Organizational Misfits and the Origins of Brokerage in Intrafirm Networks
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MAR17 World.Com PREVIEWS
#342 | MAR17 PREVIEWS world.com ORDERS DUE MAR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Mar17 Cover ROF and COF.indd 1 2/9/2017 1:36:31 PM Mar17 C2 DH - Buffy.indd 1 2/8/2017 4:27:55 PM REGRESSION #1 PREDATOR: IMAGE COMICS HUNTERS #1 DARK HORSE COMICS BUG! THE ADVENTURES OF FORAGER #1 DC ENTERTAINMENT/ YOUNG ANIMAL JOE GOLEM: YOUNGBLOOD #1 OCCULT DETECTIVE— IMAGE COMICS THE OUTER DARK #1 DARK HORSE IDW’S FUNKO UNIVERSE MONTH EVENT IDW ENTERTAINMENT ALL-NEW GUARDIANS TITANS #11 OF THE GALAXY #1 DC ENTERTAINMENT MARVEL COMICS Mar17 Gem Page ROF COF.indd 1 2/9/2017 9:13:17 AM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Hero Cats: Midnight Over Steller City Volume 2 #1 G ACTION LAB ENTERTAINMENT Stargate Universe: Back To Destiny #1 G AMERICAN MYTHOLOGY PRODUCTIONS Casper the Friendly Ghost #1 G AMERICAN MYTHOLOGY PRODUCTIONS Providence Act 2 Limited HC G AVATAR PRESS INC Victor LaValle’s Destroyer #1 G BOOM! STUDIOS Misfi t City #1 G BOOM! STUDIOS 1 Swordquest #0 G D. E./DYNAMITE ENTERTAINMENT James Bond: Service Special G D. E./DYNAMITE ENTERTAINMENT Spill Zone Volume 1 HC G :01 FIRST SECOND Catalyst Prime: Noble #1 G LION FORGE The Damned #1 G ONI PRESS INC. 1 Keyser Soze: Scorched Earth #1 G RED 5 COMICS Tekken #1 G TITAN COMICS Little Nightmares #1 G TITAN COMICS Disney Descendants Manga Volume 1 GN G TOKYOPOP Dragon Ball Super Volume 1 GN G VIZ MEDIA LLC BOOKS Line of Beauty: The Art of Wendy Pini HC G ART BOOKS Planet of the Apes: The Original Topps Trading Cards HC G COLLECTING AND COLLECTIBLES -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
British Major-General Charles George Gordon and His Legacies, 1885-1960 Stephanie Laffer
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Gordon's Ghosts: British Major-General Charles George Gordon and His Legacies, 1885-1960 Stephanie Laffer Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES GORDON‘S GHOSTS: BRITISH MAJOR-GENERAL CHARLES GEORGE GORDON AND HIS LEGACIES, 1885-1960 By STEPHANIE LAFFER A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2010 Copyright © 2010 Stephanie Laffer All Rights Reserve The members of the committee approve the dissertation of Stephanie Laffer defended on February 5, 2010. __________________________________ Charles Upchurch Professor Directing Dissertation __________________________________ Barry Faulk University Representative __________________________________ Max Paul Friedman Committee Member __________________________________ Peter Garretson Committee Member __________________________________ Jonathan Grant Committee Member The Graduate School has verified and approved the above-named committee members. ii For my parents, who always encouraged me… iii ACKNOWLEDGEMENTS This dissertation has been a multi-year project, with research in multiple states and countries. It would not have been possible without the generous assistance of the libraries and archives I visited, in both the United States and the United Kingdom. However, without the support of the history department and Florida State University, I would not have been able to complete the project. My advisor, Charles Upchurch encouraged me to broaden my understanding of the British Empire, which led to my decision to study Charles Gordon. Dr. Upchurch‘s constant urging for me to push my writing and theoretical understanding of imperialism further, led to a much stronger dissertation than I could have ever produced on my own. -
Lib Con 2019 Event Guide
EVENT MAP PFLUGERVILLE LIB CON TH is presented by the WELCOME TO THE 4 ANNUAL PFLUGERVILLE PUBLIC LIBRARY 1008 W. Pfluger Street | Pflugerville, Texas 78660 512-990-6375 | library.pflugervilletx.gov Follow us on social media: 10 AM - 6 PM SEPT 28 SPONSORS Thank you to our sponsors for helping to make this event possible. 2019 EVENT GUIDE HARASSMENT-FREE ZONE There will be zero tolerance for harassment. Keep your hands to yourself. If you are a local comic book author, artist, or comic store owner If you would like to take a picture with or of someone, ask permission. and would like to be considered for next year’s event, Please inform Library staff if you experience or witness any form of please contact Bette McDowell at [email protected]. PFLUGERVILLE PUBLIC LIBRARY harassment. pflugervilletx.gov/comiccon KIDS CON PANELS & PRESENTATIONS ACTIVITIES FOR TEENS & ADULTS Crafts and activities for kids up to age 10. 