Nold Alderman C

Total Page:16

File Type:pdf, Size:1020Kb

Nold Alderman C I -,'C, .:,"=, 8 TEMPLENEWSAM HOUSE,:';,':', «I ""r,'. j':h " " ' " '- ' ' II'' "'1' O' y S'h t'l "I'FlgT THE LIBRARIES & ARTS (ART GALLERY & TEMPLE NEWSAM HOUSE) SUB-COMlVHTl'EE The Lord Mayor Chairman Councillor A. Adamson Deputy Chairman Mrs. Gertrude Halbot, J.P. Alderman J. Croysdale Councillor Z. P. Fernandez Advisory Members Alderman L. Hammond Councillor A. M. M. Happold Mr. Edmund Arnold Alderman C. Jenkinson, M.A., LL.B. Councillor F. E. Tetley, D.S.O. Mr. C. H. Boyle, J.P. Alderman Sir G. Martin, K.B.E.,J.P. Councillor G. A, Stevenson Professor B.Dobree, O.B.E. Councillor H. S. Vick, J.P. Councillor H. Bretherick Councillor D. Murphy, J.P. Mr. L. W. K. Fearnley Mr. H. P. Peacock Councillor W. Shutt Lady Martin Mrs. J. S. Walsh Councillor D. Kaberry Mr. E. Pybus Mrs. R. H. Blackburn Director Mr. E. I. Musgrave THE LEEDS ART COLLECTIONS FUND President The Rt. Hon. the Earl of Halifax, K.G., O.M., G.C.S.I.,G.C.I.E. Vice-President Mr. Charles Brotherton, J.P. Trustees Mr. Edmund Arnold Professor Bonamy Dobree, O.B.E. Major Le G. G. W. Horton-Fawkes Committee Councillor A. Adamson Professor Bonamy Dobree, O.B.E. Mr. Edmund Arnold (Hon. Treasurer) Major Le G. G. W. Horton-Fawkes Mr. George Black Mr. E. I. Musgrave (Hon. Secretary) Aii Communications to the Hon. Secretary at Temple Newsam House, Leeds Subscriptions for the Arts Calendar should be sent to Temple Newsam House I/6 per issue (postage 1gd) 6!6per annum, post free Single copies from W. H. Smith and other book shops gprin8 Number 194'HE LEEDS ARTS CALENDAR IN THIS ISSUE EDITORIAL —FORTHCOMING EXHIBITIONS QUARTERLY REVIEw —soME REGENT AGQUIsITIQNs 3 —TURNER AND FARNLEY HALL Major..........Le G. G. W; Horton-Fawkes THE DUI.WICH PICTURES —NICOLAS POUSSIN I Anthony Blunt I I ARTS CALENDAR I6 A YORKSHIRE ARTIST—EDWARD WADSWORTH S. D. Cleveland I8 THE HOLLINGS COLLECTION —SALT-GLAZED WARES E. M. Armistead The article under the title Signature of Pain: Paintings by Graham Sutherland, in the last issue was by W. T. Oliver, whose name was omitted in error. FORTHCOMING EXHIBITIONS Perhaps our most important event of the tectural drawings. The drawings date from year will be the exhibition of old master the I~th century to the present day, and drawings from the Albertina collection. include the largest group of works by This important exhibition is being brought Diirer, with the Self Portrait of I484; the to this country by the Arts Council to be Hare of I5oz; Praying Hands of I5o8 and shown at three places only —London, Edin- the Portrait of Emperor Maximilian I of burgh, and Leeds. I ~ I 8. Altdorfer, Griinewald, Perugino, Drawings from this unique collection Raphael, Rembrandt, Rubens, Michelangelo have become world-famous through the and Titian will also be represented by many reproductions which have been made, famous examples of their work, in the one but the originals have never previously been hundred and fifty drawings selected for seen in this country. Normally housed in exhibition here. the Palace of the Archduke Frederick in The exhibition will be a revelation to Vienna, the collection was founded in I79$ many people who have not had first-hand by Duke Albert of Sachsen-Teschen, and experience of the work of world-famous later extended by the Archduke Charles. masters, and we are indeed fortunate in It now forms part of the National Library being given this opportunity of showing the of Vienna. collection for three weeks. A charge of one The z)oo drawings are only part of this shilling for adults and sixpence for students vast collection which includes large and will be made to defray part of the enormous valuable accumulations of prints and archi- cost of bringing the exhibition to England. The exhibition of works by Jack Yeats, matters" in a typical Irish way. His can- to be shown at Temple Newsam in June, vases are full of that poetry and mystery promises to be the most comprehensive col- which we associate with Irish art, and yet lection of his work ever brought together. they have a simplicity and directness which Though Yeats'ork is already known to give them a general appeal. Another unique collecters and connoisseurs in this country, opportunity for visitors to Temple Newsam it is not sufficiently widely known. He is an to study the work of an outstanding living Irishman who paints " the Ireland that artist. eeI . I IF 4I, ILI P CARVED WOOD AND MARBLE CHIMNEY-PIECE, STYLE OF CHIPPENDALE; English c. I745. Now in 1Vorth-wess Room. BOUGHT FROM CORPORATION FUND WITH A GIFT FROM MESSRS. PRATT AND SONS uarterly Review SOME RECENT ACQUISITIONS Mr. F. J. Nettlefold's generous gift of six the latter part of the t8th century, he has paintings and four watercolours