CONGRESSIONAL RECORD—SENATE May 1, 1997

Total Page:16

File Type:pdf, Size:1020Kb

CONGRESSIONAL RECORD—SENATE May 1, 1997 S3918 CONGRESSIONAL RECORD Ð SENATE May 1, 1997 by your contributions to the Burned Church- have helped to pay for thousands of op- Arthur's repertoire consists almost exclu- es Fund. It is just another indication of why erations, utility bills, and ramps for sively of Vermont and New England folk I feel so strongly about the men and women people with disabilities. songs. She was raised in the Ozarks of Mis- who make International Paper's team so ex- The recent Presidents' Summit on souri and moved to Vermont in 1948. She traordinary.'' Volunteerism drew the Nation's atten- spends winters in Arizona. Therefore, she One aspect of this story is perhaps even also sings many songs from Missouri, nearby more extraordinary: International Paper did tion to the importance of giving back Kentucky and Arizona. not publicize its donationÐno corporate to our communities. The people of War- She said that she will certainly take along news conference, no announcement, not even ren, like those in so many communities her harp-zither, which was given to her by a press release. Dillon apparently did not throughout the country, are truly for- the family of Rawsonville farmer Merle want the donation to be seen as a bid for tunate to dedicated Kiwanis Club mem- Landsman after it was found in his barn. publicity. bers as their neighbors. She said she will perform songs from a col- The article you are reading would never I hope my colleagues will join me in lection of 7,000 Vermont songs compiled by have been written if the author had not hap- expressing congratulations and grati- Helen Hartness Flanders. Flanders was the pened to hear about the donation from a wife of the late Sen. Ralph Flanders, and Presbyterian minister who has a friend tude to the Kiwanis Club of Warren for MacArthur enjoys the connection between working at the National Council of Church- their 40 years of good works.· their lives in Washington D.C. and her per- es. When Sky contacted International Paper f formance at the Kennedy Center. headquarters, the publicity staffÐprofes- ``This will give me a good opportunity to sionals who are paid well to make sure Dil- TRIBUTE TO MARGARET honor her and her collection,'' she said. lon and the company look goodÐagreed to MACARTHUR The New England Art Biennial, panel from provide copies of Dillon's notes to his compa- · Mr. JEFFORDS. Mr. President, I rise the University of Massachusetts, Amherst, ny's work force but rebuffed a request to today to pay tribute to Margaret Mac- chose MacArthur in 1985 as a ``New England interview the CEO for this article as ``not Arthur. Margaret has been selected to living art treasure.'' Her recording career necessary.'' appear at the John F. Kennedy Center spans to the early 1960s, when she recorded Dozens of black congregations across the ``Folksongs of Vermont'' on Folkways South, meanwhile, are eager to sing the for Performing Arts on May 1, 1997. She records. She has since recorded eight more praises of International Paper. ``Oh, good!'' will be appearing as the sole represent- albums, including several with members of Shirley Hines exclaimed when told that Sky ative of Vermont in an annual celebra- her family, who also live in Marlboro. was running a story about the International tion which will host artists from across Recent local performance ventures in- Paper donation. Hines, in charge of the re- the Nation. cluded the Brattleboro Museum and Art Cen- building committee at Greater Mount Zion Margaret represents the very best of ter, as part of a series on farming in Ver- Tabernacle Church in Portsmouth, Virginia, Vermont. Her talent and hard work mont. says the congregation did not know if the have been recognized time and time She is currently completing her 10th re- church could be rebuilt after it burned in again. In 1985, she was selected by the cording, which is being produced at Sound May 1995; the estimated cost of $340,000 was Design in Brattleboro and is entitled ``Them just too much. New England Art Biennial as a New Stars.'' International Paper's donation last au- England living art treasure. MacArthur believes it was her work as art- tumn of wood, doors, wall paneling and other Margaret's repertoire consists almost ist-in-residence in schools throughout the building supplies, however, took care of exclusively of Vermont and other New state that brought her to Jeffords' attention. three-quarters of the cost of materials and England folk songs. She embodies the As a visiting artist, she had children set let the congregation celebrate Christmas in spirit of our Green Mountain State and local folk tales to music which culminated its new, rededicated church. ``International has successfully shared its heritage, two years ago with the production of ``Ver- Paper told us to tell them what we needed. through music, with people throughout mont Heritage Songs.''