioning. Text: 36 pp. Recordings: T 2015-2022 / CD 0406-0419 (CD 0406 is MIA). Photographs: P00880, P00881, P01114 – P01399 Also see: NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, fall 1989, Hauck Auditorium, UMaine, Orono, Maine. 11 pp. Cat. only. On February 11 and 12, 1977, a concert and a series of workshops called "Songs for February" held at the Hauck Auditorium UMaine. From the recordings made of the concert and series of workshops, the Maine Public Broadcasting Network produced an 8-part radio series as part of their “Roots and Branches” series.” Accession consists of a catalog of the radio program.
    [Show full text]
  • 1012 Banjo 1028 Dulcimer 1015 Fiddle 1017 Folk Harp 1019
    54460 Folk 1011-1042: 11/26/07 5:04 PM Page 1011 FOLK 1012 BANJO 1028 DULCIMER 1015 FIDDLE 1017 FOLK HARP 1019 HARMONICA 1022 HARMONICA PLAY-ALONG 1032 HOMESPUN AUDIO PACKS 1029 HOMESPUN LISTEN & LEARN SERIES 1023 MANDOLIN 1028 OUD 1028 PEDAL STEEL GUITAR 1028 PENNYWHISTLE 1025 UKULELE 1016 VIOLIN PLAY-ALONG FOLK 54460 Folk 1011-1042: 11/26/07 5:04 PM Page 1012 1012 BANJO HAL LEONARD BANJO METHOD BANJO SCALE CLAWHAMMER BANJO FINDER FROM BASIC FRAILING TO Authored by Mac Robertson, Robbie Clement and EASY-TO-USE GUIDE TO OVER MELODIC STYLE Will Schmid, this innovative method teaches 1,300 BANJO SCALES 5-string, bluegrass-style banjo. The method consists taught by Ken Perlman of two instruction books, two cross-referenced sup- by Chad Johnson Homespun plement books, and supplementary resources that Learn to play scales on the Please see the Homespun section for a complete offer the beginner a carefully-paced and interest- banjo with this comprehen- des cription. keeping approach to the bluegrass style. sive yet easy-to-use book. The ______00641570 Booklet/6-CDs.................$59.95 Banjo Scale Finder contains METHOD more than 1,300 scale dia - CLAWHAMMER BOOK 1 grams for the most often-used scales and modes, includ- STYLE ing multiple patterns for each scale. Also includes a les- BANJO Covers easy chord strums son on scale construction and a fingerboard chart of the A COMPLETE GUIDE FOR for the beginner; learning banjo neck. BEGINNING AND ADVANCED tablature; right-hand rolls ______00695780 9" x 12" Edition.................$6.95 BANJO PLAYERS characteristic of bluegrass; ______00695783 6" x 9" Edition...................$5.95 techniques such as ham- by Ken Perlman mer-ons, slides and pull- Centerstream offs.
    [Show full text]