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The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
Yorkshire & North East
Supporter Groups events Holme & Calder Association January – June 2017 Date Detail Venue TALKS 14 January Temple Newsam - The story of the Park Blackley Baptist Church and Museum 2pm for 2.15pm John Gillegham MBE 26 January The Barnbow Lassies The Old Court Room Carole Smithies MBE Huddersfield Town Hall 9.45am for 10.30am 9 February The Early Life of Prince Philip Salvation Army Hall David Glover Brighouse 7pm for 7.15pm 23 February Tommy Atkins Bankfield Museum John Spence 10.30am Must pre book for this event. 11 March AGM followed by talk Blackley Baptist Church The National Trust – the Northern Region 2pm Jonathan Brewer 23 March Livery Companies of London Old Court Room Dr. David Allen Huddersfield Town Hall 9.45am for 10.30am 1 April Royal Passagers – Queen Elizabeth I and Blackley Baptist Church James I 2pm for 2.15pm Roger Mitchell 13 April Garden by the Book Old Court Room Jean Broadbent Huddersfield Town Hall 9.45am for 10.30am For further details contact David Collins Tel: 01422 822464 WALKS 27 April Meltham and Helme 6 miles Meet 10.30am at the Further details: Brian and Judith Mettrick Carlile Institute car park Mobile 07905 625894 10 May Kirkheaton 6-7 miles Meet 10.30am at the Further details: Ann Leach 07905 009635 Royal and Ancient Pub at Colne Bridge 8 June Upper Denby 5 miles Meet 10.30am adjacent to Further details: John and Kath Nichols The George Public House Mobile 07774 966917 Upper Denby PUB LUNCHES Contact: Ms. Fiona Hartley Tel: 01484 845009 E-mail: [email protected] 4 January 12 noon 16 February 12 noon 15 March 12 noon 25 April 12 noon . -
Roundhay Park to Temple Newsam
Hill Top Farm Kilometres Stage 1: Roundhay Park toNorth Temple Hills Wood Newsam 0 Red Hall Wood 0.5 1 1.5 2 0 Miles 0.5 1 Ram A6120 (The Wykebeck Way) Wood Castle Wood Great Heads Wood Roundhay start Enjoy the Slow Tour Key The Arboretum Lawn on the National Cycle Roundhay Wellington Hill Park The Network! A58 Take a Break! Lakeside 1 Braim Wood The Slow Tour of Yorkshire is inspired 1 Lakeside Café at Roundhay Park 1 by the Grand Depart of the Tour de France in Yorkshire in 2014. Monkswood 2 Cafés at Killingbeck retail park Waterloo Funded by the Public Health Team A6120 Military Lake Field 3 Café and ice cream shop in Leeds City Council, the Slow Tour at Temple Newsam aims to increase accessible cycling opportunities across the Limeregion Pits Wood on Gledhow Sustrans’ National Cycle Network. The Network is more than 14,000 Wykebeck Woods miles of traffic-free paths, quiet lanesRamshead Wood and on-road walking and cycling A64 8 routes across the UK. 5 A 2 This route is part of National Route 677, so just follow the signs! Oakwood Beechwood A 6 1 2 0 A58 Sustrans PortraitHarehills Bench Fearnville Brooklands Corner B 6 1 5 9 A58 Things to see and do The Green Recreation Roundhay Park Ground Parklands Entrance to Killingbeck Fields 700 acres of parkland, lakes, woodland and activityGipton areas, including BMX/ Tennis courts, bowling greens, sports pitches, skateboard ramps, Skate Park children’s play areas, fishing, a golf course and a café. www.roundhaypark.org.uk Kilingbeck Bike Hire A6120 Tropical World at Roundhay Park Fields Enjoy tropical birds, butterflies, iguanas, monkeys and fruit bats in GetThe Cycling Oval can the rainforest environment of Tropical World. -
9111-Baildon-Mills-Brochure.Pdf