is the most been completely overshadowed by his giant important addition to the permanent collec- contemporaries. Our painting The Return tion in recent months. It includes a fine from Market, here reproduced, is character- and characteristic example of the work of istic of his later work when he was a regular Francis Wheatley (t747—t8ot) who was exhibitor of the R.A. There is a small but previously represented in the collection by charming pastoral scene, La Causerie, by four drawings. Wheatley was an artist Fantin Latour (t836—t9o4). The other of considerable ability and versatility but, paintings are by t9th century English like many accomplished English artists of artists —Lana'scape by F. W. Watts (t8oo— VICTORIA HOUSEL'ATH bP KATHERINE FRYER BOUGHT FROM THE CORPORATION FUND t87o); Near SeJJenoaks, Kent by Richard collection of watercolours. — Hilder (t8t3 t8)r); Piazza St. 2Vlarks, Through the generosity of Dr. Barnett Venice and A View on the Grand Canal, Stross, M P J Jacob Kramer's Clay, a highly Venice by James Holland (t8oo—t87o). accomplished painting though a gruesome Of the watercolours the most important subject, finds a permanent home in the is perhaps the well-known The Night Train artist's native city. by David Cox (t783—t8)9), but Julius Notable among recent purchases are Still Cesar Ibbetson's Gypsy Beggars is a Life with Bog Cotton of 1927 by Paul Nash notable addition to our collection because (t889—t946) and Katherine Fryer's Victorian it has recently been established that this House. The Nash is the second example in artist was born in Leeds in tp~9. Hampton oils to be acquired for our collection, and Bridge by Thomas Rowlandson (t7)6- although painted only two years after The t8E7) and Cromer by Birkett Foster (t8z~- Shore, which was bought last year, it shows t899) are both welcome additions to our an entirely different aspect of the work of GYPSY BEGGARS by JVLJDS CJSSAR IBBETSON (1759-18J7) GIVEN BY MR. F. L NETTLEFOLD THE RETURN FROM MARKET by FRANCIS WHEATLEY (I747-I8OI) GIVEN BY MR. F. J. NETTLEFOLD STILL LIFE WITH BOG COTTON by PAUr. Nasl (I889-I946) this eminent English artist. Miss Katherine c.zp~o, in mahogany with delicate cut paper Fryer, who is a native of Leeds, is a regular decoration and a woolwinder of English exhibitor in exhibitions throughout the design in stained beech and other woods country, and is rapidly gaining a national which dates from about the end of the t8th reputation. century. The chimneypiece, here reproduced, was Most of these acquisitions are now being mentioned in the last issue but the date then sho~n at Temple Newsam, where a complete misprinted is now corrected. This fine rearrangement of some of the rooms has example of mid t8th century carving has given a new interest to the collections. now been installed in the north-west room Many new loans are also being exhibited and fitted with a contemporary ornamental including the Cromwellian relics and mid steel grate. Other additions to the furniture r 7th century furniture from Farnley Hall. collection include a pair of polescreens, Uar ter'1y Review THE TURNER EXHIBITION The Turner watercolours at Farnley Hall derful collection of two hundred water- are regarded as one of the county's artistic colours and several paintings long remained treasures, a unique collection of works by as a monument to a great and historic a great artist of some of Yorkshire's love- friendship. The collection has now liest scenery, which were brought together dwindled to about fifty works, many having by a generous and discriminating York- been dispersed by successive generations of shire patron. This collection has always Fawkes's. been available to those who cared to apply It was satisfying to find in this exhibition for permission to visit Farnley Hall. But two examples which had recently been owing to present conditions, it may no restored to the collection by the present longer be possible for parties to see these owner, who is conscious of his responsibility watercolours in the house for which they to preserve and, if possible, restore the were painted. Major Horton-Fawkes kindly collection. This he made obvious in his offered to exhibit them at the Art Gallery speech at the opening ceremony, at which in order that at least one more excellent three hundred people were present. It was opportunity might be given for a large a memorable event because Major Fawkes number of people to see them before they gave one of those delightful, intimate were put into the family's greatly diminished addresses which are all too rare on these residence. occasions. As might have been anticipated, the exhi- In response to many requests, we print bition was one of the most popular to be below the train parts of the speech.
