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Broadside Read- a Brief Chronology of Major Events in Trous Failure
NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION Volume 17, Number 1/Volume 17, Number 2 SPECIAL DOUBLE ISSUE Summer/Fa111989 EXHIBITION SURVEYS MANHATTAN'S EARLY THEATRE HISTORY L An exhibition spotlighting three early New York theatres was on view in the Main I Gallery of The New York Public Library at Lincoln Center from February 13, 1990 through March 31, 1990. Focusing on the Park Theatre on Park Row, Niblo's Garden on Broadway and Prince Street, and Wal- lack's, later called the Star, on Broadway and 13th Street, the exhibition attempted to show, through the use of maps, photo- graphic blowups, programs and posters, the richness of the developing New York theatre scene as it moved northward from lower Manhattan. The Park Theatre has been called "the first important theatre in the United States." It opened on January 29, 1798, across from the Commons (the Commons is now City Hall Park-City Hall was built in 1811). The opening production, As You Like It, was presented with some of the fin- est scenery ever seen. The theatre itself, which could accommodate almost 2,000, was most favorably reviewed. It was one of the most substantial buildings erected in the city to that date- the size of the stage was a source of amazement to both cast and audience. In the early nineteenth century, to increase ticket sales, manager Stephen Price introduced the "star sys- tem" (the importation of famous English stars). This kept attendance high but to some extent discouraged the growth of in- digenous talent. In its later days the Park was home to a fine company, which, in addition to performing the classics, pre- sented the work of the emerging American playwrights. -
ISSUE 3 Autumn 2012
StMartin-MOORINGS_Layout 1 01/11/2012 14:05 Page 1 ISSUE 3 Autumn 2012 Autumn Christmas Set Lunch highlights at The Moorings Hotel n Our homemadeFrom soup of the day theSmoked Tuesdeay haddock fishcake with 4thwhite wine December mand Homemade Christmas Grilled goats cheese with herb veloute pudding with brandy sauce cranberry and walnut salad Escalope of turkey breast with smoked bacon, Vanilla crème brulee Potted crab and prawns served chestnut and sage jus Brown sugar mernigue with granary toast Braised steak in red wine sauce with with whipped cream and Terrine of local game with horseradish mash spiced fruits mulled wine pear chutney Crispy confit of duck with roast root Chocolate and baileys mousse Rillette of salmon wrapped in vegetables and thyme jus with cappuccino cream oak smoked Scottish salmon Roast vegetable and chestnut tart glazed Port creamed stilton with with brie walnut bread Coffee and homemade petit fours 1.75 In this issue: St Martin’s P3 From the Connétable £ are available 2 course 12.50 or 3 course 14.75 Gift Vouchers P4 Steve Luce: never say never for overnight offers and Battle Float Available to Monday to Saturday booking See P5 Parish News: from the Connétable £ £ restaurant reservations, ideal page 11 is advisable Tel: 853633 Christmas presents.... P9 Club News: Jumelage and Battle of Flowers success P22 Farming News: Christmas trees grown in St Martin P24 Sports News: St Martin’s FC looks to the future P29 Church News: over 100 years of service The Moorings Hotel & Restaurant P32 Parish Office www.themooringshotel.com P34 Dates for your Diary The Moorings Hotel and Restaurant Gorey Pier St Martin Jersey JE3 6EW Feature Articles listed on page 3 The answer’s easy.. -