A PRESTIGIOUS DEVELOPMENT OF 1, 2, 3 & 4 BEDROOM HOMES CONTENTS 4 WELCOME TO BAILDON MILLS 6 THE HISTORY OF THE MILL 7 EXPERIENCE EXECUTIVE COUNTRY LIVING 8 INTRODUCING BAILDON 10 THE MOORS ON YOUR DOORSTEP 12 SURROUNDING CITIES HERITAGE LOOKS. 14 LOCATION & TRANSPORT 16 DEVELOPMENT OVERVIEW MODERN LIVING. 18 A SUPERIOR SPECIFICATION 21 SITE PLAN Steeped in history and brimming with character, your new home 22 PENNYTHORN at Baildon Mills will offer both traditional charm whilst being thoughtfully designed for modern living. Considered by many as one of 24 LONG RIDGE Yorkshire’s best places to live, a 26 HAWKSWORTH new home at Baildon Mills means 28 HIGH MOOR you’ll enjoy a lifestyle like no other. 29 REVA HILL 34 KMRE’S INVESTMENT OPPORTUNITY 2 3 WELCOME to BAILDON MILLS Carefully considered design means that these homes will his truly unique project will convert a beautiful, historic textile mill into a thriving community of executive new homes, in the heart of Baildon village. maintain many of the stunning T heritage features that made the Carefully considered design means that these Whether you are looking for a light and airy, open- old textile mill such a popular homes will maintain many of the stunning heritage plan dining kitchen or something a little more piece of local architecture features that made the old textile mill such a traditional, our architects have considered all the popular piece of local architecture. Allowing you ways modern living can influence how we like to to enjoy the ease and convenience of buying new, configure our homes. -
Intangible Heritage(S): an Interplay of Design, Social and Cultural Critiques of the Built Environment
TANGIBLE - INTANGIBLE HERITAGE(S): AN INTERPLAY OF DESIGN, SOCIAL AND CULTURAL CRITIQUES OF THE BUILT ENVIRONMENT • Paper / Proposal Title: ‘ARCHITECTS – WHERE IS YOUR VORTEX? VORTICISM, THE CITY AND URBAN EXPERIENCE • Author(s) Name: Dr. JONATHAN BLACK FRSA • University or Company Affiliation: KINGSTON SCHOOL OF ART, KINGSTON UNIVERSITY • Presentation Method. I would like to: i. present in person (with/without a written paper)* • Abstract (300 words): From its conception in the spring of 1914 the British avant garde art movement known as Vorticism was obsessed with the city and urban existence as central to the forward march of technologically innovative modernity. Indeed, the movement largely owed its very name to the American poet Ezra Pound having already identified London as the ‘great modern vortex’, the end point for all the energies of modern life and of British/Imperial power. My paper is rooted in many years of research into Vorticism and British Art before, during and after the First World War. It will focus on some of the many images that evoked the strikingly positive Vorticist vision of the city – one that as much looked to the example of vertically vertiginous New York as that by experimental thinkers on the European continent – by leading adherents of the movement such as: Wyndham Lewis, Edward Wadsworth, Frederick Etchells, Jessica Dismorr and Helen Saunders. Living in London much of their imagery was indebted to that city. However, examples will be discussed alongside a group of woodcut prints produced c. 1914-18 by Wadsworth inspired by the cities and industrial towns of his native Yorkshire such as Leeds, Bradford, Halifax and Huddersfield. -
Sac S "A:4.A4