· We faxed in a list, and in less than a week it the country. Once again, I would like f was here. It was unbelievable,'' Hines says. to extend my best wishes and congratu- ``If not for International Paper, this church CHILDREN'S HEALTH CARE INSUR- would have had to wait two or three years to lations to Margaret MacArthur. Mr. President, I ask the following ar- ANCE PROVIDES SECURITY reopen, if it ever did.'' [CHIPS] ACT Hines recalled the dreary day when she, ticle from the Brattleboro Reformer be her pastor and several other church members printed in the RECORD. · Mr. ROBB. Mr. President, I'm pleased waited in the rain for the first lumber deliv- The article follows: to be an original cosponsor of the Chil- ery. When the big truck pulled up, she says, [From the Brattleboro Reformer, Dec. 6, dren's Health Insurance Provides Secu- they laughed and shouted and cried and 1996] rity [CHIPS] Act because I support ex- danced in the rain, snapping pictures of the LOCAL FOLK ARTIST TO PERFORM AT KENNEDY panding access to health care for chil- forklift unloading the first pallets of wood CENTER that would become their new church. dren who lack coverage today, and be- ``It made us realize that God is real,'' she (By Jared Bazzy) cause I believe this bill is both flexible says, ``and He is still in the blessing busi- MARLBORO.ÐFolk singer Margaret Mac- and targeted to children in families ness.''· Arthur has been selected to appear at the least likely to have employer-based John F. Kennedy Center for Performing Arts f coverage and least able to purchase in Washington, D.C., this spring, as part of health insurance on their own. the Vermont State Day celebration. CONGRESSIONAL RECORD STATE- U.S. Sen. James M. Jeffords, R±Vt., picked It is my hope that States will find MENT HONORING 40TH ANNIVER- MacArthur to be the lone performer rep- the enhanced Federal Medicaid match SARY OF THE WARREN KIWANIS resenting the Green Mountain State. included in this bill to be a valuable CLUB Jeffords, who chairs the Senate Sub- tool to assist many vulnerable fami- Mr. LEVIN. Mr. President, I rise committee on Education, Arts, and Human- lies, particularly families moving from · ities, said Thursday, ``Margaret represents today to salute the Kiwanis Club of welfare to work. Far too many welfare what's best about Vermont's history and cul- recipients will, at least initially, move Warren, MI, for its 40 years of service ture,'' adding, ``This is a wonderful oppor- to the Warren community. tunity for visitors from across the nation to from dependency into hourly jobs with In 1957, a group of concerned hear a true Vermont artist share our herit- little pay and few, if any, benefits. businesspeople, professionals, and citi- age.'' Children should not lose their health zens formed the Kiwanis Club of War- MacArthur said she was invited a few care because their parents work.· weeks ago, just after she returned from per- ren to help meet the needs in their f forming at the Folk Song Society in Wash- community which were not being ad- ington, D.C. HONORING THE CENTRAL/DELPHI dressed by government or charities. ``But I've never sung at the Kennedy Cen- Since its beginning, the Warren ter for gosh sakes. It's pretty exciting,'' she FIRST TEAM Kiwanis has provided numerous serv- said in a telephone interview from her home · Mr. LEVIN. Mr. President, I rise ices to people in need, including per- in Marlboro. today to recognize the achievements of sons with disabilities, senior citizens, The Kennedy Center annually celebrates a remarkable group from my home all 50 states with a performance by a local and people requiring medical care. The artist from each one. MacArthur will per- State of Michigan. A team of students Warren Kiwanis donated a bus to the form May 1, 1997. from Pontiac Central High School and Salvation Army, funded a fitness trail Accompanying herself at different times engineers from Delphi Interior and at a local park for disabled people, and on guitar, dulcimer and harp-zither, Mac- Lighting Systems won two national May 1, 1997 CONGRESSIONAL RECORD Ð SENATE S3919 awards at the prestigious FIRST [For support ratification absent certain cer- in the form of yet another inter- Inspiration and Recognition of Science tifications by the President prior to de- national agreement, no matter how and Technology] competition held posit of our instrument of ratification. many other nations have signed on. April 10±12 in Orlando, FL. Faced with the fact that the treaty is If the United States is to make a The Central/Delphi team received the largely unverifiable, some ratification unique moral statement as proponents tournament trophy as a finalist in the supporters argue that no treaty is 100 urge, we shouldn't be stampeded into robotics competition, and the team percent verifiable, and that, while not ratifying this treaty ``because other also won the competition's highest perfect, the CWC is better than noth- nations have.'' The United States honor, the Chairman's Award, given to ing, especially since chemical weapons passed on joining the League of Na- the most comprehensive school-cor- are so morally objectionable.