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities Charn Panarut A thesis submitted in fulfilment of The requirements for the Degree of Doctor of Philosophy Department of Sociology and Social Policy Faculty of Arts and Social Sciences The University of Sydney 2018 Statement of Authorship This dissertation is the copyrighted work of the author, Charn Panarut, and the University of Sydney. This thesis has not been previously submitted for any degree or other objectives. I certify that this thesis contains no documents previously written or published by anyone except where due reference is referenced in the dissertation itself. i Abstract This thesis is a contribution to two bodies of scholarship: first, the historical understanding of the modernisation process in Siam, and in particular the role of sport in the gradual pacification of violent forms of behaviour; second, one of the central bodies of scholarship used to analyse sport sociologically, the work of Norbert Elias and Eric Dunning on sport and the civilising process. Previous studies of the emergence of a more civilised form of behaviour in modern Siam highlight the imitation of Western civilised conducts in political and sporting contexts, largely overlooking the continued role of violence in this change in Siamese behaviour from the pre- modern to modern periods. This thesis examines the historical evidence which shows that, from around the 1900s, Siamese elites engaged in deliberate projects to civilise prevalent non-elites’ aggressive conducts. This in turn has implications for the Eliasian understanding of sports and civilising process, which emphasises their unplanned development alongside political and economic changes in Europe, at the expense of grasping the deliberate interventions of the Siamese elites. -
Noted English Actresses in American Vaudeville, 1904-1916
“The Golden Calf”: Noted English Actresses in American Vaudeville, 1904-1916 Leigh Woods Vaudeville began as a popular American form, with roots in barrooms before audiences of generally Z unsophisticated tastes. By the time it reached its Jessie Millward was known in her native zenith as a popular form during the first two decades country as a heroine in melodramas. Wholesome of this century, however, it showed a pronounced and fresh-faced, she had entered professional acting taste for foreign attractions rather than for the native in 1881, and joined Sir Henry Irving’s prestigious ones that earlier had anchored its broad accessibility. Lyceum company in London as an ingenue the In these years just after the turn of the century, following year. Her first tour of the United States notable foreign actors from the English-speaking came in 1885, and later that year she acted at what theatre made their ways into vaudeville, aligning would become the citadel of London melodrama, the form, though usually in fleeting and superficial at the Adelphi with William Terriss (Millward, ways, with the glamor and prestige the contempor- Myself 315-16). Her name became indissolubly ary stage enjoyed. This pattern bespeaks the linked with Terriss’ as her leading man through willingness to borrow and the permutable profile their appearances in a series of popular melodramas; that have characterized many forms of popular and this link was forged even more firmly when, entertainment. in 1897, Terriss died a real death in her arms Maurice Barrymore (father to Ethel, Lionel and backstage at the Adelphi, following his stabbing John) foreshadowed what would become the wave by a crazed fan in one of the earliest instances of of the future when, in 1897, he became the first violence which can attend modern celebrity (Rowel1 important actor to enter vaudeville. -
The Siamese Government's Responses to Western Forces at the Time of King Mongkut
UNIWERSYTET ZIELONOGÓRSKI IN GREMIUM 11/2017 Studia nad Historią, Kulturą i Polityką ISSN 1899-2722 ■ s. 67-92 Nguyen Tien Dung* THE SIAMESE GOVERNMENT’S RESPONSES TO WESTERN FORCES AT THE TIME OF KING MONGKUT (1851-1868) Amidst the strong wave of Western colonialist invasion in the East in the second half the 19th century, Siam was the only political entity in Southeast Asia which managed to avoid colonization. It is noteworthy that most Vietnamese and international scholars, while accounting for the success of Siam in the protection of its security and independ- ence, believe that Siam was able to maintain its sovereignty because it was located in a “buffer zone” between British and French forces and took advantage of conflicts and fights for influence between imperialist countries on the Sino-Indian peninsula1. * The author is now a Lecturer at Faculty of Cultural Studies, Hanoi University of Culture (HUC) and also a Doctoral candidate at Faculty of History, University of Social Sciences and Humanities (USSH), Vietnam National University, Hanoi (VNU). The author would like to give deeply thank to Advisors: Prof. Dr. Nguyen Van Kim, Prof. Vu Duong Ninh and Assoc. Prof. Dr. Hoang Khac Nam at Vietnam National University, Hanoi and Assoc. Prof. Dr. Bruce Lockhart at Department of History, National University of Singapore (NUS). His email contact is [email protected] or [email protected]. 1 On Siam’s foreign policies for Western colonialist forces in the second half of the 19th century in general and analyses of the “buffer zone” location of this country, please see: D. -
