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Dr. Henry Wriston To
Te~ple Beth El 10 70 Orchard /\ve , Providence , R. I . Rhode Island's Only Anglo-Jewish Greatest Newspaper Independent In Weekly The Jewish Herald Rhode lslond VOL. XXXX, No. 28 FRIDAY, SEPTEMBER 9, 1955 PROVIDENCE. R. I . S IXTEEN PAGES 10 CENTS THE COPY -------- --- ----------------- Jluz_ 'Yw,v,a, oJicJ:uM_ Dr. Henry Wriston to Get 1 An AJP Round U p Of World New·s-------""' ISRAEL been accused of collaborating with It is now fully known in Israel the Hungarian Nazis at the ex B'nai B'rith Service A ward that most of the n e w Egyptian pe nsc of thousands of J e wis h a rms wer e supplied by Britain. lives Pre mier Moshe S harrett despite the Tripartite Declaration has call ed for a "determined a nd Reception·, Dinner of May 1950 in which the U_ S .. sustained effort to accelerate the Levy and Fain to Direct GJC Britain and France undertook to pace of immi_g"ration" of J ews from supply arms only for the main- North Africa A Jewish Ag tcnan ce of internal security and e ncy Committee has recomm e nded Trades and Industry Groups On September 21 legitimate sctr-dcfcn se So bringing 40.000 North African far. Britain has s upplied Egypt Jews to I srael in the coming J ew Rabbi Llyveld with a bout fifty Vampite j ets - is h calendar year. two of which Israel shot down PEOPLE To Make Award last week-and forty Centurian Sr mah Cecil H yman, Is rael ·s tanks It appears th en that new Cons ul Gen eral of New York. -
EDUCATOR PACKET Miriam Beerman
EVERSON MUSEUM OF ART EDUCATOR PACKET Miriam Beerman: Eloquent Pain(t) September 16, 2006 – January 7, 2007 Miriam Beerman, December (In Memory), 1992, Oil, mixed media on canvas, Collection of the artist. Introduction The Everson Museum of Art presents Miriam Beerman: Eloquent Pain(t) (September 16, 2006 – January 7, 2007). Eloquent Pain(t) surveys the paintings, collages and artist books created by Miriam Beerman since her 1990 retrospective held at the New Jersey State Museum. Beerman draws inspiration for her richly textured, expressively colored paintings and collages from poetry and from the history of human suffering. Beerman presents brutal events and suffering through her unique painting style, utilizing a distinct impasto application involving layers of thick paint. From 1990 on, her paintings feature brighter, luminescent colors that seem to juxtapose tragedy but are eerily suitable and are drastically different from her earlier works, which incorporated dark, subdued colors often applied in thin washes. After opening at the Everson, the exhibition will travel to the Queensborough Art Gallery. Our Objectives The EMA provides this packet to help educators adapt these exhibition offerings to individual curriculum needs. In addition, this packet should enable each instructor to maximize the benefits of a guided tour of the exhibits. We hope that the benefits will be evident in your studentsʼ level of participation during and after their museum visit, as well as in your studentsʼ ability to transfer the information they learn from these exhibits to other projects. Overview of Contents This packet includes information, vocabulary and projects that will help you teach students about Miriam Beermanʼs work and the events and ideas that influenced her. -
Oral History Interview with Miriam Beerman, 2009 December 28
Oral history interview with Miriam Beerman, 2009 December 28 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Miriam Beerman on 2009 December 28. The interview took place in Silver Spring, MD and was conducted by Anne Louise (Bayly) Berman for the Archives of American Art, Smithsonian Institution. Anne Louise Berman has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview ANNE LOUISE BERMAN: Annie Lou Bayly interviewing Miriam Beerman, at her home in Silver Spring [MD], on December 28 2009. I think the last time we spoke was 2005 at your home in Montclair, New Jersey. MIRIAM BEERMAN: That was a long time ago. MS. BERMAN: Yes. When did you move to Washington [D.C.]? MS. BEERMAN: A little over a year ago. MS. BERMAN: Okay. And what brought you down here? Just family or— MS. BEERMAN: Well, I had been ill— MS. BERMAN: Oh, no. I'm so sorry. MS. BEERMAN: I'd been in the hospital, and my family felt that I needed someone to be near me all the time because I'm getting old and who knows? But anyhow, so my son asked me to move in here. He lives on the 12th floor with his family. MS. BERMAN: Oh, wow! Oh, that's great. MS. BEERMAN: So I get to see my grandchildren every day. -
A Finding Aid to the Miriam Beerman Papers, Circa 1930-2006, in the Archives of American Art
A Finding Aid to the Miriam Beerman Papers, circa 1930-2006, in the Archives of American Art Jayna M. Josefson Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program 2021/03/15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Material, circa 1930-2006..................................................... 4 Series 2: Correspondence, 1947-2005................................................................... -
March 2006 CAA News
NEWS Newsletter of the College Art Association Volume 31, Number 2 March 2006 2006 CAA Awards for Distinction y honoring outstanding member achievements through its annual Awards for Contents Distinction, CAA reaffirms its mission to encourage the highest standards of scholar- Bship, practice, connoisseurship, and teaching in the arts. With these awards, which were presented this year by President Ellen K. Levy at Convocation during the 94th Annual 2 From the Executive Director Conference in Boston, CAA honors individual artists, art historians, authors, conservators, 3 Artist Residency Guides curators, and critics whose accomplishments transcend their individual disciplines and con- Published tribute to the profession as a whole and to the world at large. caa.reviews Surveys the Surveys While reading the following award citations, keep in mind that CAA members can help decide award recipients each year by nominating colleagues and professionals or by serving 4 Nominations Requested for on an award jury (see pages 13–14 for more information). With your nominations and serv- 2007–11 CAA Board ice, CAA can continue its mission and celebrate the dynamic individuals in our field. Advocacy Update 6 Feminist Art Project at 2007 Distinguished Artist Award for Lifetime Achievement CAA Conference The jury for 2006 honors the dis- 7 Annual Conference Update tinguished artist Elizabeth CAA News Murray for her lifetime of 10 New Institutional Membership achievement. Through works that Categories and Benefits strikingly endow the familiar with Affiliated Society News unexpected forms, Murray has 11 revitalized the tradition of paint- 13 CAA Seeks Award Nominations ing and contributed a major origi- 14 Join a CAA Award Jury nal vision to contemporary art. -
Guide to the Records of the Department of Prints, Drawings, and Photographs 1878 - 2001
Guide to the Records of the Department of Prints, Drawings, and Photographs 1878 - 2001 Search the Libraries and Archives ONLINE CATALOG The Museum Libraries and Archives are open to the public by appointment only. If you wish to visit, please click here for more information or e–mail the Library at [email protected] Brooklyn Museum 200 Eastern Parkway Brooklyn, NY 11238 www.brooklynmuseum.org Contents Project staff ...........................................................................................................3 Acknowledgments .................................................................................................4 Department names and Curatorial staff................................................................................................5 Departmental history .............................................................................................7 Curator biographies.............................................................................................14 Administrative note..............................................................................................17 Scope and content ..............................................................................................18 Series descriptions............................................................................................. 19 Objects ................................................................................................... 19 Exhibitions .............................................................................................