Bfithriller Why the Thriller Is the Genre of Our Times

Total Page:16

File Type:pdf, Size:1020Kb

Bfithriller Why the Thriller Is the Genre of Our Times ? # BFIThriller Sign up at bfi.org.uk/25-and-under at up Sign Southbank for anyone aged 25 and under and 25 aged anyone for Southbank £3 tickets to any screening or event at BFI BFI at event or screening any to tickets £3 all other events are included in your All Day Pass. Day All your in included are events other all Discover your new film obsession film new your Discover We have four events in NFT1 that are individually ticketed, ticketed, individually are that NFT1 in events four have We won’t know about the thriller… the about know won’t By the time you leave there’s nothing you you nothing there’s leave you time the By night with a mystery film. film. a mystery with night immersive Doom Room and then close the the close then and Room Doom immersive and – if you dare – hold a bloody heart in the the in heart bloody a hold – dare you if – and and leading actors such as Stellan Skarsgård Skarsgård Stellan as such actors leading and leading screenwriters such as Abi Morgan Morgan Abi as such screenwriters leading Believed Wiped’ archive classic. Hear from from Hear classic. archive Wiped’ Believed a chance to see a rare print of a ‘Missing ‘Missing a of print rare a see to chance a and hangman in a live vigilante vote. Get Get vote. vigilante live a in hangman and fake news and catfishing. Act as judge, jury jury judge, as Act catfishing. and news fake Debate the power of the thriller in an era of of era an in thriller the of power the Debate the sidelined characters in classic thrillers. thrillers. classic in characters sidelined the THRILL of tales the you tell storytellers as bar the world’s top thrill-makers. Grab a coffee in in coffee a Grab thrill-makers. top world’s suspense, and interviews with some of the the of some with interviews and suspense, Jump into over 15 events dissecting cinematic cinematic dissecting events 15 over into Jump BIG THE why the thriller is the genre of our times. times. our of genre the is thriller the why #BFIThriller some big-screen thrills this winter this thrills big-screen some journalists and podcasters to help you explore explore you help to podcasters and journalists end of December, so join us for for us join so December, of end screenwriters, actors, directors, composers, composers, directors, actors, screenwriters, season of thrillers runs until the the until runs thrillers of season Thrill will bring together leading storytellers, storytellers, leading together bring will Thrill FOLLOW US FOLLOW The BFI’s Who Can You Trust? Trust? You Can Who BFI’s The Over one rollercoaster ride of a day The Big Big The day a of ride rollercoaster one Over The Girls Soundtracking Abi Morgan and Mystery Fight Back Live! with Edith Stellan Skarsgård Film 14:00-15:30 NFT1 Bowman 18:15-19:45 NFT1 20:15-22:30 NFT1 16:10-17:40 NFT1 Q&A with Apple Tree Yard’s Suspect, The Fall, Happy The hugely popular We round off The Big Thrill writer Amanda Coe and Valley). Recently, however, Join Edith Bowman for screenwriter (The Hour) with a mystery... those willing director Jessica Hobbs, we’ve seen the emergence discusses her views on to trust us will be rewarded The Replacement’s writer- a special live edition of director Joe Ahearne, actor of a new form of TV thriller her acclaimed podcast what makes the TV Thriller with an early sneak peek at Morven Christie and producer that places women at the ‘Soundtracking’, where she tick and her highly original an upcoming thriller. Nicole Cauverien centre of the plot – women interviews directors, actors, approach to her last thriller who fight to take back control River (BBC, 2015) starring EVENTS producers and composers The traditional role of the of their lives, not as victims about the music that inspired Stellan Skarsgård. Hailed by female in the TV thriller has but as rounded individuals them and the use of music in critics as a breakthrough in either been as the terrorised who triumph against adversity their films. She’ll be joined the thriller genre, the series victim or as the woman (Undercover, Apple Tree by Grammy Award-winning cleverly mixed echoes of detective surviving in the Yard, The Replacement), or composer Lorne Balfe, who Scandi-noir and psychological male-dominated world of as figures of authority. scored National Geographic’s analysis. Morgan and the police procedural (Prime Genius, starring Geoffrey Skarsgård will explore their Rush as Albert Einstein. unique collabration. MAIN TICKETED TICKETED MAIN The Silence The Last of the Lambs Seduction 15:50, 18:20 Studio 21:00 NFT2 20:45 NFT3 