Recommended publications
  • The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
    TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period.
    [Show full text]
  • Yorkshire & North East
    Supporter Groups events Holme & Calder Association January – June 2017 Date Detail Venue TALKS 14 January Temple Newsam - The story of the Park Blackley Baptist Church and Museum 2pm for 2.15pm John Gillegham MBE 26 January The Barnbow Lassies The Old Court Room Carole Smithies MBE Huddersfield Town Hall 9.45am for 10.30am 9 February The Early Life of Prince Philip Salvation Army Hall David Glover Brighouse 7pm for 7.15pm 23 February Tommy Atkins Bankfield Museum John Spence 10.30am Must pre book for this event. 11 March AGM followed by talk Blackley Baptist Church The National Trust – the Northern Region 2pm Jonathan Brewer 23 March Livery Companies of London Old Court Room Dr. David Allen Huddersfield Town Hall 9.45am for 10.30am 1 April Royal Passagers – Queen Elizabeth I and Blackley Baptist Church James I 2pm for 2.15pm Roger Mitchell 13 April Garden by the Book Old Court Room Jean Broadbent Huddersfield Town Hall 9.45am for 10.30am For further details contact David Collins Tel: 01422 822464 WALKS 27 April Meltham and Helme 6 miles Meet 10.30am at the Further details: Brian and Judith Mettrick Carlile Institute car park Mobile 07905 625894 10 May Kirkheaton 6-7 miles Meet 10.30am at the Further details: Ann Leach 07905 009635 Royal and Ancient Pub at Colne Bridge 8 June Upper Denby 5 miles Meet 10.30am adjacent to Further details: John and Kath Nichols The George Public House Mobile 07774 966917 Upper Denby PUB LUNCHES Contact: Ms. Fiona Hartley Tel: 01484 845009 E-mail: [email protected] 4 January 12 noon 16 February 12 noon 15 March 12 noon 25 April 12 noon .
    [Show full text]
  • Roundhay Park to Temple Newsam
    Hill Top Farm Kilometres Stage 1: Roundhay Park toNorth Temple Hills Wood Newsam 0 Red Hall Wood 0.5 1 1.5 2 0 Miles 0.5 1 Ram A6120 (The Wykebeck Way) Wood Castle Wood Great Heads Wood Roundhay start Enjoy the Slow Tour Key The Arboretum Lawn on the National Cycle Roundhay Wellington Hill Park The Network! A58 Take a Break! Lakeside 1 Braim Wood The Slow Tour of Yorkshire is inspired 1 Lakeside Café at Roundhay Park 1 by the Grand Depart of the Tour de France in Yorkshire in 2014. Monkswood 2 Cafés at Killingbeck retail park Waterloo Funded by the Public Health Team A6120 Military Lake Field 3 Café and ice cream shop in Leeds City Council, the Slow Tour at Temple Newsam aims to increase accessible cycling opportunities across the Limeregion Pits Wood on Gledhow Sustrans’ National Cycle Network. The Network is more than 14,000 Wykebeck Woods miles of traffic-free paths, quiet lanesRamshead Wood and on-road walking and cycling A64 8 routes across the UK. 5 A 2 This route is part of National Route 677, so just follow the signs! Oakwood Beechwood A 6 1 2 0 A58 Sustrans PortraitHarehills Bench Fearnville Brooklands Corner B 6 1 5 9 A58 Things to see and do The Green Recreation Roundhay Park Ground Parklands Entrance to Killingbeck Fields 700 acres of parkland, lakes, woodland and activityGipton areas, including BMX/ Tennis courts, bowling greens, sports pitches, skateboard ramps, Skate Park children’s play areas, fishing, a golf course and a café. www.roundhaypark.org.uk Kilingbeck Bike Hire A6120 Tropical World at Roundhay Park Fields Enjoy tropical birds, butterflies, iguanas, monkeys and fruit bats in GetThe Cycling Oval can the rainforest environment of Tropical World.