English Correspondence of King Mongkut
• 1 ENGLISH CORRESPONDENCE OF KING MONGKUT. FOREWORD. From time to tjrue in recent yettl'H, the Council of the National Liumry (now the l\oyal InHtituto) hns published a collection of His .i\lujcsty King l\Iongkut'R writingH in Siatucsc, f:lllDh ns letters (~J:JYlf llli\1!~~1), decrees (th:m,l), etc. rl'hesc publicutions have been ftlvom·nbly rccciYcd, and the editol' of tho Jmmml of tho Siam Society has thought thnt some of the lcthers n,nd proclama,tions written in the English language by King IV[ongkut would bo well worth printing nml might interest the readers of t.his Jonnml. King 1\:longkut is considered l1y competent SinmcRc u.s ,.lhcil.· geoatest, nnd Hti\1 nncqno.llud pt'OHo-wriLer. Bnt his EngliRh :;tyle is very peculiar n.nd trmy be ta.. xed with 11 lack of cm·t·octneRR by pnrh;ts. n must be borne in mind thn,t King lUongknt WHH one of tho first Sin..m cso who n.cc1nil'cd a knowlcdgo of: Engli~h, ttntl that He hu.d not much opportunity to pnt into pmctico the principles of Eugllsh g't'tl..lllllHl..t' n,ncl lexieology, which were taught to Hitn by tho n(w, J. Cn:-nvell. JJnt the few grnmmntie1tl errors, the HOmewh11t llllllSUtt1 cx IH'CH~ions, ai1d the SiftmeHe iLliomH \\'hich O!.!CUt' in His writingH give hiH Htyle n, pm·stmnl touch, rmd n, ch:trm which wonld be entirely lost., if the text wore nmenclecl and altm·ed, Sir ,John Howring did not find the letters mldrcsHcd to him, a.ncl HOIHC hi::~LOJ:imtl papers com- XXI-!. -
Life of Imperialism: Thailand, Territory and State Transformation
Life of Imperialism: Thailand, territory and state transformation Abstract: The paper argues that in territorial disputes before international courts between states that were formerly under colonial rule and semicolonialism, respectively, international courts favour the former. I study two cases – semicolonial Siam in Cheek v Siam arbitration (1897) and postcolonial Thailand in the Temple of Preah Vihear case (1962) – in their historical context to prove this. The critique of formalism here operates on two levels. First, in actual disputes the production of colonial stationary – for example, maps, photographs, and communiqué as demonstrable proofs of evidence – benefits states formerly under colonial rule. Second, in the Temple of Preah Vihear case, the ICJ pits, as it were, the French colonial history in Cambodia against Siamese semicolonial past. Arguably, the Cheek v Siam episode demonstrates nineteenth century Siam’s successful attempts to deploy politico- legal strategy to remain politically independent. By contrast, the ICJ in the Temple case defeats Siamese conceptions of shared sovereignty to confirm the continuing hegemony of modern geography and colonial cartography. The Cheek and Temple cases, respectively, among other untribunalized arm- twisting episodes typify Siam’s tryst with both semicolonial and postcolonial international law. Siam offers both epistemological lessons on history, past, and knowledge production and the possibility of prefiguring postcolonial Asian imperialism. Table of Content I. Introduction II. Of historians and Lawyers III. Indochina, Britain and France in the nineteenth century A. The British Burma-Siam Boundary issue: 1824-1846 B. Siam, Cambodia and France: 1821-1909 IV. Unequal Treaties and semicolonial Siam A. Situating Cheek v Siam Arbitration (1897) B. -
P R O S P E C T