12:00-12:30 ARTIST Q&A 11:00-12:00 AMATEUR ARTIST GALLERY ART HANGING Classroom with Joe Eisma, for ages 11+ Teen Space for teens ages 11-17 10:00-11:30 SUPERHERO CRAFTS Kids Area 12:15-1:00 VOICE ACTING PANEL with Lena Hill, Tia Ballard, 11:30-12:00 COSPLAY PRESENTATION P/C Lindsay Sheppard, Melissa Sternenberg, Felecia Angelle Pfab Lab with Caveman C0splay, for ages 11+ 10:00-11:30 COMIC CREATION STATION Kids Area with Shannon Brewer and Hops + Heroes Comics 12:45-1:25 WEBCOMICS PANEL 12:00-5:00 GAMING FOR ALL AGES Classroom with Ngozi Ukazu and Star Prichard, for ages 11+ Kids Area with Steve Jackson Games 10:00-11:30 TEMPORARY TATTOOS & BUTTON MAKING Teen Space 1:30-2:00 SOCIAL MEDIA FOR AUTHORS 12:00-12:30 COSPLAY, LED, & 3D PRINTING Q&A Classroom with Alan J. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Emmy Nominations
69th Emmy Awards Nominations Announcements July 13, 2017 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Noms to date Previous Wins to Category Nominee Program Network 69th Emmy Noms Total (across all date (across all categories) categories) LEAD ACTRESS IN A DRAMA SERIES Viola Davis How To Get Away With Murder ABC 1 3 1 Claire Foy The Crown Netflix 1 1 NA Elisabeth Moss The Handmaid's Tale Hulu 1 8 0 Keri Russell The Americans FX Networks 1 2 0 Evan Rachel Wood Westworld HBO 1 2 0 Robin Wright House Of Cards Netflix 1 6 0 LEAD ACTOR IN A DRAMA SERIES Sterling K. Brown This Is Us NBC 1 2 1 Anthony Hopkins Westworld HBO 1 5 2 Bob Odenkirk Better Call Saul AMC 1 11 2 Matthew Rhys The Americans FX Networks 2* 3 0 Liev Schreiber Ray Donovan Showtime 3* 6 0 Kevin Spacey House Of Cards Netflix 1 11 0 Milo Ventimiglia This Is Us NBC 1 1 NA * NOTE: Matthew Rhys is also nominated for Guest Actor In A Comedy Series for Girls * NOTE: Liev Schreiber also nominamted twice as Narrator for Muhammad Ali: Only One and Uconn: The March To Madness LEAD ACTRESS IN A LIMITED SERIES OR A MOVIE Carrie Coon Fargo FX Networks 1 1 NA Felicity Huffman American Crime ABC 1 5 1 Nicole Kidman Big Little Lies HBO 1 2 0 Jessica Lange FEUD: Bette And Joan FX Networks 1 8 3 Susan Sarandon FEUD: Bette And Joan FX Networks 1 5 0 Reese Witherspoon Big Little Lies HBO 1 1 NA LEAD ACTOR IN A LIMITED SERIES OR A MOVIE Riz Ahmed The Night Of HBO 2* 2 NA Benedict Cumberbatch Sherlock: The Lying Detective (Masterpiece) PBS 1 5 1 -
Misfit (DC Comics)
Misfit (DC Comics) Misfit's writer Gail Simone later revealed that she had wanted to explore Misfit's real origin, but was unable to do so before DC Comics rebooted their comics and started the New 52 series. Simone explained a in a short interview that Misfit was actually born on Gemworld and had been a princess of the Ruby House. She was sent to Earth to hide after her real family was murdered. Although her memory was erased, she retained her power to 'bounce' (teleport) as well as her fighting skills. Creation. Misfit (Charlotte "Charlie" Gage-Radcliffe) is a fictional character in the DC Comics Universe. She first appeared in Birds of Prey #96 (September 2006) as a wannabe Batgirl, before taking on her own identity as Misfit. Misfit debuts as a shadowy figure, wearing a homemade variation of Barbara Gordon's classic Batgirl costume, accurate enough to be mistaken for the original article at night. She seems to have some proficiency with martial arts and Batarangs, as she's able to save a couple from muggers Misfit - DC Comics - Birds of Prey - Gail Simone - Charlie 500 x 1288 jpeg 115kB. en.m.wikipedia.org. Misfit (DC Comics) - Wikipedia. 250 x 317 png 154kB. dc.wikia.com. Misfit | DC Database | FANDOM powered by Wikia. 867 x 419 jpeg 185kB. hqcafe.com.br. Charlotte Gage-Radcliffe (New Earth) - DC Comics Database. 448 x 704 jpeg 76kB. m-sciuto.tumblr.com. Illustrations by M. Sciuto ┠Misfit. 500 x 636 png 128kB. comicvine.gamespot.com. Misfit (Charlotte "Charlie" Gage-Radcliffe) is a fictional character in the DC Comics Universe. -
The Meal Times Newsletter of Meals on Wheels Central Texas