    [Show full text]
  • 9111-Baildon-Mills-Brochure.Pdf
    A PRESTIGIOUS DEVELOPMENT OF 1, 2, 3 & 4 BEDROOM HOMES CONTENTS 4 WELCOME TO BAILDON MILLS 6 THE HISTORY OF THE MILL 7 EXPERIENCE EXECUTIVE COUNTRY LIVING 8 INTRODUCING BAILDON 10 THE MOORS ON YOUR DOORSTEP 12 SURROUNDING CITIES HERITAGE LOOKS. 14 LOCATION & TRANSPORT 16 DEVELOPMENT OVERVIEW MODERN LIVING. 18 A SUPERIOR SPECIFICATION 21 SITE PLAN Steeped in history and brimming with character, your new home 22 PENNYTHORN at Baildon Mills will offer both traditional charm whilst being thoughtfully designed for modern living. Considered by many as one of 24 LONG RIDGE Yorkshire’s best places to live, a 26 HAWKSWORTH new home at Baildon Mills means 28 HIGH MOOR you’ll enjoy a lifestyle like no other. 29 REVA HILL 34 KMRE’S INVESTMENT OPPORTUNITY 2 3 WELCOME to BAILDON MILLS Carefully considered design means that these homes will his truly unique project will convert a beautiful, historic textile mill into a thriving community of executive new homes, in the heart of Baildon village. maintain many of the stunning T heritage features that made the Carefully considered design means that these Whether you are looking for a light and airy, open- old textile mill such a popular homes will maintain many of the stunning heritage plan dining kitchen or something a little more piece of local architecture features that made the old textile mill such a traditional, our architects have considered all the popular piece of local architecture. Allowing you ways modern living can influence how we like to to enjoy the ease and convenience of buying new, configure our homes.
    [Show full text]
  • Intangible Heritage(S): an Interplay of Design, Social and Cultural Critiques of the Built Environment
    TANGIBLE - INTANGIBLE HERITAGE(S): AN INTERPLAY OF DESIGN, SOCIAL AND CULTURAL CRITIQUES OF THE BUILT ENVIRONMENT • Paper / Proposal Title: ‘ARCHITECTS – WHERE IS YOUR VORTEX? VORTICISM, THE CITY AND URBAN EXPERIENCE • Author(s) Name: Dr. JONATHAN BLACK FRSA • University or Company Affiliation: KINGSTON SCHOOL OF ART, KINGSTON UNIVERSITY • Presentation Method. I would like to: i. present in person (with/without a written paper)* • Abstract (300 words): From its conception in the spring of 1914 the British avant garde art movement known as Vorticism was obsessed with the city and urban existence as central to the forward march of technologically innovative modernity. Indeed, the movement largely owed its very name to the American poet Ezra Pound having already identified London as the ‘great modern vortex’, the end point for all the energies of modern life and of British/Imperial power. My paper is rooted in many years of research into Vorticism and British Art before, during and after the First World War. It will focus on some of the many images that evoked the strikingly positive Vorticist vision of the city – one that as much looked to the example of vertically vertiginous New York as that by experimental thinkers on the European continent – by leading adherents of the movement such as: Wyndham Lewis, Edward Wadsworth, Frederick Etchells, Jessica Dismorr and Helen Saunders. Living in London much of their imagery was indebted to that city. However, examples will be discussed alongside a group of woodcut prints produced c. 1914-18 by Wadsworth inspired by the cities and industrial towns of his native Yorkshire such as Leeds, Bradford, Halifax and Huddersfield.