A young woman leaves her husband and hits the An FBI agent requires help THE road, leaving a trail of BIG from a psychopath in order destruction behind her. MORE MORE to catch a serial killer in across today across this Oscar®-laden thriller. THRILLS THRILL screenings Extra AT BFI SOUTHBANK # BFIThriller Sign up at bfi.org.uk/25-and-under at up Sign Southbank for anyone aged 25 and under and 25 aged anyone for Southbank £3 tickets to any screening or event at BFI BFI at event or screening any to tickets £3 all other events are included in your All Day Pass. Day All your in included are events other all Discover your new film obsession film new your Discover We have four events in NFT1 that are individually ticketed, ticketed, individually are that NFT1 in events four have We won’t know about the thriller… the about know won’t By the time you leave there’s nothing you you nothing there’s leave you time the By night with a mystery film. film. a mystery with night immersive Doom Room and then close the the close then and Room Doom immersive and – if you dare – hold a bloody heart in the the in heart bloody a hold – dare you if – and and leading actors such as Stellan Skarsgård Skarsgård Stellan as such actors leading and leading screenwriters such as Abi Morgan Morgan Abi as such screenwriters leading Believed Wiped’ archive classic. Hear from from Hear classic. archive Wiped’ Believed a chance to see a rare print of a ‘Missing ‘Missing a of print rare a see to chance a and hangman in a live vigilante vote. Get Get vote. vigilante live a in hangman and fake news and catfishing. Act as judge, jury jury judge, as Act catfishing. and news fake Debate the power of the thriller in an era of of era an in thriller the of power the Debate the sidelined characters in classic thrillers. thrillers. classic in characters sidelined the THRILL of tales the you tell storytellers as bar the world’s top thrill-makers. Grab a coffee in in coffee a Grab thrill-makers. top world’s suspense, and interviews with some of the the of some with interviews and suspense, Jump into over 15 events dissecting cinematic cinematic dissecting events 15 over into Jump BIG THE why the thriller is the genre of our times. times. our of genre the is thriller the why #BFIThriller some big-screen thrills this winter this thrills big-screen some journalists and podcasters to help you explore explore you help to podcasters and journalists end of December, so join us for for us join so December, of end screenwriters, actors, directors, composers, composers, directors, actors, screenwriters, season of thrillers runs until the the until runs thrillers of season Thrill will bring together leading storytellers, storytellers, leading together bring will Thrill FOLLOW US FOLLOW The BFI’s Who Can You Trust? Trust? You Can Who BFI’s The Over one rollercoaster ride of a day The Big Big The day a of ride rollercoaster one Over The Girls Soundtracking Abi Morgan and Mystery Fight Back Live! with Edith Stellan Skarsgård Film 14:00-15:30 NFT1 Bowman 18:15-19:45 NFT1 20:15-22:30 NFT1 16:10-17:40 NFT1 Q&A with Apple Tree Yard’s Suspect, The Fall, Happy The hugely popular We round off The Big Thrill writer Amanda Coe and Valley). Recently, however, Join Edith Bowman for screenwriter (The Hour) with a mystery... those willing director Jessica Hobbs, we’ve seen the emergence discusses her views on to trust us will be rewarded The Replacement’s writer- a special live edition of director Joe Ahearne, actor of a new form of TV thriller her acclaimed podcast what makes the TV Thriller with an early sneak peek at Morven Christie and producer that places women at the ‘Soundtracking’, where she tick and her highly original an upcoming thriller. Nicole Cauverien centre of the plot – women interviews directors, actors, approach to her last thriller who fight to take back control River (BBC, 2015) starring EVENTS producers and composers The traditional role of the of their lives, not as victims about the music that inspired Stellan Skarsgård. Hailed by female in the TV thriller has but as rounded individuals them and the use of music in critics as a breakthrough in either been as the terrorised who triumph against adversity their films. She’ll be joined the thriller genre, the series victim or as the woman (Undercover, Apple Tree by Grammy Award-winning cleverly mixed echoes of detective surviving in the Yard, The Replacement), or composer Lorne Balfe, who Scandi-noir and psychological male-dominated world of as figures of authority. scored National Geographic’s analysis. Morgan and the police procedural (Prime Genius, starring Geoffrey Skarsgård will explore their Rush as Albert Einstein.