PROSPECTUS CHRIS ABANI EDWARD ABBEY ABIGAIL ADAMS HENRY ADAMS JOHN ADAMS LÉONIE ADAMS JANE ADDAMS RENATA ADLER JAMES AGEE CONRAD AIKEN DANIEL ALARCÓN EDWARD ALBEE LOUISA MAY ALCOTT SHERMAN ALEXIE HORATIO ALGER JR. NELSON ALGREN ISABEL ALLENDE DOROTHY ALLISON JULIA ALVAREZ A.R. AMMONS RUDOLFO ANAYA SHERWOOD ANDERSON MAYA ANGELOU JOHN ASHBERY ISAAC ASIMOV JOHN JAMES AUDUBON JOSEPH AUSLANDER PAUL AUSTER MARY AUSTIN JAMES BALDWIN TONI CADE BAMBARA AMIRI BARAKA ANDREA BARRETT JOHN BARTH DONALD BARTHELME WILLIAM BARTRAM KATHARINE LEE BATES L. FRANK BAUM ANN BEATTIE HARRIET BEECHER STOWE SAUL BELLOW AMBROSE BIERCE ELIZABETH BISHOP HAROLD BLOOM JUDY BLUME LOUISE BOGAN JANE BOWLES PAUL BOWLES T. C. BOYLE RAY BRADBURY WILLIAM BRADFORD ANNE BRADSTREET NORMAN BRIDWELL JOSEPH BRODSKY LOUIS BROMFIELD GERALDINE BROOKS GWENDOLYN BROOKS CHARLES BROCKDEN BROWN DEE BROWN MARGARET WISE BROWN STERLING A. BROWN WILLIAM CULLEN BRYANT PEARL S. BUCK EDGAR RICE BURROUGHS WILLIAM S. BURROUGHS OCTAVIA BUTLER ROBERT OLEN BUTLER TRUMAN CAPOTE ERIC CARLE RACHEL CARSON RAYMOND CARVER JOHN CASEY ANA CASTILLO WILLA CATHER MICHAEL CHABON RAYMOND CHANDLER JOHN CHEEVER MARY CHESNUT CHARLES W. CHESNUTT KATE CHOPIN SANDRA CISNEROS BEVERLY CLEARY BILLY COLLINS INA COOLBRITH JAMES FENIMORE COOPER HART CRANE STEPHEN CRANE ROBERT CREELEY VÍCTOR HERNÁNDEZ CRUZ COUNTEE CULLEN E.E. CUMMINGS MICHAEL CUNNINGHAM RICHARD HENRY DANA JR. EDWIDGE DANTICAT REBECCA HARDING DAVIS HAROLD L. DAVIS SAMUEL R. DELANY DON DELILLO TOMIE DEPAOLA PETE DEXTER JUNOT DÍAZ PHILIP K. DICK JAMES DICKEY EMILY DICKINSON JOAN DIDION ANNIE DILLARD W.S. DI PIERO E.L. DOCTOROW IVAN DOIG H.D. (HILDA DOOLITTLE) JOHN DOS PASSOS FREDERICK DOUGLASSOur THEODORE Mission DREISER ALLEN DRURY W.E.B. -
Sex, Seduction and Sedition in Restoration Literature
2016 – 2017 ENGLISH LITERATURE THIRD YEAR OPTION COURSES 25 November 2016 English Literature - Third Year Option courses SEMESTER ONE Page American Innocence p. 3 Brecht and British Theatre (NOT RUNNING THIS SESSION) p. 6 Celtic Revivals (NOT RUNNING THIS SESSION) p. 8 Cities of Words p. 10 Creative Writing: Prose * p. 12 Edinburgh in Fiction/Fiction in Edinburgh * [Visiting Students course] p. 16 Fiction and the Gothic p. 18 Ideology and Literature (NOT RUNNING THIS SESSION) p. 20 Medicine in Literature 1: Illness Narratives through History p. 22 Modernism and Empire p. 24 Modernism and the Market (NOT NOW RUNNING THIS SESSION) p. 26 Modern Scottish Fiction * p. 28 Novel and the Collapse of Humanism p. 30 The Body in Literature p. 31 The Making of Modern Fantasy (NOT RUNNING THIS SESSION) p. 34 Utopia: Imaginary Journeys from More to Orwell p. 37 Working Class Representations * p. 39 SEMESTER TWO Page American Gothic p. 42 Creative Writing: Poetry * p. 45 Edinburgh in Fiction/Fiction in Edinburgh * p. 48 Medicine in Literature 2: Medical Ethics in Literature * p. 50 Modern and Contemporary Scottish Poetry * p. 52 Mystery and Horror * p. 55 Poetry and Northern Ireland p. 57 Shakespeare’s Comedies: Identity and Illusion p. 60 Shakespeare: Modes and Genres p. 62 ‘We Are [not] Amused’: Victorian Comic Literature p. 64 Writing for Theatre: An Introduction* p. 66 * Courses with an asterisk have a Scottish emphasis. Note: Courses may be taught by staff in addition to the named course organiser. 2 English Literature - Third Year Option courses English Literature Third Year Semester One Option Course American Innocence Course Organiser: Dr Ken Millard The U.S. -
The American Literature Association Alfred Bendixen, 2014 Conference Director
American Literature Association A Coalition of Societies Devoted to the Study of American Authors 25th Annual Conference on American Literature May 22-25, 2014 Hyatt Regency Washington on Capitol Hill Washington, D.C. (202-737-1234) Conference Director Alfred Bendixen Texas A&M University Draft as of March 5, 2014 This on-line draft of the program is designed to provide information to participants in our 25th conference and provide them with an opportunity to make corrections. Participants should check the description of their papers and panels to ensure that names and titles and other information are spelled appropriately. Times of Panels: If there is a conflict in the program (i.e., someone is booked to appear in two places at the same time), please let me