Recommended publications
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
    “Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve.
    [Show full text]
  • Eloise Hubbard Linscott Collection [Finding Aid]. Library of Congress
    Eloise Hubbard Linscott collection Guides to the Collections in the Archive of Folk Culture American Folklife Center, Library of Congress Washington, D.C. June 2013 Contact information: http://hdl.loc.gov/loc.afc/folklife.contact Additional search options available at: http://hdl.loc.gov/loc.afc/eadafc.af013006 LC Online Catalog record: http://lccn.loc.gov/2008700340 Prepared by Marcia K. Segal Collection Summary Title: Eloise Hubbard Linscott collection Inclusive Dates: 1815-2002 Bulk Dates: 1932-1955 Call No.: AFC 1942/002 Creator: Linscott, Eloise Hubbard Extent (Manuscripts): 34 boxes (18 linear feet); 198 folders. Extent (Sound Recordings): 11 sound cylinders : analog. Extent (Sound Recordings): 441 sound discs : analog ; various sizes. Extent (Sound Recordings): 32 sound tape reels : analog ; various sizes. Extent (Sound Recordings): 1 sound cassette : analog. Extent (Graphic Materials): circa 200 photographs : photographic prints, negatives ; various sizes. Extent (Graphic Materials): 12 drawings. Language: Manuscripts in English; songs sung in English, French, Navajo, Passamaquoddy, Wabanaki, and Wampanoag. Location: Archive of Folk Culture, American Folklife Center, Library of Congress , Washington, D.C. http://hdl.loc.gov/ loc.afc/folklife.home Summary: Eloise Hubbard Linscott’s collection of research materials for her book, Folk Songs of Old New England (1939) and other folk music research through about 1955. The collection includes correspondence; music transcriptions; sound recordings of folk music, lectures, and radio broadcasts; photographs of Linscott's informants; documentation of events and trips within New England; plus some materials from her estate, dated circa 1815-2002. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog.
    [Show full text]
  • MF 111 Folksongs in February Collection
    MF 111 Folksongs in February Collection Northeast Archives of Folklore and Oral History Number of accessions: 1 Dates when interviews were conducted: 1977 Finding aides: 8 page index Access restrictions: none Description: NA2596 David Mallett, David Ingraham, Charlie Nevells, Larry Kaplan, Edward D. “Sandy” Ives, Kendall Morse, Margaret MacArthur, Norman Kennedy, Louis and Sally Killen, Yodeling Slim Clark, Charlotte Cormier, Sparky Rucker, Sandy and Caroline Paton, Hazel Dickens, Tim Woodbridge, Joe Hickerson, Debby McClatchy, Gordon Bok, Sean Corcoran, Bill Shute and Lisa Null, by Maine Folklife Center, February, 1977, Orono, Maine. Tape: 8 reels (ca. 15 hrs.) Accession consists of 8 tape reels containing recordings of a folk music concert program called “Folksongs in February” held at the University of Maine in February, 1977. Accession includes 8 black & white contact sheets of 35 mm photos of the performances. Individual frames are unnumbered at the time of accessioning. Text: 36 pp. Recordings: T 2015-2022 / CD 0406-0419 (CD 0406 is MIA). Photographs: P00880, P00881, P01114 – P01399 Also see: NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, fall 1989, Hauck Auditorium, UMaine, Orono, Maine. 11 pp. Cat. only. On February 11 and 12, 1977, a concert and a series of workshops called "Songs for February" held at the Hauck Auditorium UMaine. From the recordings made of the concert and series of workshops, the Maine Public Broadcasting Network produced an 8-part radio series as part of their “Roots and Branches” series.” Accession consists of a catalog of the radio program.