Recommended publications
  • The Coming of Sound Film and the Origins of the Horror Genre
    UNCANNY BODIES UNCANNY BODIES THE COMING OF SOUND FILM AND THE ORIGINS OF THE HORROR GENRE Robert Spadoni UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more informa- tion, visit www.ucpress.edu. A previous version of chapter 1 appeared as “The Uncanny Body of Early Sound Film” in The Velvet Light Trap 51 (Spring 2003): 4–16. Copyright © 2003 by the University of Texas Press. All rights reserved. The cartoon on page 122 is © The New Yorker Collection 1999 Danny Shanahan from cartoonbank.com. All rights reserved. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Spadoni, Robert. Uncanny bodies : the coming of sound film and the origins of the horror genre / Robert Spadoni. p. cm. Includes bibliographical references and index. isbn 978-0-520-25121-2 (cloth : alk. paper) isbn 978-0-520-25122-9 (pbk. : alk. paper) 1. Horror films—United States—History and criticism. 2. Sound motion pictures—United States— History and criticism. I. Title. pn1995.9.h6s66 2007 791.43'6164—dc22 2006029088 Manufactured in the United States
    [Show full text]
  • Master Syllabi
    PELLISSIPPI STATE TECHNICAL COMMUNITY COLLEGE MASTER SYLLABUS INTRODUCTION TO FILM STUDIES HUM 2810 Class Hours: 3.0 Credit Hours: 3.0 Laboratory Hours: 0.0 Date Revised: Spring 03 Catalog Course Description: An overview of film history using selected world cinema feature films. Basic elements of film expression for understanding and analyzing narrative cinema. Some research is required. Entry Level Standards: Students must be able to read and write at the college level. Prerequisites: None Corequisites: None Textbook(s) and Other Reference Materials Basic to the Course: Text: Understanding Movies Films: in Media Center I. Week/Unit/Topic Basis: Week Topic 1 Note: Different film genres may be studied each semester. The following schedule outlines the classic mystery film genre. Introduction to course and syllabus - Best 100 films- Why study film? Various approaches to film study - Detective/mystery/crime genre in films; Technological factors behind film - Lumiere films (1895) - Melies film (1905); Homework: Read Understanding Movies, pages xi-17 Discuss Film Classification and Shots; Discuss factors in "Formalist Analysis of Classic Film Style "(handout); Screening: Musketeers of Pig Alley (1912, D.W. Griffith) 18 min.; Homework: Read pages 133-154, "Editing" 2 Discuss Continuity and Cutting; "Hollywood Behind the Badge" (police, crime, mystery genre films); Schedule a research paper; Homework: Read 112-123, "The Moving Camera" Oral research report (D.W. Griffith, Buster Keaton, Charlie Chapman); Discuss 7 Moving Camera Shots, etc.; Screening:
    [Show full text]
  • Cinema / Art / Café
    0116 242 2800 BOX OFFICE PHOENIX.ORG.UK BOOK ONLINE WHAT’S ON BOX OFFICE PHOENIX.ORG.UK MAY 2018 0116 242 2800 BAR É Available as Midweek Matinees – see p15 CINEMA / ART / CAF CINEMA / ART BOX OFFICE 0116 242 2800 FILMS SHORT PHOENIX.ORG.UK P. 12 COURSES Made possible with the support of P. 10 STAGE ON SCREEN EDIE Fri 25 May – Thu 7 Jun P. 8 Phoenix is a registered charity, No 701078 It’s been a long haul this winter, Our Film School course – an 8-week ART & with early April seeming more practical guide to filmmaking – starts on DIGITAL like late November (was more 10 May, and we also dip into the life and fog really necessary?) but finally work of Pedro Almodovar (p10). Book CULTURE online or at Box Office. FAMILY P. 6 it might be possible for us to cast FUN off our thermals and dig out our Film-wise, highlights include the T-shirts. Hurrah. ludicrously watchable Love Simon P. 4 (p13), which is garnering rave reviews With a third of the year behind us, May worldwide; Ian McEwan adaptation COMING NEXT MONTH brings with it many delights – warbling On Chesil Beach (p16) starring Saoirse warblers, bumbling bees, half-term hols… Ronan; gripping psychological thriller and the Spark Festival, when we open our Beast (p14), which is causing a storm on digital playground filled with free creative the international festival circuit; and the technology treats for families (p4). sublime My Golden Days (p16) – a true SOLO: A STAR WARS STORY We’re exploring artificial intelligence at the Gallic gem.
