Carmen R. Mccain
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CHILDHOOD in CONTEMPORARY NIGERIAN FICTION Christopher
CHILDHOOD IN CONTEMPORARY NIGERIAN FICTION Christopher Ernest Werimo Ouma A thesis submitted to the Faculty of Humanities and Social Sciences, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of doctor of philosophy. July, 2011 i DECLARATION I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy, at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination at any other university. -------------------------------------------- Christopher Ernest Werimo Ouma -------- DAY OF------------------ 2011 ii DEDICATION To those who fell on the way, E.O and J.O, as well as my fallen colleague and friend Kimathi Emmanuel Chabari, R.I.P. iii ACKNOWLEDGEMENTS I thought writing this would be easy, but I realise now that it requires me to take a trip down memory lane for five years. This journey started when I arrived in Johannesburg in 2006 for my M.A. The tricky thing though is that time accumulates debts of gratitude as one traverses different places, spaces and meets different people. Therefore, I should say that the few pages allotted for acknowledging the contributions of many people in this activity can never be enough. Nonetheless, as Ben Okri says, “there are many destinies” and that if we fail to keep that appointed hour with one destiny, we are bound to fulfill the next. In this spirit therefore, I hope that this activity is a gesture to our shared yet different “destinies,” and that this appointed hour is not the only one. -
The Onward Migration of Nigerians in Europe
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Imagined Futures: The Onward Migration of Nigerians in Europe Jill Ahrens Thesis submitted for the degree of PhD in Geography School of Global Studies University of Sussex June 2017 ii Summary of Thesis Dynamic mobility and migration patterns, including forced migration, have always formed part of the complex social, cultural and economic relationships between Africa and Europe. Like other Africans, Nigerian migrants live in countless locations around the world and are connected to their homeland through contingent transnational networks. This thesis explores the onward migration of Nigerian migrants towards, within and beyond Europe and analyses the motivations, patterns and outcomes of their multiple movements. Six cities in Germany, the UK and Spain are the main research locations for the fieldwork that took place over 17 months. The three countries are important destinations for Nigerian migrants in Europe and also the principal destinations of intra-European onward migrants. The cities included in this study are the capital cities Berlin, London and Madrid, as well as Cologne, Manchester and Málaga. -
Nollywood Interventions in Niger Delta Oil Conflicts: a Study of Jeta Amata's Black November
NOLLYWOOD INTERVENTIONS IN NIGER DELTA OIL CONFLICTS: A STUDY OF JETA AMATA'S BLACK NOVEMBER Emmanuel Onyekachukwu Ebekue* & Michael Chidubem Nwoye* http://dx.doi.org/10.4314/og.v15i1.6 Abstract The discovery of oil in Oloibiri town in the Niger Delta region of southern Nigeria in 1956 has brought with it myriads of problems to the region. There has been lingering crisis in the region which has led to repeated loss of lives and properties. There have been countless efforts at finding a permanent solution to the conflict. However, there seems to be a renewed agitation and restiveness resulting from the stoppage of the amnesty program that was instituted by the late President YarAdua’s federal government. It is against this background that the researcher embarked on this work in order to critically x-ray Nollywood’s contribution to the peace effort with a special attention to JetaAmata’s Black November (2012). The researcher used the case study approach of the qualitative research method in analyzing his data. Findings from the research showed that any solution to the lingering crisis aimed at long term must adopt a populist approach. Key Words: Nollywood, Niger Delta, Oil, Conflict, Intervention 1.0 Introduction The importance of film in human society has been underscored by critics. However, the potential of the film medium are yet to be fully utilized for national uplift and human development. Many countries of the world with the United States of America (USA) and India at the vanguard have used the film medium to give their people a better life. -
Contemporary Nigerian Fiction and the Return to the Recent Past