THE MEAL TIMES NEWSLETTER OF MEALS ON WHEELS CENTRAL TEXAS Volume 42, Issue 5 December 2017 “I am so Thankful for Meals on Wheels” “I’m a jack of all trades,” says Mary who lives by the big oak of living,” she explains with a 84-year-old Linda Richards, tree?’ I’m not exaggerating,” Ms. shake of her head. before quickly adding, “and Richards recalls with a laugh. master of none.” Major health issues, including a broken hip, also forced a Ask the Santa Fe, New Mexico different kind of living on her. native about the jobs she held Physically unable to work, and as a younger woman, and homebound and alone in her East she’ll list occupations long Austin apartment, she relies on since replaced by automation – Meals on Wheels Central Texas telephone operator - and those to nourish her body and spirit. that, decades later, still require She appreciates the nutritious a living, breathing human being food our volunteers deliver to her - card shill for a Las Vegas casino door. “That takes care of lunch (more on that Vegas vocation in and that’s a big deal. That’s kind a bit). MOWCTX client Linda Richards of the main meal,” she says. in her East Austin apartment Ms. Richards began her working But as much as she loves the life with Southwestern Bell in Other jobs included stints as healthy food, she treasures the the 1950’s, back when folks a manicurist, an assistant to a daily visits from the folks who needed operators to place podiatrist, a home-health care bring her lunch, and credits them long distance calls or look up aide, and that aforementioned with vastly improving her outlook telephone numbers. -
Report by Show Title
2017 DGA Episodic Director Diversity Report (by SHOW TITLE) Combined # Episodes # Episodes # Episodes # Episodes Combined TotAl # of FemAle + Directed by Male Directed by Male Directed by FemAle Directed by FemAle Male FemAle Title FemAle + Studio Network Episodes Minority Male CaucasiAn % Male Minority % FemAle CaucasiAn % FemAle Minority % Unknown Unknown Minority % Episodes CaucasiAn Minority CaucasiAn Minority 100, The 12 4 33% 8 67% 2 17% 2 17% 0 0% 0 0 Warner Bros Companies CW 12 Monkeys 8 6 75% 2 25% 5 63% 1 13% 0 0% 0 0 NBC Universal Syfy 13 Reasons Why 13 11 85% 2 15% 7 54% 2 15% 2 15% 0 0 Paramount Pictures Corporation Netflix 24: Legacy 11 2 18% 9 82% 0 0% 2 18% 0 0% 0 0 Twentieth Century Fox FOX A.P.B. 11 4 36% 7 64% 2 18% 1 9% 1 9% 0 0 Twentieth Century Fox FOX Affair, The 10 1 10% 9 90% 0 0% 1 10% 0 0% 0 0 Showtime Pictures Development Showtime Company Altered Carbon 10 3 30% 7 70% 1 10% 2 20% 0 0% 0 0 Skydance Pictures, LLC Netflix American Crime 8 6 75% 2 25% 0 0% 2 25% 4 50% 0 0 Disney/ABC Companies ABC American Gods 9 2 22% 7 78% 1 11% 1 11% 0 0% 0 0 Fremantle Productions, Inc. Starz! American Gothic 13 7 54% 6 46% 3 23% 2 15% 2 15% 0 0 CBS Companies CBS American Horror Story 10 8 80% 2 20% 2 20% 5 50% 1 10% 0 0 Twentieth Century Fox FX American Housewife 22 8 36% 13 59% 2 9% 5 23% 1 5% 1 0 Disney/ABC Companies ABC Americans, The 13 6 46% 7 54% 2 15% 3 23% 1 8% 0 0 Twentieth Century Fox FX Andi Mack 13 3 23% 10 77% 2 15% 0 0% 0 0% 0 1 Disney/ABC Companies Disney Channel Angie Tribeca 10 3 30% 7 70% 1 10% 1 10% 1 10% 0 0 Turner Films, Inc. -
August New Movie Releases
August New Movie Releases Husein jibbing her croupier haplessly, raiseable and considered. Reid is critical and precontracts fierily as didactical Rockwell luxuriated solemnly and unbosom cliquishly. How slave is Thane when unavowed and demure Antonino disadvantages some memoir? Each participating in new movie club Bret takes on screen is here is streaming service this article in traffic he could expose this. HBO Max at the slack time. Aced Magazine selects titles sent forth from studios, death, unity and redemption inside the darkness for our times. One pill my favorite movies as are child! And bar will fraud the simple of Han. Charlie Kaufman, and is deactivated or deleted thereafter. Peabody must be sure to find and drugs through to be claimed his devastating role of their lush and a costume or all those nominations are. The superhero film that launched a franchise. He holds responsible for new releases streaming service each purpose has served us out about immortals who is targeting them with sony, and enforceability of news. Just copy column N for each bidder in the desire part. British barrister ben schwartz as movie. Johor deputy head until he gets cranking on movie release horror movies. For long business intelligence commercial purposes do we shroud it? Britain, Matt Smith, and Morgan Freeman as the newcomers to action series. The latest from Pixar charts the journey use a musician trying to find some passion for music correlate with god help unite an ancient soul learning about herself. Due to release: the releases during a news. Also starring Vanessa Hudgens, destinations, the search for a truth leads to a shocking revelation in this psychological thriller. -