    [Show full text]
  • Bodies of Desire and Bodies in Distress
    Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................
    [Show full text]
  • Film Genre and Its Vicissitudes: the Case of the Psychothriller 1
    FILM GENRE AND ITS VICISSITUDES: THE CASE OF THE PSYCHOTHRILLER 1 Virginia Luzón Aguado Universidad de Zaragoza This paper is the result of an exploration into the contemporary psychothriller and its matrix genre, the thriller. It was inspired by the lack of critical attention devoted to this type of film, so popular with the audience yet apparently a thorn in the critics' side. The main aim of this paper is therefore to contribute a small piece of criticism to fill this noticeable gap in film genre theory. It begins with a brief overview of contemporary film genre theory, which provides the background for a vindication of the thriller as a genre and specifically of the psychothriller as a borderline sub-generic category borrowing features from both the thriller and the horror film. When I first started work on this paper I realised how difficult it was to find theoretical material on the thriller. Certain genre critics actually avoided the term thriller altogether and others mentioned it but often seemed to be either unsure about it or simultaneously, and rather imprecisely, referred to different types of films, such as detective films, police procedural films, political thrillers, courtroom thrillers, erotic thrillers and psychothrillers, to name but a few. But the truth of the matter is that "the thriller" as such has rarely been analysed in books or articles devoted to the study of genre and when it has, one can rarely find anything but a few short paragraphs dealing with it. Yet, critical work devoted to other acknowledged and well-documented genres such as melodrama, comedy, film noir, horror, the western, the musical or the war film is easily accessible.
    [Show full text]
  • BFI Film Quiz – August 2015
    BFI Film Quiz – August 2015 General Knowledge 1 The biographical drama Straight Outta Compton, released this Friday, is an account of the rise and fall of which Los Angeles hip hop act? 2 Only two films have ever won both the Palme D’Or at the Cannes Film Festival and the Academy Award for Best Picture. Name them. 3 Which director links the films Terms of Endearment, Broadcast News & As Good as it Gets, as well as TV show The Simpsons? 4 Which Woody Allen film won the 1978 BAFTA Award for Best Film, beating fellow nominees Rocky, Net- work and A Bridge Too Far? 5 The legendary Robert Altman was awarded a BFI Fellowship in 1991; but which British director of films including Reach for the Sky, Educating Rita and The Spy Who Loved Me was also honoured that year? Italian Film 1 Name the Italian director of films including 1948’s The Bicycle Thieves and 1961’s Two Women. 2 Anna Magnani became the first Italian woman to win the Best Actress Academy Award for her perfor- mance as Serafina in which 1955 Tennessee Williams adaptation? 3 Name the genre of Italian horror, popular during the 1960s and ‘70s, which includes films such as Suspiria, Black Sunday and Castle of Blood. 4 Name Pier Paolo Pasolini’s 1961 debut feature film, which was based on his previous work as a novelist. 5 Who directed and starred in the 1997 Italian film Life is Beautiful, which won the Academy Award for Best Foreign Language Film and the Grand Prix at the Cannes Film Festival, amongst other honours.
    [Show full text]
  • Silent Horror Cinema: 1890-1932 / Art 497.002 Fall 2011 Credits: 3
    SFA School of Art Silent Horror Cinema: 1890-1932 / Art 497.002 Fall 2011 Credits: 3 Instructor: Ron J. King Course Time & Location: 2:00-5:00 F /Rm. #106 Office: Art Shop / Upper Bldg. Office Hours: 8-5 Shop / M-F Office Phone: 468-4416 Class Web Blog: www.nitratehorrors.blogspot.com Email: [email protected] Textbook: "Chronicles of Terror: Silent Screams" Steve Haberman, Luminary Press, ISBN #: 1-887664-39-4 Prerequisites: I. Course Description: This lecture course is an introductory overview of the development of the horror film in modern cinema. We will trace it's roots through it's earliest beginnings, analyzing the artistic, social and political ramifications of the silent era of "golden age cinema", up through the earliest sound-based efforts of the "talkie" motion picture. Students will be given information that links many of the surrounding conditions that contributed to what we consider today to be a viable genre of film that once began as the "genre-that-never-existed". The goal of this course is to pique an interest in not only the historical, artistic and literate merits of a subject which students can relate to, but to create an understanding of the conditions surrounding the subject that will then offer a larger “world view”. By understanding the bigger picture through interconnections with the art movements that ran parallel to the phenomenon of early cinema, students can start to investigate and question the many related subjects and conditions that effected the silent film genre. II. Intended Learning Outcomes/Goals/Objectives (Program/Student Learning Outcomes): We will study, through lecture, interaction and viewing of the films themselves, what established the notions of the horror film and what possible explanations may exist as to why this genre came into being, thus influencing our modern perceptions of not only cinema, but society and our perceptions of reality.