BEARING WITNESS TO AN ERA: CONTEMPORARY NIGERIAN FICTION AND THE RETURN TO THE RECENT PAST Juliet Tenshak Thesis submitted for the degree of PhD in English Studies School of Arts and Humanities, University of Stirling. December 2017. Acknowledgements The Ph.D journey has been long, very challenging but rewarding. On this journey, I got fresh and startling insights to the meaning of the word „Help‟. I made it to this point because of the help I have received from so many people in various ways, and at different times. I am humbled. My first expression of gratitude goes to my supervisor Professor David Murphy, whose support, PATIENCE, and encouragement is in large part the reason I made it this far. I would also like to thank my second supervisor Dr. Gemma Robinson who has been unfailingly supportive and encouraging. I am also grateful to the school administrator Alison Scott for the support I received from her in the course of my study. I owe a debt of gratitude to the British Federation of Women Graduates, who provided much-needed financial support for the final year of my Ph.D. To my husband Fidel Odhiambo Wayara, you are my exceedingly great reward. Thank you for loving and pushing. To my girls; Walsham, Naannaa and Kiyenret, thank you for putting up with my absence. Thank you for making motherhood a thing of joy and fulfillment for me, and thank you for the sacrifices you individually and collectively made for me to do this. I love you girls more than the whole world and back! To my mother Dr. -
The Domestication of the English Language for Literary Purpose in Nigeria: Creating a National Identity
International Journal of Social Science and Humanity, Vol. 2, No. 6, November 2012 The Domestication of the English Language for Literary Purpose in Nigeria: Creating a National Identity Dare Owolabi amaze native speakers. It is a well-known fact that many Abstract—Nigeria is, obviously, one of the largest ESL users Nigerian writers have received accolades globally on in the world. The language that first came with the colonial account of their literary prowess in the English language masters as a foreign language has since grown in leaps and medium. For example Nigerian born Wole Soyinka, is the bounds to now become a second language and, unarguably, the country’s official language. As the largest black nation in the first African Nobel Laureate in literature. With the world, Nigeria, using English as the official language, has attainment of this status, it is high time true recognition be affected the language in a way that has created a Nigerian accorded the emerging variety of English in Nigeria, which identity that is fast becoming a variety of English as an has been successfully domesticated, by the way the international language. This variety of English, which I refer to language has been and is still being ‘home-grown…adapted as Niglish has international intelligibility, having been used by Nigerian writers to win international awards. This study and tamed to suit the Nigerian environment’ (Adegbija, examines how the English language has been nativized in the 2004). Dynamism is one of the characteristics of any living Nigerian environment for literary purpose, using selected language, and the different varieties of English emerging works from recent literary artists in Nigeria and by Nigerians. -
GENRE: DOCUMENTARY / CULTURE / ARTS This Is Nollywood Tells the Story of the Nigerian Film
THIS IS NOLLYWOOD (54' & 70') GENRE: DOCUMENTARY / CULTURE / ARTS This Is Nollywood tells the story of the Nigerian film industry—a revolution enabling Africans with few resources to tell African stories to African audiences. Despite all odds, Nigerian directors produce between 500 and 1,000 movies a year. The disks sell wildly all over the continent—Nollywood actors have become stars from Ghana to Zambia. We experience the world of Nollywood through acclaimed director Bond Emeruwa's quest to make a feature-length action film in just nine days. Armed only with a digital camera, two lights, and about $20,000, Bond faces challenges unimaginable in Hollywood and Bollywood. Electricity goes out. Street thugs demand extortion money. The lead actor doesn’t show. But, as Bond says, “In Nollywood we don’t count the walls. We learn how to climb them.” In Nigeria’s teeming capital of Lagos, we attend an audition where hundreds of hopeful actors vie for their chance in the limelight. We meet some of the industry’s founding fathers who tell us of their responsibility to educate their massive audiences: many of the films deal with AIDS, corruption, women’s rights, and other topics of concern to ordinary Africans. The impetus behind Nollywood is not purely commercial; the traditional role of storytelling is still alive and well — just different. Nollywood, Nigeria's booming film industry, is the world's third largest producer of feature films. Unlike Hollywood and Bollywood, however, Nollywood movies are made on shoe-string budgets of time and money. An average production takes just 10 days and costs approximately $15,000. -