    [Show full text]
  • Sac S "A:4.A4
    SAC S "A:4.A4 4 t No. gS Winter 1957 Price 216 SHOWCASES and DISPLAY EQUIPMENT of good design and construction MUSEUM FITTERS CONSTITUTION HILL BIRMINGHAM I 9 ESTABLISHED I870 Distinguished Old & Modern Paintings ROLAND, BROWSE & DELBANCO 19 CORK STREET OLD BOND STREET LONDON W.1 THE LIBRARIES & ARTS (ART GALLERY &, TEMPLE NEWSAM HOUSE) SUB-COMMITTEE The l.ord Mavor Chairman Alderman A. Adamson Alderman Mrs. M. I'earce, J.P. Councillor iVIrs. A. M. M. Happ<il<l, XI.A. Alderman Mrs. W. Shut t Councillor T. W. Kirkby Alderman H. S. Vick, J.P. Councillor Mrs. L. Lyons Councillor St. John Binns Councillor Mrs. M. S. iMustill Councillor Mtw. G. Bray Councillor A. S. Pedley, D.F.C. Councillor R. I. Ellis Councillor J. T. V. Watson, LL.B. Co-opted .Members I.arly Martin Mr. W. T. Oliver THE LEEDS ART COLLECTIONS FUND Patroness H.R.H. 'I'he Princess Royal Pre.<ident The Rt. I-lon. the Earl of Halifax, K.G., O.M., G.C.S.I.,G.C.I.E. Vice-President The Rt. Hon. the Earl of Harewood Trustees Major Le G. G. W. Horton-Fawkes, O.B.E. Mr. W. Gilchrist Mr. C. S. Reddihough Connn 't tee Alderman A. Adamson Miss I'heo Moorrnan Mr. George Black Mr. W. T. Oliver Mr. D. D. Schofield Mr. H. P. Peacock Mr. David B. Ryott Mr. Martin Arnold (Hon. Treasureri Mrs. S. Gilchrist iHon.,Social Secretary'l .Ill Corrununications to he addressed lo Temple ~Veu'sarrt House, Leeds Subscriptions for the .Irts Calendar should be sent to: The Hon.
    [Show full text]
  • 14.2% Vote for President Occupations Are Now out of Order
    \% F E B 1 9 8 0 Tetley Bittermen. Join’em. No. 2 1 9 Friday, 8th February, 1980 FREE 14.2% vote for President LOW TURNOUT CAUSES ANGER Members of the University Union Executive have said that they are “disgusted” with the turnout at this week’s elections for President and Deputy President. President Steve Aulsebrook called it “pathetic”, while General Secretary Ray Cohen commented, “ I’m as sick as a parrot; it is ------------------------------- -———------- pretty disgusting”. In the elections, which were by Hugh Bateson held over four days at the beginning of the week, only 1504 people voted, 14.2% of the total electorate. with 310. Mr. Goodman was as In the past, voting for the President annoyed with the turnout as Mr. has usually attracted about 33%. Shenton, he said, Last year, when Mr. Aulsebrook “ I hope the students get a better was elected, the poll was considered executive than they deserve. very low at 25%. Thousands, literally thousands of Mr. Cohen explained that con­ people used this Union on Monday siderable efforts had been made to and Tuesday lunch times and they ensure a high turnout this year, couldn’t even be bothered to pick “ Advertising this year was up a ballot paper for their own greater than for any other year” he Union and the way it is run” . said. He continued that for the first Ian Rosenthal commented, time voting had occurred in the “I am very upset that more halls of residence, to enable people people did’t take offence at what who do not frequent the Union to I was saying and vote to keep me vote.