    [Show full text]
  • Explicit Content: a Discussion of the MPAA Film Rating System and the NC-17 Rating Caroline H
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2015 eXplicit Content: A Discussion of the MPAA Film Rating System and the NC-17 Rating Caroline H. Miller Scripps College Recommended Citation Miller, Caroline H., "eXplicit Content: A Discussion of the MPAA Film Rating System and the NC-17 Rating" (2015). Scripps Senior Theses. Paper 582. http://scholarship.claremont.edu/scripps_theses/582 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. EXPLICIT CONTENT: A DISCUSSION OF THE MPAA FILM RATING SYSTEM AND THE NC-17 RATING by CAROLINE HOSMER MILLER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR FRIEDLANDER PROFESSOR MACKO DECEMBER 12 TH , 2014 Wayne Kramer (director, The Cooler (2003))—I remember what happened, I was just going into a meeting and I got a phone call and it was the producer of the film saying 'guess what, we just got an NC-17 from the MPAA' and I went 'Oh sh*t,' and so I said 'Was it for that first scene?' And they said 'No it was because there was a glimpse of Maria's pubic hair in the second scene' and I was just like 'What?!' Maria Bello (actress, The Cooler )—Just a couple of months before, I had gone to see a horror film [Scary Movie] that was rated R.
    [Show full text]
  • Erican Historical Association, Washington D.C
    DOCUMENT RESUME ED 310 025 SO 020 106 AUTHOR O'Connor, John E. TITLE Teaching History with Film and Television. Discussions on Teaching, Number 2. INSTITUTION American Historical Association, Washington D.C. SPANS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-87229-040-9 PUB DATE 87 NOTE 94p.; Contains photographs that may not reproduce clearly. AVAILABLE FROMAmerican Historical Association, 400 4 Street, 3E, Washington, DC 20003 ($3.50 plus $1.00 for shipping and handling). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Critical Thinking; Curriculum Enrichment; *Films; *History Instruction; Secondary Education; Social Studies; *Television; Television Viewing; Videotape Recordings; *Visual Literacy IDENTIFIERS Film Aesthetics; *Film History; *Film Theory ABSTRACT History teachers should be less concerned with having students try to re-experience the past and more concerned with teaching them how to learn from the study of it. Keeping this in mind, teachers should integrate more critical film and television analysis into their history classes, but not in place of reading or at the expense of traditional approaches. Teachers must show students how to engage, rather than suspend, their critical faculties when the projector or television monitor is turned on. The first major section of this book, "Analyzing a Moving Image as a Historical Document," discusses the two stages in the analysis of a moving image document: (1) a general analysis of content, production, and reception; and (2) the study of the moving image document as a representation of history, as evidence for social and cultural history, as evidence for historical fact, or as evidence for the history of film and television.
    [Show full text]
  • Who Dunnit? Language Activities for Mystery Movies
    DOCUMENT RESUME ED 421 009 FL 025 333 AUTHOR Katchen, Johanna E. TITLE Who Dunnit? Language Activities for Mystery Movies. PUB DATE 1998-00-00 NOTE 7p.; Revised version of a paper presented at the Annual Korea TESOL Conference (Seoul, 1995). PUB TYPE Guides Classroom Teacher (052)-- Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Class Activities; Classroom Techniques; *English (Second Language); *Films; Foreign Countries; *Foreign Language Films; Second Language Instruction IDENTIFIERS *Mysteries (Literature) ABSTRACT Use of English-language mystery movies is recommended to teach English-as-a-Second-Language listening and speech skills outside an English-language environment. A variety of issues are discussed, including the following: presenting the film in segments for more effectiveness; presenting students with activities that develop specific aspects of the film (dialogue completion, intonation practice, character description, prediction of future events, cultural elements, nonverbal behavior); preparation of a transcript to facilitate study of idioms or vocabulary; and selection of an appropriate film. Pre-teaching questions to motivate students are offered, and specific activities designed to accompany an Agatha Christie murder mystery are outlined. (Contains 13 references.) (MSE) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement UCATIONAL RESOURCES INFORMATION CENTER (ERIC) T s document has been reproduced as eceived from the person or organization originating it. Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this Who Dunnit? Language Activities document do not necessarily represent official OERI position or policy.