The Evolution of Feminism in Nigerian Media: a Look at Igbo Culture Films
THE EVOLUTION OF FEMINISM IN NIGERIAN MEDIA: A LOOK AT IGBO CULTURE FILMS A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in Media Studies University of Regina By Joy Adanna Emelogu Regina, Saskatchewan January 2019 Copyright 2019: J. A. Emelogu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Joy Adanna Emelogu, candidate for the degree of Master of Arts in Media Studies, has presented a thesis titled, The Evolution of Feminism in Nigerian Media: A Look at IGBO Culture Films, in an oral examination held on December 19, 2018. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Claire Carter, Department of Women’s and Gender Studies Supervisor: Dr. Sheila Petty, Department of Film Committee Member: Dr. Christine Ramsay, Department of Film Committee Member: Dr. Darlene Juschka, Department of Women’s & Gender Studies Chair of Defense: Dr. Philip Charrier, Department of History Abstract This thesis addresses the subject of feminism in the Nigerian media, particularly on how issues related to women’s rights and gender discrimination have been addressed in Igbo culture Nigerian films. For several decades, the Nigerian home video industry, dominated by Igbo culture-themed films, has been one of the most influential media forms across Nigeria and Africa in general. These films are a staple in many homes; the images, narratives, and ideas that they disseminate go a long way in shaping or reinforcing public perceptions about the role of women and their status in society. -
The Nigerian Entertainment Industry (Nollywood) Culture and Society Being
Sociology and Anthropology 6(8): 657-664, 2018 http://www.hrpub.org DOI: 10.13189/sa.2018.060804 The Nigerian Entertainment Industry (Nollywood) Culture and Society Being Yosi Apollos Maton Deputy Provost of the Theological College of Northern Nigeria, Nigeria The University of Jos, Nigeria Copyright©2018 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract The fight for independence was carried out 1 . Brief Historical Background and with a lot of zeal, which the populace embraced with high Geography of Nigerian Society and hopes that these ideologies and promises of our great nationalists would come to fruition within the shortest time Culture possible. Yet, times, opportunities and years have come Before the advent of colonialism what is known as and gone, still we have nothing or little to show, especially, st Nigeria today was not in existence, rather Kingdoms or in the 21 century scenario, where Africa dreams and empires that had existed as separate of entities were in hopes have been shattered. These ideologies seem existence. They had governmental structures of their own. unrealistic and the promises are not forth coming. It has These separate entities were later lumped together into one little to show except bad governance, crisis, violence, nation, therefore it became united nation at independence poverty, oppression, marginalization and the moral decay in 1960; but there was still need for nurturing’ and of our rich cultural values and societal structures. One is reinventing ways to build it’ because of its diversity [3]. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
The Place of Translation in Nigerian Cultural Diplomacy and Its Impact on Translation Exchanges Sylvia I