SAC S "A:4.A4 4 t No. gS Winter 1957 Price 216 SHOWCASES and DISPLAY EQUIPMENT of good design and construction MUSEUM FITTERS CONSTITUTION HILL BIRMINGHAM I 9 ESTABLISHED I870 Distinguished Old & Modern Paintings ROLAND, BROWSE & DELBANCO 19 CORK STREET OLD BOND STREET LONDON W.1 THE LIBRARIES & ARTS (ART GALLERY &, TEMPLE NEWSAM HOUSE) SUB-COMMITTEE The l.ord Mavor Chairman Alderman A. Adamson Alderman Mrs. M. I'earce, J.P. Councillor iVIrs. A. M. M. Happ<il<l, XI.A. Alderman Mrs. W. Shut t Councillor T. W. Kirkby Alderman H. S. Vick, J.P. Councillor Mrs. L. Lyons Councillor St. John Binns Councillor Mrs. M. S. iMustill Councillor Mtw. G. Bray Councillor A. S. Pedley, D.F.C. Councillor R. I. Ellis Councillor J. T. V. Watson, LL.B. Co-opted .Members I.arly Martin Mr. W. T. Oliver THE LEEDS ART COLLECTIONS FUND Patroness H.R.H. 'I'he Princess Royal Pre.<ident The Rt. I-lon. the Earl of Halifax, K.G., O.M., G.C.S.I.,G.C.I.E. Vice-President The Rt. Hon. the Earl of Harewood Trustees Major Le G. G. W. Horton-Fawkes, O.B.E. Mr. W. Gilchrist Mr. C. S. Reddihough Connn 't tee Alderman A. Adamson Miss I'heo Moorrnan Mr. George Black Mr. W. T. Oliver Mr. D. D. Schofield Mr. H. P. Peacock Mr. David B. Ryott Mr. Martin Arnold (Hon. Treasureri Mrs. S. Gilchrist iHon.,Social Secretary'l .Ill Corrununications to he addressed lo Temple ~Veu'sarrt House, Leeds Subscriptions for the .Irts Calendar should be sent to: The Hon. -
14.2% Vote for President Occupations Are Now out of Order
\% F E B 1 9 8 0 Tetley Bittermen. Join’em. No. 2 1 9 Friday, 8th February, 1980 FREE 14.2% vote for President LOW TURNOUT CAUSES ANGER Members of the University Union Executive have said that they are “disgusted” with the turnout at this week’s elections for President and Deputy President. President Steve Aulsebrook called it “pathetic”, while General Secretary Ray Cohen commented, “ I’m as sick as a parrot; it is ------------------------------- -———------- pretty disgusting”. In the elections, which were by Hugh Bateson held over four days at the beginning of the week, only 1504 people voted, 14.2% of the total electorate. with 310. Mr. Goodman was as In the past, voting for the President annoyed with the turnout as Mr. has usually attracted about 33%. Shenton, he said, Last year, when Mr. Aulsebrook “ I hope the students get a better was elected, the poll was considered executive than they deserve. very low at 25%. Thousands, literally thousands of Mr. Cohen explained that con people used this Union on Monday siderable efforts had been made to and Tuesday lunch times and they ensure a high turnout this year, couldn’t even be bothered to pick “ Advertising this year was up a ballot paper for their own greater than for any other year” he Union and the way it is run” . said. He continued that for the first Ian Rosenthal commented, time voting had occurred in the “I am very upset that more halls of residence, to enable people people did’t take offence at what who do not frequent the Union to I was saying and vote to keep me vote. -
Yorkshire Wildlife Park, Doncaster
Near by - Abbeydale Industrial Hamlet, Sheffield Aeroventure, Doncaster Brodsworth Hall and Gardens, Doncaster Cannon Hall Museum, Barnsley Conisbrough Castle and Visitors' Centre, Doncaster Cusworth Hall/Museum of South Yorkshire Life, Doncaster Elsecar Heritage Centre, Barnsley Eyam Hall, Eyam,Derbyshire Five Weirs Walk, Sheffield Forge Dam Park, Sheffield Kelham Island Museum, Sheffield Magna Science Adventure Centre, Rotherham Markham Grange Steam Museum, Doncaster Museum of Fire and Police, Sheffield Peveril Castle, Castleton, Derbyshire Sheffield and Tinsley Canal Trail, Sheffield Sheffield Bus Museum, Sheffield Sheffield Manor Lodge, Sheffield Shepherd's Wheel, Sheffield The Trolleybus Museum at Sandtoft, Doncaster Tropical Butterfly House, Wildlife and Falconry Centre, Nr Sheffeild Ultimate Tracks, Doncaster Wentworth Castle Gardens, Barnsley) Wentworth Woodhouse, Rotherham Worsbrough Mill Museum & Country Park, Barnsley Wortley Top Forge, Sheffield Yorkshire Wildlife Park, Doncaster West Yorkshire Abbey House Museum, Leeds Alhambra Theatre, Bradford Armley Mills, Leeds Bankfield Museum, Halifax Bingley Five Rise Locks, Bingley Bolling Hall, Bradford Bradford Industrial Museum, Bradford Bronte Parsonage Museum, Haworth Bronte Waterfall, Haworth Chellow Dean, Bradford Cineworld Cinemas, Bradford Cliffe Castle Museum, Keighley Colne Valley Museum, Huddersfield Colour Museum, Bradford Cookridge Hall Golf and Country Club, Leeds Diggerland, Castleford Emley Moor transmitting station, Huddersfield Eureka! The National Children's Museum, -