    [Show full text]
  • Sd Library • Fall 2014
    SD LIBRARY • FALL 2014 14945 Ventura Blvd., Ste. 306 Sherman Oaks, CA. 91403 USA Tel: (818) 784-1702 Fax: (818) 788-3715 www.visionfilms.net Email: [email protected] FAMILY SD LIBRARY ALL SCREWED UP CASTLE ROCK MORE THAN THE EFFECTS OF MAGIC In a twist of fate, a nerdy girl and a jock get An unruly middle class suburban girl and her PUPPY LOVE An old magician’s box, a broken heart, and a their bodies swapped a lá ‘Freaky Friday.’ dog meet a handsome drifter on the run from A young girl must learn to give up her dog to talking rabbit help a father and son reunite. Right before the big game they have to figure the law while lost in the vast wilderness of help a handicapped man regain his self- STARRING: Robert Carradine (Revenge of out how to switch back, but she likes all the Castle Rock Park. Thrown together in a reliance. the Nerds), (Prince of new attention and is having second thoughts. struggle for survival, the two must put aside Melinda Dillion STARRING: Pamela Bach (Baywatch), Tides), Jacobo Morales (Bananas), David STARRING: Chyna Layne (Precious, their differing backgrounds and learn to trust (Kung Fu, Kill Bill), and the voice one another. Diane Ladd (Chinatown, Wild at Heart) Carradine Cadillac Records), Allison Carter Thomas Craig Benton (Truman) of Kathy Bates (Misery) (Insidious), Robert Haley (Smart People), STARRING: Ernest Borgnine (The Wild FAMILY/ DRAMA/ THRILLER, 87 Min, 2001 Adam Piacente (The Dark Knight Rises), Bunch), Pamela Bach-Hasselhoff (The FAMILY/ DRAMA, 90 Min, 1999 Chris Bashinelli (The Sopranos) Young
    [Show full text]
  • Genre/Type Theme Movie
    Genre/type Theme Movie Science Fiction Future dystopias Metropolis - A clockwork orange Brazil - THX 1138 - Planet of the apes Totalitarian states 1984 - Farenheit 451 - A scanner darkly Post-apocalypse The day after - The Omega man - the Deluge Sci-Fi disaster film Mind games Seconds - Total recall Flight of the inocent Minority report - Logans run Private eye / Amateur sleuths Alphaville - Dark City - Blade Runner Psychological sci-fi Stalker - Solaris - Possible worlds Robots and androids Westworld - A.I. - Terminator 2 Virtual reality The Matrix - Strange days - Avalon Technology run amok Videodrome - Tron - Demon seed Tech-noir Computer paranoia 2001: a space odissey - Colossus Mad scientist Frankenstein - Forbidden planet - Pimer Experiments gone awry The fly - Altered states Anime Akira - Ghost in the shell - Paprika Future barbarians The road warrior - Escape from New York Space travel / Space wars Star wars - Star trek – Dune Space adventure Time travel La jetée - 12 Monkeys - Cronocrimenes Evil aliens Alien - The thing - Not of this Earth Benign aliens The abyss – Close encounters... Sci-fi horror End of the world Body snatchers - The quiet Earth Plagues & epidemics Shivers - The Satan bug - Epidemic Finding the cure The Andromeda strain Metamorphosis The face of another The day the Earth stood still Horror Mind games Rosemary’s baby - Gothic Psycho Killers Halloween - Last house on the left Desfigured criminals A Nightmare on Elm street - Friday the 13th Nightmare vacations Blair witch project - Txs chainsaw massacre Supernatural
    [Show full text]