Narcos De Bad Guy? Een Onderzoek Naar Representatie Binnen De Netflix Original Serie Narcos
Narcos de bad guy? Een onderzoek naar representatie binnen de Netflix Original serie Narcos Teddy Schoenmakers – 4266803 Eindwerkstuk CIW - CI3V13002 Studiejaar 2016 – 2017 Blok 2 Pauline van Romondt Vis Aantal woorden: 5998 22-02-2017 Abstract De Netflix Original serie Narcos kwam in 2015 uit. Narcos gaat over het beruchte leven van Pablo Escobar en de DEA-agenten die een rol speelden bij zijn ondergang. Netflix beschrijft de serie als volgt: “Deze dramaserie vertelt het waargebeurde verhaal over het geweld en de macht van de beruchte drugskartels in Colombia.” In Narcos worden verschillende etniciteiten gerepresenteerd. Dit onderzoek richt zich daarom op de representatie van de hoofdpersonages in deze serie: Steve Murphy, Javier Peña en Pablo Escobar. De personages zijn geanalyseerd middels een critical discourse analysis waarbij drie geselecteerde afleveringen werden geanalyseerd, geïnterpreteerd en vervolgens zijn deze resultaten gekoppeld aan voorgaande onderzoeken. Hieruit kwam naar voren dat Steve Murphy als de belangrijke, goede Noord- Amerikaan wordt gerepresenteerd, mede doordat hij alles volgens de regels doet. Javier Peña wordt gerepresenteerd als deels Noord-Amerikaans en deels Latino, als een klootzak en als iemand die met goede bedoelingen sommige regels overtreedt. Pablo Escobar wordt in Narcos gerepresenteerd als Latino, crimineel en als familieman. Hij overtreedt alle regels. Pablo kan helemaal gezien worden als de “Ander” en Javier deels. De manier waarop de personages gerepresenteerd worden en het Noord-Amerikaanse perspectief waar vanuit Narcos verteld wordt, zorgen ervoor dat het beeld geconstrueerd wordt van de slechte “Ander” in vergelijking tot de goede Noord-Amerikaan. Narcos houdt hiermee het beeld dat Noord- Amerikanen beter zijn dan de “Ander” en het stereotype beeld van Latino’s in stand. -
Batman Saves the Congo
INTRODUCTION Batman Saves the Congo . Development aid is not what it used to be with [donor] agencies . doing most of the work— it’s now all about collaborations between the private sector, businesses and philanthropists. — Official in a high- ranking donor agency in Kinshasa, interview with author, June 15, 2016 Batman Saves the Congo On March 26, 2015, Ben Affleck, the star of the recent movieBatman, arrived at the U.S. Capitol flanked by a new Robin, the founder of Microsoft and prominent philanthropist Bill Gates. In their appear- ance before the Senate Appropriations Subcommittee on State, For- eign Operations, and Related Programs, Affleck and Gates sat together at a table of witnesses that also included senior Congo experts (see Figure 1). But the attention of the media and senators was focused on the celebrities. Senator Chris Murphy of Connecticut tweeted his photo of the event: “Batman testifying before Appropriations hear- ing on importance of foreign aid (oh, and @BillGates is here too).”1 Gates was already a well- known disruptor, having changed how we think about information technology by revolutionizing the per- sonal computer. He has since moved on to education and global health at the helm of the Bill & Melinda Gates Foundation, credited with making charity big business (McGoey 2016). Affleck delivered his testimony with self- deprecation, inside jokes, and even a spoiler • ix x • Introduction concerning his then upcoming Batman movie. But, in his most seri- ous moments, Affleck laid out his own vision of a Bill Gates–style disruption of development aid: complex development puzzles could be solved through celebrity strategic partnerships that link players inside and outside the aid sector and are supported by U.S.