Florence Nightingale and Her Connection with Leeds
Florence Nightingale and her connection with Leeds In 2020 we celebrated the 200th anniversary of Florence Nightingale’s birth. On 25th of November, Stephanie Davies, Community Curator at Lotherton Hall kindly gave a very interesting Power Point presentation about Florence via Zoom to the u3a History group and we were joined by several members of the wider Garforth and Kippax u3a group. Some of the information provided is described below. The talk centred on Florence Nightingale’s connections to both Lotherton Hall and Leeds General Infirmary. The talk provided a fascinating example of how, in her post-Crimea years, Florence worked tirelessly with specialists in different fields to further her causes. The talk was accompanied by a wealth of vivid pictures illustrating everything from ward layouts to architectural details. Leeds General Infirmary was first created in 1767 as a place for the relief of the sick and injured poor in the Leeds parish. The first site was in a private house on Kirkgate. After four years the infirmary moved to a new site on Infirmary Street near City Square on the site of Aspire, previously the old Yorkshire Bank. It remained there until 1869. In 1862, Florence Nightingale was consulted on the building of a new hospital in Leeds by William Beckett Denison who was a banker and conservative MP. The architect appointed for the new Infirmary was George Gilbert Scott, the head of England’s largest architects. He was also the architect for St Pancras Hotel adjoining St Pancras Station and there are many similarities between the two gothic design buildings. -
Die Folgenden Überlegungen Zielen Nicht Etwa Auf Kleine Dinge, Sondern Auf Kleine Unterschiede. Sie Thematisieren Minimale Diff
Peter Bexte Haarrisse im Gefüge. Bemerkungen zu kleinen Unterschieden Die folgenden Überlegungen zielen nicht etwa auf kleine Dinge, sondern auf kleine Unterschiede. Sie thematisieren minimale Differenzen, wie sie an beliebig großen Gegenständen auftreten können. Näher betrachtet geht es um relationale Gefüge von Kolorit, Schattierung, Musterbildung. Die Minimalisierung von Unterschieden auf diesem Terrain eröffnet seltsame Überlagerungen von Kunst, Militär und Biolo- gie, will sagen: Ton-in-Ton-Malerei, Camouflage und Mimese. 1. Ton in Ton 1991 malte Martin Kippenberger eine Serie von elf weißen Bildern ohne Titel. Sie wirken bis heute überraschend. Man wird bei dem Namen Kippenberger wohl kaum als erstes an monochrome Malerei denken. Im Gegenteil ist dieses Enfant terrible der postmodernen Kunstszene niemals vor greller Farbigkeit zurückgeschreckt, oft verbunden mit launigen Bildtiteln. Darin traf er sich mit dem Boom an neo-ex- pressiver/postmoderner Malerei der 1980er Jahre. Dagegen nun elf scheinbar rein weiße Leinwände. Sie sind nicht oft gezeigt worden, zuerst 1992 im Musée d’art moderne de la Ville de Paris. 2006 waren sie in der Tate Gallery London zu sehen, 2013 auch im Hamburger Bahnhof Berlin. Wer den großen Parcours der Berliner Ausstellung mit vielen bunten Bildern durchlaufen hatte, betrat schließlich einen hellen und seltsam leer wirkenden Raum. Manche Besucher haben sich irritiert umgeschaut, nach Kunst gesucht, sie nicht gefunden und sind wieder gegangen. Tatsächlich war die Malerei in diesem Raum nicht auf den ersten Blick zu entdecken; vielmehr war sie in aller Offenheit verborgen, und genau dies war der Kunstgriff. Es war nämlich die Idee des Künst- lers, dass diese elf weißen Leinwände nicht etwa in einen Rahmen gefasst und auf der Wand ausgestellt werden sollten, sondern in der Wand. -