    [Show full text]
  • News from the Library of Congress
    NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2011 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2011-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 15 AMERICAN FOLKLIFE CENTER………………….P. 19 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Mark Horowitz, Karen Lund, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We made significant progress on the Collections Analysis Project, which will result in 1 improved physical and intellectual control over all of Music’s holdings. This overview will be critical for making decisions regarding acquisitions and digitization, and also space reallocation and organization.
    [Show full text]
  • Senate Section
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 105 CONGRESS, FIRST SESSION Vol. 143 WASHINGTON, THURSDAY, MAY 1, 1997 No. 55 Senate The Senate met at 10:30 a.m., and was SCHEDULE Mr. COVERDELL. Mr. President, as called to order by the President pro Mr. COVERDELL. Mr. President, for the Presiding Officer knows, we have tempore [Mr. THURMOND]. the information of all Senators, this been at this for the better part of the morning the Senate will begin consid- week. I am pleased that the two sides PRAYER eration of S. 543, the Volunteer Protec- have decided to proceed to the actual The Chaplain, Dr. Lloyd John tion Act. As a reminder, the previously legislation and to consider its merits Ogilvie, offered the following prayer: ordered cloture votes for today are vi- straightforwardly. I was also pleased to Almighty God, on this National Day tiated, and the Senate is now able to be notified this morning that during of Prayer, we join with millions across begin consideration of this important the summitÐand I had not realized our land in intercession and suppli- legislation. It is my understanding thisÐthat occurred, Governors cation to You, the Sovereign Lord of that amendments are expected to be of- Branstad of Iowa, Whitman of New Jer- the United States of America. As we fered to this bill. Therefore, Senators sey, and Wilson of California, issued a sound that sacred word Sovereign, we can anticipate votes throughout to- public statement in support of the Vol- echo Washington, Jefferson, Madison, day's session of the Senate.
    [Show full text]
  • HHFBC-Papers Collection Finding
    1 Helen Hartness Flanders Papers, 1930-1960 (Helen Hartness Flanders Ballad Collection) Special Collections Middlebury College Library Middlebury College 110 Storrs Ave. Middlebury, VT 05753 Descriptive Summary Creator: Flanders, Helen Hartness (1890-1972) Title: Helen Hartness Flanders Ballad Collection: Papers Collection. Dates: 1930-1960 (Bulk) Abstract: This collection comprises seven series including: correspondence, publications, lectures/exhibits/conferences, photographs, pamphlets and publications, song texts, and song lists and indexes. These materials relate to Helen Hartness Flanders’ work collecting and recording folk songs from around New England from 1930-1960. The majority of these songs have their roots in the traditional music of the British Isles. The Papers Collection compiles in depth information about the music, but also includes correspondence with insight into Flanders’ personal life and collecting process as well as materials focusing on the fields of folklore, anthropology and ethnomusicology. Quantity: linear feet (76 document boxes (some oversized); 13 index boxes Call Number: HHFPAP Arrangement Items are arranged according to series. Ia. Correspondence Ib. Informant information II. Publication materials III. Lectures, Exhibits, Conferences IV. Photographs V. Pamphlet/Offprints VI. Song texts VII. Lists and Indexes 2 Historical/Biographical Note Helen Hartness Flanders was born in Springfield, VT in 1890. The wife of Vermont Senator Ralph Flanders, she split her time between Washington and their home in Springfield. She began identifying and collecting traditional folksongs from around New England in 1930 at the request of the Vermont Commission on Country Life. For over 3 decades, Flanders traveled throughout New England recording ballad singers at a time when radios were supplanting live performances as the major source of music in a home.