    [Show full text]
  • Yorkshire Wildlife Park, Doncaster
    Near by - Abbeydale Industrial Hamlet, Sheffield Aeroventure, Doncaster Brodsworth Hall and Gardens, Doncaster Cannon Hall Museum, Barnsley Conisbrough Castle and Visitors' Centre, Doncaster Cusworth Hall/Museum of South Yorkshire Life, Doncaster Elsecar Heritage Centre, Barnsley Eyam Hall, Eyam,Derbyshire Five Weirs Walk, Sheffield Forge Dam Park, Sheffield Kelham Island Museum, Sheffield Magna Science Adventure Centre, Rotherham Markham Grange Steam Museum, Doncaster Museum of Fire and Police, Sheffield Peveril Castle, Castleton, Derbyshire Sheffield and Tinsley Canal Trail, Sheffield Sheffield Bus Museum, Sheffield Sheffield Manor Lodge, Sheffield Shepherd's Wheel, Sheffield The Trolleybus Museum at Sandtoft, Doncaster Tropical Butterfly House, Wildlife and Falconry Centre, Nr Sheffeild Ultimate Tracks, Doncaster Wentworth Castle Gardens, Barnsley) Wentworth Woodhouse, Rotherham Worsbrough Mill Museum & Country Park, Barnsley Wortley Top Forge, Sheffield Yorkshire Wildlife Park, Doncaster West Yorkshire Abbey House Museum, Leeds Alhambra Theatre, Bradford Armley Mills, Leeds Bankfield Museum, Halifax Bingley Five Rise Locks, Bingley Bolling Hall, Bradford Bradford Industrial Museum, Bradford Bronte Parsonage Museum, Haworth Bronte Waterfall, Haworth Chellow Dean, Bradford Cineworld Cinemas, Bradford Cliffe Castle Museum, Keighley Colne Valley Museum, Huddersfield Colour Museum, Bradford Cookridge Hall Golf and Country Club, Leeds Diggerland, Castleford Emley Moor transmitting station, Huddersfield Eureka! The National Children's Museum,
    [Show full text]
  • Florence Nightingale and Her Connection with Leeds
    Florence Nightingale and her connection with Leeds In 2020 we celebrated the 200th anniversary of Florence Nightingale’s birth. On 25th of November, Stephanie Davies, Community Curator at Lotherton Hall kindly gave a very interesting Power Point presentation about Florence via Zoom to the u3a History group and we were joined by several members of the wider Garforth and Kippax u3a group. Some of the information provided is described below. The talk centred on Florence Nightingale’s connections to both Lotherton Hall and Leeds General Infirmary. The talk provided a fascinating example of how, in her post-Crimea years, Florence worked tirelessly with specialists in different fields to further her causes. The talk was accompanied by a wealth of vivid pictures illustrating everything from ward layouts to architectural details. Leeds General Infirmary was first created in 1767 as a place for the relief of the sick and injured poor in the Leeds parish. The first site was in a private house on Kirkgate. After four years the infirmary moved to a new site on Infirmary Street near City Square on the site of Aspire, previously the old Yorkshire Bank. It remained there until 1869. In 1862, Florence Nightingale was consulted on the building of a new hospital in Leeds by William Beckett Denison who was a banker and conservative MP. The architect appointed for the new Infirmary was George Gilbert Scott, the head of England’s largest architects. He was also the architect for St Pancras Hotel adjoining St Pancras Station and there are many similarities between the two gothic design buildings.