How Did an Artist Use Cubism to Fight the War at Sea?
How did an artist use Cubism to fight the war at sea? Video transcript – The legacy of dazzle By the end of the First World War, dazzle camouflage had been applied to more than 2000 ships. And the number of vessels sunk by U-boats had begun to fall. However, there is no definitive proof that this was all thanks to Wilkinson's scheme. Dazzle camouflage was used alongside other U-Boat countermeasures and merchant ships sailed in convoys protected by naval escorts. The Admiralty had clearly been impressed by Norman Wilkinson's plan, and had rolled it out as quickly as possible. But they did not have conclusive evidence of effective it was. What they did agree upon, however, was the value of the scheme as a morale- booster. It made the crew on these spectacular ships feel safer from attack. The US Navy continued to use dazzle into World War Two, until development of radar technology made it redundant. Wilkinson also went back to work in World War Two. He helped to disguise Britain's airfields - this time using more traditional colours. The military value of dazzle remains unclear, but it certainly had an impact in the art world. The artist Edward Wadsworth worked for Wilkinson supervising the painting of dazzle ships. He was one of the founders of the Vorticist art movement. The dazzle elements in his work are clear to see. The most famous cubist artist of them all, Picasso, is said to have “stopped spell- bound” on the streets of Paris when he saw a tank painted in a dazzle pattern. -
THE COUNTRY HOUSE, YESTERDAY and TOMORROW, Giles Waterfield. the Idea of the 'House Museum' Is a Less Familiar Concept in Br
THE COUNTRY HOUSE, YESTERDAY AND TOMORROW, Giles Waterfield. The idea of the ‘house museum’ is a less familiar concept in Britain than it is in the United States. The idea of presenting houses as narratives of national history, or as symbols of what is perceived as the beauty and serenity of the past, has not been enunciated as a motivating factor in their presentation in Britain, as it has in the States. There is no equivalent to Colonial Williamsburg, and most historic houses (particularly those in private ownership) would not regard themselves as ‘house museums’, rather as living properties still in residential occupation. Perhaps as a result, formal and informal learning have, at least until recently, been much less developed in Britain than in the USA. Houses have been open to visitors since the late seventeenth century, and were generally shown by servants to ‘polite’ visitors who would indicate important works of art and family portraits. This approach lasted well into the twentieth century: in the 1950s and 1960s there was very little interest in social history or the way in which houses were used. A major change occurred in the late 1970s with the publication of Marc Girouard’s Life in the English Country House, and the opening to the public of Erddig in Wales, with its collection of servant portraits and poems. There for the fist time in a National Trust property, visitors entered not by the front door but through the service quarters. • OPENING DOORS This report was published by the Attingham Trust in 2004, edited by Giles Waterfield.