    [Show full text]
  • Why Does Country & Western Music
    NEW ENGLAND COUNTRY & WESTERN MUSIC: SELF-RELIANCE, COMMUNITY EXPRESSION, AND REGIONAL RESISTANCE ON THE NEW ENGLAND FRONTIER BY CLIFFORD R. MURPHY B.A. GETTYSBURG COLLEGE, 1994 M.A. BROWN UNIVERSITY, 2005 SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE PROGRAM IN MUSIC: ETHNOMUSICOLOGY AT BROWN UNIVERSITY. PROVIDENCE, RHODE ISLAND MAY 2008 © 2008 CLIFFORD R. MURPHY This dissertation by Clifford R. Murphy is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. (signed and dated copy on file at Brown University) Date_______________ _________________________ Jeff Todd Titon, Advisor Recommended to the Graduate Council Date_______________ __________________________ Jennifer Post, Reader Date_______________ __________________________ Paul Buhle, Reader Date_______________ __________________________ Rose Subotnik, Reader Approved by the Graduate Council Date_______________ __________________________ Sheila Bonde, Dean of the Graduate School iii CURRICULUM VITAE Clifford R. Murphy was born in Ridgewood, New Jersey in 1972 and was raised in New Hampshire in the towns of Durham and Newmarket. Cliff learned to play guitar at age 16, graduated from Newmarket High School in 1990, and attended Gettysburg College where he majored in History and English. Following graduation in 1994, Cliff returned to New Hampshire and spent the next nine years working as a singer, songwriter, and rhythm guitarist in the internationally
    [Show full text]
  • Transcript Episode 4: Langmaid, Part 1
    NAME Ep 4 Pt 1 transcription.mp3 DATE June 11, 2020 DURATION 27m 39s 5 SPEAKERS Helen Hartness Flanders Mabel Wilson Tatro Narrator Gail in the field History Book VO START OF TRANSCRIPT [00:00:04] Helen Hartness Flanders This is December 18,1958. Mrs. George Tatro of Springfield, VT, is going to sing "I'll Hang my Harp on the Willow Tree". Weeping willow tree? On the Willow Tree. Right. [00:00:17] Mabel Wilson Tatro I'll hang my harp on the willow tree, I'm off to the wars again, my peaceful home has no charm for me, the battlefield has not pain... [00:00:28] Narrator You're listening to a recording from the Flanders Ballad Collection, performed as the introduction said by Mabel Wilson Tatro of Springfield, Vermont, in 1958. This recording was part of a decades long project sponsored by the Vermont Commission on Country Living and led by Helen Hartness Flanders to amass and document folk music throughout northern New England. Beginning in 1930, Flanders and her associates put an open letter in New England newspapers requesting anyone who knew folk music passed down in the oral tradition to share what they knew and consent to be recorded so that the songs and the music could be transcribed. No popular songs or copy written material was accepted into the archive. Only songs passed from one generation to the next by mouth. Most of the music has strong ties to the folk music traditions of the British Isles, to which the majority of the population of rural New England could trace at least one family line.
    [Show full text]
  • Course Description Information
    ESI COLLEGE Summer 2018 Thursday mornings, July 5 – August 30 Are you on Facebook? Please like and follow us at facebook.com/elderlyservices Spread the word about our wonderful programs! Visit us at: www.elderlyservices.org 112 Exchange Street, Middlebury, Vermont 05753 802-388-3983 Summer Seminar Series Welcome to our summer lecture series! On almost every Thursday in July and August, we focus on a different topic. We are pleased to have two new instructors, Rick Hawley and David Herren, teaching this summer, along with some favorite teachers we’ve had in the past. We hope to see you here! Kristin Bolton and Dana Perzanoski, ESI College Course Coordinators How Italian Immigrants Transformed Vermont Time: 10:00-11:30 AM Date: Thursday, July 5 Cost: $20 Description: Beginning in the 1880s, artists and artisans from the granite and marble districts of northern and western Italy migrated to Vermont. They had a transformative effect on the growth and quality of the Vermont stone industries as well as the culture of those areas in Vermont where they settled. However, their impact on the granite industry in the Barre area differed from that in the marble industry. Learn about how these immigrants fought for better working conditions and won, and how their efforts have made a difference in today’s quarrying. Instructor: Ilaria Brancoli-Busdraghi received her Laurea in lettere from the Universita di Roma “Tor Vergata” in 2001. Her history thesis, written in Italian, was entitled: “Men of Stone: Italian Marble and Granite Workers in Vermont.” Ilaria is on the faculty of the Italian Department at Middlebury College.