know immediately. The program indicates that a few slots for business meetings are still available, but it will be difficult to make other changes. You can presume that the day of your panel is now fixed in stone (and it will not change without the concurrence of every person on that panel) but it may be necessary to make minor changes in the time of a panel. Audio-Visual Equipment: The program also lists the audio-visual equipment that has been requested for each panel. Please note that it may be difficult or impossible to add any audio-visual equipment at this point, but individuals may make such requests. The ALA normally provides a digital projector and screen to those who have requested it at the time the panel or paper is submitted. -
Oxford DNB Linking to External Resources May 2016
Oxford DNB linking to external resources May 2016 The May 2016 update of the Oxford DNB adds links from Dictionary articles to online biographical resources provided by the following institutions: 1. English Heritage Blue Plaques 2. Poetry Archive, archive recordings of poets reading aloud their work 3. BBC archive film footage 4. BBC archive radio recordings 5. British Library, ‘Discovering Literature’ 6. Westminster Abbey, poets’ corner 7. Westminster Abbey, other burials and monuments 8. Queen Victoria’s Journals 1. Blue Plaques, English Heritage—links from 850 ODNB biographies, including: Harold Abrahams John Betjeman Thomas Arne Nye Bevan Matthew Arnold William Blake Herbert Asquith Enid Blyton Nancy Astor Elizabeth Bowen Clement Attlee Winifred Holtby Robert Paden-Powell Vera Brittain Walter Bagehot Benjamin Britten John Logie Baird Ford Madox Ford Stanley Baldwin Lancelot Brown Thomas Barnardo Isambard Kingdom Brunel Henrietta Barnett Fanny Burney Elizabeth Barrett Browning Giovanni Canal James Barrie Cato Street Conspirators Joseph Bazalgette Edith Cavell Aubrey Beardsley Ernst Chain Harry Beck Neville Chamberlain Hilaire Belloc Raymond Chandler Hector Berlioz Tobias Smollett Annie Besant Agatha Christie 1 Winston Churchill Arthur Conan Doyle William Wilberforce John Constable Wells Coates Learie Constantine Wilkie Collins Noel Coward Ivy Compton-Burnett Thomas Daniel Charles Darwin Mohammed Jinnah Francisco de Miranda Amy Johnson Thomas de Quincey Celia Johnson Daniel Defoe Samuel Johnson Frederic Delius James Joyce Charles Dickens -
Carson Mccullers
Carson McCullers: An Inventory of Her Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator McCullers, Carson, 1917-1967 Title Carson McCullers Collection Dates: 1924-1976 Extent 48 boxes (20 linear feet), 16 galley folders, 3 oversize flat files Abstract: The manuscripts and correspondence which make up the bulk of the McCullers collection principally reflect her literary life and career. RLIN Record # TXRC98-A16 Language English. Access Open for research Administrative Information Acquisition Purchases and gifts, 1967-1993 (R3856, 4289, 4591, 4498, 4957, 6041, 6604, 6605, 13058, G9650) Processed by Sally M. Nichols, 1998 Repository: Harry Ransom Humanities Research Center University of Texas at Austin McCullers, Carson, 1917-1967 Biographical Sketch Carson McCullers was born in Columbus, Georgia, as Lula Carson Smith on February 19, 1917, the first born of Lamar and Marguerite Waters Smith. Though she moved from the South in 1934 and only returned for visits, most of her writing was inspired by her southern heritage. Her mother felt she had given birth to a genius from the time Carson was very young and always remained her staunchest supporter and strongest ally. When nine years of age, Lula began studying piano and practiced six to eight hours daily, planning a career as a concert pianist. In 1930 she began using the name Carson and studying piano with Mary Tucker. Carson graduated from Columbus High School in 1933, and after her piano teacher moved away in the spring of 1934, Carson moved to New York City to study at the Juilliard School of Music. Shortly after her arrival she lost most of the money her parents had given her, and to support herself worked at various jobs and attended night classes in creative writing at Columbia and New York University.