Document generated on 09/24/2021 12:44 p.m. TTR Traduction, terminologie, rédaction The Place of Translation in Nigerian Cultural Diplomacy and its Impact on Translation Exchanges Sylvia I. C. Madueke Traduction et politique(s) Article abstract Translation, Politics and Policies This paper focuses on the translation of Nigerian literature into French from Volume 32, Number 1, 1er semestre 2019 the perspective of cultural diplomacy and as a cultural product (Flotow, 2007; Córdoba Serrano, 2013). It reviews Nigerian cultural diplomacy initiatives to URI: https://id.erudit.org/iderudit/1068015ar determine if translation is highlighted as part of cultural export and as a means DOI: https://doi.org/10.7202/1068015ar through which the Nigerian image and culture are promoted. Even though translation exchanges are not promoted by the Nigerian government, there is a field of translation of Nigerian texts into French. Data from a list of Nigerian See table of contents novels translated into French between 1953 and 2017 provide contextual and historical information on the circulation of translations as well as on the works that are selected for translation into French. Publisher(s) Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Madueke, S. I. C. (2019). The Place of Translation in Nigerian Cultural Diplomacy and its Impact on Translation Exchanges. TTR, 32(1), 81–112. https://doi.org/10.7202/1068015ar Tous droits réservés © Sylvia I. C. Madueke, 2020 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. -
Power and Powerlessness of Women in West African Orality
UMEÅ PAPERS IN ENGLISH No. 15 Power and Powerlessness of Women in West African Orality edited by Raoul Granqvist & Nnadozie Inyama Umeå 1992 Raoul Granqvist & Nnadozie Inyama (eds.) Power and Powerlessness of Women in West African Orality UMEÅ PAPERS IN ENGLISH i No. 15 Power and Powerlessness of Women in West African Orality edited by Raoul Granqvist & Nnadozie Inyama Umeå 1992 Umeå Papers in English Printed in Sweden by the Printing Office of Umeå University Umeå 1992 ISSN 0280-5391 Table of Contents Raoul Granqvist and Nnadozie Inyama: Introduction Chukwuma Azuonye: Power, Marginality and Womanbeing i n Igbo Oral Narratives Christine N. Ohale: Women in Igbo Satirical Song Afam N. Ebeogu: Feminist Temperament in Igbo Birth Songs Ambrose A. Monye: Women in Nigerian Folklore: Panegyric and Satirical Poems on Women in Anicha Igbo Oral Poetry N. Chidi Okonkwo: Maker and Destroyer: Woman in Aetiological Tales Damian U. Opata: Igbo A ttitude to Women: A Study of a Prove rb Nnadozie Inyama: The "Rebe l Girl" in West African Liter ature: Variations On a Folklore Theme About the writers iii Introduction The idea of a book of essays on West African women's oral literature was first mooted at the Chinua Achebe symposium in February 1990, at Nsukka, Nigeria. Many of the papers dwelt on the image and role of women in contemporary African literature with, of course, particular attention to their inscriptions in Achebe's fiction. We felt, however, that the images of women as they have been presented by both African men and women writers and critics would benefit from being complement ed, fragmented and tested and that a useful, albeit complex, site for this inquiry could be West African oral representations of the female. -
Audience Reactions to the Different Aspects of Nollywood Movies Uchenna Onuzulike, [email protected]
Audience Reactions to the Different Aspects of Nollywood Movies Uchenna Onuzulike, [email protected] Volume 5.2 (2016) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2016.137 | http://cinej.pitt.edu Abstract This article juxtaposes two audiences-Nigerians in Nigeria and Nigerians in South Africa in order to ascertain how they perceive favorite aspects and disliked aspects of Nigerian movie productions, popularly known as Nollywood. The results indicate that the two groups favor the depiction of Nigerian/African cultures over other themes; yet, Nigerians in South Africa disfavor the reality of Nollywood movies. The disliked aspects of these films were repetition, poor quality and the supernatural. Grounded in reception analysis and mirroring McLuhan’s hot-cool model, the analysis indicates that the quality of Nollywood movies impacts how audiences decode the movies. Findings suggest that for those living outside of Nigeria, nostalgia leads them to seek movies that allow them to escape into a Nigeria that never was. Keywords: Nollywood, Reception Analysis, Video Film, Favorite Aspects, Disliked Aspects New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Audience Reactions to the Different Aspects of Nollywood Movies Uchenna Onuzulike Introduction Video technology has revolutionized how Nigeria and other African countries make movies. The popularity of Nollywood video film as a cultural phenomenon has increased interest in Nigerian culture not only within Nigeria and other parts of Africa but also throughout the rest of the world (Abah 2008; Okome 2007; Onuzulike 2007a, 2007b).