    [Show full text]
  • Suncook Town Tragedy”— Mabel Wilson Tatro of Springfield, Vermont (July 1930) Added to the National Registry: 2004 Essay by Cary O’Dell
    “The Suncook Town Tragedy”— Mabel Wilson Tatro of Springfield, Vermont (July 1930) Added to the National Registry: 2004 Essay by Cary O’Dell Josie Langmaid Original recording Helen Hartness Flanders At first it seems like the most unusual subject for a song. Nevertheless, the brutal abduction, rape, murder and decapitation of a 17 year-old girl while on her way to school one day in 1875, would go on to inspire one of America’s most poignant and resonating folk ballads. The victim, Josie Langmaid, has come to be known as New Hampshire’s Murdered Maiden and the story her death, as related in music, has come to be known as “The Suncook Town Tragedy.” Actually, as a type of song, “The Suncook Town Tragedy” is far from alone. It is illustrative of a sad, dark, fascinating subgenre of the American songbook and of American folklife: the “murder song.” Other titles in this oeuvre include “Little Mary Phagan,” which detailed the 1913 killing of a 13 year-old girl, and “Little Marian Parker,” which recounted the kidnapping and subsequent murder of 12 year-old Marion Parker from Los Angeles. These sad songs, in their day, served a variety of purposes: as tribute, as musical expression, and—as with much folk music—as oral history, a way of documenting the events of a specific time and place and passing it down through the generations, an effective method of communication and transmission before the widespread use of other documenting media. Often though, as these songs got created and then spread, truly via word of mouth, from performer to performer, the facts embedded in them got embroidered or misinterpreted.
    [Show full text]
  • Margaret Macarthur Event Flyer
    The American Folklife Center ofthe Library ofCongress presents O~EGRO~ ~ L~~2~ 7 4 Traditional music and dance '"homegrown" in communities across the United States AN ACQUISITIONS AND PRESENTATION PROJECT ""'. MARGARET MACARTHUR VOICE AND DULCIMER TRADITIONAL MUS,IC FROM VERMONT ....-.;~ .... ..,<;.>< .. l Tuesday June 21, 2005 12 NOON - 1PM Coolidge Auditorium Ground Floor, Thomas Jefferson Building Closest Metro Stop: Library of Congress Capitol South (orange and I 0 First Street, SE, Washington, DC blue lines), located one block south of the Jefferson Building Cosponsored with the Kennedy Center Millennium Stage Request ADA accommodations ~ve days in advance at (202) 707-6362 or [email protected] For more information contact Thea Austen 202-707-1743 MARGARET MACARTHUR Throughout her first months on this eat,th, yo ung celebt'ate, when they are having fun, they sing and play music Mat'garet was sung nursery rhymes by her mothet' with the togethet~ Many of he,' child ren and grandchildt'en still live on result that she sang before she could talk. Throughout her the farm and as Ma"garet says, "I think the glue of the family eady years, as she moved with her family- from Arizona to the has been work on the place. And singing has been the fun." Midwest to Missouri and California, she was drawn to the Music and song serve as the underpinnings of Mat'garet's places whet'e there was a lot of music. world.Those places that hold the most meaning for Margal'et Margaret met and matTied John MacArthur at the are those whet'e she remembers singing taking place­ University of Chicago and the next move was to Vermont informally, as entel'tain ment, bringing sunlight into her world.
    [Show full text]