    [Show full text]
  • Die Folgenden Überlegungen Zielen Nicht Etwa Auf Kleine Dinge, Sondern Auf Kleine Unterschiede. Sie Thematisieren Minimale Diff
    Peter Bexte Haarrisse im Gefüge. Bemerkungen zu kleinen Unterschieden Die folgenden Überlegungen zielen nicht etwa auf kleine Dinge, sondern auf kleine Unterschiede. Sie thematisieren minimale Differenzen, wie sie an beliebig großen Gegenständen auftreten können. Näher betrachtet geht es um relationale Gefüge von Kolorit, Schattierung, Musterbildung. Die Minimalisierung von Unterschieden auf diesem Terrain eröffnet seltsame Überlagerungen von Kunst, Militär und Biolo- gie, will sagen: Ton-in-Ton-Malerei, Camouflage und Mimese. 1. Ton in Ton 1991 malte Martin Kippenberger eine Serie von elf weißen Bildern ohne Titel. Sie wirken bis heute überraschend. Man wird bei dem Namen Kippenberger wohl kaum als erstes an monochrome Malerei denken. Im Gegenteil ist dieses Enfant terrible der postmodernen Kunstszene niemals vor greller Farbigkeit zurückgeschreckt, oft verbunden mit launigen Bildtiteln. Darin traf er sich mit dem Boom an neo-ex- pressiver/postmoderner Malerei der 1980er Jahre. Dagegen nun elf scheinbar rein weiße Leinwände. Sie sind nicht oft gezeigt worden, zuerst 1992 im Musée d’art moderne de la Ville de Paris. 2006 waren sie in der Tate Gallery London zu sehen, 2013 auch im Hamburger Bahnhof Berlin. Wer den großen Parcours der Berliner Ausstellung mit vielen bunten Bildern durchlaufen hatte, betrat schließlich einen hellen und seltsam leer wirkenden Raum. Manche Besucher haben sich irritiert umgeschaut, nach Kunst gesucht, sie nicht gefunden und sind wieder gegangen. Tatsächlich war die Malerei in diesem Raum nicht auf den ersten Blick zu entdecken; vielmehr war sie in aller Offenheit verborgen, und genau dies war der Kunstgriff. Es war nämlich die Idee des Künst- lers, dass diese elf weißen Leinwände nicht etwa in einen Rahmen gefasst und auf der Wand ausgestellt werden sollten, sondern in der Wand.
    [Show full text]
  • How Did an Artist Use Cubism to Fight the War at Sea?
    How did an artist use Cubism to fight the war at sea? Video transcript – The legacy of dazzle By the end of the First World War, dazzle camouflage had been applied to more than 2000 ships. And the number of vessels sunk by U-boats had begun to fall. However, there is no definitive proof that this was all thanks to Wilkinson's scheme. Dazzle camouflage was used alongside other U-Boat countermeasures and merchant ships sailed in convoys protected by naval escorts. The Admiralty had clearly been impressed by Norman Wilkinson's plan, and had rolled it out as quickly as possible. But they did not have conclusive evidence of effective it was. What they did agree upon, however, was the value of the scheme as a morale- booster. It made the crew on these spectacular ships feel safer from attack. The US Navy continued to use dazzle into World War Two, until development of radar technology made it redundant. Wilkinson also went back to work in World War Two. He helped to disguise Britain's airfields - this time using more traditional colours. The military value of dazzle remains unclear, but it certainly had an impact in the art world. The artist Edward Wadsworth worked for Wilkinson supervising the painting of dazzle ships. He was one of the founders of the Vorticist art movement. The dazzle elements in his work are clear to see. The most famous cubist artist of them all, Picasso, is said to have “stopped spell- bound” on the streets of Paris when he saw a tank painted in a dazzle pattern.
    [Show full text]
  • THE COUNTRY HOUSE, YESTERDAY and TOMORROW, Giles Waterfield. the Idea of the 'House Museum' Is a Less Familiar Concept in Br
    THE COUNTRY HOUSE, YESTERDAY AND TOMORROW, Giles Waterfield. The idea of the ‘house museum’ is a less familiar concept in Britain than it is in the United States. The idea of presenting houses as narratives of national history, or as symbols of what is perceived as the beauty and serenity of the past, has not been enunciated as a motivating factor in their presentation in Britain, as it has in the States. There is no equivalent to Colonial Williamsburg, and most historic houses (particularly those in private ownership) would not regard themselves as ‘house museums’, rather as living properties still in residential occupation. Perhaps as a result, formal and informal learning have, at least until recently, been much less developed in Britain than in the USA. Houses have been open to visitors since the late seventeenth century, and were generally shown by servants to ‘polite’ visitors who would indicate important works of art and family portraits. This approach lasted well into the twentieth century: in the 1950s and 1960s there was very little interest in social history or the way in which houses were used. A major change occurred in the late 1970s with the publication of Marc Girouard’s Life in the English Country House, and the opening to the public of Erddig in Wales, with its collection of servant portraits and poems. There for the fist time in a National Trust property, visitors entered not by the front door but through the service quarters. • OPENING DOORS This report was published by the Attingham Trust in 2004, edited by Giles Waterfield.
    [Show full text]